6 216 résultats
3375099029.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3375104960.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008DADAX0548830509Kessinger Publishing 2008-01-10. paperback. New. 7.50x1.56x9.25. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
1971Q-0304937355Cassell 1971-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Cassell hardcover
A9780313377822Hardback. New. The U.S. lease of Guantanamo Bay from Cuba is a territorial Frankenstein's monster that is running amok outside the respective legal systems of its parties and outside the bounds of international law. hardcover
ria9780313377822_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
2009x-0313377820Praeger Security Intl 2009. Hardcover. New. 296 pages. 9.30x6.20x1.10 inches. Praeger Security Intl hardcover
6332476-nnew. unknown
6332476like new. unknown
2009DADAX0313377820Bloomsbury Academic 2009-05-14. hardcover. New. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Academic hardcover
1440083711.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
198227836Frederick Warne 1982. First Edition . Hardcover. Very Good/Very Good. Dark yellow boards back very lightly soiled portions lightly browned inside covers and adjacent end papers nearer spines 218 lightly browned pages tiny brown spots to exterior page edges. DJ beneath mylar has a beautiful color-illustration of woman in cloak holding aloft two torches in castle window on front spine and back. DJ has 1/4" tear at top front edge nearer spine. Very Good DJ/Near Fine book. <br/> <br/> Frederick Warne hardcover
2003Q-0312309171St. Martin's Press 2003-05-14. Hardcover. New. New. In shrink wrap. Looks like an interesting title! St. Martin's Press hardcover
200350968New York: St. Martin's Press 2003. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. ; Signed and inscribed by author. ; 0.6 x 8.5 x 5.3 Inches; 288 pages; Signed by Author. St. Martin's Press hardcover
2004DADAX031230918XGriffin 2004-04-01. First Edition. paperback. New. 5.50x0.62x8.50. Buy with confidence. Excellent Customer Service & Return policy. Griffin paperback
200361959New York: St. Martin's Press 2003. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. ; Signed by the author. ; ; 8.50 X 5.30 X 0.60 inches; 288 pages; Signed by Author. St. Martin's Press hardcover
0935536019.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1981163123New York: Kennedy Galleries and Abaris Books 1981. Third Revised Edition. Hardcover. VG- Slight remnant of a sticker at lower edge; light rubbing to back cover; text exceptionally clean and tight. Red cloth gilt letters on spine & front cover along with black text block. 352 pp. many BW illus. & figures. No dust jacket. "This book is concerned only with Durer's engravings etchings and drypoints. Over a span of three decades Durer issued a mere one hundred and five works in these media. But this figure must be viewed within the context of his entire oeuvre consisting of some two thousand drawings two hundred and fifty woodcuts more than one hundred paintings and three books on theoretical subjects. . The one factor common to all of his works however is innovative experimentation. Durer never repeated himself but created and explored to the end of his life." intro We should all be able to say the same. Kennedy Galleries and Abaris Books hardcover books
1977137755New York: Kennedy Galleries and Abaris Books 1977. Expanded Edition. Hardcover. VG- Slight soiling to top of book block; slight edgewear at head & heel of spine; light rubbing to back cover; text exceptionally clean and tight. Red cloth gilt letters on spine & front cover along with black text block. 352 pp. many BW illus. & figures. No dust jacket. "This book is concerned only with Durer's engravings etchings and drypoints. Over a span of three decades Durer issued a mere one hundred and five works in these media. But this figure must be viewed within the context of his entire oeuvre consisting of some two thousand drawings two hundred and fifty woodcuts more than one hundred paintings and three books on theoretical subjects. . The one factor common to all of his works however is innovative experimentation. Durer never repeated himself but created and explored to the end of his life." intro We should all be able to say the same. Kennedy Galleries and Abaris Books hardcover books
0913870323.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
