Klinger, JuliusAntiquariat.de
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191365920Berlin, Hollerbaum & Schmidt, o. J. (1913). Farb. lithogr. Plakat (69,5 x 95 cm).
0004-Bo.J. Radierung, auf chamoisfarbenem Velin mit Wasserzeichen: GM. 27:36,7 cm. Literatur: Jentsch 227; Martens 85. - Im linken Rand leicht fleckig, mit kleiner geglätteter Knickfalte und mit kurzen restaurierten Einrissen im Oberrand, linker Rand mit schmalem Papierstreifen hinterlegt.
1911142497Berlin : Urban & Schwarzenberg 1908 und 1911. XXXVI, 828 und 185 Setien. 27,5*21,5 cm. OHalblederbände mit Farbschnitten.
31367ABo.J.
183326135Berlin, George Gropius, 1833. 4to. Mit gest. Titel, Wappen-Holzschn. u. 104 Stahlstich-Ansichten auf 52 Taf. (27,5 x 20,5 cm). X, IV, VI, II S., 1 Bl., 165 S., Hldr. d. Zt. m. Rückengoldpräg. u. grünem RSchild. Unbeschnitten.
19903117518Santa Rosa: Black Sparrow Press. Fine with no dust jacket. 1990. First Edition; First Printing. Hardcover. SIGNED limited edition. #121 of 125 copies. Fine in pictorial boards with red colored quarter cloth without dust jacket with plain unprinted acetate protective wrapper. 280pp. 6 1/2" X 9 3/4" First of Lucia Berlin's three Black Sparrow editions. ; 6 1/2" X9 3/4"; 280 pages . Black Sparrow Press hardcover
19933117189Santa Rosa: Black Sparrow Press. Fine with no dust jacket. 1993. First Edition; First Printing. Hardcover. 0876858957 . SIGNED Limited edition. #56 of only 100 hardcover copies. Fine in pictorial printed boards with orange quarter cloth in the publisher's clear acetate protective jacket. 214pp. 6 1/4" X 9 1/4" Small signed issue. 0876; 6 1/4" x 9 1/4" ; 214 pages . Black Sparrow Press hardcover
178532938-zn4Berlin: ohne Verlag 1785. VIII und 172 (recte 186) Seiten und 52 Seiten. Restaurierter Lederband der Zeit (durchschossenes Exemplar mit zahlreichen zwischen den Blättern eingebundenen weißen Blättern; diese oftmals mit Anmerkungen und Ergänzungen von alter Hand beschrieben; die letzten beiden Seiten (185/186) mit den Zusätzen und Berichtigungen irrig 171 und 172 paginiert, die Innengelenke nicht ganz sachgemäß mit Gewebeband verstärkt, ein moderner Exlibris-Stempel auf dem vorderen Innendeckel, ein älterer Namensstempel auf dem Titelblatt, der Grundriss verso am unteren Rand mit Gewebeband fixiert, Titelblatt und der Grundriss mit einem Wasserfleck im unteren linken bzw. rechten Rand (vgl. Abbildung), sonst ordentliches nur gelegentlich etwas fleckiges Exemplar). Gr.-8° (21 x 18 cm). [8 Warenabbildungen]
19367587ABerlin,1936. Alle Fotos in Plastiktaschen in Ordner. Sehr gut erhalten.
19641900131964. Signiert und datiert "C. Felixmüller/64", betitelt und als "Holzschnitt" bezeichnet. Rückseitig eigenhändig bez. "selbsthandgedruckt (fm/Japan". Im Stock monogrammiert. Auf Japanpapier. 49,7 x 39,7 cm, Papier: 61 x 44.
0126-Co.J. Lithographie, auf gelblichem Velin, signiert, betitelt und mit der Nummer ?2039. P.? versehen. Darstellungsgröße ca. 29:37,7 cm, Blattgröße 36,1:45,1 cm. Literatur: Katalog Niemann 1987, 23. ? Prachtvoller Druck! Verso mit dem Gegendruck eines typographischen Textes. Kleiner Knick in der linken unteren Ecke, winziger Einriß im Unterrand. 1920-1922 entstand eine Folge von Lithographien mit Berliner Straßenszenen.
