CONTARENI (Casparis)Livre Rare Book
2 122 résultats
162816721628 Leyde, Elzevier, 1628. In-32, 448 p., rel. ép. pl. veau (manque le 1er plat).
198794715Paris Hazan 1987 1 vol. broché in-8, broché, couverture illustrée, 159 pp., nombreuses photos et plans, index. Très bon état. 58 palais détaillés.
198794715Paris Hazan 1987 1 vol. broché in-8, broché, couverture illustrée, 159 pp., nombreuses photos et plans, index. Très bon état. 58 palais détaillés.
1019668970.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0281-Co.J. Kaltnadel mit einigen Kohlestiftschraffuren im Himmel, auf chamoisfarbenem Japan, signiert. 26,7:34,9 cm. ? In den oberen Ecken leicht knitterfaltig. Vorzügliches, vollrandiges Exemplar dieser so schwungvollen Arbeit.
0280-Co.J. Kaltnadel, auf chamoisfarbenem Bütten, signiert und verso mit Nachlaßstempel. 26,7:34,9 cm. Probedruck mit vollem Rand, in den Ecken etwas Druckerschwärze.
VLE-190Milan, , 1960, in-4 oblong, 206 pages illustrées de 64 planhces de vues, cartes et plans relié plein cartonnage souple illustré, sous emboitage très abîmé
In-4° oblungo, occhietto inciso, titolo a stampa, legatura in pergamena, nervi al dorso, 1 carta di spiegazioni, 60 tavole (di cui 9 ripiegate), titolo inciso (Navigli del Giappone), 12 tavole, titolo inciso (Barche di Venezia), 2 carte di spiegazioni, 11 tavole (di cui 2 ripiegate). In totale 83 tavole di navi (di cui 11 ripiegate). Edizione originale estremamente rara. L’unico esemplare conosciuto nelle biblioteche pubbliche è quello della Marciana a Venezia. L’altro esemplare citato da Armao (Correr) non esiste più in questa biblioteca. Quello della Marciana ha solo 74 tavole. Armao, pp 171-72 conta 86 tavole (oltre al testo e il titolo). Crediamo che si tratti d’un errore: anche il numero di tavole ripiegate dato da Armao è inferiore a quello dell’esemplare in questione. Presente qualche piccolo restauro a due o tre tavole, altrimenti esemplare fresco proveniente dal Dipartimento Idrografico di Russia, di cui porta il timbro al verso del titolo: si ricorderà come quest’opera venne composta dal Coronelli per la Nazione Moscovitica, come è indicato nel titolo, v. Armao p.171.: “Vivissimo era a Venezia l’interesse per la costruzione di navi e quando il Governo veneto affidò al suo cosmografo e lettore di geografia l’istruzione di un gruppo di ‘cavalieri moscoviti’ inviati a venezia da Pietro il Grande nel 1697, Coronelli curò il disegno di tutta una serie di navigli che fece poi incidere su rame”. V. “Il P. Vincenzo Coronelli nel III centenario della nascita” p. 357 n.41, che dà la seguente collazione: tav. 71+15 e pp 2+4 In-4 ° oblong, engraved half title, printed title, vellum binding, bands on spine, 1 explanation leaf, 60 plates (9 of which folded), engraved title (Navigli of Japan), 12 plates, engraved title (Boats of Venice), 2 explanatory leaves, 11 plates (2 of which folded). In total 83 plates of ships (11 of which folded). Extremely rare original edition. The only copy known in public libraries is that of the Marciana in Venice. The other copy cited by Armao (Correr) no longer exists in this library. The Marciana one has only 74 plates. Armao, pp 171-72 has 86 plates (in addition to the text and title). We believe this is an error: even the number of folded tables given by Armao is less than that of the specimen in question. There are some small restoration with two or three plates, otherwise a fresh copy from the Hydrographic Department of Russia, whose stamp is on the back of the title: this work was composed by Coronelli for the “Nazione Moscovitica”, as indicated in the title , v. Armao p.171 .: “The interest in the construction of ships was very high in Venice and when the Venetian government entitled its cosmographer and geographer to the instruction of a group of 'Muscovite knights' sent to Venice by Pietro the Great in 1697, Coronelli oversaw the design of a whole series of ships that he then engraved on copper ". V. "Father Vincenzo Coronelli on the third centenary of his birth" p. 357 n.41, which gives the following collation: tav. 71 + 15 and pp 2 + 4
Book is in excellent condition with a little shelf wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows very slight edge and corner wear, no tears. 109 pages of full page photos, about a thrid of which are in color, almost all of these being mosaics very rich in gold, detail, the Last Supper, etc. The b&w photos are of Venice proper, sculpture, bridges, canals, boats, facades, architectural detail.
208252Firenze, Olschki, 1967 in-8, XIV-491 pp., planches, index, broché.
2024ARTTTCATAEXPO3000824Paris, ENSBA, 2024, 17 x 24, 368 pages cousues sous couverture souple et jaquette illustrées. Iconographie couleurs. Catalogue publié à l'occasion de l'exposition présentée du 20 avril au 24 novembre 2024 au sein du Pavillon français lors de la 60e Exposition Internationale d'Art - La Biennale di Venezia. Edition en langues multiples.
