2 353 résultats
Gr.8°. 164 S. Pappband der Zeit mit goldgeprägtem Deckeltitel. Einband leicht berieben, Ecken stärker gestaucht und bestoßen, Kapitale bestoßen, Rücken oben angeplatzt, Bindung gelockert, Klammerbindung angerostet, stellenweise etwas fingerfleckig, Titelblatt fehlt, sonst in Ordnung. Mit zahlreichen Abbildungen nach sw Photographien und Zeichnungen /Gemälden aus dem Schauspielbereich, z.B. Das königliche Opernhaus, Bilder von Arbeiten hinter den Kulissen, die Werkstatt des Requisiteurs, berühmte Schauspielerinnen und Schauspieler bzw. Stars der Oper wie Clara Ziegler, Ludwig Dessoir, Friedrich Haase, Joseph Kainz u.a. . Mit Texten von B. Lachmann, M. Zickel, Fritz Engel, I. I. Poritzky, Adolf Winds, H. Winand, M. Mack u.a. über Berlin als Theaterstadt, das Publikum, Proben und Premieren, Schein und Wirklichkeit auf der Bühne, Soziale Fragen der Bühnenangehörigen, Freilichttheater, Variété und Zirkus, Kino und anderes mehr.
Very Good Armenian Original half bound leather bdg. Large demy8vo. (22 x 15,5 cm). In Armenian. 675 p. Prior to Soviet rule, the Dashnaksutiun had governed the First Republic of Armenia. The Socialist Soviet Republic of Armenia was founded in 1920. Diaspora Armenians were divided about this: supporters of the nationalist Dashnaksutiun did not support the Soviet state, while supporters of the Armenian General Benevolent Union (AGBU) were more positive about the newly founded Soviet state. From 1828 with the Treaty of Turkmenchay to the October Revolution in 1917, Eastern Armenia had been part of the Russian Empire and partly confined to the borders of the Erivan Governorate. After the October Revolution, Bolshevik leader Vladimir Lenin's government announced that minorities in the empire could pursue a course of self-determination. Following the collapse of the empire, in May 1918 Armenia, and its neighbors Azerbaijan and Georgia, declared their independence from Russian rule and each established their respective republics. After the near-annihilation of the Armenians during the Armenian Genocide and the subsequent Turkish-Armenian War, the historic Armenian area in the Ottoman Empire was overrun with despair and devastation. A number of Armenians joined the advancing 11th Soviet Red Army. Afterward, Turkey and the newly proclaimed Soviet republics in the Caucasus negotiated the Treaty of Kars, in which Turkey resigned from its claims to Batumi to Georgia in exchange for the Kars territory, corresponding to the modern-day Turkish provinces of Kars, Igdir, and Ardahan. The medieval Armenian capital of Ani, as well as the cultural icon of the Armenian people Mount Ararat, were located in the ceded area. Additionally, Joseph Stalin, then acting Commissar for Nationalities, granted the areas of Nakhchivan and Nagorno-Karabakh (both of which were promised to Armenia by the Bolsheviks in 1920) to Azerbaijan. From 12 March 1922 to 5 December 1936, Armenia was a part of the Transcaucasian SFSR (TSFSR) together with the Georgian SSR and the Azerbaijan SSR. The policies of the first Soviet Armenian government, the Revolutionary Committee (Revkom), headed by young, inexperienced, and militant communists such as Sarkis Kasyan and Avis Nurijanyan, were implemented in a highhanded manner and did not take into consideration the poor conditions of the republic and the general weariness of the people after years of conflict and civil strife. Such was the degree and scale of the requisitioning and terror imposed by the local Cheka that in February 1921 the Armenians, led by former leaders of the republic, rose up in revolt and briefly unseated the communists in Yerevan. The Red Army, which was campaigning in Georgia at the time, returned to suppress the revolt and drove its leaders out of Armenia. Convinced that these heavy-handed tactics were the source of the alienation of the native population to Soviet rule, in 1921 Moscow appointed an experienced administrator, Alexander Miasnikian, to carry out a more moderate policy and one better attuned to Armenian sensibilities. With the introduction of the New Economic Policy (NEP), Armenians began to enjoy a period of relative stability. Life under the Soviet rule proved to be a soothing balm in contrast to the turbulent final years of the Ottoman Empire. The Armenians received medicine, food, as well as other provisions from the central government and extensive literacy reforms were carried [.] Only one copy is located in OCLC: 782028953 (National Library of Israel - Jewish National Library).
43 x 60 cm. Original Plakat, gelb, einseitig bedruckt. Jeweils mittig längs und quer einmal gefaltet, Datumstempel auf der Rückseite, guter Zustand. Mit einer größeren und einer kleineren Abbildung jeweils nach einer Architektur-Zeichnung (Bebauungsplan des Gebietes) und Namen- und Telefon-Liste der zuständigen Beamten im Stadtplanungsamt Spandau.
[8] S. 4°. OU. Am Rand gelocht. Kl. Knickspuren. Mitwirkenden: Max von SChillings, Georg Schumann, Michel Raucheisen u.a.
1 Blatt. Am Rand gelocht. Solisten: Maximillian Willmsky, Stella Eisner, Wilhelm Guittmann.
Doppelblatt. 4°. Am Rand gelocht. Faltspur.
[8] S. 4°. OU lose. Am Rand gelocht. Werke von Mozart, Beethoven, Grieg, Tschaikowsky, Gretschaninow und Naprawnik.
Programmblatt geheftet in Saisonbroschüre (18 S.) mit Portr. von Schlusnus, Frida Leider, Max von Schillings u.a.
1 Bl. 4°. Randeinrisse. Am Rand gelocht. Faltspur. U.a. Joseph Haas: Gesänge an Gott, 6 Gedichte von Jakob Kneip (Erstaufführung).
