15 281 résultats
1860014565D.Appleton-Century and Company 1860. Book. Fine. Hardcover. 1st Edition. 12mo - over 6¾ - 7¾" tall. Fine Copy Without Wear in Prefered Brown Pebble Cloth First Edition First Issue Ownership Name Gorgeous Fresh Copy Scarce In This Condition. D.Appleton-Century and Company Hardcover books
19621801150016Paris: Pathe; Pilote Publicite; Affiches Gaillard 1962. First Edition. Framed Poster. Very Good. Lithograph poster framed under plexiglass. Halftone color. Extremely large; 167 x 126 cm 63 x 47 inches. Minor discoloration along bottom margin. Please contact us about shipping rates prior to ordering. This is a very large poster that will require additional shipping charges. <br> Bresson's film received the Special Jury prize at Cannes Festival 1962. "A minimal and austere telling of the story of Joan of Arc's trial and execution. Bresson's shortest feature film is a wonderful example of his evolution towards a stripped-down essentialist aesthetic style. As in all of his films here Bresson attempts to go beyond the surface to the soul of his subject and in The Trial of Joan of Arc he achieves this goal with a film that reveals a great deal about human nature and particularly the resilience of the human spirit. Pathe; Pilote Publicite; Affiches Gaillard unknown
1960133256N.p.: N.p. 1960. Vintage borderless photograph from the 1962 film by photographer Andre Marinie. A candid on-the-set photograph of the film's reclusive director Robert Bresson behind the camera typically pensive and with cigarette in hand. Marinie's stamp and stamp from the film's production companies Agnes Delahaie Productions and Consortium Pathe on the verso. <br /> <br /> Linda Rasmussen at AllMovie notes: "Characteristically breaking with tradition director Robert Bresson presents a realistic unique view of the life and death of Joan of Arc. Using a script based on the actual transcript notes taken during her trial Bresson focuses on the psychological and physical torture that Joan had to endure showing how these techniques were used to break her resolve and cause her to eventually recant her faith. <br /> <br /> "With impeccable historical accuracy Bresson re-creates the story of the peasant girl who after leading an unsuccessful revolt against the government was brought to trial convicted of heresy and burned as a witch. However Bresson shows Joan Florence Carrez as a woman more sophisticated and calculating and less naive than she has normally been represented. His Joan while more real is no less heroic than the traditional Joan."<br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 9.5 x 7.25 inches. Near Fine. N.p. unknown
19141312024Blackie and Son Limited London 1914. 1st Edition. Hardcover. Very Good/Good. Very good in a good dust jacket. The Jacket is very rare. The spine of the dj is separated from the front and back covers and there are a few tears; good condition; dj missing front and back flap. Book in very good condition. 20cm-26cm with 194 pp. 16 richly colored tipped-in plates by Florence Harrison. The book is further enhanced by many more of her decorations/illustrations. Blackie and Son Limited, London hardcover books
19141312024Blackie and Son Limited London 1914. 1st Edition. Hardcover. Very Good/Good. Very good in a good dust jacket. The Jacket is very rare. The spine of the dj is separated from the front and back covers and there are a few tears; good condition; dj missing front and back flap. Book in very good condition. 20cm-26cm with 194 pp. 16 richly colored tipped-in plates by Florence Harrison. The book is further enhanced by many more of her decorations/illustrations. Blackie and Son Limited, London hardcover
18184414Florence: presso Niccolò Carli 1818. 8vo 193 x 125 mm. 45 3 bl.; 37 1 bl. pp. Letterpress tables. The second part is an Appendix separately paginated with half-title and approbation at end dated 1818. A few small spots to title and last few pages. Modern half linen and marbled boards original rear wrapper bound in.<br /> <br /> Only Edition of the rules for the main Florentine workhouse for the destitute mainly children established by Napoleon in 1812 to honor the birth of his son the King of Rome on the site of two former monasteries in the Florentine suburb of Montedomini. The architect Giuseppe del Rosso combined the two monastic edifices creating one main building in a neoclassical style and a complex of six smaller buildings for workshops etc. <br /> <br /> The Pia Casa di Montedomini as it came to be known was not only a poorhouse but was a center for poor relief generally. The various categories of candidates for aid are set forth in the introduction: children or adults who were taken in by Montedomini or by other “pious establishments†in the city as permanent residents known as Reclusi; those who were given work during the day and who returned to their families at the end of the day; those who were given work to carry out at home; and those few who were granted financial help. The Reclusi were divided by age: children under 3 went to the Spedale degli Innocenti those aged 3 to 10 and 10 to 15 to two different orphanages and those who were disabled or too old to work to another hospice Spedale di Bonifazio. Thus families were broken up: this is acknowledged in the text. Blank sample forms are provided for the admission of each category.