19933117517Santa Rosa: Black Sparrow Press. Fine with no dust jacket. 1993. First Edition; First Printing. Hardcover. 0876858957 . SIGNED limited edition. #82 of 100 copies signed by Lucia Berlin on the colophon. Fine in pictorial boards & orange cloth without dust jacket in plain acetate protective wrapper. 214pp. 6 1/2" X9 1/4" Publisher's promotional review sheet laid-in. ; 6 1/2" x 9 3/4"; 214 pages . Black Sparrow Press hardcover
19993117519Santa Rosa: Black Sparrow Press. Fine with no dust jacket. 1999. First Edition; First Printing. Hardcover. 157423093X . SIGNED limited edition. #71 of 100 copies. Signed on colophon by Lucia Berlin. Fine in colorful patterned boards and tan quarter cloth without dust jacket with publisher's clear un-printed protective acetate wrapper. 240pp. 6 1/2" X 9 1/4" Publisher's photocopied review sheet laid-in. Stories. ; 6 1/2" x 9 1/4"; 240 pages . Black Sparrow Press hardcover
140948237Santa Rosa: Black Sparrow Press 1999. First Edition. Fine. First edition limited issue #44 of 100 signed and numbered copies. Signed by Lucia Berlin on the limitation page at rear. 240 3 pp. Bound in publisher's printed paper-covered boards over tan spine cloth paper label to spine saffron endpapers. Fine. In the original acetate jacket lightly clouded lightly rubbed and lightly soiled. A beautiful copy of the last collection of short stories published in Lucia Berlin's lifetime. Black Sparrow Press unknown
183362201ABBerlin, Gropius, 1833. 25 x20 cm X, IV, VI, II S., [1] Bl., 165 Textseiten zu den Ansichten, 52 Tafeln mit je 2 Ansichten (104 Ansichten) Halbleder,rot, vergold. Rü.-Titel, Ganzgoldschnitt, Rü.-Leder prof. restauriert,Vorsätzbl. erneuert, innen stellenw. stockfl. bzw. gebräunt , altersgemäßer, guter Zustand.
19437209New York: Random House 1943. First printing. Used; Like New/Used; Like New. 201 pp. Signed and Inscribed by Hart on the title-page and signed by more than 30 contemporary stage and screen personalities on the front and rear blanks and endpapers. Owner's inscription on front pastedown and on the half-title page the names of some of owner's fellow airmen and officers in an unknown hand. Thin 8vo publisher's cloth covers and spine markedly worn and soiled; hinges cracked a few pages defaced or with doodles in ink. Signed by Moss Hart on the title page Irving Berlin Eleanor Roosevelt Frank Sinatra Bing Crosby Lucille Ball Joe E. Brown Eddie Cantor Charles Coburn Franchot Tone Fred Wearing Irene Dunne Ralph Bellamy Carol Bruce Vera Zorina James Melton Lawrence Tibbett Cesar Romero Conrad Nagel Lilly Pons Noel Coward Anne Sheridan Henry Morgenthau Jr. Andre Kostelanetz Franchot Tone etc. the last 8 of which and others unlisted mostly traced over are on pages partially defaced with children's drawings. Together with 2 vintage snapshots one inscribed on the verso "Me and the Winged Victory bomber."<br><br><br />Winged Victory is a play and later a film by Moss Hart originally created and produced by the U.S. Army Air Forces during World War II as a morale booster and as a fundraiser for the Army Emergency Relief Fund. Random House hardcover books
1990c2306130120xbvkOhne Ort und Jahr, wohl Berlin 1990er Jahre. 8 kleinerformatige (3x ca. 13,5 x 14,5 cm; 5x ca. 20 x 14,5 cm) Hochglanzabzüge (je 4 auf 2 Kartons montiert) / 18 grossformatige (ca. 40,5 x 30,5 cm) Hochglanzabzüge auf gleichgroße Kartons montiert. - Zusammen lose in schwarzer Büttenpapier-Flügelmappe mit montiertem Deckeltitel; Folio (ca. 41 x 31 x 1 cm; ca. 1 kg.).
171514295ABLeipzig, Fritsch, 1715. 34 cm. (2) Bl., 258 S., (8) Bl. Register/ S. 259 - 520, (2) Bl. Register. Mit 19 Kupfertafeln und einigen Holzschnitten im Text. Original-Pergamenteinband (Hardcover) unter Verwendung eines mittelalterlichen Notenblattes, Vollrotschnitt, Fadenheftung. ... In diesem 4. Dr. zieml. verm. Es fehlen die ersten Seiten. Das Buch beginnt mit der zu Seite 8 gehörenden Tafel, es folgt die zu Seite 9 gehörende Tafel und dann die Seite 9ff. Am Ende des Buches fehlt das Doppelblatt mit den Seiten 517 bis 520 sowie das zweite Blatt des Registers. Se
19201308031920/30er Jahre. Verso bezeichnet "Arthur Schnabel gez. von seinem Schwiegervater". Auf Malpappe. 28 x 23 cm.
