138 résultats
1820772CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von A. Angeli. Bildgrösse: 15 x 20,5 cm. Blattgrösse: 18,2 x 24,3 cm.
1820770CGMilano, nel Negozio di Stampe Soperto de Figini al No. 4074. (um 1820). Altkolorierte Aquatina von Landini. Bildgrösse: 15,3 x 21 cm. Blattgrösse: 18,4 x 24,5 cm.
1820771CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von Landini. Bildgrösse: 15 x 20,7 cm. Blattgrösse: 18,4 x 24 cm.
1820773CGMilano, nel Negozio di Stampe sotto il Coperto de Figini al N. 4074, (um 1820). Altkolorierte Aquatina von D. Landini. Bildgrösse: 15,2 x 21 cm. Blattgrösse: 19 x 24 cm.
1820772CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von A. Angeli. Bildgrösse: 15 x 20,5 cm. Blattgrösse: 18,2 x 24,3 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1820770CGMilano, nel Negozio di Stampe Soperto de Figini al No. 4074., (um 1820). Altkolorierte Aquatina von Landini. Bildgrösse: 15,3 x 21 cm. Blattgrösse: 18,4 x 24,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1820771CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von Landini. Bildgrösse: 15 x 20,7 cm. Blattgrösse: 18,4 x 24 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1820773CGMilano, nel Negozio di Stampe sotto il Coperto de Figini al N. 4074, (um 1820). Altkolorierte Aquatina von D. Landini. Bildgrösse: 15,2 x 21 cm. Blattgrösse: 19 x 24 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1880HIST0195Paris, Rothschild o. J. (um 1880). gr.-8°, XII, 375 S., avec 136 gravures et 8 planches, Reproductions des monuments du temps et des fresques de Paul Veronese, OLdrbd. m. aufwändiger Deckel- u. Rückenprägung, Rückendeckel in Blindprägung, Einband berieben, goldfarb. gemusterte Vorsatzblätter, Exlibris am vord. Spiegel, Schmutzblatt m. Besitzerstemp., Vortit. m. datiertem Namenszug, Vollgoldschnitt, dekoratives Exemplar. In Französisch.
1878114362Paris, J. Rothschild, impr. Typographie Georges Chamerot, à Paris 1878 In-folio 38 x 27,5 cm. Reliure demi-chagrin vert-émeraude, dos à nerfs, X-328 pp., orné de 525 gravures dont 50 tirées hors texte et plusieurs en couleurs, table générale des gravures, table des matières, des noms et des gravures. Coupes frottées, premier mors fendillé sur 5 cm, intérieur très frais exempt de rousseurs.
1874za1916Paris, E. Plon et Cie, Imprimeurs-éditeurs, rue Garancière, 8 et 10 Relié 1874 In-8 (15,5 x 22,8 cm), reliure demi-chagrin, dos à 5 nerfs, 447 pages, gravure en noir en regard de la page de titre ; étiquette au dos, coiffes, mors et coupes usées, par ailleurs intérieur frais, assez bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1840030-I1840. Aquarell über Bleistift, auf cremefarbenem Aquarellkatron, links signiert, datiert und bezeichnet ?C. Werner f. 1840. Rom.? 24,3:33,1 cm. Provenienz: Galerie Arnoldi Livie, München. Wunderbar farbfrisches, charakteristisches Aquarell von herausragender künstlerischer Qualität! Vergleichsliteratur: Galerie Joseph Fach, Frankfurt am Main, Kat. 75 mit Farbabb. S. 71; Ausst. Katalog: Venedig Bilder in der deutschen Kunst des 19. Jahrhunderts. Karlsruhe/Paderborn, 2011, Seite 208, Farbtaf. 72.
189810317Paris REVUE GENERALE DES SCIENCES 1898 1 Paris, Revue Générale des Sciences, Septembre 1898, in-folio, en feuilles, sous chemise en percaline bleue ornée de motifs floraux argentés dans le style Art-Nouveau (G. Bonnet relieur).
186353896- Gravure 18 x 27 cm.
1895AUB-4076Venise, Ferd. Ongania édit. 1895, 96, 97. 3 bons volumes brochés, in-8, 154 pages, 216 p. et 166 pages.
1866136010- Planche autographiée. 35 x 55 cm.
