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198421043Tutzing, Verlegt bei Hans Schneider, 1984. Gr.-8°. XV,(1),199,(1) S. Orig.-Leinen.
197910767611979). 4to. 167 S. m. zahlr. meist farb. Textabb. (5. Dokumentation zu Theater u. Musik). Illustr. OPpbd.
196914149AMünchen, Walter Ricke, 1969. Ca. 22 x 14,5 cm. 246 Seiten, mit Abbildungen. Original-Pappband mit Lesebändchen, im Original-Schuber.
199617544ATutzing, Hans Schneider, 1996. Ca. 23,5 x 15,5 cm. 144 Seiten. Original-Karton.
1988HC10-498M?nchen, J. Gotteswinter GmbH, 1988. original kartoniert, gr.-8?, 76 S. mit zahlreichen Abbildungen und einer Beilage ( W. A. Mozart Requiem zum 200. Todestag des Komponisten. 5. Dezember 1991 im Dom zu Sankt Stephan in Wien); Zustand: Kartonage mit blauen Flecken , sonst gut
192029317ABerlin, 1920. Ca. 22 x 14 cm. 10 Seiten, mit Notenbeispielen. Original-Broschur.
191629315ABerlin, 1916. Ca. 22 x 14 cm. 25 Seiten, mit Notenbeispielen, 7 Seiten Werbung. Original-Broschur.
1998ABE-1543824963762120 PAGES-23 CM X 29,5 CM-EN COUVERTURE "TITANIC MANIA COMMENT UN NAUFRAGE EST DEVENU LE FILM DU SIECLE", COUPLE, NAUFRAGE-LA DOUBLE VIE D'UN TUEUR EN SERIE, GUY GEORGES, 7P-FERDINAND II PRINCE DE PORSCHE, 3P-FRANCOIS LEOTARD L'ENFANT BATTU DE LA DROITE, 5P-JEAN NOUVEL LE REVE DE L'ARCHITECTE NE TIENT PAS DEBOUT, FONDATION CARTIER-TITANIC MANIA, 14P-CHRISTIAN CALIFANO, 3P-JUDITH GODRECHE LA LOLITA DEVENUE FEMME FATALE, 3P-PAULO COELHO LE MARKETING INSPIRE D'UN DOUX REVEUR, 2P-REVELATION LA RATP CACHE SES ONDES DANGEREUSES, 4P-UNE LEGENDE QUI BAT DE L'AILE LEVI STRAUSS A LE BLUE JEANS BLUES, 1P, 3 PHOTOS-QUE J'AIME TA COULEUR CAFE, THIERRY LE GOUES, 4P (PJ11)
Konzertplakat. Blattgr.: 32 x 22 cm. Eduard Strauß (1835-1916) war der jüngste Sohn von Johann Strauss (Vater) sowie Bruder von Johann Strauss (Sohn) und Josef Strauss. Bücher de
1982499025Boston: Little Brown and Company 1982. Hardcover. Fine. First edition of this adaptation by Anthony Burgess. Libretto by Hugo von Hofmannsthal. Story Adaptation by Anthony Burgess. Introduction by George R. Marek. Octavo. Illustrated. Blue cloth stamped in gold. Spine is very slightly faded else a fine copy in fine publisher's slipcase. Deluxe issue limited to 1000 numbered copies signed by two contributors Signed by Rise Stevens and one other but not signed by Burgess as issued. Little, Brown and Company hardcover
2020LFA-126742205N° 3723 - 10 septembre 2020 - numéro complet - bon état
1860384770Wein: Ant. Diabelli & Comp. 1860. Hardcover. Good. One bound volume containing 52 manuscript leaves of music on the versos and rectos of each sheet bound in at the front and 10 printed scores totaling 116 pages of music. Text in German. Oblong quarto. Measures 13.5" x 10.25". Contemporary half morocco and cloth boards with "Varieties-Piano" stamped in gilt on the spine. Scuffing at the joints and corners scattered foxing a few early wove-paper repairs about very good. A unique custom bound collection of popular waltzes and opera arrangements for piano most likely assembled by a Viennese-based musician in the 1850s. Only one of the manuscript arrangements is signed and dated: "Clementine Steiner … März 1853.†Most of the printed scores were published by the famous Viennese music publisher and composer Anton Diabelli in the Euterpe series from the 1840s and 1850s.<br /> <br /> The manuscript leaves consists of about 17 short pieces and 18 longer works most of which range from four to 10 pages each. Among the scores in manuscript are piano arrangements from Wagner's Der fliegende Holländer Rienzi Lohengrin and Tannhäuser. Also included are arrangements from operas by Verdi Donizetti Meyerbeer and Gounod. The music is neatly written in ink with one short section in pencil most likely in two different hands with the titles tempos and lyrics in German. Bound-in after the manuscript scores are 10 printed scores ranging from three to 13 pages each. These include waltzes by Josef Strauss H.C. Lumbye Joseph Lanner and others; and various extracts from operas by Bellini arranged for piano by Anton Diabelli. A unique and pleasing collection of waltzes and operatic melodies from Vienna’s golden age. A detailed list of the individual arrangements and printed scores is available upon request. Ant. Diabelli & Comp.) hardcover
