138 résultats
18451120DBO. O., o. Vlg., (ca. 1845). Quer-Gross-8°. (1) Bl. Mit 19 Illustr. auf 11 lithogr. Tafeln von G. Draghi nach Germano Prosdocimi. lithogr. Orig.-Heft mit mont. Bibliotheksschild auf vord. Deckel + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (mit kl. Randläsuren, angestaubt).
189227538Wien, Luksch, 1892. 78 S. mit Ill. 17 x 11 cm, Broschur [2 Warenabbildungen]
1862ABE-1714606236079VENISE, PAR M ADALBERT DE BEAUMONT, 59 PAGES-VOYAGE A L'ILE DE RHODES, TEXTE ET DESSINS INEDITS PAR EUGENE FLANDIN 1844, 26 PAGES-VOYAGES DE M.HENRI LAMBERT, AGENT CONSULAIRE DE FRANCE A ADEN, ASSASSINE PRES DES ILES MOUSSAH (AFRIQUE) LE 4 JUIN 1859, 16 PAGES-VOYAGE DE L'OCEAN ATLANTIQUE A L'OCEAN PACIFIQUE A TRAVERS L'AMERIQUE DU SUD, PAR PAUL MARCOY 1846-1860, 32 PAGES-LES CHASSES EN PERSE, PAR LE COMMANDANT EMILE DUHOUSSET 1860, 16 PAGES-VOYAGES DANS LES ETATS SCANDINAVES, TEXTE ET DESSINS PAR M DE SAINT-BLAIZE 1856, 16 PAGES-VOYAGE A L'ILE DE LA REUNION (ILE BOURBON), PAR M. L. SIMONIN 1860, 32 PAGES-DE PARIS A BUCHAREST CAUSERIES GEOGRAPHIQUES, PAR M.V. DURUY, 32 PAGES-DE KIEW A BEREZOV, SOUVENIR D'UNE EXILEE EN SIBERIE, PAR MME EVE FELINSKA, 32 PAGES-VOYAGE DE L'OCEAN ATLANTIQUE A L'OCEAN PACIFIQUE, A TRAVERS L'AMERIQUE DU SUD, PAR PAUL MARCOY, 48 PAGES-VOYAGE EN ESPAGNE, PAR MM GUSTAVE DORE ET CH. DAVILLIER, 64 PAGES-VOYAGE A LA CITE DES SAINTS, CAPITALE DU PAYS DES MORMONS, PAR LE CAPITAINE RICHARD BURTON, 48 PAGES-L'ANNEE GEOGRAPHIQUE 1862, 16 PAGES-RELIURE ADOS CUIR AVEC FILETS ET TITRES DORES-PLATS CARTONNES-(EM1223)
1820774CGO.O., (um 1820). Altkolorierte Aquatina. Bildgrösse: 15,5 x 21,3 cm. Blattgrösse: 18,4 x 23,5 cm.
1820774CGO.O., (um 1820). Altkolorierte Aquatina. Bildgrösse: 15,5 x 21,3 cm. Blattgrösse: 18,4 x 23,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1898K-1479Wien, Kaiserlich-K?nigliches Milit?r-Geographisches Institut, 1898. Hochformat, ca. 42 x 55 cm, gefaltet zu 16 Segmenten, Ausgabe: mehrf?rbig; Zustand: gut +
185022619Venedig, Testolino, ca. 1850). 12 altkolorierte lithographiete Tafeln (ohne das lithograph. Titelblatt). Quer-Fol. Lwd. der Zeit mit Deckeltitel (bestoßen und beschabt). [5 Warenabbildungen]
184336123Venice: F. Andreola 1843. hardcover. Fascicolo XVIII. 64pp. Folio full red morocco fine gilt floral borders back gilt green moire endpapers a.e.g. Venezia: F. Andreola 1843.<br/> <br/> F. Andreola unknown
188721384Partitions sur l'Italie Joubert 1887 approx.
190075134Partitions sur l'Italie Société Nouvelle d'Editions Musicales 1900 approx.
