4 613 résultats
5761In folio, relié d'ép. pl. peau, rel à 5 nerfs, deux pièces de titre, un filet d'encadrement sur les plats, fleuron central repoussé sur chaque plat, coiffes bonnes, mors solides. Ouvrage peu manié, bien conservé, intérieur trés frais. 32 pp ; Impression du dictionnaire sur 2 col. (1 à 1624) ; Notes de David Hoeschel : 2 col. : 1 à 104 ; Index Rerum... 23 pp ; 2 p
Zeldzame volledige reeks van alle verschenen delen van beide reeksen, reeks I in 30 volumes (1864-1893), reeks II in 9 volumes (1926-1934), samen ca. 15000pp., originele omslagen (sommige omslagen hersteld) behalve reeks I-3 in linnen band en reeks II volumes 1 t.e.m. 6: ingebonden in 3 uniforme fraaie moderne banden, 26cm., goede staat van deze uiterst zeldzame volledige collectie met belangrijk bronnenmateriaal uit Antwerpse archieven, B91038
1864B91038Antwerpen-Anvers, Van Merlen, e.a. 1864-1934 Zeldzame volledige reeks van alle verschenen delen van beide reeksen, reeks I in 30 volumes (1864-1893), reeks II in 9 volumes (1926-1934), samen ca. 15000pp., originele omslagen (sommige omslagen hersteld) behalve reeks I-3 in linnen band en reeks II volumes 1 t.e.m. 6: ingebonden in 3 uniforme fraaie moderne banden, 26cm., goede staat van deze uiterst zeldzame volledige collectie met belangrijk bronnenmateriaal uit Antwerpse archieven, B91038
1938527345San Mateo California: The Quercus Press 1938. Softcover. Fine. First edition. Foreword by Edith Van Antwerp. Quarto. 4pp. printed rectos only. Sewn yellow-gold wrappers printed in black on front cover. The title page is printed in black type with 'modern horse character' in Chinese framed in bright yellow thick line rule and the colophon prints the 'Archaic horse character' and the 'heiroglyphic horse character 500 B.C.' in Chinese and thanks 'Mr. Patrick Pichi Sun Vice-Consul in San Francisco for the Republic of China for writing the modern horse character that appears on the title page of this book' presumably this statement was by Edith Van Antwerp.<br /> <br /> Beautifully designed and printed in a small edition "a very few copies have been printed." with a printed calling card and handwritten note from Edith Van Antwerp presenting this copy to Melba Berry Bennett. The engraved card measures 2 7/8 by 2 inches and stating "Mrs. William Clarkson Van Antwerp' with a twelve-line holograph note on recto and verso of card from Edith Van Antwerp to 'Dear Melba' Melba Berry Bennett presenting this book and stating: "Dear Melba - At long last-- here it is! It goes to you with Frances' i.e. Mrs. Theodore Max Lilienthal and my love and thanks for your amiable forbearance when we were in the throes of production. We really think it is pretty good. we hope it will find favor in your eyes. Best Christmas wishes E. V. P."<br /> <br /> Theodore Max Lilienthal and Leon Gelber established the Gelber-Lilienthal Book Shop in San Francisco in 1924 and a publishing company under the imprint Lantern Press. Mr. and Mrs. Theodore Max Lilienthal along with Edith Van Antwerp later established The Quercus Press in San Mateo California. In 1940 they began using the Albion Press that once belonged to William Morris the press was acquired from the estate of Dr. J. W. Bartlett of New York. Melba Berry Bennett poet bibliophile and Robinson Jeffers family friend wrote the authorized biography of Jeffers The Stone Mason of Tor House: The Life and Times of Robinson Jeffers which was awarded the California Commonwealth Club's Silver Medal in 1966. She was also associated with The Quercus Press. On April 1 1940 she was one of the supporters of The Quercus Press who pulled the first page that was printed by The Quercus Press on their newly acquired Albion Press that was once owned by Morris and the Kelmscott Press. <br /> <br /> Edith Van Antwerp's Foreword concludes: ". a very few copies have been printed for a very few people in whose hearts today is this very same ancient love of the horse." A fine copy of a rare publication. OCLC lists a two holdings Huntington Library and Mills College. The Quercus Press unknown
66807, Gallery Van Kan , 2025 Formaat 70x150 cm, Limited Edition Art Photography Formaat 70x150 cm. Number 4/50 ex.