<br /> <br /> Most of the rules are devoted to the main Reclusi aged 15 and up. The first chapter outlines admissions procedures; chapters 2 and 3 describe their general living conditions and daily routines and the following chapters address details of work food clothing and bedding all paid for through the inhabitants’ labor. Not surprisingly given the Napoleonic inspiration the Reclusi were organized in quasi-military “brigades†divided by sex and type of work. The brigades were led by the most compliant and hard-working individuals male “Caporali†and female “Maestre†who wore differently colored uniforms from the others. Every moment of the day was strictly regimented and other than eating and sleeping there was no time for anything other than work except for two hours of recreation on the occasional special feast day when only selected individuals were allowed to leave the Casa in strictly controlled groups.<br /> <br /> The daily life of these children and young adults who were imprisoned “for their own good†is hard to fathom for a modern reader: they rose at 6 or 6:30 prayed worked until noon finally were allowed to eat and then went back to work until 11 or 11:30 pm. Most of the work seems to have involved sewing or needlework; some worked for tailors or other textile workers. Dinner was followed by prayers and bedtime silence was imposed at 1 am. Meals were spartan: the rations of each ingredient are prescribed down to the ounce. Lunch was 2 ounces of soup 10 ounces of bread and 6 ounces of meat or a comparable quantity of vegetables. Dinner was bread and vegetables. One suspects that many barely survived in these conditions. <br /> <br /> Other chapters and the Appendix are devoted to the administration of the Casa accounting and record-keeping work assignments and payment and relations with extra-institutional employers.<br /> <br /> I locate no copies in American libraries. R. Uccelli Contributo alla Bibliografia della ToscanaC 1922 2575. presso Niccolò Carli unknown
196686392New-York, Book Adventures, Inc., 1966, in-4, hardbound, 232p. Second printing. Dustjacket missing. Good copy.
1590R98678Coloniae Agrippinae [Köln], apud Ioannem Gymnicum, sub Monocerote 1590 Continuation of title: "Acesserunt in hac editione Tractatus Finium Regundorum seu de quinque pedum praescriptione Andreae Alciati. Item Allegationes Jacobi de Puteo et Lichini de Curte in materia confinium", [44] + 464pp., with engraved vignette and two old handwritten ex-libris on title page, the appendix "Allegationes" has its own title page, 17cm., text in Latin, contemporary vellum binding with some traces of use, ["Nunc denuo editus, & ab auctore recognitus & auctus ; Acceserunt alia quae sequens indicat pagina. Cum summarijs & Indice locupletissimo"], text clean and bright, some pages slightly browned, good condition, [BOUND TOGETHER WITH: SEBASTIANO MEDICI, Tractatus mors omnia solvit, Sebastiani Medicis Florentini, ic. Equitis S. Stephani, & Protonotarij Apostolici : multo nunc, plurimis quibus prima scatebat editio, mendis sublatis, emendatius recusus. Accedit Index rerum et verborum accurantissimus. Francoforti [Frankfurt am Main], Ex officina typographica Nicolai Bassaei [Nikolaus Basse], 1585, 309 + [26] pp., with engraved printer's device at title page and at the last page], R98678
Continuation of title: "Acesserunt in hac editione Tractatus Finium Regundorum seu de quinque pedum praescriptione Andreae Alciati. Item Allegationes Jacobi de Puteo et Lichini de Curte in materia confinium", [44] + 464pp., with engraved vignette and two old handwritten ex-libris on title page, the appendix "Allegationes" has its own title page, 17cm., text in Latin, contemporary vellum binding with some traces of use, ["Nunc denuo editus, & ab auctore recognitus & auctus ; Acceserunt alia quae sequens indicat pagina. Cum summarijs & Indice locupletissimo"], text clean and bright, some pages slightly browned, good condition, [BOUND TOGETHER WITH: SEBASTIANO MEDICI, Tractatus mors omnia solvit, Sebastiani Medicis Florentini, ic. Equitis S. Stephani, & Protonotarij Apostolici : multo nunc, plurimis quibus prima scatebat editio, mendis sublatis, emendatius recusus. Accedit Index rerum et verborum accurantissimus. Francoforti [Frankfurt am Main], Ex officina typographica Nicolai Bassaei [Nikolaus Basse], 1585, 309 + [26] pp., with engraved printer's device at title page and at the last page], R98678