1870WRCAM51331Venice 1870. Panoramic photograph 11 1/4 x 150 inches. Mounted on card linen-backed in nine sections folding into leather slipcase stamped "VENISE" in gilt. Light surface dusting. Slipcase worn and partially split. Panorama near fine. An amazing panorama of the "Queen of the Adriatic." Measuring over twelve feet this striking panorama shows the southern side of Venice as taken from the bell tower of the Chiesa del San Giorgio Maggiore a 16th- century Benedictine church located just east of the barrier island of Giudecca directly opposite San Marco and the Doge's Palace. The photograph shows the entire expanse of the city from the western end to the public gardens on the eastern extreme of the island and depicts a bustling port city with numerous ships running in the Venetian Lagoon. A stunning and important photographic record of one of the planet's most romantic cities. hardcover books
18814006041Antonio Roberti 1881. Hard cover. Fair/No jacket. Cloth 37 cm xxix 161 pages with frontispiece portrait black & white illustrations in the text 71 numbered diagrams and plans. Fair condition but for some foxing in pages ink inscription on front free endpaper and covers with slightly loose binding some fading and abraded areas at edges especially along spine and with corners bumped. Antonio Roberti unknown
1898VENICE013033Macmillan London. 1898. Extra Illustrated Edition of a book originally published in 1887. Octavo. pp xvi 410. Plates and illustrations in the text. Period binding of full polished tan calf with raised bands gilt decoration and rules marbled edges and endpapers.Spine slightly faded. Two corners slightly bumped. Very good indeed. Macmillan, London. hardcover
1885139341885. Original 19th Century photograph showing St. Mark's square Piazza San Marco in Venice. The photograph is very large measuring 10-1/2"x14" and mounted on heavy cardboard to an overall size of 14"x20". Shows a view of Saint Mark's Square the principal public square in Venice and a location used in countless artworks films and literature through the centuries. A remark attributed to Napoleon calls the Piazza San Marco the "drawing room of Europe." The square has been remarkably unchanged by time and appears very similar in paintings of 300 years ago to this photograph of over 100 years ago and as it is today. Catalogue numbered in the lower left hand corner within the photo "48. Venezia/ Piazzo S. Marco." Another image of the same size and condition is on the verso labeled within the photo "25. Venezia/Loggetta." Moderate staining and warping to cardboard but photograph itself is in fine condition. unknown
1830D7073Venice: Eugenio Testolini n.d. c. 1830. Hardcover. Very Good. Publisher's half brown cloth and printed boards; oblong folio 240 x 343 mm; contains lithographed title-page with inset view of a gondolier and 11 beautifully hand-colored lithographed plates many with the embossed stamp of the publisher in the lower margin. Boards soiled and scuffed; spine tips corners and edge of boards lightly bumped. Nice and bright on the inside! Aside from some faint marginal foxing plates are simply lovely. <br/><br/> Eugenio Testolini hardcover books
184336123Venice: F. Andreola 1843. hardcover. Fascicolo XVIII. 64pp. Folio full red morocco fine gilt floral borders back gilt green moire endpapers a.e.g. Venezia: F. Andreola 1843.<br/><br/> F. Andreola unknown books
18721103New York: Harper & Brothers 1872. 8vo. pp. 481 - 501. Illustrated with wood engravings including a map of Venice four full-page architectural views and nine wood engravings in the text. Original printed wrappers chipped at spine but a sound an not unattractive copy.<br /> <br /> Anonymous twenty page description of Venice which captures for the American public the history and romance of La Serenissima including images of the most famous palazzi the Doge's Palace. This issue of the Magazine also includes a biography of Edgar Allan Poe an essay on the political character of modern Greeks and the concluding chapter of Anthony Trollope's The Golden Lion of Granpere to name a few of the articles. Harper & Brothers unknown
18451120DBO. O., o. Vlg., (ca. 1845). Quer-Gross-8°. (1) Bl. Mit 19 Illustr. auf 11 lithogr. Tafeln von G. Draghi nach Germano Prosdocimi. lithogr. Orig.-Heft mit mont. Bibliotheksschild auf vord. Deckel (mit kl. Randläsuren, angestaubt).
18592630FIRMIN DIDOT 1859 2 Paris, Firmin Didot, 1859-1860, 2 volumes-in8, percaline rouge, dos avec décor floral, illustrés de nombreuses gravures sur bois avec encadrement, tranches dorées, 496 pages et 556 pages (reliure de l'éditeur).