1661JC5F71XARFAUAntwerp 1661. 4to. Joris Willemsens I 18th-century vellum faded manuscript title on spine. With an integral engraved architectural title page by Petrus van Caukercken after Abraham van Diepenbeeck with the title on a drapery held by 2 putti in an arch and flanked by figures of Claudius Galenus and Masawaih al-Mardini views of a botanical garden and an apothecary's shop below and Jesus with numerous religious and allegorical figures above in a cloud letterpress title page with a woodcut decoration a divisional title for part 2 woodcut tailpieces woodcut decorated initials 5 series. Set in roman and italic with incidental Greek textura and pharmacological signs. 1 1 blank 46 285 = 281 32 1 blank pp. Rare first and only edition in Latin of the first and only official pharmacopoeia for Antwerp containing hundreds of medicinal recipes and throwing a great deal of light on 17th-century medical practice in the Low Countries. The work's separate part with the title "Selectiora chymica" shows the rising importance of chemistry in the production of medicines. Although Plantin published an important and influential 1568 Antwerp edition of Valerius Cordus's Dispensatorium first published posthumously at Nürnberg in 1546 it was not produced by order of any official municipal body. In 1624 the magistrates of Antwerp set up a Collegium Medicum which did declare that medicines were to be prepared following Cordus until further notice. In 1659 the Antwerp Collegium Medicum decided to produce their own pharmacopoeia primarily at the impetus of their secretary and future director Michiel Boudewijns 1591-1681 best known as the father of modern medical ethics. Although his name does not appear on the title-page the book does attribute the 18-page preface to him and he was probably the principal compiler of the book. The decision to compile it makes explicit reference to those published at Augsburg 1564 Rome 1583 Amsterdam 1636 and Brussels 1641 but Valerius may have remained the most important source. No apothecaries were officially consulted in the compilation of the pharmacopoeia reflecting the growing status of physicians and declining status of apothecaries.Although the letterpress title-page is dated 1660 the engraved title-page when present is apparently always dated 1661 and in some copies the 1660 has been corrected to 1661. The work has extensive preliminaries with dedications notes to the reader laudatory verses etc. but some copies include an unsigned bifolium inserted after a2 containing an additional dedication not present here. The present copy does have the rarer addendum leaf at the end and an addendum slip on Q3r supplying the omitted last line of that page with the quire signature and catchword below it. The addendum leaf has three blind impressions of the type for this addendum slip in its head margin.With minimal wear at the edges. With a brown spot in the outer margin of the first two gatherings; a very good copy.l Anet 6 copies; Daems & Vandewiele pp. 62-63 5 copies; STCV 12879911 5 copies incl. 1 defective; not in Krivatsy; Wellcome. hardcover
163011321Antverpiae, Joan Galle, (circa 1630) ; F. Ioannes Nys invenit, Peter de Jode figuravit, Theodor Galle sculpsit et excudit ; titre gravé, portrait et 32 planches légendées. SUIVI de 4 planches gravées par JOAN GALLE : I- Prudentia, II- Justitia, III- Fortitudo, IV- Temperantia (les 4 vertus cardinales). SUIVI de 14 planches de sujets religieux, gravées par CORNELIUS GALLE le Vieux : Silva sacra, Fugit familia sacra, S. Barbara, S. Ianvarius Neapolis patronis, S. Lucia, S. Leontius martyr miraculis gloriossus in Muris Helvetiorum, S. Iacobus Maior, Benedicite omnes bestiae et pecora domino, S. Hieromymus, Vierge à l'Enfant, etc. Soit en tout 52 planches, reliées en 1 volume petit in-4 ; plein vélin ivoire, titre au dos, tranches rouges (reliure du XIXe).