190029700Partitions sur l'Italie Eschig Max 1900 approx.
18658799Paris, A. Aubry, 1865 1 volume In-8° (13,5 x 21,5cm) Cartonnage à la bradel au papier marbré aux tons bruns, pièce de titre marron au dos en encadrement doré, tête marbrée assortie; plats de couverture conservés. 1faux-titre, 1titre imprimé rouge et noir, 326p., 1feuillet; petits ornements. Mors frottés (fentes du papier de couvrure); rares et très pâles rousseurs, très légère et discrète trace de mouillure en marges supérieures.
18404550[vers 1840]. In-folio à l'italienne, dos en toile, plats de papier moiré bleu nuit, titre doré au premier plat (coins légèrement frottés).
18353220261<p><em>Concertina-folding hand-coloured lithographic peepshow with three cut-out sections front-face measuring 98 × 137 mm; the peepshow extends by paper bellows to approximately 275 mm. Hand-coloured lithograph housed in a custom made cloth box.</em></p><p>Rare German peepshow of St. Mark's Square in Venice rather naive in appearance resembling the illustrations found in chapbooks of the time.</p><p>The front-face consists of the title a view of St Mark's Square viewed from an architectural arrangement at the west end of the square symbols of carnival - a tambourine masks and a jester's bauble - and a circular peephole. The staffage on the cut-outs and backboard consist of commedia del arte figures including a dancing man with a mandolin and two dwarfs. The campanile hopelessly represented and wrongly positioned features on the third cut-out and St Mark's on the backboard.</p> [Germany,
187027447Venice: Colombo Coen 1870. Photography. Otherwise very good condition. Colombo Coen was a prolific Jewish publisher based in Italy from the 1850s-70s. He was the author of a popular guide book "A Week in Venice: A Complete Guide-book to the City and Its Environs 1869. "Paved with water .the Grand Canal is the finest street in Venice and one of the finest in the world." Of the Piazza San Marco he says "one of the finest squares in the world; not the largest – for Trafalgar Square is larger – or the most regular – for it is crooked compared with the Place de la Concorde – but it defies London and Paris to produce its equal." He culminates with "One Venice one sun and one Piazza San Marco. This is the boast of the Venetians."<br /> <br /> The Images are of St. Mark's Basilica San Marco Square Rialto Bridge Grand Canal gondolas. <br /> <br /> Images approx. 7 x 5" laid down on decorative light green board 10 1/4 x 8 1/2". Albumen photos dusty slt fox spotting. Photo lithographic images dusty with title' Venezia' at top and in lower left corner "Stab. Colombo Coen Porc Vecch No 139. 140 Colombo Coen unknown
1849123756Torino, Favale, Schiepatti, 1849, pt in-8°, 115 pp, un portrait gravé du général Ramorino en frontispice, broché, bon état. Rare. Texte en italien
1826105971826 demi-veau olive à coins, plats papiers marbrés (usure au mors mais non fend.) 4 vol. in-12, Paris Ridan 1826
1847EYL-239Munich, J. Poppel et M. Kurz, 1847. In 4 (160 x 235) de 1 f. (titre), 24 planches sur papier fort sous serpentes, 128 p., 1 f. (Table). Percaline brune de l’éditeur, plats ornés d’un encadrement d’un triple filet à froid, grand fleuron doré au centre du plat sup. (Lion de Venise avec titre sur phylactère), qq. rousseurs sur les planches.
184736278Venedig, Giuseppe Kier, 1847. Aus zwei Teilen zusammengesetztes Panorama von Giovanni Pividor (Ansicht 18,8 x 173 cm; Blattgröße 30 x 188,5 cm) in getönter Lithographie, gerollt in bedruckter lithogr. OPp.-Rolle.
