21 933 résultats
2011x-3827421152Spektrum Akademischer Verlag 2011. Paperback. New. 8th edition. 531 pages. German language. 9.00x6.10x1.30 inches. Spektrum Akademischer Verlag paperback
2011BN188382Vogel Business Media 2011. 2011. Softcover. Wärmeübertragung <br/><br/>Wärmeübertragung Walter Wagner Vogel Business Media paperback
2015__3834333611Vogel Business Media 2015. Paperback. New. German language. 9.45x6.85x0.79 inches. Vogel Business Media paperback
BN280694Wärmeaustauscher WIE NEU <br/><br/>Wärmeaustauscher WIE NEU Walter Wagner unknown
52084hardcover. 363pp. 8vo red cloth. New Haven CT.: Yale University Press 1957. Very good.<br/><br/> unknown books
1957WRCLIT82902New Haven: Yale University Press 1957. Large octavo. Cloth. Near fine in very good dust jacket with a handful of tiny nicks and a short creased edge-tear. First edition. Inscribed by the author to poet/publisher James Laughlin: "For dear J with my best wishes Geoffrey." Laughlin's New Directions published translations by Wagner. Yale University Press hardcover books
1957WRCLIT78538New Haven: Yale University Press 1957. Large octavo. Cloth. First edition. Expansive ownership signature of poet William Burford on front free endsheet otherwise very good or better in moderately rubbed dust jacket with tiny chips at corners. Yale University Press hardcover books
0282896163.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19571007J7London: Routledge & Kegan Paul 1957. First edition. Cloth. Very Good Indeed/Good. 9.5" by 6.5". None. A pleasing first edition of Geoffrey Wagner's revealing study of Wyndham Lewis's life and work. A first edition of Wagner's critical study of Wyndham Lewis's work.Bound in the publisher's original cloth binding with the original unclipped dust wrapper.Published in 1957 this was the first full-lenght study of Lewis. Wagner addresses the controversial author's politics time and art contextualising him within the framework of French neo-classicists such as Henri Massis and Julien Benda.With a whole chapter dedicated to the Vorticist movement. Wagner's title 'Portrait of the Artist as the Enemy' alludes not only to Wyndham's lengthy critiques of his contemporary James Joyce but also his short-lived literary magazine The Enemy. Bound in the publisher's original cloth binding with unclipped dust wrapper. Externally in excellent condition. With only minor bumping to extremities and extrememly light fading to spine. Dust wrapper good. With chips some loss of paper and closed tears to top and bottom of wrap. Sunning to spine and edges of wrap. Scattered spotting to front wrap striated handling marks to rear. Offsetting to very extremities of fly leaves and end papers. Internally firmly bound with mild straining throughout. The odd spot to fore edge. Very Good Indeed Routledge & Kegan Paul hardcover
1957mon0000172027Routledge & K. Paul 1957-01-01. Unknown Binding. Good. in x in x in. Ex-library book usual markings. Hardback/Hardcover. Clean copy in good condition. Routledge & K. Paul unknown
0265589762.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1957mon0000957054Routledge & Kegan Paul 1957. Hardcover. Very Good. in x in x in. First printing. Pages clean and bright no markings. Cloth boards have some rubbing to corners two small marks on front board. dust jacket quite toned with a number of tears and chips. Jacket unclipped. Routledge & Kegan Paul hardcover
0837166926.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
187035275Mainz: B. Schott's Söhnen 1870. Original publisher's light gray printed wrappers with titling with ruled border. 1f. recto title verso blank 1f. recto cast list verso blank 5-84 pp. 2ff. publisher's advertisements. With publisher's advertisements to both recto and verso of lower wrapper. <br/><br/>With small handstamp of the Italian writer on music composer and keyboard performer Alberto Cametti 1871-1935 to foot of title.<br/><br/>Wrappers somewhat worn; small edge tears; some chips with minor loss not affecting text; most of spine lacking; small rectangular inventory label to upper inner corner. Uniform light browning; corners of several leaves slightly creased. First separate edition later issue. Klein p. 46. Deathridge Geck & Voss p. 366 VIIIb. Schneider catalogue 276.<br/><br/>First performed on June 26 1870 in Munich at the Königliches Hof und- Nationaltheater in three acts to a libretto by the composer the first day of the Ring des Nibelungen. <br/><br/>"As a single opera Die Walküre may be called the most popular part of the whole cycle; in most towns and countries it was produced much earlier than the other parts." Loewenberg col. 1013.<br/><br/>"Die Walküre is the music drama that most satisfactorily embodies the theoretical principles of Oper und Drama. A thoroughgoing synthesis of poetry and music is achieved without any notable sacrifice in musical expression. Indeed many of the most powerful passages of the work achieve their effect precisely through the organic relationship of music and text. Die Walküre is generally regarded as the most approachable of the Ring operas and it has certainly proved the most susceptible to performance in extracts." Barry Millington in Grove Music Online. B. Schott's Söhnen unknown books