1850103087<p>Antwerp S. Mayer n.d. c. 1860. Four porcelain cards. size: c. 225 x 31 cm. All signed: "Gravé par S. Mayer a Anvers" & "Etabl. lith. de S. Mayer à Anvers". In 1880 the firm of S. Mayer was taken over by Seghers. some light staining & two plates with some tiny damage to the margins but good copies.</p><p>The five senses - sight hearing smell taste and touch - are represented on these charming porcelain cards. Sight hearing and smell each have their own card and taste & touch share a card. Five scenes represent the five senses: sound is represented by a woman listening at at door; taste by a clergyman drinking a glass of wine smell by a man sitting on a chair who smells a substance he has taken from a small pot; sight by a girl looking through binoculars and a woman who is reading; and touch by a miser touching coins. Surrounding these scenes on each of the plates are numerous tiny drawings also representing the senses. They range from seventeen small noses on cord held by two little devils twelve tiny eyes no a scroll held by two little angels to small scenes showing a painter at work a cook two fencing boys a little girl playing a piano a woman being revived with smelling salt etc. etc. The lithographer obviously had fun making these.</p><p>Porcelain-cards or were mainly produced in Belgium in the nineteenth century between 1825 and the 1870's. They are called porcelain-cards because they look a bit like porcelain. They were printed in lithography on a white background of paper with kaolin or lead white. Their production gradually stopped in the 1870's because of the health hazards for printers. They are technical masterpieces of the so-called chromolithography just after its invention.</p>
Série complète en 6 tomes: xviii,444 + iii,480 + 488 + 461 + 466 + xvi,382 pp., avec 36 planches hors-texte dont 7 fac-similes de lettres, dans la série "Codex Diplomaticus Rubenianus : documents relatifs à la vie et aux oeuvres de Rubens" tomes 1 à 6, 32cm., brochures originales (quelques-unes avec traces d'usage), pages toujours non coupées (sauf t.6), texte et intérieur frais et en très bon état, [Première édition aussi complète des lettres de Rubens, publiées dans leur langue d'origine (italien, latin, espagnol, anglais) avec leur traduction en français et des commentaires ainsi que des lettres qui lui furent adressées ou le concernent. La correspondance couvre les années 1600 à 1649 et porte sur ses différentes activités, y compris sur le plan diplomatique, ainsi que sur ses relations avec les cours européennes], bon état, poids: 13kg., S102945
1887S102945Anvers, Veuve De Backer (II-III: Jos Maes, IV-V-VI: J.E. Buschmann) 1887-1909 Série complète en 6 tomes: xviii,444 + iii,480 + 488 + 461 + 466 + xvi,382 pp., avec 36 planches hors-texte dont 7 fac-similes de lettres, dans la série "Codex Diplomaticus Rubenianus : documents relatifs à la vie et aux oeuvres de Rubens" tomes 1 à 6, 32cm., brochures originales (quelques-unes avec traces d'usage), pages toujours non coupées (sauf t.6), texte et intérieur frais et en très bon état, [Première édition aussi complète des lettres de Rubens, publiées dans leur langue d'origine (italien, latin, espagnol, anglais) avec leur traduction en français et des commentaires ainsi que des lettres qui lui furent adressées ou le concernent. La correspondance couvre les années 1600 à 1649 et porte sur ses différentes activités, y compris sur le plan diplomatique, ainsi que sur ses relations avec les cours européennes], bon état, poids: 13kg., S102945
51457, Chez Durand et Pissot, Paris, France, 1752 Relie, demi-toile, en veau a l'impression dore et au 5 nerfs, plattes interieures decorees, (19e siecle) , 632 pp.,16 pl., 26 x 21 x 5 cm. V.G. condition.
