287 résultats
1980318517Hertingfordbury: Roxford 1980. hardcover. fine/very good. Hundreds of illustrations many in color. 276 pages 4to brown cloth d.w.; minor wear at foot of dust wrapper spine. Hertingfordbury: Roxford 1980. A fine copy in a very good dust wrapper.<br/> <br/> Roxford unknown
198021152181980. Lagos: The Shell Petroleum Development Company of Nigeria Limited. 1980. 4to. Original cloth with illustrated dust-wrapper and with the rare original slip-case; pp. 276 highly illustrated throughout near-fine.Scarce first edition of this well-researched and beautifully illustrated study of traditional textile design and production cultural significance and as tribal marks. Good index and bibliography at the end. hardcover
1981009444Roxford: H.A.& V.M.Lamb 1981. Book. Very Good. Hardcover. First Edition. 4to - over 9¾ - 12" tall. Tight Firm Clean Copy - First Edition - No Signatures Inscriptions Or Notations Discovered. Illustrated. Black Cloth Hard Cover With Gold Gilt Titled Spine - Faint Wear - Rear Back Cover Partially Removed From Paste Down Along Spine. Unclipped Jacket In Similar Condition. A Heavy Book Additional Postage Will Be Requested For Overseas Delivery. H.A.& V.M.Lamb Hardcover
198009446<p>Roxford . UK: H.A & V.M. Lamb 1980. Book. Very Good. Hardcover. 1st Edition. 4to - over 9¾ - 12" tall. This book contains a systemic survey of the major Nigerian weaving traditions on a scale never before attempted. The work is based on the original field work in Nigeria combined with the study of Nigerian cloths preserved today in museum collections outside Nigeria. It is Illustrated by the authors' own photographs both of the weavers and their cloth and their equipment. There is a dedication by one of the authors' on the front end paper TheBoards binding and text block are all square tight and clean. the dust jacket has been covered in a removable plastic covering the slipcase has minor wear to the base of the spine but is otherwise square and clean. Book price includes 2nd class post in UK only.</p> H.A & V.M. Lamb hardcover
1981200-07211H.A.& V.M.Lamb 1981-01-01. hardcover. Good. Good with wear and markings. Looks like an interesting title! H.A.& V.M.Lamb hardcover
0907129005.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0847825213New. paperback. New. Satisfaction Guaranteed or your money back. paperback
2002SONG08478252132002-11-23. paperback. Used: Good. 9.52x1.79x11.62. Buy with confidence. Excellent Customer Service & Return policy. paperback
2024x-1793606722Lexington Books 2024. Paperback. New. 342 pages. 9.33x6.41x9.00 inches. Lexington Books paperback
20221793606706Lexington Books 2022. New/New. <p><strong>Author:</strong> LaToya Jefferson-James Venise Nichole Adjibodou Cynthia Davis Shahara'Tova Dente Ebony Gibson Lana N. Lockhart Carissa McCray Michael C. Montesano Georgene Bess Montgomery Linda Jummai Mustafa Anna Schmidt R. Nicole Smith RaShell R. Smith-Spears Jasmine Wade Nagueyalti Warren Marta Werbanowska</p><p><strong>Publisher:</strong> Lexington Books</p><p><strong>ISBN:</strong> 9781793606709</p><p><strong>Release Date:</strong> 2022</p><p><strong>Languages:</strong> English</p><p><strong>Binding:</strong> Hardcover</p><p><strong>Number Of Pages:</strong> 342</p><p><strong>Details:</strong> New Criticism and Pedagogical Directions for Contemporary Black Women Writers is a collection of critical and pedagogical essays that shed new light on the creative depths of Black women writers. On the one hand some Black women writers have been heavily anthologized they have more often than not been restricted by critical metanarratives. Some of their works have been lionized while others remain neglected. On the other hand some Black women writers have been ignored and understudied. This collection corrects the gaps in our critical thinking about Black women writers by introducing them to a new generation of undergraduate and graduate students and by presenting pedagogical essays to our colleagues currently working in the field. Editorial Reviews Review “New Criticism and Pedagogical Directions for Contemporary Black Women Writers is an excellent collection of essays that aims at increasing awareness of Black womanhood through scholarly analyses and pedagogical practices. It discusses the issues of Black feminism in contemporary societies including Black women’s voices status rights experience exploitation and struggle demonstrated in literary works by such noted writers as Toni Morrison Alice Walker Sonia Sanchez and Chimamanda Ngozi Adichie. It is also a mindful echo of Blackness emphasized in the Black Arts Movement. This book explores the strategies of teaching Black women writers by understanding their literary expressions and their ways of thinking throbbing with the trials and tribulations of their fight for freedom dream and human rights.†―John Zheng editor of Sonia Sanchez's ""Poetic Spirit through Haiku and The Other World of Richard Wright"" About the Author CYNTHIA DAVIS is professor of English at San Jacinto College in Houston Texas where she</p> Lexington Books hardcover
