6 216 résultats
46163P., Librairie Nouvelle et Michel Lévy Frères, 1872, in 8° broché, XI-429 pages ; rousseurs ; manques de papier marginaux aux pages de faux-titre et de titre (pas d'atteinte au texte) ; couverture défaichie avec manques, dos factice, la plat inférieur est absent. Exemplaire de travail.
2017163667New York: Cheim & Read 2017. Hardcover. VG/VG. Light gray cloth white and color illus. dust jacket 110 pp. 24 color plates. Issued in conjunction with a 2017 exhibition of work by American abstract artist Bill Jensen b. 1945. With an essay by David Levi Strauss. Features 24 specific pieces. Uncommon. Cheim & Read hardcover books
2017162999New York: Cheim & Read 2017. Hardcover. New in shrink wrap. Light gray cloth white and color illus. dust jacket 110 pp. 24 color plates. Issued in conjunction with a 2017 exhibition of work by American abstract artist Bill Jensen b. 1945. With an essay by David Levi Strauss. Features 24 specific pieces. Uncommon. Cheim & Read hardcover books
194836159Wien: Alwin Cranz PN C. 50024 1948. Large octavo. Original light brown printed wrappers. 1f. recto title verso cast list 1f. recto contents verso blank 5-208 pp. <br/><br/>With handstamps to upper portion of upper wrapper "Boynton & Haithwaite" and "Arundel Opera Theatre Inc.".<br/><br/>Wrappers worn. Some internal wear and browning; remnants of wrapper to inner margin of title. First performed in Vienna at the Theater an der Wien on 24 October 1885 with text by I. Schnitzer after M. Jókai's Saffi.<br/><br/>"Certainly Strauss was no judge of librettos and throughout his life he found it both cumbersome and restricting to compose to prescribed texts though with Der Zigeunerbaron 1885 he showed himself uncharacteristically adept in this. Over the next quarter of a century a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Alwin Cranz [PN C. 50024] unknown books
190134541Berlin: Adolph Fürstner PNs A. 5162 F. etc. 1901. Quarto 305 x 235 mm. Original publisher's dark ivory wrappers printed in brown and green publisher's advertisements to verso of lower. 1 title 2-3 texts and translations 25 pp.<br/><br/>Includes:<br/>Op. 47 no. 3. Rückleben<br/>Op. 47 no. 4. Einkehr<br/>Op. 46 no. 2. Gestern war ich Atlas<br/>Op. 48 no. 1. Freundliche vision<br/>Op. 49 no. 7. Wer lieben will muss leiden<br/><br/>Wrappers slightly worn; publisher's handstamp to blank lower margin "Copyright for all countries Fürstner Limited 26-27 Conduit Street London W.1." and small ownership stamp "Hoch" to upper left corner of upper wrapper. Uniformly browned. TrV 199 200 202 204. Adolph Fürstner [PNs A. 5162 F., etc.] unknown books
34544Leipzig: Jos. Aibl PN U.E. 1001. Octavo 275 x 190 mm. Contemporary quarter light tan leather with marbled boards title label laid down to upper. 1f. title 40 pp.<br/><br/>With printed dedication to Benno Walter Michael Steiger Anthon Thoms and Hans Wihan to head of title.<br/><br/>Boards somewhat worn and scuffed; spine stained. Uniform light browning; title slightly trimmed and reinforced with tape at gutter. TrV 95.<br/><br/>The present quartet premiered on 16 March 1881 by the dedicatees. Jos. Aibl [PN U.E. 1001] unknown books
191534549Leipzig: F.E.C. Leuckart PN 7531 1915. Small octavo 240 x 170 mm. Original publisher's brown printed wrappers publisher's advertisement to verso of lower. 1f. recto title verso blank 1f. recto dedication "Dem Grafen Nicolaus Seebach und der Königlichen Rapell zu Dresden" verso instrumentation 3-162 pp.<br/><br/>Wrappers worn and chipped; upper torn with significant loss; spine partially split. Browned; some signatures split. First Edition. TrV 233.<br/><br/>The Alpensinfonie premiered in Berlin on 28 October 1915.<br/><br/>"Despite its philosophical roots Eine Alpensinfonie is outwardly unphilosophical proclaiming with startling beauty the glories of the natural world. It is unparallelled in Strauss's symphonic output both in terms of duration 50 minutes and size requiring over 140 players including offstage brass. Critical reaction after the October 1915 première was mixed; some went as far as to describe it negatively as 'cinema music' a remarkable claim given that film was still a new medium." Bryan Gilliam and Charles Youmans in Grove Music Online. F.E.C. Leuckart [PN 7531] unknown books
115791Paris, PUF, Presses Universitaires de France 1988, 215x150mm, 376pages, broché. Couverture à rabats. Exemplaire à l'état de neuf.
197863398Tutzing, Hans Schneider, 1978. origi.Pappband, 8°, 312 Seiten.