190432423Anvers: Bellemans Freres. As New. 1904. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - LIMITED EDITION. Text in French. 207 lots catalogued; a number of illustrations. Among the artists represented: Frans Hals; N. Maes; Weenix; A. Myyens; and many others. Also included are facsimiles of the signatures of the artists where available. -- with a bonus offer-- . Bellemans Freres paperback
195858690Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1958. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 286 pp. 20 x 13 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
195058750Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1950. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 184 pp. 22 x 14 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
195858766Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1958. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French and Dutch. 150 pp. With 82 ills. 19 x 13 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
195958781Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1959. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Dutch and French. 176 pp. With 116 ills. 20 x 15 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
197731714Anvers: Musee Royal Des Beaux-Arts. As New. 1977. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED CRISP TIGHT TO THE SPINE - 388 pages; text in French. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
190232429Anvers: Avenue Marie-Therese. As New. 1902. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 443 lots; many black and white illustrations; text in French. Among the French Flemish Dutch and other master artists represented: Tiepolo S. Rosa A. Cuyp Verboekhoven Diaz de la Pena and many others. -- with a bonus offer-- . Avenue Marie-Therese paperback
196458799Antwerp Belgium: Rubenshuis. As New. 1964. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 32 pp. With 12 ills. 22 x 15 cm. -- with a bonus offer-- . Rubenshuis paperback
18702005280042Handcrafted 1870. Hardcover. Very Good. A unique lovely hand-painted book in a fine binding. 28.5 x 25 cm. No date circa 1870-1880. Bound in fine contemporary red morocco with gilt lettering and decoration. Boards are heavily gilt ruled with extra-gilt dentelle. Marbled end sheets. All edges gilt. Manuscript calligraphic text of Aldrich's poem with hand-painted illustrations. "Painted by Mrs. John H. Van Antwerp Albany New York." Calligraphic title and 25 botanical plates many with the names of the flowers on the verso in Martha's hand with tissue guards. Many of the plates also include lovely images of butterflies moths or various insects. Drawn on Reynolds' Bristol Board. The artist has matched the variety of flower with Aldrich's verse. The artist Martha Wiswall Van Antwerp died August 30 1880 and drew this work on Reynolds' Bristolboard; and thus this work must have been created some time in the 1870s. Van Antwerp has signed the book in calligraphic initials on the title page and a small bookplate in the rear assigns this work to her. <br> Text of Aldrich's poem: "I like not lady-slippers Nor yet the sweet-pea blossoms Nor yet the flaky roses Red or white as snow; I like the chaliced lilies The heavy Eastern lilies The gorgeous tiger-lilies That in our garden grow." This volume was bound by Martha Van Antwerp's brother-in-law Daniel Lewis Van Antwerp 1828-1910 who began binding in Albany under his name in 1852 having previously worked for Anthony L. Harrison whose business he assumed. Binding Provenance provided to us by Mr. Steve Beare Handcrafted hardcover
"Due volumi rilegati in uno. In-8°, frontespizio figurato,16pp; 76pp, legatura in pergamena coeva. Nei Tre discorsi Guicciardini pone la sua attenzione sulla città di Anversa e la sua fortuna commerciale, mentre Tolomei si focalizza sulle qualità che deve avere un sito per la costruzione di una città. In ultimo Botero parla del numero di abitanti di Roma al colmo della sua potenza. Bozza, 5 Per quanto riguarda l’opera del Foglietta, si tratta della prima edizione, scritta in forma di dialogo, in cui lo storico ligure denunciò gli abusi della vecchia nobiltà di Genova: ciò gli procurò una vasta notorietà e il bando da quella Repubblica. Bitossi: ""il solo testo del dibattito politico genovese del Cinque-Seicento a conoscere la via della stampa, associava i temi dell'indipendenza e del riarmo navale della Repubblica, immaginava per Genova una prospettiva di lucroso mercenariato marinaro, era animato da una visione antinobiliare della storia genovese, proponeva una riforma censitaria del sistema politico"" Bitossi, D.B.I., Vol. 48, 1997."
5581P II V.Pont.Max.iussu éditum Nuncpluribus quàm hactenus vmquam figures oeneis illustratum Officina plantiniana, 162.Petit in 4 EDITION PLANTINIENNE plein maroquin de couleur rouge foncé de l’époque,à nerfs,caissons dorés,6 filets et écoinçons dorés sur les plats,trace de roulette dorée sur les coupes; titre avec vignette gravée,XXXVI pages,696 pages,2 pages index eorum quae officio B Mariae continentur Impression en rouge et noir,91 superbes gravures sur cuivre ,57 pleine page et 34 dans le texte,67 lettrines gravées sur bois, tranches dorées. Antverpiae ex officina Platiniana Apud Balthazarem Morerum & Viduam Joanus Moreti,& Io Meufium 1622.Reliure de l’époque.Raccommodages principalement charnières et coiffes et coins.