18843298<p>Seventeen-year-old Florence Nightingale Soden began this diary to mark her society debut and to document the expanded social and travel engagements available to her. The first entry on Sept 3 1883 marks her seventeenth birthday and details Soden's extensive journey around Italy and France far away from her home in Clapham England.</p><p>Soden clearly reflects upon some of her entries after they are written and edits herself. She cut out three pages another four have been completely removed from the diary and one page is painted over black. Botanical specimens are tipped in as momentos. Her student days are remembered with a Class I exam paper on the history of Rome laid in at the back. It may be that a Class I mark was the parental prerequisite for the reward of her travel abroad.</p><p>Born in 1866 and named after the illustrious nurse Florence visited her namesake city several times in her journeys. Soden documents everyday vexations and unusual events including singing lessons from Dr Emil Behnke and her experience viewing a tonsillectomy operated by Dr Lennox Manuscript Diary of Florence Nightingale Soden of Larkbere Thornton Road Clapham Park.</p><p>Half bound morocco remains of 3 wax seals on covers. 240pp. 20 x 17cm. Label on cover "F.N.S. 1883. 1884".</p> hardcover
1963000005NY: Clayton Press 1963 Book. Good. Cloth. Signed by Authors. First Edition. 16mo - over 5¾" - 6¾" tall. THE EYE OF ISHTAR By F.E.SCHISLER Rare/SIGND/1ST Author: Florence E. Schisler Publisher/Copyright: Clayton Press NY 1963 Edition: First Edition Condition: all defects if any are formulated into pricing The jacket has a chip to the top of the spine see photo. Small sweat like stain in the top gutter that does not effect the pages. There are some penciled writings on the front endpaper stating that the book is a first edition and signed by the author in a nice pen signature. Book is without any other marks or writings pages are clean book is tight and sturdy. A good copy. Size: 5 ½ x 8 approximately Pages: 237 pages Binding/Cove: Hardback with dust jacket Refunds: All items are 100% refundable up to 10 days after item received Background/Description: Signed First Edition. Clayton Press NY 1963. Good/Good- condition. Overall a good signed edition. The blazing jewel - torn from the image of the goddess Ishtar - casts its ancient spell over the destinies of three beautiful women separated by the centuries yet linked by the heritage of the goddess. In a hauntingly moving tale the reader is carried in turn to the brutality of the Middle Ages the electric tension of the times of revolutionary America and to the present. This is a super rare book with no other copies by this author found for sale on the Internet. There are only 2 other copies found with this title on the Internet and they are reprints with prices of $173 & $250. Good price! No Reserve! Inv: s67 . Clayton Press hardcover
19348310New York: Macmillan 1934. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. Wertham Florence. Extremely rare volume featuring a detailed scientific study of the human brain; 538pp. plus 166 plates drawn by the author's wife. Near-fine with ownership signature on front pastedown otherwise bright and clean inside and out. In a very good dust jacket with a bit of darkening to spine and some loss at the extremities. Wertham was a well-respected progressive psychiatrist who treated poor black patients at his Harlem-based Lafargue Clinic when mental health services for people of color were uncommon. However he remains best known for his concerns about the effects of violent imagery in mass media and the effects of comic books on the development of children. In 1954 he published "Seduction of the Innocent" which asserted that comic books caused youth to become delinquents. Wertham also wrote articles and testified before government inquiries into comic books most notably as part of a U.S. Congressional inquiry into the comic book industry. Wertham's work--along with the 1954 comic book hearing--led to creation of the Comics Code although later scholars cast doubt on his observations. Wertham's views on mass media were subsequently overshadowed by his broader concerns with violence and protecting children from psychological harm and his writings about the effects of racial segregation were used as evidence in the landmark Supreme Court case Brown v. Board of Education. <br/> <br/> Macmillan hardcover
60723London: Published for the Crime Club by Collins 1960. Crime Mystery FIRST EDITION PRESENTED WITH ORIGINAL JACKET ARTWORK. Octavo 19 x 13cm pp.192. Publisher's orange cloth with black titles to spine. With the dust-jacket illustrated by William Randell priced at 10/6. Together with the original artwork hand-painted by Randell 23 x 18cm with original notes in ink and pencil to backing board. Presented in a custom-made fleece-lined navy quarter morocco clamshell box with gilt titles to spine and navy cloth over sides. Total dimensions 27 x 21cm. Lightly toned to edges with a small chip to cloth and jacket of spine head and some slight toning to jacket spine. Artwork in lovely bright condition with some wear due to its original use. Near fine. A unique presentation of this classic crime mystery set on a remote island. London: Published for the Crime Club by Collins, 1960 unknown
