451 résultats
Bestens erhalten, neuwertig. ,Nationaloper* „Welteroberndes Künstlertum“. Weltsemantik und Globalisierung im Zeitalter von Richard Wagner und Werner von Siemens Jürgen Osterhammel..........................................................................17 Musikalische und unmusikalische Nationalkulturen. Wer benötigt wann eine klingende Selbstvergewisserung? Anselm Gerhard................................................................................ 37 Überlegungen zur Nationaloper Michael Walter................................................................................... 55 Wagner und das ,Deutsche* Wagner als Nationalkomponist? Udo Bermbach.................................................................................. 75 Die Geburt der deutschen Nationaloper aus dem Geiste des Chorals. Wagners Kaisermarsch und die „protestantische“ Musik der Meistersinger Arne Stollberg................................................................................... 85 Between Cosmopolitanism and Autochthony - Richard Wagner and the Concept of the German National Theatre Friedemann Kreuder....................................................................... 123 How Holy is German Art? On the Last Scene of Die Meistersinger von Nürnberg Karol Berger..........Wagner, Bach und die Tradition des „deutschen“ Kontrapunkts Hans-Joachim Hinrichsen.............................................................. 157 “Mendele Lohengrin” and the Kosher Wagner. Toward a History of Jewish Wagnerites Daniel Jütte...................................................................................... 177 Die Kehrseite der Ideologie. Zur „jüdischen“ Kunst Wagners Matthias Schmidt............................................................................. 193 Vom Exotismus des Germanischen auf der deutschsprachigen Wagner-Bühne bis 1945 Kordula Knaus................................................................................. 211 Wagner inszenieren in der DDR. Marginalien zu einem größeren Thema Nina Noeske.................................................................................... 227 Wagner-Rezeption und die europäischen ,Nationalopern* des 19. Jahrhunderts Jenseits der Oper: Wagner in Russland Christoph Flamm............................................................................ 247 „Tänze und Vergnügungen, Lieder und Wein“ - „Tojibko ruMiuyx na ryjwioT, tojibko necHH u bhho“. Die Personifizierung von nationaler Identität in Des Teufels Macht von Aleksandr Nikolaeviö Serov Emanuele Bonomi........................................................................... 269 „Keine Spur von Lohengrin“. Die „verspätete“ Wagner-Rezeption in Prag Ivana Rentsch.................................................................................. 291 Leitmotivik als Weg zu einem polnischen Musikdrama? Zur Wagner-Rezeption bei Paderewski, Rözycki und Szymanowski nach 1900 Stefan Keym..........Nationale Mission und panslawistisches Sendungsbewusstsein in der polnischen Musik des 19. Jahrhunderts Rüdiger Ritter.............................................................................*....335 Auf dem Weg zu einem neuen Nationalismus. Wagnerisme und Russophilie in Frankreich Vincenzina C. O ttom ano...............................................................361 „... daß Paris der eigentliche Boden für Wagner ist“. Wagner-Aufführungen im Palais Garnier von 1891 bis etwa 1970 Albert Gier....................................................................................... 373 Von Walhall nach Atlantis. Wagner-Rezeption und Opernproduktion in Spanien um 1900 Cristina Urchuegma....................................................................... 391 Künstleropern und identitätsstiftende Prozesse - oder: Tasso versus Sachs. Ein Vergleich Luca Zoppelli................................................................................... 419 Sinfonismo und Wagnerismo. Imitationen der Musiksprache Wagners in Italien Richard Erkens................................................................................ 431 Wagner in London and the Quest for an English National Opera Barbara Eichner............................................................................... 475 Von dänischen Nationalopern des 18. und 19. Jahrhunderts Heinrich W. Schwab.....Wagner in der Popularmusik „Wagnerian Rock“: Ein Annäherungsversuch im 21. Jahrhundert Britta Sweers................................................................................... 519 Zum Beispiel Walkürenritt. Versuch über Richard Wagner und die Populärkultur Sascha Wegner................................................................................ 