1st edition. Original peach colored printed wrappers, stitched, 88 pages. Singerman 1461. Cohen, prominent San Francisco lawyer, book collector, and leader of the Jewish community, was unjustly accused of embezzling funds which belonged to creditors of the firm of Adams & Co. , a banking house which had recently defaulted. The case involved transactions with the California Steam Navigation Company. In 1862 the case was dismissed and Cohen, who became chief counsel to the Central Pacific Railroad, was vindicated. His lawyer, Trenor W. Park, had moved from his native Vermont to California in 1852, where he was counsel to the Vigilance Committee and became involved with Fremont in the Mariposa Mine; Stanly was a North Carolina Congressman who had moved to San Francisco in the 1850's. II Harv. Law Cat. 644. Cowan 133. Greenwood 769. Rocq 8030. Cohen 13950. OCLC lists 16 copies worldwide. Wrappers and title page lightly foxed, Very Good Condition. (kh-5-61)
198139248New York. 1981. 4to. Origbd. med smussomsl. 280 s. Gjennomill. i s./hv. og farger. Oxford University Press Engelsk. <br/><br/><em>Navnetrekk på forsatsblad. Pent eksemplar. </em> unknown
a89773One bound volume of 4 original first edition works refuting the conclusions of David Strauss. The 4 works are: 1 Beitrage zur Spekulativen Philosophie von Carl Friedrich Goschel Berlin 1838 284p. 2 Der Historische Christus und die Philosophie von Julius Schaller Leipzig 1838 137p. 3 Kritik der Principien der Strauss'schen Glaubenslehre Leipzig 1845 72p. 4 Die Speculative Dogmatik von Dr. David Freidr. Struss Parts one and two complete Tubingen 1841 and 1842 102p. 132p. All works in German. All bound in one large octavo volume with 3/4 dark brown leather with brown marbled boards. Binding secure; some light toning and foxing and wear in text. Some curling of page edges.The articles are of various sizes but binding of all is nice and secure. The works are of slightly different sizes. Laid in are two nineteenth century newspaper articles about Strauss. David Strauss 1808 - 1874 began as a Christian but was led by his studies to doubt the historical Jesus and to see the Bible as myth. Wikipedia cites the Earl of Shaftesbury announcing in reaction to a work of Strauss that it was "the most pestilential book ever vomited out of the jaws of hell" which sort of gives one an ideal of vitriol Strauss faced. Gilt spine title. No ownership marks. Good Plus. Pictures available on request. . hardcover
1921224533Leipzig: E. P. Tal & Co 1921. One of 2000 copies. 2 vols. 8vo. Bound in contemporary half morocco with decorative paper covered boards. With scores of some of Strauss' works in pockets inside back covers of both volumes. Some wear to extremities else fine. One of 2000 copies. 2 vols. 8vo. E. P. Tal & Co unknown
18906136371890. Softcover. Very Good. An album of late 19th century dance sheet music. Folio. Around 120 to 150 pages. Quarter black leather cloth covered boards leather spine with raised bands tooled with gilt in six compartments with "Dances" in gilt at the top of the spine the initials "N.L.D" in gilt on the front board and blue endpapers. Worn boards and spine with the foot of the spine coming loose both the front and rear hinge have been repaired some loss of the front fly leaf toned endpapers and a few tears throughout but there is no loss of the sheet music which remains bright and clean a few with an owner name or music shop stamp on the front cover and one song may possibly have the wrong cover "Lachtaubchen: La Rieuse" overall very good.<br /> <br /> The album consists of 30 instrumental dance pieces for the piano many being schottisches and lancers. The collection includes many seemingly uncommon to rare pieces which are either unrecorded by OCLC or located in very small numbers and almost every piece is bound with its original front cover some include rear covers featuring ads as well. Highlights include: <br /> <br /> "Possum Dance" with engraved illustration of dancing possums on the front cover by S. Bourgoin published by J. Van Loan & Co. copyright 1982 unrecorded by OCLC.<br /> <br /> "New York Society Lancers" dedicated to The Ladies of New York by J.S. Cox published by J. Van Loan & Co. copyright 1889 unrecorded by OCLC.<br /> <br /> "Dance Music from Mikado" with an elaborately engraved illustration on the front cover by George Wiegand published by Wm. A. Pond & Co. copyright 1883 two in OCLC a closed tear partially affecting the music though it remains complete.<br /> <br /> "Hot Time in the Old Town Schottische" with a bold and colorful front cover illustration by Theo. A. Metz published by Willis Woodward & Co. copyright 1897 three of the schottische in OCLC.<br /> <br /> "Society Yorke As Danced in New York Society" by W. Vincent Daly published by J. Van-Loan & Co. copyright 1890 unrecorded by OCLC.<br /> <br /> And what appears to be an early edition of "Künstler-Quadrille" by Johann Strauss with dampstaining along the top throughout published by Carl Haslinger no printed copyright the text is in German so it's difficult to make out if this is the exact piece by Strauss or an interpretation of his work. <br /> <br /> The album also includes multiple pieces by the composers George Wiegand and Emil Waldteufel.<br /> <br /> A lovely collection of uncommon to rare late 19th century dance music. A complete list of titles is available upon request. unknown