1945100362<p>April 11 1945. 1945. Very good. - Over 250 words typed on his personal 10-1/2 inch high by 7-1/4 inch wide embossed watermarked linen stationery. Irving Berlin writes to Bob Sidney the choreographer of his important World War II musical "This Is the Army" concerning new music he created for the show's tour of the Philippines. He writes that "I hope all went well in Mendora Mindora and that the new number is working out.As I wrote you from Leyte unless this number is a riot I wouldn't keep it in. Another spot may help but I still feel the number is too slow." Berlin had introduced his new song "Heaven Watch the Philippines" during a ceremony in Leyte in March of 1945 singing the song with a chorus of Filipino girls and the cast of the play "This Is the Army". He wrote the song as a tribute to the Filipino people and their resilience during World War II. In his letter to Bob Sidney he expresses his concern that the song will be misunderstood. "I am really concerned about the Philippine song especially when you play Manila and the rest of the tour through the Philippines. I hope Shanley Pvt. Robert Shanley got away with the announcement. If not someone else should explain the song. It makes much more sense with an announcement. I would also try to get some children for every performance as we did in Leyte. In any event the shows you play in Manila should have the children for every performance." Signed in full "Irving Berlin". Folded for mailing with some light creases. Near fine.</p><p>Originally composed as a Broadway Musical Irving Berlin's "This is the Army" was staged as a morale-boosting revue to raise money for the troops. The musical opened on Broadway on July 4 1942 during the Second World War with a cast consisting of 300 uniformed soldiers. The show was so successful that it was followed by a national and international tour playing in the European Far East and Pacific Theaters of War. Irving Berlin designed the show so that he could insert new songs depending on the location of the performances. "My British Buddy" was composed for the English performances and "Heaven Watch the Philippines" for Pacific Island shows. The song "Heaven Watch the Philippines" was written as a tribute to the Filipino people's resilience during the war and as a benefit to aid in the recovery following the war. Dedicated to General Douglas MacArthur Berlin sang the song with a chorus of Filipino girls and the cast of the musical in a presentation ceremony in Philippine city of Leyte in March 1945. He subsequently donated the song to the country with proceeds to go to the Boy & Girl Scouts of the Philippines.</p><p>The Russian-born American composer and songwriter Irving Berlin 1888-1989 wrote an estimated 1500 songs including scores for 20 Broadway musicals and 15 Hollywood movies. His music forms a large part of the Great American Songbook.</p><p>The American choreographer Robert Sidney 1909-2008 was self-taught as a dancer. He made his Broadway debut in "On Your Toes" in 1936 and appeared in George Balanchine's "Keep Off the Grass". Assigned to the Special Services Division during the Second World War he was the principal choreographer for Irving Berlin's musical "This Is The Army" and was later involved in the movie version starring Ronald Reagan. He choreographed many Broadway shows and worked with Bing Crosby Rita Hayworth Nancy Walker Jackie Gleason Cyd Charisse Debbie Reynolds and Mitzi Gaynor. He also went on to work in television choreographing for "The Dean Martin Show" television versions of musicals and 4 Academy Awards shows.</p> April 11, 1945.