543 Aufführungspraxis national/international Der fliegende Holländer an der Dresdner Hofoper 1843 - Proben- und Vertragspraxis auf dem Weg zu einer Uraufführung Kai Köpp.......................................................................................... 583 "... den Eindruck einer erregten, poetischen Redeweise hervorbringen”: Layers of Declamatory Nuance in Wagner’s Der fliegende Holländer and Lohengrin Laura Moeckli.................................................................................. 621 Isolde inter nationes? Zur Frage nach kultureller Prägung im Gesangsvortrag am Beispiel früher Tonaufnahmen (ca. 1900-1935) Florian Bassani................................................................................. 655 Autorinnen und Autoren................................................................ 697 Personen- und Werkregister........................................................... ISBN 9783826054334
176pp., 18cm., br.orig. (dos restauré) protégée par papier cristal, extrait de l'Indépendance belge", texte frais (très peu de rousseurs) et en bon état, rare, M82913
xxi + 321pp., édition originale, 19cm., br.orig., très bon état, M82883
pp. xxii, 95. +Plus 4 prints including frontis. 12mo. 200mm. Original publisher's full red cloth binding decorated in blind and lettered in gilt. Spine lettered in gilt. Top edge gilt. Spine faded and gilt slightly dirtied. Corners slightly bumped. Printed with marginal headings in red. Christmas gift card with inscription 'My dear love for Mary from E. Jeffers.' Hardbound. Very Good. NW58
Marco Pozzetto La Scuola di Wagner 1894-1912. Idee - Premi - Concorsi. Trieste, Comune di Trieste - Marco Pozzetto 1981 italian, 270 Opera con copertina morbida in brossura e sovraccoperta. ill. in b/n ft e nt. PV.3.
Ginevra; cm. 18 x 25,5, xvi-156 pp. con 15 carte topogr. Biblioteca dell'?Archivum Romanicum? - Serie II: Linguistica Tedesco 393 gr. xvi-156 p.
Sehr gutes Exemplar; nahezu neuwertig. - Englisch. - John Deathridge presents a critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively about what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches. At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. The controversy over Wagner's life and work is unlikely to end, but rather than taking the course of least resistance by regarding him blandly as a "classic" in the Western art tradition, Deathridge engages the debates that have raged about him and moves beyond them, toward a fresh and engaging assessment of what Wagner ultimately achieved. (Verlagstext) // INHALT : Preface ----- PART I. A FEW BEGINNINGS ----- Wagner Lives ----- Issues in Autobiography ----- "Pale" Senta ----- Female Sacrifice and the Desire for Heimat ----- Wagner the Progressive Another Look at Lohengrin ----- PART II. DER RING DES NIBELUNGEN ----- Fairy Tale, Revolution, Prophecy Preliminary Evening: Das Rheingold ----- Symphonic Mastery or Moral Anarchy? First Day: Die Walküre ----- Siegfried Hero Second Day: Siegfried ----- Finishing the End ----- Third Day: Gotterdämmerung ----- PART III. THE ELUSIVENESS OF TRAGEDY ----- Don Carlos and Gotterdämmerung ----- Two Operatic Endings and Walter Benjamin's Trauerspiel ----- Wagner's Greeks, and Wieland's Too ----- PART IV. TRISTAN UND ISOLDE ----- Dangerous Fascinations ----- Public and Private Life ----- Reflections on the Genesis of Tristan and Isolde and the Wesendonck Lieder ----- Postmortem on Isolde ----- PART V. MATURE POLEMICS ----- Strange Love, Or, How We Learned to Stop Worrying and Love Parsifal ----- Mendelssohn and the Strange Case of the (Lost) Symphony in C ----- Unfinished Symphonies ----- PART VI. OPERATIC FUTURES ----- Configurations of the New ----- Wagner and Beyond ----- List of Abbreviations ----- Notes ----- Acknowledgments ----- Index. ISBN 9780520254534
366pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation in der Philosophischen Fakultät II (Theater- und Medienwissenschaften) der Friedrich-Alexander-Universität Erlangen-Nürnberg), stamp at verso of title page, text is clean and bright, good condition, M108849
315pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Westfälischen Wilhelms-Universität zu Münster Westf.), stamp at verso of title page, text is clean and bright, good condition, M109016
88 + [60] pp., joint: brochure de 24pp. qui contient le texte français de l'opéra, texte en FRANCAIS, reliure toile d'éditeur avec titre doré, 30cm., bon état, [Publication à l'occasion de la nouvelle production de "Tristan und Isolde" à l'Opera natrional (Theatre royal de la Monnaie Bruxelles) le 21 avril 1985. Cet ouvrage contient plusieurs aritcles, ainsi que le texte des chants en fac-simile
xi + 140pp., 21cm., belle reliure cart. (plats marbrés, dos en toile avec tite doré), bon état, M82686
Grand in-8, broché, (2) f., 453 p. L'édition définitive. Bon exemplaire.
