6 215 résultats
19234952CB1923. Berlin u.a. Fürstner 1923. Gross-4°. 156 S. Halbpergamentband der Zeit vorderer Orig.-Umschlag miteingebunden. Tenner S. 1922 ungenaue Angaben. - MGG XII 1481. - Pl.-Nr.: A. 7752 F. - Erste Ausgabe des Klavierauszuges unknown
6j1335BMG Music ohne Ort 1996. CD mit einer Laufzeit von ca. 41 Minuten in original CD-Hülle. - sehr gutes Exemplar/gesungen von Lisa della Casa am Klavier begleitet von Arpad Sandor - unknown
203454-. One corner a trifle bent fine. Folding menu card single leaf folded to make four gilt-edged pages approx. 4-1/4 X 6-1/2 in. Handwritten menu card from a formal dinner held in Breslau on October 9 1924 with a number of signatures in pencil including the great composer Richard Strauss as well as the host Wolfgang Jaenicke Regierungspresident from Breslau and his wife; Heinz Tietjen head of the Breslau Theater; and several others. unknown
19989644384Newnes 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item800grams ISBN:9780750635899 Newnes hardcover
BAY_04_SH_080709Newnes. Used - Very Good. Text block firm and clean binding unblemished boards straight without highlights or underlining. Very clean nearly like new. Previous library copy with usual markings/stickers or stamps. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped. Newnes hardcover
19984937562Newnes 1998. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item800grams ISBN:9780750635899 Newnes hardcover
0750635894.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20141-0071762396McGraw-Hill Professional Pub 2014. Hardcover. New. 1st edition. 760 pages. 11.00x9.00x1.00 inches. McGraw-Hill Professional Pub hardcover
0071762396New. Brand new and still unused unknown
0071762396.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1985Q-0714540625Oneworld Classics 1985-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Oneworld Classics paperback
1016819838.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20101-3639297180Vdm Verlag Dr. Müller 2010. Paperback. New. 168 pages. German language. 8.66x5.91x0.38 inches. Vdm Verlag Dr. Müller paperback
2010__3639297180Vdm Verlag Dr. Müller 2010. Paperback. New. 168 pages. German language. 8.66x5.91x0.38 inches. Vdm Verlag Dr. Müller paperback
1015898025.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1980425802Cambridge : Cambridge University Press 1980. 1st edition. Hardcover. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight bright clean and especially sharp-cornered. Physical description; xx558p 24cm. Notes; Originally published: London : Collins 1961. Includes index. Translation of: Richard Strauss und Hugo von Hofmannsthal: Briefwechsel. Contents; Contents include: Main group of letters covering each opera p. 538: The joint works of Richard Strauss and Hugo von Hoffmansthal with original operatic casts p.539-543. Subjects; Strauss Richard 1864-1949. Hofmannsthal Hugo von 1874-1929 Correspondence. Strauss Richard. Hofmannsthal Hugo von 1874-1929 ; Biography. Strauss Richard 1864-1949 Correspondence. Hofmannsthal Hugo von 1874-1929. Cambridge : Cambridge University Press hardcover
1961446025London : Collins 1961. 1st English edition. Hardcover. Near fine cloth copy in a good if somewhat edge-torn and dust-dulled dust-wrapper now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and strong. Physical description: xx 558 p : facsims ; 23 cm. Subjects: Strauss Richard 1864-1949; Correspondence; Authors Austrian Correspondence 20th century. London : Collins hardcover
1961470911London : Collins 1961. First Edition. Hardcover. Very good cloth copy in a good if somewhat edge-torn with some loss and dust-dulled dust-wrapper. Hinges starting. Remains well-preserved overall. Physical description; xx 558 p 24 cm. Notes; Includes index. Translation of: Richard Strauss und Hugo von Hofmannsthal: Briefwechsel. Contents; Contents include: Main group of letters covering each opera p. 538: The joint works of Richard Strauss and Hugo von Hoffmansthal with original operatic casts p.539-543. Subjects; Strauss Richard 1864-1949. Hofmannsthal Hugo von 1874-1929 Correspondence. Hofmannsthal Hugo von 1874-1929 Biography. Strauss Richard 1864-1949 Correspondence. Strauss Richard 1864-1949. Strauss Richard. Composers Germany Biography. Authors Austrian 20th century Biography. Authors Austrian 20th century Correspondence. London : Collins hardcover