1 Bl. 4°. Am Rand gelocht. Werke von Franck, R. Strauss, Selim Palmgren und Liszt.
1 Bl. Gr. - 8°. Randeinrisse. Am Rand gelocht. Faltspur.
1 Bl. Gr.-8°. Randeinrisse. Am Rand gelocht. Faltspur. Werke von Brahms, Weber, Ernst Roters und Balakirew.
1 Bl. 4°. Randeinrisse. Am Rand gelocht. Randeinriß. Werke von Beethoven, Schumann, Chopin und Sofie Menter (Sextenstudie).
1 Bl. 4°. Am Rand gelocht. Ausführenden: Irma Heinrich (Gesang), Hilde Neuffer (Violine).
1 Bl. Gr.- 8°. Am Rand gelocht. Werke von Schubert, Chopin und Beethoven.
1 Bl. 4°. Am Rand gelocht. Werke von Händel, Bach, Honegger (Horace Victorieux), Tschaikowsky.
1 Bl. 4°. Am Rand gelocht. Kl. Randeinrisse. Werke von Händel, Beethoven, Brahms.
1 Bl. 4°. Am Rand gelocht. Kl. Randeinrisse. Werke von Beethoven, Liszt, Mahler (I. Symphonie).
Doppelblatt. 8°. Mit Text. Am Rand gelocht.
Very Good Turkish, Ottoman (1500-1928) Original newspaper issue. 64x45 cm. In Ottoman script. 4 p., richly illustrated. Half of the first page of the newspaper is devoted to the disagreement Monsieur Edward Höcknen, who was ex-director of the Turkish Anatolian - Baghdad Railways. The caricature shows that Monsieur Höcknen stops the train with his giant arms. According to the news on the newspaper, this international question is solved by Zekâi Bey who was Aydin muavini. Tevhîd-i Efkâr was a daily political newspaper published between 15 June 1921 and 6 March 1925. Its editor-in-chief was Velid Ebüzziya, (1884-1945). It was published in Istanbul during the Turkish War of Independence, (1919-1922), and supported the War of Independence. But after the proclamation of the Republic, he started an intense criticism campaign. Thereupon, 'Yeni gün' [i.e. New Day in Anatolia], Hakimiyet-i Milliye newspapers started opposition to the Istanbul press and Tevhid-i Efkar. With the approval of the three-point Takrir-i Sükûn Law on 4 March 1925, newspapers such as Tevhid-i Efkâr, Istiklal, Son Telgraf, and Tanin, which were published in Istanbul, and the magazine Sebilürresad were closed. Extremely rare.
Kl.8°. (ca. 14,3 x 10,2). 64 Bl. Original-Pappband mit montierten Deckeltitel. Sehr gut erhalten. Frühes kleines Künstlerbuch in kleiner Auflage des 1953 geborenen Ecke Bonk, er "... beschäftigt sich mit Zeichensystemen als interdisziplinärem Ausdruck von Kunst, Naturwissenschaft, Typografie und Philosophie, um damit die Bedingungen und Zusammenhänge kultureller Leistungen zu reflektieren." (Wikipedia). - "Audience, left to right: artist Aquinada (later changed his artistic name in Ecke Bonk),.." (Sanja Ivekovic, Party Performance, SKC Gallery, Belgrade, Serbia, 1978). - Gestaltung & Gesamtherstellung des Buches Atelier und Verlag H. Hoffmann, Berlin-Kreuzberg. Das Buch erzählt in einem vom Betrachter herzustellenden Zusammenhang eine Bildergeschichte, wobei die gezeichneten Informationen in minimalisierter Form Blatt für Blatt einander folgen. Reproduktion der Zeichnungen in Schwarz, teils unter Zuhilfenahme von Rot.
Due immagini: il convegno dei socialisti nel Ristorante Buggenhagen a Berlino per discutere di riforme sociali. In basso i ritratti di dieci capi del socialismo: Schumacher, Harm, Bebel, Meister, Frohme, Dietz, Kuhn, Liebknecht, Grillenberger e Singer. Testo al retro
This is a very good softcover copy with almost no wear. Completely clean inside and out. This is a sale catalog for an auction held at Sotheby's London on December 13, 1989. Sale code: K.P.M. The Berlin Konigliche Porzellan Manufaktur was founded in the mid 18th century. For about 100 years it produced exceptionally high quality paintings on porcelain, mainly in the neo-classical and Empire styles.This sale consisted of what Sotheby's called 'the largest group of the best quality and the greatest variety of subjects, ever to be offered at auction'. 70 lots in the sale. All illustrated in color. No prices realized sheet, just price estimates for each lot. 11" high X 8" wide, 57 pages. This book will be securely packed and shipped with tracking.
284 pages. Unmarked. Back cover missing, otherwise appear complete. Moderate wear. A sound copy of this pleasing compilation. Book
Limited Edition. 4°. 25 x 21,3 cm. (n.n.,ca.84 p.). Original boards (hardcover) with blind-stamped title to front cover, spiral binding. Very good condition. "Barbara Loftus is a British artist with roots in Berlin. Based on her mother Hildegard´s childhood memories, Barbara Loftus depicts the life of her assimilated Jewish grandparents Herta and Sigismund Basch in Berlin before 1933. She visualizes the horror and terror that disrupted the idyllic, middle class neighborhood of Schöneberg with the Nazis' rise to power. Hildegard´s parents and brother were deported to Auschwitz on December 14, 1942; she survived by emigrating to Great Britain. Barbara Loftus` mother kept these memories private all her life. Only in old age did she begin to share these traumatic experiences with her daughter." (Stiftung Stadtmuseum Berlin).