187526101Mainz: B. Schott's Söhne PN 21500 1875. Folio. Contemporary dark brown tooled half calf with dark green cloth boards decorative initials "P.R." to upper gilt titling to spine in ruled compartments all edges gilt. 1f. general title "Der Ring des Nibelungen 1f. title 1f. half-title 1 cast list and contents 2-357 i blank pp. Lithographed throughout. <br/><br/>Cloth portion of binding slightly stained worn and frayed at edges light blue watered silk endpapers slightly soiled. Slightly foxed and browned. First Edition. Fuld p. 465. Deathridge Geck and Voss WWV p. 402. Klein p. 51. The general title and half title are common to the full scores of all four Ring operas.<br/><br/>Götterdämmerung is the fourth opera in the Ring cycle. Excerpts were first performed in a concert at the Musikverein in Vienna on March 25 1875; the entire work was first performed as part of the Ring cycle at Bayreuth on August 17 1876. <br/><br/>"The final opera of the Ring. provides an appropriately weighty conclusion to the epic cycle. 26 years elapsed from the time Wagner made his first prose draft for the work then called Siegfrieds Tod to the completion of the full score with inevitable consequences in terms of stylistic unity. Retrogressive elements of grand opera exist side by side with motivic integration representative of Wagner's most mature style. And yet the stylistic integrity of Götterdämmerung is scarcely compromised so skilfully are the disparate elements welded together and so intense the dramaturgical conviction. The resources and stamina demanded by the work from both singers and orchestra combined with its sheer length and theatrical potency make it one of the most daunting yet rewarding undertakings in the operatic repertory." Barry Millington in Grove Music Online. B. Schott's Söhne [PN 21500] unknown books
2025BN137342Sandstein Verlag 2025. 2025. Hardcover. Wunder & Wissenschaft : Porzellan und Sammellust im barocken Wien <br/><br/>Wunder & Wissenschaft : Porzellan und Sammellust im barocken Wien Stephan Koja Claudia Lehner-Jobst Iris Yvonne Wagner eds. Sandstein Verlag hardcover
BN44936Hardcover. <br/><br/> hardcover
BN90617Machart. Wu-Stil Tai Ji Quan: Ma Jiangbao: Die langsamen Formen <br/><br/>Wu-Stil Tai Ji Quan: Ma Jiangbao: Die langsamen Formen Wagner Nina; Klüfer Werner; Kasenda Benjamin; Ma Jiangbao and Ma Yueliang Machart unknown
2013BIBLIO-47387Brepols Turnhout first edition 2013 . Laminated illustrated boards 8vo 24 cm. xviii 420 1 pp 17 ills 1 plate 1 map. Essays in English and French: The material form and the function of printed accounts of Henri II's triumphal entries 1547-51 by Hélène Visentin; Le Statut textuel de l'entrée royale ou solennelle sous le règne d'Henri IV : le cas particulier de l'entrée du roi à Moulins en 1595 by Marie-France Wagner; Les Inscriptions poétiques du livret de Jacques de Cahaignes et l'éloge latin du duc de Joyeuse lors de son entrée solennelle à Caen 1583 by John Nassichuk; Travelling with a queen : the journey of Margaret of Austria 1598-99 between evidence and reconstruction by Maria Ines Aliverti; Failed early modern Madrid festival book publication projects : between civic and court representation by David Sánchez Cano; Images of co-monarchy in the London entry of Philip and Mary 1554 by Alexander Samson; Florentine festivals for the entry of Archduke Leopold V of Austria in 1618 by Sara Mamone and Caterina Pagnini; French royal entries and the antique 1515-65 by Richard Cooper; Carlos de Sigüenza y Góngora's depiction of the Aztec emperors for the viceregal entry into Mexico City of 1680 by Jean Andrews; The return of the elector as king : Johann von Besser's record of the Berlin entry in May 1701 of elector Friedrich III as Friedrich I King in Prussia by Sara Smart; The politics of translation : Arthur Golding's account of the Duke of Anjou's entry into Antwerp 1582 by Elizabeth Goldring; A question of authenticity : Pierre Matthieu creator of entries and historiographer royal by Margaret M. McGowan; Querelle littéraire sur le motif du troisième arc de triomphe érigé pour l'entrée des ducs à Aix-en-Provence en 1701 by Claire Latraverse; Malaise dans la cérémonie : Marie de Médicis à Marseille by Daniel Vaillancourt; Le Theatre des bons Engins de Guillaume de La Perrière : une 'écriture' de l'entrée de Marguerite de Navarre à Toulouse en 1535 by Claudie Balavoine; From object of curiosity to subject of conversation : Mlle de Scudéry and the Paris entry of Louis XIV and Maria Teresa 1660 by Marie-Claude Canova-Green; L'Entrée royale dans l'oeuvre romanesque de Mme de Villedieu by Nobuko Akiyama; Entries and festivals in late sixteenth- and early seventeenth-century Florence as precedents for court and theatre in England 1600-20 by J.R. Mulryne; Le Motif de l'entrée solennelle dans l'oeuvre d'Agrippa d'Aubigné by Louise Frappier; Entrées farcesques et burlesques : le politique travesti by Claudine Nédelec. Fine. Brepols, Turnhout, first edition, [2013] hardcover
1748381De Gruyter 2019-10-21. 1st. hardcover. New. 6x1x9. De Gruyter hardcover
1433167069.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000Q-0820419230Peter Lang Inc. International Academic Publishers 2000-08-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Peter Lang Inc., International Academic Publishers paperback
2004Q-1589792122Taylor Trade Publishing 2004-11-29. Paperback. New. New. In shrink wrap. Looks like an interesting title! Taylor Trade Publishing paperback
38015Turnhout, Brepols, 2012 Hardback, approx. X+450 p., 20 b/w ill. + 1 colour ill., 3 b/w line art, 156 x 234 mm. ISBN 9782503536026.
1990Q-0830714464Baker Pub Group 1990-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Baker Pub Group paperback