14200123<p>This exquisite miniature is by Cristoforo Cortese the most accomplished Venetian illuminator of the early fifteenth century. Executed during the formative stage of his career it once formed part of a sumptuous Camaldolese Gradual. The bearded prophet set within an initial I is rendered with Cortese's hallmark precision: expressive features painted with delicate strokes highlighted with red-rimmed haloes and radiant yellow tones. These qualities firmly align the work with Cortese's early output before 1420.</p><p>The stylistic vocabulary recalls both Florentine models and Venetian innovations. Cortese clearly drew upon the influence of Don Silvestro dei Gherarducci whose Choir Books for San Michele in Murano 1392–1399 provided prototypes for half-length prophet figures. Yet Cortese's interpretation more vibrant and emotive shows the confident individuality that would earn him recognition as the pioneer of Venetian Renaissance illumination.</p><p>The palette dominated by blues reds and yellows closely parallels related cuttings: a Bust Portrait of a Bearded Man in the Getty's Compendium moralium notabilium MS Ludwig XIV 8 f. 34v; a Saint John the Evangelist in the Victoria and Albert Museum inv. D.637B-1894; and the Entry into Jerusalem at the Fitzwilliam Museum Cambridge Marlay Cutting It. 20. The square notation on the verso written on four-line red staves rastrum 25 mm confirms its liturgical function as part of a choirbook used in monastic chant.</p><p>Provenance:<br />1. USA private collection early 20th Century framing tag S.Schwartz picture frames 128 W 42nd Street New York with a note pasted in the back of the frame "This fragment is old German. The miniature is a perfect work of art. Age no less 500 years.".</p><p>Sister Leaves Known To Exist In:<br />Victoria and Albert Museum Saint Peter initial "C";<br />Free Library of Philadelphia Saints with initials "G" and "S";<br />Additional leaves include the Apostle initial "T" and Standing Saint initial "E" formerly F. G. Zeileis collection sold at Sotheby's;<br />Cambridge Fitzwilliam Museum Entry into Jerusalem initial "D";<br />Museo Civico Medievale Bologna a prophet initial "C";<br />Softer sales—e.g. Prophet initial "V" Sotheby"s; Robert Lehman Collection;<br />Les Enluminures Paris Bearded Bishop initial "S"; Prophet and St. Paul.</p><p>Literature:<br />F. Todini in Una collezione di miniature Italiane vol. II 1994 no. VII;<br />M. Bollati Dalla Bibbia di Corradino a Jacopo della Quercia in Duecento 1997 pp. 128-29;<br />G. Freuler Tendencies of Gothic in Florence: Don Silvestro dei Gherarducci Corpus of Florentine Painting IV.7.2 1997;<br />G. Zeileis Più ridon le carte 2009 no. 11;<br />S. Panayotova "Cristoforo Cortese in Cambridge" in Miniatura. Lo sguardo e la parola 2012 pp. 186-89.</p> Illuminated Gradual on parchment
199944165Albin Michel, 1999, in-8°, 428 pp, 8 cartes, notes, glossaire, biblio, index, broché, couv. illustrée, bon état
1999160893Grand Livre du Mois Grand Livre du Mois, 1999. In-8 relié cartonnage souple éditeur de 428 pages. Rares passages discrètement soulignés au crayon de papier en marge sinon Bon état
1997128333Champ Vallon, coll. « Epoques » 1997 In-8 broché 24 cm sur 15,5. 346 pages. Bon état d’occasion.
Grand Livre du Mois, 1999. In-8 relié cartonnage souple éditeur de 428 pages. Rares passages discrètement soulignés au crayon de papier en marge sinon Bon état
This detailed account of the islands of the Venetian Lagoon was originally published in Padua by Liviana 1978. Using historic documents and illustrations it relates their history, as well as their negelct and deterioration over the ages as shown in photographs past and present. This new edition updates the situation, as rising waters and other problems continue to affect the Venetian lagoon and the city.Text in Italian and English 239p. Illus [some col] maps,Heavy volume weighing over 1kg. Book
1978260106Padua, Liviana, 1978. 237 Seiten. Mit zahlreichen Schwarz-Weiß- Abbildungen. Originalbroschur. 22 cm.
2000GEO3992MRelié, 130 pages, paru en 2000 chez Flammarion, le livre est dans un état général très convenable : légèrement frotté au plat du dos.
44332Paris, Flammarion, 1994. 25 x 30, 128 pp., très nombreuses photographies en couleurs, plusieurs miniatures en N/B, reliure d'édition pleine toile + jaquette, très bon état.
1975014119Milano Cerastico Editore 1975 In-4 à l'italienne Cartonnage éditeur, étui
32786Liège/Paris/Berlin, Editions Ch. Claesen, 1891. 16 x 24, 71 pp., broché + jaquette, bon état (couverture défraîchie).
43444Italie, Editions Kina, s.d. (ca 1995). 13 x 22, 111 pp., nombreuses illustrations en couleurs, quelques plans, broché, très bon état.
Mm 280x330 Collana "Grandi Libri d'Arte". Volume rilegato in tela, sopracoperta originale, cofanetto editoriale protettivo, 386 pagine con 300 illustrazioni in nero e a colori nel testo. Libro in perfette condizioni di nuovo - brand new in original shrinkwrap; spedizione in 24 ore dalla conferma dell'ordine.