1566001293Antverpiae (Anvers) Plantin 1566
1856B119438Antwerpen (Anvers), Buschmann 1856-1871 Collectie van de eerste zes volumes, met vele illustraties in tekst en enkele platen buiten tekst, 33x27cm., uniforme intacte contemporaine gecart. banden (gemarbreerde platten, bruinlederen ruggen met titel in goudopdruk en twee labeltjes en met wat slijtage), gemarbreerde schutbladen, ex-libris stempel op titelblad, lichte roestplekjes, tweetalige uitgave: Nederlands-Frans, gewicht: 18 kg., [Inhoud/ contenu ; Volume I: Cathedrale kerk - Eglise cathédrale (xxxix + 463 + 8pp.) // vol.II: Antwerpen parochiekerken 1e afdeling - Eglises paroissiales 1e partie (clxii + 518pp.) // vol.III: Antwerpen parochiekerken 2e afd. - Eglises paroissiales 2e partie (cxxx + 609,[1] pp.) // vol.IV: Antwerpen abdyen en kloosters 1e afd. - Anvers abbayes et couvents 1e partie (ccix + 539pp.) // Vol.V: Antwerpen kloosters - Anvers Couvents (585pp. + 8pp. Rapport) // Vol.VI: Antwerpen kloosters der orde van St.Franciscus - Anvers couvents de l'ordre de St-François (xx + 312,[1] pp.)], [Edition bilingue: néerlandais-français, les premiers 6 volumes, avec de nombreuses illustrations dans le texte et quelques planches hors-texte, 33x27cm., reliures uniformes cart. contemporaines intactes (plats marbrés, dos en cuir brun avec titre doré et deux étiquettes et avec quelques traces dusage), cachet sur la page de titre, avec des rousseurs légères, bon état, poids: 18kg.] B119438
19143226Antwerp 1914. Broadsheet leaflet 280 x 185 mm. With the arms of Antwerp and the arms of the Plantin Press at the foot. Creased along fold soiling and browning. Good condition. WWI CHRISTMAS 1914 LEAFLET from Belgian children to "the Children of the United States" USING "THE OLD ORIGINAL TYPES OF CHRISTOPHORUS PLANTINUS 1514-1589." A remarkable survival. <br/><br/>As the German soldiers moved through neutral Belgium en route to capture Paris they confiscated the food supply; civilians especially children were brought to starvation or quite near to it. In order to feed its people the Belgian government appealed to the people of the United States for humanitarian aid. In response a large number of Americans young and old sent funds and food to the beleaguered Belgian people. <br/><br/>Here we have an original instrument sent from the children of Belgium thanking the Americans and their children for "their nice Christmas presents." This expression of thanks bears the original signatures of three persons no doubt Belgian children judging from the inscriptions who were blessed by the donations received from Americans.<br/><br/>The leaflet is dated Dec. 25 1914 -- this is the exact date of the UNOFFICIAL CHRISTMAS TRUCE. "Starting on Christmas Eve many German and British troops fighting in World War I sang Christmas carols to each other across the lines and at certain points the Allied soldiers even heard brass bands joining the Germans in their joyous singing.<br/>At the first light of dawn on Christmas Day some German soldiers emerged from their trenches and approached the Allied lines across no-man's-land calling out "Merry Christmas" in their enemies' native tongues. At first the Allied soldiers feared it was a trick but seeing the Germans unarmed they climbed out of their trenches and shook hands with the enemy soldiers. The men exchanged presents of cigarettes and plum puddings and sang carols and songs. Some Germans lit Christmas trees around their trenches and there was even a documented case of soldiers from opposing sides playing a good-natured game of soccer. German Lieutenant Kurt Zehmisch recalled: "How marvelously wonderful yet how strange it was. The English officers felt the same way about it. Thus Christmas the celebration of Love managed to bring mortal enemies together as friends for a time." Source: "Christmas Truce of 1914" online.<br/><br/>That the leaflet was printed with original PLANTIN TYPES is of great interest. Note that the W in the word "War" was created using two letters: an upper-case U and a lower-case u. But clearly Plantin had a W as we see from the large Fraktur W in the word "With."<br/><br/>We have located an announcement that was published in the Jan. 22 1915 issue of the extremely obscure newspaper "Het Volk: Christen Werkmansblad." It states that "the Antwerp administration" was responsible for printing the leaflet. "The schoolchildren will sign this acknowledgment of thanks which will then be sent to America. The children from East Flanders weren't so happy!" We are unable to explain the meaning of this last sentence !<br/><br/>Few originals of this leaflet are likely to have survived over the last 106 years. It remains a heartwarming example of the generosity of young Americans towards the suffering Belgian children. unknown books