2022x-0367336944Routledge 2022. Paperback. New. 50 pages. 9.50x6.75x0.50 inches. Routledge paperback
1913mon0000258664T.C. & E.C. Jack 1913-01-01. Hardcover. Acceptable. in x in x in. NOT an ex-library book. Well read with heavy wear damaged spine repaired with tape but still very useable. 1922 REVISED EDITION. T.C. & E.C. Jack hardcover
191108389Adolph Furstner 1911-01-01. Hardcover. Very Good. German and English version. Red cloth boards are worn at the corners to threads spine darkened and tearing at the head. Endpapers are browned around the edges. 1911 Vocal score with German and English words. 451 pages. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Adolph Furstner hardcover
1276844956.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
189641120München: Jos. Aibl Verlag PN 2832 1896. Folio. Full dark blue cloth with titling and owner's name "R. Temple Savage" gilt to upper titling gilt to spine. 1f. recto title verso "Orchesterbesetzung" 3-60 pp. With notice of the 4-hand arrangement by O. Singer added to title and "Lith. Anst. v. C. G. Röder" to foot. <br /> <br /> With red handstamped copyright notice to upper inner corner of title and rectangular Univeral-Edition overpaste to lower margin; small octagonal ivory label laid down over printed prices.<br /> <br /> Provenance<br /> Richard Temple Savage 1909-1996 bass clarinettist under Sir Thomas Beecham in the London Philharmonic Orchestra 1934-1946 then Chief Librarian and member of the orchestra at the Royal Opera House Covent Garden with his handstamp "The Property of R. Temple Savage" within rectangular border to front free endpaper and signature and date of 1943 to upper outer corner of title. <br /> <br /> Binding slightly worn rubbed and bumped. Minor internal wear and browning; upper outer corners slightly creased. First Edition later issue. Sonneck Orchestral Music p. 453. Fuld p. 580. Trenner 171. Asow I p. 156. <br /> <br /> Strauss "emerged soon after the deaths of Wagner and Brahms as the most important living German composer. During an artistic career which spanned nearly eight decades he composed in virtually all musical genres but became best known for his tone poems composed during the closing years of the 19th century and his operas from the early decades of the 20th. .<br /> <br /> Shortly after the Guntram première he decided to compose a one-act opera Till Eulenspiegel bei den Schildbürgern though he never got beyond an incomplete text draft. Why he scrapped the opera for a tone poem is not clear but judging from his programme notes the symphonic work is based on a different scenario: 'Once upon a time there was a knavish fool named Till Eulenspiegel. He was a wicked goblin up to new tricks'. Till rides on horseback through the market mocks religion disguised as a cleric flirts with women engages in academic double talk with his philistine audience and by the end finds himself on the scaffold soon to be hanged. Strauss did not call Till a tone poem but rather a 'Rondeau Form for Large Orchestra'. Richard Specht suggested this might well have been the first prank given that the only connection with the old French forme fixe is in the spelling. Strauss later described the structure as being an 'expansion of rondo form through poetic content' and cited Beethoven's Eighth Symphony as his model. Given the libertine qualities of young Till as well as the episodic nature of the work a rondo would seem quite appropriate. But as in Don Juan the form is hardly conventional: the sense of rondo is achieved mostly by the return of Till's two themes to articulate his various adventures. Completed in May 1895 the compact Till Eulenspiegel was introduced with great success six months later and remains Strauss's most often performed orchestral piece. That he had learnt much about orchestral detail and nuance during the six years since Tod und Verklärung is evinced by his brilliant use of the ratchet when Till rides through the market or by the piercing D clarinet when he whistles in the face of death." Bryan Gilliam and Charles Youmans in Grove Music Online. Jos. Aibl Verlag [PN 2832] unknown
195052425Edwin F. Kalmus 1950. Paperback. G. 0x0x0. A FEW PAGES HAVE ONE OR 2 WORDS OF WRITING; "PRIOR" WRITTEN ON FRONT COVER. Edwin F. Kalmus paperback