1939ANIstVEN98Venice: Libreria Serenissima 1939. 1939. 8vo. pp. 239. profusely illus. biblio. index. limp cloth institutional label on spine bookplate rubberstamp & two blindstamps inside front pastedown cockled tear to back pastedown. Exhib. Cat. First Edition. Freitag 9921. F. Hardcover. [Venice: Libreria Serenissima, 1939]. Hardcover
1982229086Venezia : Albrizzi 1982. First Edition. Hardcover. Fine cloth copy in an equally fine dust wrapper. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Physical description; 327 p. : ill. Subjects; Italian glassware - Venetian glassware - to date - Catalogues. Genre; Catalogue. Venezia : Albrizzi hardcover
dola292Venice: 1967. Exhibition Catalogue. square 8vo. ff. 37. profusely illus. some colour. cloth 2 small library stamps. illus. plastic dw Venice: 1967 hardcover
1887367721Venezia : Il Istituto 1887. First Edition. Hardcover. Near fine copy in the original colour-printed boards. Spine bands and panel edges very slightly dulled. Scattered foxing within. Remains particularly well-preserved overall. Physical description; 1 volume : illustrations ; 33 cm. Subjects; Venice Italy; history. Italy; literature. Venice; description and travel. Venice; customs and culture. Venezia : Il Istituto hardcover
9788570568977-11-125193Atual Did��tico. New. Atual Did��tico unknown
2311908-nnew. unknown
2311908like new. unknown
1996x-0803972784Sage Pubns 1996. Paperback. New. 300 pages. 9.00x6.00x1.00 inches. Sage Pubns paperback
1996DADAX0803972784Sage Publications 1996-04-02. 1. paperback. New. 6.00x0.80x9.00. Buy with confidence. Excellent Customer Service & Return policy. Sage Publications paperback
B9780803972780Paperback / softback. New. paperback
A9780803972780Paperback / softback. New. paperback
1966ANIxVENI89Venice: 1966. 1966. 8vo. pp. 76. profusely illus. 20 colour. cloth. French English & German translation pp. 20 loosely inserted. Exhib. Cat. First Edition. F. Hardcover. [Venice: 1966]. Hardcover
18-4126Venice CA: L.A. Louver Gallery 2001. . Exhibition brochure. 12mo. 4 pp. Single glossy color illustrated card stock folded into half. Good with marginal rubbings and creasing. Includes 1 color plate. Announcement created on occasion of exhibition “Mark di Suvero†at L.A Louver in Venice CA from October 19 through November 24 2001.From the Collection of the Art Historian Peter Selz. Venice, CA: L.A. Louver Gallery, 2001. unknown
18353220261<p><em>Concertina-folding hand-coloured lithographic peepshow with three cut-out sections front-face measuring 98 × 137 mm; the peepshow extends by paper bellows to approximately 275 mm. Hand-coloured lithograph housed in a custom made cloth box.</em></p><p>Rare German peepshow of St. Mark's Square in Venice rather naive in appearance resembling the illustrations found in chapbooks of the time.</p><p>The front-face consists of the title a view of St Mark's Square viewed from an architectural arrangement at the west end of the square symbols of carnival - a tambourine masks and a jester's bauble - and a circular peephole. The staffage on the cut-outs and backboard consist of commedia del arte figures including a dancing man with a mandolin and two dwarfs. The campanile hopelessly represented and wrongly positioned features on the third cut-out and St Mark's on the backboard.</p> [Germany,
160123709Venice: Ducal Palace 1601. Leaf. Fine. Single page of vellum 12 by 16 inches folded and with cuts along two margins to seal the page. Five lines of manuscript the first two in Latin then two in Italian and the last in Latin identifying Marino di Carvallo as the Venetian Ambassador appointed by the Doge of Venice to the King of France Henry IV of Navarre. Signed at the end in Latin "Leonardus Octobonus" for the Council of Ten. He later held the post of Grand Chancellor of Venice.<br /> <p><br /> "Marino Gramani Doge of Venice sends greetings and affection to the Most Christian King through our noble and wise faithful and beloved Ambassador Marino di Cavallo." It then references the decision of the Council of Ten the Venetian Governing Body and finishes with "Dated in the Ducal Palace this 4th day of April.1601."<br /> <p><br /> The Doge Marino Gremani antagonized Pope Paul IV by trying two priests under Venetian not canon law to which the Pope responded by placing Venice under Interdict. The Ottoboni were an aristocratic Venetian family which provided Venice with more than one Chancellor and ultimately produced Pope Alexander VIII. Marino de Caballo was also from an aristocratic Venetian family and was a noted physician as well as an Ambassador who believed that the most important aspect of his job was to provide an excellent chef and fine food. Finally Henry IV of Navarre a Huguenot ruler of Navarre as Henry III secured the throne of France by converting to Catholicism: "Paris is worth a Mass." Five years later he signed the Edict of Nantes the landmark drecree granting religious tolerance to Protestants and which helped end the Wars of Religion.<br /> <p>. Ducal Palace unknown