138 résultats
1894233031894 Paris, Editions L.Conquet, 1894, in-8, reliure à la bradel, maroquin rouge à coins, dos à 5 nerfs titré au décor floral, 287 pages, joint catalogue 8 pages in fine, (Baraton Relieur).
1900235211900 Encre de Chine et lavis sur papier signé en bas à droite, titré en bas à gauche, (1900), 24 x 21 cm.
1880102344BBVenedig, um 1880. Jeweils ca. 19,5 x 24,5 cm.
184736278Venedig, Giuseppe Kier, 1847. Aus zwei Teilen zusammengesetztes Panorama von Giovanni Pividor (Ansicht 18,8 x 173 cm; Blattgröße 30 x 188,5 cm) in getönter Lithographie, gerollt in bedruckter lithogr. OPp.-Rolle.
18254504048Probably Venice 1825. A few spots but generally in fine condition the watercolours well preserved and bright. Oblong small quarto album 185 x 275mm containing forty-six watercolours of various sizes and shapes ranging from delicate circular vignettes to larger scenes of urban and theatrical life elegantly bound in nineteenth-century ochre morocco with ornate gilt decoration. <p><p>A beautiful suite of watercolours including a superb series of scenes of a contemporary Venetian commedia dell'arte troupe by the Venetian painter and engraver Novelli. Featuring images from both the stage and street-performance including acrobatics and conjuring each of the 46 deftly drawn images of which 11 are signed is of considerable quality. </p> <p>Francesco Novelli 1764-1836 vividly and imaginatively illustrated Algarotti's Opere 1791-94 assisting his father Don Quixote 1819 and Gil Blas 1820. He is also known for illustrating works such as the Fasti Veneziani 1794 hinting at his abiding interest in the theatre and the performing arts. </p> <p>One of Novelli's most important teachers was the French artist Vivant Denon who visited Venice in the 1790s. Denon seems to have had a formative influence on Novelli's career not least because he introduced his pupil to the engravings of Rembrandt. This rare and exceptional collection provides a wonderful insight into Italian theatre in its golden age. The album includes an incomparable collection of Novelli's watercolours with the greatest number being piquant images of a Venetian troupe of the commedia dell'arte with especially fine depictions of Pierrot himself as well as other key figures such as Columbine and Harlequin. It includes a remarkable series of scenes from a stage play as well as studies of the individual performers. Indeed many of these images are so precisely rendered that it is likely that Novelli depicts a well-known troupe perhaps one with which he was personally connected.</p> <p>The remaining images cover all aspects of contemporary life including several military vignettes perhaps scenes from the diorama as well as charming rural scenes. Several show Novelli's work at its most sympathetic especially in his animated studies of street vendors and town squares. It is also likely that many of these scenes derive from a period when the troupe was on the road especially as some of the liveliest show street performers conjurors and Punch and Judy shows. These scenes reveal Novelli at the height of his powers especially his skill in capturing the energy and fascination of the crowds that gathered to watch the impromptu performances.</p> <p>Unpublished although the compilation of the album suggests that publication might originally have been Novelli's intention. This is a superb collection of images by one of the pre-eminent artists of his generation providing an insight into Novelli's involvement with the Venetian theatre as well as giving a unique opportunity to study the daily life of a travelling group of European artists and musicians at the turn of the nineteenth century.</p> <p>Make-up of the album:-</p> <p>• three portraits of peasants:</p> <p>• a fishmonger with his left sleeve hanging loose</p> <p>• a peasant women with a cob of corn</p> <p>• a profile of a woman in an elaborate scarf</p> <p>• a uniformed cuirassier rejects the entreaty of a woman</p> <p>• a lively scene at the market with a grenadier a Pierrot and a harlequin</p> <p>• a crowd gathers around a conjuror in the town square</p> <p>• children animatedly watch a Punch and Judy show</p> <p>• a street performer shows a dancing bear while an urchin shows a monkey</p> <p>• two small round scenes:</p> <p>• the first of a cavalry charge</p> <p>• the second a peaceful domestic scene around the