1909Alibris.0034110Berlin: Bruno Hessling. C BEHRENS MALER UND AN DER ERSTEN STADTISCHEN HANDWERKERSCH 1909. Bruno Hessling. C BEHRENS MALER UND AN DER ERSTEN STADTISCHEN HA. Good. No dust jacket. Louis XVI Malereien. Entwürfe unter teilweiser freier Benutzung älterer Arbeiten aus der zweiten Hälfte des 18. Jahrhunderts. Mit einer ill. textlichen Beigabe von Bruno Hessling. C BEHRENS MALER UND AN DER ERSTEN STADTISCHEN. 24 p. Louis XVI Malereien. Entwürfe unter teilweiser freier Benutzung älterer Arbeiten aus der zweiten Hälfte des 18. Jahrhunderts. Mit einer ill. textlichen Beigabe von Bruno Hessling. C BEHRENS MALER UND AN DER ERSTEN STADTISCHEN HANDWERKERSCHULE ZU BERLIN. Louis XVI Malereien. Entwürfe unter teilweiser freier Benutzung älterer Arbeiten aus der zweiten Hälfte des 18. Jahrhunderts. Mit einer ill. textlichen Beigabe von Bruno Hessling. C BEHRENS MALER UND AN DER ERSTEN STADTISCHEN HANDWERKERSCHULE ZU BERLIN.1909.IN GERMAN. LOUIS XVI MALEREIEN 1909-C. BEHRENS 20 ENTURFE UNTER TEILWEISER FREIR BENUTZUNG.GOOD PORTFOLIO AND 20 & 4 DER LOUIS XVI STIL IN DER DEKORATIVEN MALEREI-SIZE 16 X 12 Bruno Hessling. C BEHRENS MALER UND AN DER ERSTEN STADTISCHEN HANDWERKERSCH unknown
1934152189New York 1934. Rare dinner invitation signed and inscribed by both Irving Berlin and Moss Hart from a dinner party held aboard the MV Saturnia on August 5 1934. Printed on Arches paper with an illustration after Charles Martin on the cover. Inscribed by Berlin on the cover “To Mrs. Annie Wales all good wishes from Irving Berlin†and by Hart on the reverse “To Annie Wales Moss Hart ‘Saturnia.’†At the date of the invitation Berlin and Hart were Broadway’s reigning collaborators having written the revues Face the Music 1932 and As Thousands Cheer 1933 together. The Saturnia a premier Italian ocean liner of the 1930s and among the first ships to offer private balconies to passengers sailed the Trieste–New York route until her requisition for service in the Second World War. From the collection of Tony Grammy and Emmy Award–winning composer Charles Strouse and his wife choreographer Barbara Siman. Over his 50-year career Charles Strouse wrote the music for such iconic musical theater hits as Bye Bye Birdie Applause and Annie as well as the theme song for the classic sitcom All in the Family “Those Were the Daysâ€. His partnership with Martin Charnin on Annie produced one of Broadway’s most successful scores ever with “Tomorrow†and other songs from the production becoming enduring American musical standards admired by generations. His reach knew no genre or generation from a number-one Billboard hit in 1958 to Jay-Z’s Grammy-winning sampling of “It’s the Hard-Knock Life†four decades later and his honors include three Tony Awards and induction into both the Songwriters and Theater Halls of Fame. In good condition with small pen marks at the head of the cover faint browning to the margins and water-staining to the recipient’s name on both sides not affecting the Berlin inscription. A document of Broadway’s golden generation from the collection of one of its heirs. Irving Berlin whom Jerome Kern declared “has no place in American music — he is American music” wrote an unequaled songbook across six decades from “Alexander’s Ragtime Band” through “God Bless America” “White Christmas” and the score of Annie Get Your Gun. Moss Hart his collaborator on the revues Face the Music and As Thousands Cheer became one of the defining men of the American theater: with George S. Kaufman he wrote You Can’t Take It With You awarded the Pulitzer Prize for Drama and The Man Who Came to Dinner and as a director he staged the original productions of My Fair Lady and Camelot. His memoir Act One remains among the most celebrated accounts of a life in the theater. unknown
177928544Berlin, Friedrich Nicolai, 1779. 8vo. Mit zwei mehrf. gef. gest. Plänen von Berlin und Potsdam u. 1 mehrf. gef. Kupferkarte der Umgegend. 4 Bl., XVIII S., 7 Bl., LVI, 1042 S. u. 1 Bl. Titel von Band 2, 111 S., 12 Bl. Plgt. d. Zt. Farbschnitt.
17979814ABJena, Akademische Buchhandlung, 1797. EA. 8°. XXIV, 696 S. Front. Ldr. d. Zt. Mit Rü.-Verg. u. verg. Rü.-Tit. Ber. u. bestossen, Kapitale m. kl. Einrissen. Vorsatzbll. stärker gebr. Ansonsten sauberes Expl.
2142aa1767. Motivmaß: ca. 245 x 37 cm unten mittig betitelt unten rechts signiert am Blattrand unten links kleines anmontiertes Blatt handschriftlich beschrieben "Eigentum der R. M. Militär Sammlung des Kriegsministerium. Entwurf 150/KM 2" und ein Siegel "Kön. Pr. Kriegs-Ministerium Milit. Obcon. Depart III." oben rechts im Motiv gekrönter Prägestempel etwas fleckig. - Christian Bernhard Rode war ein Berliner Historienmaler und Radierer. Er gehörte zu den bedeutenden Künstlern des Friderizianischen Rokoko - unknown