193543111New York: New York Theatre Program Corporation 1935. 1 vols. 8vo. Full blue morocco red device and lettering on front cover by Jas. McDonald. Fine. 1 vols. 8vo. Inscribed to J.K. Hyatt the owner of "The Center" by 28 people associated with the show including: Guy Robertson; Lee Whitney; Ralph Magelssen; Charles Romano; Solly Ward; Marie Burke; Mary Carney; Ernest Richard Lambart; Connie Maedonale; Vivien Fay; Stanley Harrison; Frank Kingdon; Michael J. Forbes; Herbert Goff; Harold Voetho; Ward Tallmon; Robert Milford; Dennis Noble; the PRODUCER Max Gordon; Harry Ediller; Clair Manners; Jane Overton; Thalia Mara; Nona Otero; Marian Bancroft; Jennie Kroll; Eddie McDonald; Joe Elsner; Henry L Gerhardt Jr.; and Steve Edwards. New York Theatre Program Corporation unknown
1938100793<p>Munich: J. Gotteswinter 1938. 1938. Very good. - Five octavo volumes 9-1/2 inches high by 6-3/4 inches wide. Softcovers bound white wrappers printed in gray and gold. The contents are as follows:</p><p>1 August 14 1938. PARSIFAL. 1-14 8 unnumbered pages 15-28 plus 8 pages of ads. The music was conducted by Karl Bohm and starred Rudolf Dittrich as Parsifal. The program is profusely illustrated including with portraits of Adolf Wagner Clemens Krauss Richard Strauss Rudolf Hartmann Karl Bohm and Gino Marinuzzi. Inserts in the program include an 8-page account of the story of Parsifal in three languages an 8-page announcement of the upcoming season of the Bavarian State Opera September 25 1938-May 25 1939 and a flyer announcing an Italian program conducted by Gino Marinuzzi.</p><p>2 August 18 1938. DIE GESCHOPFE DES PROMETHEUS and FRIEDENSTAG. 1-14 8 unnumbered pages 15-28 plus 8 pages of ads. Beethoven's Prometheus ballet was conducted by Meinhard von Zallinger with choreography by Pia and Pino Mlakar. Strauss' opera Friedenstag was conducted by Clemens Krauss and featured Hans Hotter and Viorica Ursuleac. The program is well illustrated including portraits of Adolf Wagner Clemens Krauss Richard StraussRudolf Hartmann and scenes from Friedenstag. An 8-page insert in 4 languages recounts the tales of the two works on the program. A flyer announces an Italian program conducted by Gino Marinuzzi and another flyer on pink stock announcing that smoking is forbidden in corridors and passageways.</p><p>3 September 4 1938. DON CARLOS. Pages numbered 29 30-46 8 unnumbered pages 47-64 plus 8 pages of ads. The opera was conducted by Clemens Krauss and featured Hans Hermann Nissen Alexander Sved and Viorica Ursuleac. Well illustrated including with portraits of Adolf Wagner Clemns Krauss with Rudolf Hartmann Richard Strauss with Clemens Krauss Ludwig Sievert Karl Ostertag Gino Marinuzzi and scenes from the opera. Inserted is a flyer on pink stock announcing that smoking is forbidden in corridors and passageways.</p><p>4 September 6 1938. TOSCA. Pages numbered 29 30-46 8 unnumbered pages 47-64 plus 8 pages of ads. The opera was conduted by Clemens Krauss and featured Viorica Ursuleac Alexander Sved and Karl Ostertag. Well illustrated including portraits of Adolf WagnerClemens Krauss with Rudolf Hartmann Richard Strauss with Clemens Krauss Ludwig Sievert Viorica Ursuleac Rochus Gliese Gino Marinuzzi and scenes from the opera. An 8-page insert in 3 languages recounts the story of the opera and the flyer on pink stock announcing that smoking is forbidden in corridors and passageways is also included.</p><p>5 September 7 1938. AIDA. Pages numbered 29 30-46 8 unnumbered pages 47-64 plus 8 pages of ads. The opera was conducted by Clemens Krauss and featured Hildegarde Ranczak Alexander Sved Torsten Ralf and Luise Willer. Well illustrated including portraits of Adolf WagnerClemens Krauss with Rudolf Hartmann Richard Strauss with Clemens Krauss Ludwig Sievert Gino Marinuzzi and scenes from the opera. An 8-page insert in 3 languages recounts the story of the opera and the flyer on pink stock announcing that smoking is forbidden in corridors and passageways is also included.</p><p>The edges of the covers are darkened with a tiny chips to the top edge of the first and fourth volumes. The spine of the third volume is slightly splitting along the bottom with some more splitting along the spine of the fifth volume. Very good.</p> Munich: J. Gotteswinter, 1938. paperback
194821527Partitions sur les Fleurs Cranz 1948
193725964Popular Melodies 1937
192029071Eschig Max 1920
191029227Eschig Max 1910 approx.