hearth</p> <p>• an infantry charge perhaps a real scene or a diorama</p> <p>• three generations of women interior</p> <p>• a lively outdoors scene of the stables</p> <p>• two women work inside a darkened barn</p> <p>• four liveried horses with a cart full of hay</p> <p>• two small round scenes:</p> <p>• a scene in the yard of a hostelry</p> <p>• cooking in a well-provisioned kitchen</p> <p>• two small square scenes:</p> <p>• infants and burghers at a Punch and Judy show</p> <p>• small children crowd around an itinerant projectionist</p> <p>• two small square scenes:</p> <p>• dancing a lively jig</p> <p>• the children of the house at lessons</p> <p>• two small square scenes:</p> <p>• a muzzled bear is made to dance</p> <p>• masked members of a commedia dell'arte troupe enjoy a repast</p> <p>• two small square scenes:</p> <p>• a corpulent gent mounts his horse</p> <p>• a befrocked gentleman loses his hat in an impromptu swing</p> <p>• two small square scenes:</p> <p>• a mother with swaddled child and infant greets some friends</p> <p>• a game of cards</p> <p>• two small square scenes:</p> <p>• Pierrot chased by a 'dog'</p> <p>• Pierrot discovers Harlequin and Columbine with stylized cartouche but no caption</p> <p>• three medium square scenes:</p> <p>• the 'dog' seems to have caught Pierrot</p> <p>• Pierrot greets Columbine</p> <p>• Pierrot astride the 'dog'</p> <p>• two small square scenes:</p> <p>• a strongman lifts four children on a table by his teeth</p> <p>• Columbine's lover hides by pretending to be a sofa</p> <p>• two small square scenes:</p> <p>• Pierrot performs a balancing act</p> <p>• Pierrot discovers Harelquin and Columbine asleep</p> <p>• two small square scenes:</p> <p>• Pierrot accosted by a Satyr</p> <p>• Pierrot offers his hat to the 'dog'</p> <p>• two small square scenes:</p> <p>• an acrobat assumes a pose</p> <p>• a different acrobat stands on his hands</p> <p>• two small square scenes:</p> <p>• a female contortionist performs a trick with four glasses and a hoop</p> <p>• a female acrobat balances on the low-wire</p> <p>• two small square scenes:</p> <p>• one of the troupe strikes a pose</p> <p>• Pierrot discovers a skeleton in his closet</p> <p>• two small square scenes:</p> <p>• the skeleton torments Pierrot at table</p> <p>• Pierrot poses</p> </p> . unknown
1840151795ca. 1840. Blattgröße: 59 x 44 cm.
18404550[vers 1840]. In-folio à l'italienne, dos en toile, plats de papier moiré bleu nuit, titre doré au premier plat (coins légèrement frottés).
185327067ABBasel, Bahnmaier's Buchhandlung (C. Detloff), 1853-1854. 8°. VIII, 616 S.; VIII, 611 S. Mit zwei Titelholzschnitten. Leinenband der Zeit mit Rücken- und Deckelvergoldung + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bände. (leicht berieben und bestossen, am Rücken etwas wasserfleckig, Rücken von Band 2 leicht verblichen).
185327067AB2 Bände. Basel, Bahnmaier's Buchhandlung (C. Detloff), 1853-1854. 8°. VIII, 616 S.; VIII, 611 S. Mit zwei Titelholzschnitten. Leinenband der Zeit mit Rücken- und Deckelvergoldung (leicht berieben und bestossen, am Rücken etwas wasserfleckig, Rücken von Band 2 leicht verblichen).
189522206Italy: No Photographer Noted 1895. A series of loose plates with tipped-on photographs on paper in black and white; about 1/2 of the plates with 2 images; sizes vary with the largest approx. 10" x 13" and ranging to 3" x 6" for those having 2 plates per page; especially well-taken with gravure quality and fine detail; views of the upper cupolas; ornate frieze-work; many of the column-tops and detailed ornamentation; no photographer or studio indicated; some with numbers on the plates which correspond to numbers found in the impress margins and with an additional sequence of numbers found at the edge of the stiff-paper matte-surround; the mounts make these 12 1/4" x 15 1/2" approx.; small rubber stamp of the School of the Museum of Fine Arts on the backs of the mounts which is the only marking; occasional spotting on the mounts some with some darkening towards the margins and edge-chipping wear a little rippling too; imagery generally very good and clean; a good collection and a detailed reference for this Venetian architectural masterpiece. . Art. Not Bound. Very Good. No Photographer Noted Paperback books
184060351Venedig, Litografia Veneta, um 1840. Bild ca. 18,3 x 11,5 cm, Blatt ca. 25 x 16,5 cm. 1 Blatt, verso weiß.