In-8 (186 x 118 mm), pleine percaline vert sapin de l'époque, dos lisse muet, tranches rouges, couverture illustrée en couleurs conservée, (6), 128, (26) p., portrait frontispice de Wagner. Zweite Auflage (Seconde édition). Nombreuses illustrations dont portrait de Wagner, fac-similés de lettres et partitions musicales. Ex-libris manuscrit sur le titre "Fritz Scheiding" (Besitzvermerk). Bon exemplaire.
In-12, broché, couverture imprimée, 104, (2) p. et 16 p. de catalogue éditeur. Mention de "Troisième édition". Traduction française par Henri Albert de ' Der Fall Wagner' et 'Nietzsche contra Wagner'. Bon exemplaire, numéroté.
305pp., 1e édition, 19cm., br.orig., texte frais et sans rousseurs, bon état, M82991
75 + 84 + 98 + 86pp., 19cm., original softcover (spine re-inforced) protected by cristal paper wrappers, text bright and clean, M82882
8vo., First and Sole Edition; boards, cloth back, upper board and backstrip lettered in black, a near fine copy. Published as The Manorial Society's Publications, No.16. ANTHONY WAGNER'S COPY WITH HIS SIGNED HOLOGRAPH INSCRIPTION ON FRONT FREE ENDPAPER. Sir Anthony Richard Wagner (1908-1995) was one of the longest-serving members of the College of Arms of the twentieth century, and one of the most prolific authors on heraldry and genealogy. He joined the College in 1931 as Portcullis Pursuivant of Arms in Ordinary (in which position he acquired and signed this copy). During the next sixty years or so he occupied most of the major offices, including Richmond Herald (1943) and Garter Principal King of Arms in 1961. In 1978 he retired to the subordinate position of Clarenceux King of Arms and concentrated on the cataloguing of his extensive professional library. Scarce. Cordeaux & Merry 7926.
310 pages including index and notes. In this, Gottfried Wagner's memoir, Hitler is an inescapable presence, as he was in Gottfried's family - one of the many specters haunting the Wagner estate, though young Gottfried wondered if he was the only one who could see them. One afternoon he discovered old photographs and oil paintings of Hitler among the family memorabilia. Warned never to mention the pictures to anyone, he became an unwilling coconspirator in his family's secret. New copy. Book
LA CITTà DEL SOLE 2006 719 PP. FONDO DI MAGAZZINO: TRACCE DI POLVERE ALLA COPERTINA, VOLUME INTONSO, MAI SFOGLIATO.
121 + [3] pp., avec exemples de musique dans le texte, 24cm., br.orig., bon état, peu commun, M91670
120pp., 24cm., br.orig. (restaurée) protégée par papier cristal, texte frais et sans rousseurs, bon état, rare, M82716
In 8°, br. edit., 2 voll. pp. (4nn)-XIII-368; (4nn)-432. Opera corredata di 2 antiporta incise (Interno del teatro di Wagner - Teatro Greco antico) + 2 tavv. f.t. (Teatro di Bayreuth - Teatro Greco). Edizione originale di quest'opera musicale e poetica che diverrà la bibbia del wagnerismo. Buona conservaz., es. a larghi margini. xfix
279pp., 29cm., bound in nice hardcover (marbled boards, spine in red leather with gilt title and decorations), good condition, [contains music sheets for piano and for chant, with text in German and in English], M91634
635pp., 20cm., br.orig., bon état, [Avant-propos, traduction et annotation philologique par L.-P. de Brinn'Gaubast. Etude critique et commentaire musicographique par E. Barthelemy], M82942