190717839London & New York: Blackie & Caldwell 1907. Near fine. First edition American issue printed on dark green paper that contrasts vividly with the tipped-in color plates in Harrison's distinctive style. Given the clear Pre-Raphaelite characteristics in her work it is unsurprising to note that she was the first woman to be a commercial illustrator for the work of Christina Rossetti - indeed it was in part due to the success of RHYME OF A RUN that the Glaswegian publisher Blackie asked her to take on a major project. One of Harrison's particular touches is the heavy black outlines around characters giving her Art Nouveau-influenced illustrations an effect not unlike stained glass. It is thanks to the work of book collector Mary Rosalind Jacobs that Florence Harrison was identified only in the 21st century as the Australian-born Florence Susan Harrison not the English artist Emma Florence Harrison. A beautiful copy of Harrison's second book scarce in the American issue and in this condition. 9'' x 11.25''. Original green pictorial cloth gilt. Green patterned endpapers. Printed on heavy dark green paper. Illustrated by Harrison with elaborately ornamented title page lettered in red 21 tipped-in color plates 10 full-page black-and-white designs and many black-and-white vignettes. A bit of the creasing to some plates as in virtually all copies due to a finishing fault with the publisher. Faint spotting to rear board and very minor rubbing to extremities. Blackie & Caldwell unknown
1905463919New York and London: Funk & Wagnalls Company 1905. Hardcover. Very Good. First edition stated "Autograph Edition". Octavo. 394pp. Blue cloth gilt. Collotype frontispiece portrait of the author. Old archival stamp on front fly one corner bumped light dampstains on the boards a bright about very good copy. Signed by the author in ink beneath her portrait.<br /> <br /> Florence Elizabeth Chandler the Alabama-born American wife of the socially prominent English cotton merchant James Maybrick was accused of poisoning him in 1889 after a tumultuous marriage and convicted at the end of a sensational trial on dubious evidence and despite highly irregular judicial proceedings. Mrs. Maybrick's admitted adultery was allowed to create enormous prejudice against her. She was sentenced to death but was eventually reprieved after much public outcry. She served 15 years in prison and upon her release spent the rest of her years penniless in America. Her case inspired many books and several novels including Strong Poison by Dorothy B. Sayers. The first copy of the autograph edition that we've seen. Funk & Wagnalls Company hardcover
1942173093New York City: E. Weyhe 1942. Number 201 of 250. Hardcover. VG-/VG- light foxing to text blocks moderate edge wear to glassine jacket. Red boards with gilt stamped lettering in a glassine jacket. 164 pages 76 pages of plates. Illustrations. Numbered 201 of 250. Includes bibliographical references pages 139-146 and index. E. Weyhe hardcover
1998932222<p>York Beach Maine: Samuel Weiser Inc. 1998. NEW in Dust Jacket see scan. Limited to "999 Handnumbered cloth-bound copies". New / Unread Samuel Weiser Inc. old stock Rare in condition thus. First Edition / Hand Numbered. Hard Cover Cloth Sewn. New/New. 8vo - 8½" tall.</p> Samuel Weiser, Inc. hardcover
2015006662Barnard Castle: The Bowes Museum 2015. Book. As New. Stitched Signatures Boards. First Edition. 12" x 9 5/8". 118 pages profusely illustrated in black and white and colour biography glossary. Published in conjunction with the exhibition Yves Saint Laurent: Style is Eternal held at the Bowes Museum in Barnard Castle in July to October 2015; the first exhibition to be devoted to Yves Saint Laurent in the United Kingdom. Forewords by Pierre Berge President Fondation Pierre Berge - Yves Saint Laurent and Sir Mark Wrightson Chair of the Trustees of the Bowes Museum; Introduction by Suzy Menkes Vogue International Editor. Virtually as new unusually presented with stitched signatures and stiff board covers front and rear the upper cover deeply embossed YSL. Richly coloured endpapers are matched by the thread used for the signature stitching. Unusually scarce. The Bowes Museum Hardcover
1884625083 uniform volumes 300 315 & 316 pages Published by Richard Bentley & Son hardcover
2 vols., 8vo., First Edition, with portrait frontispieces in photogravure (original tissue guards present) and plates (a number in photogravure); handsomely bound in full crushed morocco (blue/red respectively), sides with gilt frame borders, backs with raised bands, second and fourth compartments ruled and lettered in gilt, all other compartments tooled in gilt, gilt tops, hand-made endpapers, original gilt 'TH' monogram from upper boards mounted on new and separate leaf at front, a most attractive set ideal as a gift or for presentation. The set comprises: The Early Years of Thomas Hardy 1840-1891 (1928) [with] The Later Years of Thomas Hardy 1892-1928 (1930). 'Though Mrs. Hardy's name stands on the title-page, her work was confined to a few editorial touches, and the writing throughout is Hardy's own' (Purdy). Purdy, pp.262-267; 268-273.