18183773<p><em>Shoplifting in Venice - Police Report</em></p><p>VENICE - THEFT. Specifica degli effetti stati rubati per opera di ignoti malfattori ed a danno di Gacome Daci regattiere con bottega nella contrada di S. Basso marcata al Civico N. 184. la giornata dei 30 prossimo passato. colophon: Venice 31 October 1818.£250</p><p>4to pp. 3 1 blank; lightly browned and discoloured in upper outer corner; uncut and unbound with mss filing note to last page.</p><p>Official order for a police investigation into the theft of a large mirrored walnut showcase from a bric-a-brac shop in Venice 1818. A full listing of the forty-five different objects stolen is given amongst them two miniature paintings on vellum one of the Nativity and the other of David; various coins identified and not; five pearl necklaces - two in pearl agate two of 'pearls' in yellow glass and a necklace of miniature black pearls with matching earrings; in mother-of-pearl a piece in the shape of an animal; four saints and an oval of St. George; two gilded crucifixes and much more all to the value of around 350 Italian Lire. A fascinating insight into Venetian life and trade.</p> n.p.
18191120London: J. and C. Adlard 1819. 8vo. 220 x 140 mm. 8 3/4 x 5 1/2 inches. 12 pp. Illustrated with a folding plate depicting the Piazza San Marco Venice. Original blank wrappers separated at the spine folded plate loose in binding. Stamp of the Minnesota Historical Society withdrawn. Tiny tears at the folds of the plate but sound. J. and C. Adlard unknown
1830D7073Venice: Eugenio Testolini n.d. c. 1830. Hardcover. Very Good. Publisher's half brown cloth and printed boards; oblong folio 240 x 343 mm; contains lithographed title-page with inset view of a gondolier and 11 beautifully hand-colored lithographed plates many with the embossed stamp of the publisher in the lower margin. Boards soiled and scuffed; spine tips corners and edge of boards lightly bumped. Nice and bright on the inside! Aside from some faint marginal foxing plates are simply lovely. <br/><br/> Eugenio Testolini hardcover
18254504048Probably Venice 1825. A few spots but generally in fine condition the watercolours well preserved and bright. Oblong small quarto album 185 x 275mm containing forty-six watercolours of various sizes and shapes ranging from delicate circular vignettes to larger scenes of urban and theatrical life elegantly bound in nineteenth-century ochre morocco with ornate gilt decoration. <p><p>A beautiful suite of watercolours including a superb series of scenes of a contemporary Venetian commedia dell'arte troupe by the Venetian painter and engraver Novelli. Featuring images from both the stage and street-performance including acrobatics and conjuring each of the 46 deftly drawn images of which 11 are signed is of considerable quality. </p> <p>Francesco Novelli 1764-1836 vividly and imaginatively illustrated Algarotti's Opere 1791-94 assisting his father Don Quixote 1819 and Gil Blas 1820. He is also known for illustrating works such as the Fasti Veneziani 1794 hinting at his abiding interest in the theatre and the performing arts. </p> <p>One of Novelli's most important teachers was the French artist Vivant Denon who visited Venice in the 1790s. Denon seems to have had a formative influence on Novelli's career not least because he introduced his pupil to the engravings of Rembrandt. This rare and exceptional collection provides a wonderful insight into Italian theatre in its golden age. The album includes an incomparable collection of Novelli's watercolours with the greatest number being piquant images of a Venetian troupe of the commedia dell'arte with especially fine depictions of Pierrot himself as well as other key figures such as Columbine and Harlequin. It includes a remarkable series of scenes from a stage play as well as studies of the individual performers. Indeed many of these images are so precisely rendered that it is likely that Novelli depicts a well-known troupe perhaps one with which he was personally connected.