75-5409New York: Kennedy Galleries and Abaris Books 1981. Fo. Hard Cover ca. 350 pp. B&W Plates. Very Good Ex-Library Abrasions Age Toning Red Cloth-bound boards re-inforced with Matching Tape at corners and top/bottom of Spine. No Dust Jacket. Third Revised Edition.Large Volume May require extra for ShippingProvenance: From the library of the San Francisco Gallerist Pasquale Iannetti. New York: Kennedy Galleries and Abaris Books, 1981 hardcover
ANAIS-0913870323Abaris Books. hardcover. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Abaris Books hardcover
SONG0913870323Abaris Books 0000-00-00. 3. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Abaris Books hardcover
155-7New York: Kennedy Galleries and Abaris Books 1977. Alan Wofsy Fine Arts distribution. 4to. Original red cloth. 352 pp. Illustrated. With a translation of Meder’s states. As new. New York: Kennedy Galleries and Abaris Books, 1977. Alan Wofsy Fine Arts, distribution. hardcover
1978199318New York: Abaris Books 1978. Hardcover. VG to Good Some covers have minor wear. Vol 18 and 141 are Ex-lib copies Vol 89 Has long tear down center of spine. Many of these volumes are in shrinkwrap. Brown cloth boards with gilt lettering on front cover and spine. Contains the following volumes 1 2 2.1 commentary 3 3 commentary 4 5 6 6 commentary 7 8 8.1 Commentary pt 1 9 9.2 commentary pt 2 10 10 Commentary 11 12 13 13 Commentary 14 15 16 17 18 19.1. 19.2 20.1. 20.2 21 23 24 24 commentary pt 1 2 3 4 25 25 commentary 26 27 28 28 commentary 29 30 31 32 33 34 3535 Commentary pt.1 36 37 38 39 40 40.1 commentary 41 42 43 44 45 45 commentary 46 46 commentary 47 47.1 commentary 47.2 commentary 47.3 commentary 48 51 supplement 52 supplement 53 supplement 55 supplement 70.1 70.2 70.3 70.4 All are supplements 71.1 71.2 71.3 72.1 72.2 80 supplement 81 supplement 82 supplement 83 supplement 84 supplement 85 supplement 86 supplement 87 supplement 88 supplement 89 Supllement 90 commentary 121.1 121.2 both are suppplements 141 141 commentary 161 suplement 162 supplement 163 supplement 164 supplement 165 Supplement 166 Supplement. Contents of entire series as follows:. Commentary./ Includes bibliographical references and indexes.Volumes will be verified upon ordering. A total of 104 physical volumes Contents of entire series as follows: v. 1-7. Netherlandish artists. --v. 8-9. Early German artists -- v. 10-11. Sixteenth century German artists -- v. 12. Hans Baldung Grien. Hans Sprnginklee. Lucas van Leyden engravings and etchings. Woodcuts -- v. 13. Sixteenth century artists -- v. 14-17. Early German masters -- v. 18-20. German masters of the sixteenth century -- v. 21 formerly v. 9 pt. 4. German masters 1550-1600 -- v. 23. German and Netherlandish masters of the fifteenth and sixteenth centuries --v. 24-25. Early Italian masters -- v. 26-27. The works of Marcantonio Raimondi and of his school -- v. 28-29. Italian masters of the sixteenth century -- v. 31. Italian artists of the sixteenth century -- v. 32-33. Italian artists of the sixteenth century School of Fountainbleau -- v. 35-37. Antonio Tempesta. Italian masters of the sixteenth century -- v. 38. Italian artists of the sixteenth century -- v. 39. Italian masters of the sixteenth century 2 v. -- v. 40. Italian masters of the sixteenth and seventeenth centuries.<br /> <br /> v. 43-47. Italian masters of the seventeenth century -- v. 48. Italian chiaroscuro woodcuts -- v. 50 Suppl. Rembrandt Harmensz. Van Rijn -- v. 51 Suppl. Ferdinand Bol -- v. 52. Netherlandish artists -- v. 53. Netherlandish school pre-Rembrandt etchers -- v. 55 suppl. Dirck Volkertsz. Coornhert -- v. 56. Netherlandish artists -- v. 70 suppl. Johan Sadeler I 4 v. -- v. 71 suppl. Raphael Sadeler I 3 v. --v. 72. Aegidius Sadeler II 2 v. -- v. 73 pt. 1 suppl. Justus Sadeler -- v. 73 pt. 2 suppl. Justus Sadeler -- v. 80-87 88 suppl. German book illustration before 1500 -- v. 89. German book illustration before 1500 part 8: anonymous artists 1492 -- v. 90. German book illustration through 1500 : herbals through 1500 -- v. 121. Dominique Vivant Denon French Masters of the nineteenth century 2 v. -- v. 141. James Ensor -- v. 161. Anonymous artists .001-.400 -- v. 162. Anonymous artists .401-.735 -- v. 163 suppl. German single-leaf woodcuts before 1500 anonymous artists: .736-.996-2 -- v. 164 suppl. German single-leaf woodcuts before 1500 anonymous artists: .997-.1383 -- v. 166 suppl. German single-leaf woodcuts before 1500 anonymous artists: .1594-.1782.2 --. Abaris Books hardcover