1838255recueillies et traduites par M. N. TOMMASEO Paris, imprimerie royale - 1838 - 2 volumes de format : 21.5 x 27.5 cm, reliure plein veau glacé d'époque, dos à 4 nerfs, toutes tranches dorées, gardes marbrées. texte bilingue, texte italien avec traduction en français en regard. Tome 1 : 12 pages de préfaces et566 pages Tome 2 : 832 pages dont 162 pages de commentaires non traduits en français. mors fendus sur toutes leurs longueurs, coiffes émoussées, rousseurs plus ou moins prononcées malgré ces défauts bel état (cahiers bien alignés, reliures d'époque solides)
1830D7073Venice: Eugenio Testolini n.d. c. 1830. Hardcover. Very Good. Publisher's half brown cloth and printed boards; oblong folio 240 x 343 mm; contains lithographed title-page with inset view of a gondolier and 11 beautifully hand-colored lithographed plates many with the embossed stamp of the publisher in the lower margin. Boards soiled and scuffed; spine tips corners and edge of boards lightly bumped. Nice and bright on the inside! Aside from some faint marginal foxing plates are simply lovely. <br/><br/> Eugenio Testolini hardcover
1830D7073Venice: Eugenio Testolini n.d. c. 1830. Hardcover. Very Good. Publisher's half brown cloth and printed boards; oblong folio 240 x 343 mm; contains lithographed title-page with inset view of a gondolier and 11 beautifully hand-colored lithographed plates many with the embossed stamp of the publisher in the lower margin. Boards soiled and scuffed; spine tips corners and edge of boards lightly bumped. Nice and bright on the inside! Aside from some faint marginal foxing plates are simply lovely. <br/><br/> Eugenio Testolini hardcover books
1825GIT00d13A Paris ches Mme Dabo-Butschert 1825. In-18 264pp. Pleine basane blonde racinée, dos lisse orné de filets, chaînettes et pastilles dorés, pièce de titre tabac, tranches marbrées, rel époque. Orné d'une gravure en forntispice. Bel exp.
18991451899 Paris, Felix Alcan, 1899. Deux volumes in-8 demi chagrin vert, dos à nerfs, pièce de titre en maroquin rouge, lxxiii et 811 pages (pagination continue). Bel exemplaire sur papier vergé.
189987321899 In Inventaire analytique des Archives des Affaires Etrangères, Paris, Félix Alcan, 1899. Deux volumes in-8 demi chagrin vert, dos à nerfs, pièces de titre et de tomaison en maroquin rouge, lxxiii, et 810 pages (pagination continue), feuillet d'errata. Rares rousseurs, néanmoins bel exemplaire sur papier vergé.
18592630FIRMIN DIDOT 1859 2 Paris, Firmin Didot, 1859-1860, 2 volumes-in8, percaline rouge, dos avec décor floral, illustrés de nombreuses gravures sur bois avec encadrement, tranches dorées, 496 pages et 556 pages (reliure de l'éditeur).
183062946Ohne Ort, um 1830. Bild ca. 7,5 x 10,5 cm, Platte ca. 11 x 14 cm, Blatt ca. 14 x 22,5 cm. 1 Blatt, verso weiß.
183062947Ohne Ort, um 1830. Bild ca. 7,5 x 10,5 cm, Platte ca. 11 x 14 cm, Blatt ca. 14 x 22,5 cm. 1 Blatt, verso weiß.
189810317Paris REVUE GENERALE DES SCIENCES 1898 1 Paris, Revue Générale des Sciences, Septembre 1898, in-folio, en feuilles, sous chemise en percaline bleue ornée de motifs floraux argentés dans le style Art-Nouveau (G. Bonnet relieur).
18595415Paris Furne et Cie 1859 GRAND In-8 XXIV+423 pp, précédé d'Un souvenir de Manin par Ernest Legouvé, portrait de D. Manin en frontispice, double filet sur plat, triple filet doré sur dos à 5 nerfs, tranche supérieure dorée ; dos, couverture, coupes et coins fort frottés
180211un volume in 8 demi-cuir marron à petits coins. pièce de titre chagrin rouge, fesr, roulette dorés. faux titre, titre, VIII, 195 pages,feuillet errata, tranches jaspées. Molini éditeur an X de la République Première édition de la traduction française.
18479863Lyon, Librairie Burgundo-lyonnaise de M. Chambet Fils (Beaune, Imprimerie Blandeau-Dejussieu), 1847 ; grand in-8 ; plein veau fauve, dos à faux nerfs dorés, fleurons dorés, pièce de titre orange (reliure de l'époque) ; XIII, (3), 548 pp., 5 planches lithographiées hors-texte.
18191120London: J. and C. Adlard 1819. 8vo. 220 x 140 mm. 8 3/4 x 5 1/2 inches. 12 pp. Illustrated with a folding plate depicting the Piazza San Marco Venice. Original blank wrappers separated at the spine folded plate loose in binding. Stamp of the Minnesota Historical Society withdrawn. Tiny tears at the folds of the plate but sound. J. and C. Adlard unknown