19339999_04294London Egypt Exploration Society; Chicago University of Chicago Press 1933. 1st Edition . Hardcover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Elephant folio. Pp. xi plus 40 plates printed in various techniques partly lithography partly collotype mostly double-page or folding several in exquisite coloured collotype including the frontispiece. HARDCOVER bound in the original publisher's full cloth large decoration embossed on cover in gilt gilt spine; the shine of the cloth coating very superficially rubbed in places on cover. In excellent condition mint interior. A splendid copy seldom found in such condition. ~ FIRST EDITION. An outstanding production. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios and since the 1950s has been abandoned by all except a few small specialist firms. Coloured collotypes the size of the plates here image size up to ca. 50x110 cm are very rare indeed in book production so much so in such superb quality. Sir Alan Henderson Gardiner 1879-1963; Amice Mary Calverley 1896-1959; Myrtle Florence Broome 1888-1978. Beinlich-Seeber 8402. FOLIO <br/> <br/> London, Egypt Exploration Society; Chicago, University of Chicago Press hardcover
elala5702<p>New York: D.Appleton And Company 1860. First American Edition. Nightingale established her reputation as a skillful manager and trainer of nurses during the Crimean War where her efforts to improve sanitation hygiene nutrition and general living conditions resulted in a drastic reduction in the death rate among wounded soldiers. In 1860 she founded her training school for nurses following the publication the previous year of the present work which transformed nursing and health care and served as the standard introduction to the profession. Included here are chapters on ventilation and warming health in houses petty management noise variety environment nutrition bed and bedding light cleanliness of rooms personal cleanliness chattering hopes and advices and observing the sick. "The book was the first of its kind ever to be written. It appeared at a time when the simple rules of health were only beginning to be known when its topics were of vital importance not only for the well-being and recovery of patients when hospitals were riddled with infection when nurses were still mainly regarded as ignorant uneducated persons. The book has inevitably its place in the history of nursing for it was written by the founder of modern nursing". Joan Quixley Intro. to the 1974 edition. cfGarrison & Morton 1612. cfBib. Osleriana 1667. cfWaller 6872. 12mo. pp. 140 4ads. A very nice copy in original blind & gilt-stamped cloth head of spine slightly frayed some foxing to outer leaves. elala5702</p> New York: D.Appleton And Company, 1860 hardcover
1906006377London: Longman's Green and Co 1906 Illustrated boards with red cloth spine light shelf wear small chip from top corner internally bright clean and unmarked. A Golliwogg Robinson Crusoe! Wonderful full page color plates on nearly every other page. The nicest copy I've seen in a long time. First Edition. Near Fine/No Jacket. Oblong 4to. Longman's Green and Co hardcover
BN112216Paris Dargaud 2007. La veritable Histoire de Futuropoli. >Widmungsexemplar< <br/><br/>La veritable Histoire de Futuropoli. >Widmungsexemplar< Paris, Dargaud 2007. unknown
2013SF250403057Y0813Jessica Florence 2013-12-20. paperback. Very Good. 5x0x8. Paperback--excellent condition Jessica Florence paperback