</p> <p>The remaining images cover all aspects of contemporary life including several military vignettes perhaps scenes from the diorama as well as charming rural scenes. Several show Novelli's work at its most sympathetic especially in his animated studies of street vendors and town squares. It is also likely that many of these scenes derive from a period when the troupe was on the road especially as some of the liveliest show street performers conjurors and Punch and Judy shows. These scenes reveal Novelli at the height of his powers especially his skill in capturing the energy and fascination of the crowds that gathered to watch the impromptu performances.</p> <p>Unpublished although the compilation of the album suggests that publication might originally have been Novelli's intention. This is a superb collection of images by one of the pre-eminent artists of his generation providing an insight into Novelli's involvement with the Venetian theatre as well as giving a unique opportunity to study the daily life of a travelling group of European artists and musicians at the turn of the nineteenth century.</p> <p>Make-up of the album:-</p> <p>• three portraits of peasants:</p> <p>• a fishmonger with his left sleeve hanging loose</p> <p>• a peasant women with a cob of corn</p> <p>• a profile of a woman in an elaborate scarf</p> <p>• a uniformed cuirassier rejects the entreaty of a woman</p> <p>• a lively scene at the market with a grenadier a Pierrot and a harlequin</p> <p>• a crowd gathers around a conjuror in the town square</p> <p>• children animatedly watch a Punch and Judy show</p> <p>• a street performer shows a dancing bear while an urchin shows a monkey</p> <p>• two small round scenes:</p> <p>• the first of a cavalry charge</p> <p>• the second a peaceful domestic scene around the hearth</p> <p>• an infantry charge perhaps a real scene or a diorama</p> <p>• three generations of women interior</p> <p>• a lively outdoors scene of the stables</p> <p>• two women work inside a darkened barn</p> <p>• four liveried horses with a cart full of hay</p> <p>• two small round scenes:</p> <p>• a scene in the yard of a hostelry</p> <p>• cooking in a well-provisioned kitchen</p> <p>• two small square scenes:</p> <p>• infants and burghers at a Punch and Judy show</p> <p>• small children crowd around an itinerant projectionist</p> <p>• two small square scenes:</p> <p>• dancing a lively jig</p> <p>• the children of the house at lessons</p> <p>• two small square scenes:</p> <p>• a muzzled bear is made to dance</p> <p>• masked members of a commedia dell'arte troupe enjoy a repast</p> <p>• two small square scenes:</p> <p>• a corpulent gent mounts his horse</p> <p>• a befrocked gentleman loses his hat in an impromptu swing</p> <p>• two small square scenes:</p> <p>• a mother with swaddled child and infant greets some friends</p> <p>• a game of cards</p> <p>• two small square scenes:</p> <p>• Pierrot chased by a 'dog'</p> <p>• Pierrot discovers Harlequin and Columbine with stylized cartouche but no caption</p> <p>• three medium square scenes:</p> <p>• the 'dog' seems to have caught Pierrot</p> <p>• Pierrot greets Columbine</p> <p>• Pierrot astride the 'dog'</p> <p>• two small square scenes:</p> <p>• a strongman lifts four children on a table by his teeth</p> <p>• Columbine's lover hides by pretending to be a sofa</p> <p>• two small square scenes:</p> <p>• Pierrot performs a balancing act</p> <p>• Pierrot discovers Harelquin and Columbine asleep</p> <p>• two small square scenes:</p> <p>• Pierrot accosted by a Satyr</p> <p>• Pierrot offers his hat to the 'dog'</p> <p>• two small square scenes:</p> <p>• an acrobat assumes a pose</p> <p>• a different acrobat stands on his hands</p> <p>• two small square scenes:</p> <p>• a female contortionist performs a trick with four glasses and a hoop</p> <p>• a female acrobat balances on the low-wire</p> <p>• two small square scenes:</p> <p>• one of the troupe strikes a pose</p> <p>• Pierrot discovers a skeleton in his closet</p> <p>• two small square scenes:</p> <p>• the skeleton torments Pierrot at table</p> <p>• Pierrot poses</p> </p> . unknown
18464058Firmin Didot 1846 418 pages in12. 1846. demi basane tranches dorées. 418 pages.
180211un volume in 8 demi-cuir marron à petits coins. pièce de titre chagrin rouge, fesr, roulette dorés. faux titre, titre, VIII, 195 pages,feuillet errata, tranches jaspées. Molini éditeur an X de la République Première édition de la traduction française.