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0243324154.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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ria9783368268060_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
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1997BN22174Berlin-Brandenburg 1997. 1997. Softcover. 194 x 13 x 54 cm. Felix Mendelssohn Bartholdy 1809-1847 war ein deutscher Komponist und Pianist. Er gilt als einer der bedeutendsten Musiker der Romantik. Er gründete die erste Musikhochschule in Deutschland und löste die Wiederentdeckung Bachs aus. <br/><br/>Felix Mendelssohn Bartholdy 1809-1847 war ein deutscher Komponist und Pianist. Er gilt als einer der bedeutendsten Musiker der Romantik. Er gründete die erste Musikhochschule in Deutschland und löste die Wiederentdeckung Bachs aus. Berlin-Brandenburg paperback
3862671186.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2022BN163554Outlook Verlag 2022. 2022. Hardcover. Reisebriefe von Felix Mendelssohn Bartholdy <br/><br/>Reisebriefe von Felix Mendelssohn Bartholdy Mendelssohn Bartholdy Felix Outlook Verlag hardcover
186273741Leipzig: Mendelssohn 1862. Gebunden. Mendelssohn unknown
186113109Leipzig: Mendelssohn 1861. Gebunden. Mendelssohn unknown
ria9783375029494_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
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20072412030443xbvkBerlin, Förderverein für die evangelische Grunewaldgemeinde e.V, 2000, 2001*, 2002, 2007. 201; 202; 168; 153 Seiten, mit vielen fotografischen Abbildungen. - Verschiedenfarbige, identisch fotogr. illustrierte Original-Umschlagkartons mit Deckeltitel; 4to.(ca. 30 x 21 x 4 cm; ca. 2,5 kg.).
1947RO60121489R. Piper & Co. 1947. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 106 pages. Texte en caractères gothiques. Quelques rares annotations dans le texte.. . . . Classification Dewey : 430-Langues germaniques. Allemand
RO50007516N. Simrock. XIXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Rousseurs. Paginé de 83 à 86.. . . . Classification Dewey : 780.26-Partitions
RO50032403ENOCH & cie. SANS DATE. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages.. . . . Classification Dewey : 780.26-Partitions
183329636Bonn: N. Simrock PN 3045 1833. Folio. Unbound. <br /> <br /> Violino 1mo: 1 title 2-13 i blank<br /> Violino 2do: 11 i blank<br /> Viola 1ma: 11 i blank<br /> Viola 2da: 11 i blank<br /> Violoncello: 11 i blank pp. <br /> <br /> Engraved throughout. <br /> <br /> Slightly worn and browned; binder's hole to upper inner margin; early manuscript initial "A" and the number "5" to first page of music of each part. First Edition. Scarce. Wehner p. 275. Catalogue of the Mendelssohn papers III 634. Hoboken 10 144. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br /> <br /> "Of the two string quintets the first op. 18 in A begins with a graceful Mozartian theme somewhat reminiscent of the Clarinet Quintet K581. The use of fugal writing and in the original minuet intricate double canons imbued the first version of this work with a severely academic quality; in 1832 Mendelssohn replaced the minuet with the emotionally charged Intermezzo in memory of Eduard Ritez." R. Larry Todd in Grove Music Online. N. Simrock [PN 3045] unknown
185036199Leipzig: Breitkopf & Härtel PN 4980 1850. Folio. Unbound as issued. 1 title 2 blank 3-13 i publisher's catalogue; 9 i blank; 10; 8 pp. Engraved.<br /> <br /> The first page of the first violin part page 3 contains the song "Ist es Wahr" for voice and piano; the violin part begins on page 4.<br /> <br /> Wrappers slightly worn. Minor stain to title. Re-issue of the first edition of 1830. MWV R22 p. 276. Krause 177. Not in Hoboken.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber . <br /> <br /> . Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole . In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
183028108Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. <br /> <br /> Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br /> <br /> ". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