198914362APfaffenhofen, W. Ludwig Verlag, 1989. Ca. 23,5 x 16 cm. 327 Seiten, mit Notenbeispielen und Abbildungen. Blauer Original-Leinenband mit goldgeprägten Deckel- und Rückentiteln.
198814360APfaffenhofen, W. Ludwig Verlag, 1988. Ca. 23,5 x 16 cm. 267 Seiten, 1 Seite Verlagswerbung. Blauer Original-Leinenband mit goldgeprägten Deckel- und Rückentiteln.
198426400ATutzing, Hans Schneider Verlag, 1984. Ca. 23,5 x 16 cm. XV Seiten, 199 Seiten. Blauer Original-Leinenband mit goldgeprägten Deckel- und Rückentiteln.
197621320Zürich, Atlantis, 1976. 8°, 575 Seiten. mit vielen s/w. Photos, Abbildungen und Notenbeispielen. Orig.Leinen mit Goldprägung und OSU.
1982129608Payot, coll. « Critique de la politique » 1982 In-8 broché 22,8 cm sur 13,8. 368 pages. Bon état d’occasion.
195514016ASalzburg, Otto Müller Verlag, 1955. 324 Seiten, mit Abbildungen auf Tafeln. Original-Leinenband mit Original-Umschlag.
Mm 135x210 Collana "Biblioteca Studio". Volume nella sua brossura originale, 314 pagine. Opera in ottime condizioni, mostra un' etichetta di biblioteca dismessa alla prima carta. Spedizione in 24 ore dalla conferma dell'ordine.
191410413BRegensburg, Gustav Bosse, 1914. (= Deutsche Musikbücherei, 11), 8°, 310 (2) Seiten, mehrere Notenbeispiele OLn. (Schnitt etwas rußspurig)
194912601BWien, Österreichische Buchgemeinschaft, 1949. (= Österreichische Buchgemeinschaft, 13), 8°, 477 Seiten Illustr. OHLn. (hintere Ecke geknickt) Exlibris-Stempel
198354388San Francisco: June 1983. First edition 4to pp. 112; printed from typescript; original pictorial wrappers; generally fine. Contributions from Larry Eigner Michael McClure Bill Berkson Anne Waldman David Levi Strauss and others. "Dedicated to the little bureaucrat at the State Board of Equalization who sd sic: "Acts are not a magazine. Newsweek is a magazine." <br/><br/> June unknown books
196751341Washington D.C. New York & London: Printing Industries of America in association with R. R. Bowker 1967. First edition heavy 8vo pp. xiv 2 814 2; extensively illustrated throughout with drawings by Edith P. Strauss and photographs some in color; fine copy in original pictorial blue cloth. <br/><br/> Printing Industries of America in association with R. R. Bowker hardcover books
br. Un'ampia rilettura della biografia e del lascito musicale dell'ultimo Strauss che mette in luce quanto la sua estrema produzione destinata al teatro, solitamente ritenuta estranea ai tragici accadimenti storici contemporanei ed esempio di reticenza personale, nasconda in realtà una cifrata e profonda visione del mondo, dell'arte e della storia. Al cuore della propria ricerca Satragni pone la funzione del mito: chiave della vecchiaia di Strauss, in esso confluiscono vita e storia, commedia, tragedia e astrazione; è dietro la sua visione del mito che Strauss mette in atto un progressivo mascheramento a partire dalla "Elena egizia" (Die ägyptische Helena, 1928), per estendersi alla "Daphne" (1938) e all'"Amore di Danae" (Die Liebe der Danae, 1944). L'analisi di questi lavori è intrecciata ai significati riposti della commedia "La donna silenziosa" (Die schweigsame Frau, 1935) e alla sua indiretta valenza politica, nonché all'unica opera di soggetto storico, "Giorno di pace" (Friedenstag, 1938), nel contesto germanico degli anni Trenta. È attraverso questo ampio processo di decifrazione e scavo che l'autore giunge a mettere a fuoco la chiave di lettura del lascito artistico e intellettuale dell'ultimo Strauss, svelando tra l'altro le numerose allusioni nascoste in "Capriccio" (1942), la somma metateatrale dell'opera straussiana, e gettando al tempo stesso un fascio di luce retrospettivo sull'intero percorso creativo del compositore.
1900V37906Leipzig (C.F.Peters) [ca.1900]. 4°, schlichtes Halbeinen der Zeit mit handschriftlichem Deckelschild (Hardcover) 225 S., durchgängig Noten 1
R130005227DECCA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, coffret / un livre.. . . . Classification : 410-33 Tours
R130005560DEUTSCHE GRAMMOPHON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, orchestre philharmonique de Berlin, discographie à l'intérieur de la pochette et biographie. Direction: HERBERT VON KARAJAN.. . . . Classification : 410-33 Tours
R130007308DEUTSCHE GRAMMOPHON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Orchestre Philharmonique de Berlin. Petit livre à l'intérieur de la pochette et une photo en noir et blanc, deux textes et une discographie.. . . . Classification : 410-33 Tours
