Livre Rare Book
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16294435Anvers, Plantin (Balthazar Moretus), 1629 ; fort in-12 (11,5 x 6 cm) ; plein maroquin grenat, dos et plats encadrés d'un double filet doré, toutes tranches dorées (reliure de l'époque) ; 861 pp., (1) p. nom d'imprimeur, (1) f. marque au compas, verso blanc.
1636003006ANTVERPIAE (Antwerpen, Anvers), apud Ioannem Cnobbarum, 1636
1883B102944Antwerpen, Antwerpsche Bibliophilen 1883-1918 & 1955 Complete series of 9 volumes + 1 supplement ; v,320 + 320 + 371 + xii,331 + viii,331 + xi,334 + xi,363 + ix,637 pp. + Supplement: 408pp. (Antwerp, 1955), original softcovers, vols. 1-9 are printed by J.E. Buschmann in Antwerp, published in the series "Uitgaven der Antwerpsche Bibliophilen" nos.12-15-26-29-30-31-32-33-34, Vols.1-7-8-9 are still uncut, Vol.8-9 in one physical volume, printed on handmade paper (except for vol.1), vols.3-6 with wide margins ; 26x18cm., weight: 7kg., [Rare complete set of the first and only edition of correspondence by Chr. Plantijn, 1555-1589], B102944
Complete series of 9 volumes + 1 supplement ; v,320 + 320 + 371 + xii,331 + viii,331 + xi,334 + xi,363 + ix,637 pp. + Supplement: 408pp. (Antwerp, 1955), original softcovers, vols. 1-9 are printed by J.E. Buschmann in Antwerp, published in the series "Uitgaven der Antwerpsche Bibliophilen" nos.12-15-26-29-30-31-32-33-34, Vols.1-7-8-9 are still uncut, Vol.8-9 in one physical volume, printed on handmade paper (except for vol.1), vols.3-6 with wide margins ; 26x18cm., weight: 7kg., [Rare complete set of the first and only edition of correspondence by Chr. Plantijn, 1555-1589], B102944
7905Hispanicarumque in numis Veterum Dialogie XI.Latine redtti. Ab Andrea Schotto Societ.Iesu.Cuius accesit Duodecimus.De prisca Religione,Düsque Gentium.Seorsim éditae Nomismatum Icones.A.Jacobo Biaeo aeri graphicè incisae In folio reliure plein cuir fauve,dos muet à 6 nerfs et fers et filets à froid sur les plats. Titre orné d’une vignette gravée, XIV, 182 pages XVI pages d’index 1page d’errata Anverpiae apud Henricum Aertssium 1617à la suite Nomismata imperatorum Romanorum aurea argentaea aerea A. C Julio Caesare usque AD Valentinianum AVG OPERA Jacobo BIAEI Antverpiani aeri graphice incisa Antverpiae 1617.Titre illustré et gravé,II,complet des 68 planches gravées,4 pages d’index.Rare.Reliure restaurée,le dos,les coins, pages de gardes remontées. Intérieur très bon état
53171Antwerpen , Eigen Beheer, 1966 Losbladig in originele overslagdoos. Van dit album verschenen 68 exemplaren. In ieder album is een reeks van vijftien originele etsen van Jacques Gorus verzameld. 50 exemplaren werden genummerd van 1 tot 50. Dit exemplaar is nummer 34. Gesigneerd door Gorus en Gilliams.
Losbladig in originele overslagdoos. Van dit album verschenen 68 exemplaren. In ieder album is een reeks van vijftien originele etsen van Jacques Gorus verzameld. 50 exemplaren werden genummerd van 1 tot 50. Dit exemplaar is nummer 34. Gesigneerd door Gorus en Gilliams. Drie exemplaren, niet in de handel, voorzien van merkletters A.B.C. bevatten tevens al de staten van een zestal etsen. Vijftien exemplaren, genummerd van I tot XV, bevatten de eerste staat van een zestal etsen alsmede een originele tekening. De typografische verzorging werd uitgevoerd door drukkerij G. De Batist, te Antwerpen. Met 3 bladen tekst 'Begroeting' (en boekverzorging) door Maurice Gilliams. Exemplaar nummer 34. Jacques Gorus was schilder, aquarellist, tekenaar van figuren, stadszichten en landschappen maar vooral gekend als etser van het Antwerpse straatleven. Hij is een meesterlijk observator van de menselijke soort. In tekeningen en etsen geeft de kunstenaar zijn toeschouwers les in lichaamstaal. Jacques Gorus verbleef in de jaren 1925-1937 op het Vlaams Hoofd.
26563Paris, Ferroud, 1911 In-8? , 16.6x24.1 cm., 266 pp., belle edition illustree du classique de Balzac. Les 26 compositions d'Auguste Leroux - en texte et hors texte, dont un frontispice - ont ete gravees sur bois en couleurs par Florian, Froment et Duplesses. Relie demi-maroquin havane a coins, signee par Laurent Peeters - Anvers. Filet dore cernant les plats de pap., dos orne, dos a 4 nerfs et finnement fleuronnes dores (decor floral), tete doree, couverture imprimee d'editeur. Tirage limite. Tirage de 1200 exemplaires dont 1020 exemplaires sur velin d'Arches numerotes de 181 a 1200.
1616029925Antwerpen 1616 Trognaesius Trognesius Vellum (Hardcover) 1st Edition
162727508Antverpiae [Anvers / Antwerpen], ex Officina Plantiniana [Christophe Plantin] / Balthasaris Moretis [Balthasar Moretus], 1627. Un vol. au format pt in-4 (231 x 175 mm) de 60 pp., 1 f. n.fol. et 2 ff. bl. Reliure de l'époque de plein vélin ivoire à coutures apparentes et rabats rempliés, titre anciennement calligraphié en tête du dos ; lisse, traces de fermoirs.
Hardcover, 554 pages . L'ouvrage comporte un ensemble de documents anglais (traduits en francais) relatifs a l'expedition de Walcheren en 1809. Il s'agissait pour les troupes anglaises de debarquer dans Anvers et Flessingue pour y detruire les arsenaux et les bassins de construction a Anvers, Terneuse et Flessingue, de s'emparer de l'ile de Walcheren et d'obstruer la navigation de l'Escaut afin que la marine napoleonienne ne puisse l'emprunter.
1600304<p>c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark.</p>
304c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark. unknown books
1834000016Paris Louis Janet 1834
1827Lugduni Batavorum apud Petrum Heghium, M. DC. LXXII (1672). [En fait imprimé à Bruxelles par Philippe Vleugart]Un volume relié (10 x 16,8 cm) de un frontispice, une page de titre, une planche dessinée de blasons contrecollée, 6 pages, une planche gravée de blasons et 55 pages. Reliure demi veau marbré XIXème, dos à nerfs, caissons ornés, pièce de titre rouge. Reliure légèrement usée sinon ouvrage en bon état. Nombreuses gravures de blasons dans le texte.
1827Lugduni Batavorum apud Petrum Heghium, M. DC. LXXII (1672). [En fait imprimé à Bruxelles par Philippe Vleugart]Un volume relié (10 x 16,8 cm) de un frontispice, une page de titre, une planche dessinée de blasons contrecollée, 6 pages, une planche gravée de blasons et 55 pages. Reliure demi veau marbré XIXème, dos à nerfs, caissons ornés, pièce de titre rouge. Reliure légèrement usée sinon ouvrage en bon état. Nombreuses gravures de blasons dans le texte.
In 4°, (16cc), 202 pp, (6cc), prima edizione, legatura in pergamena, frontespizio calcografico disegnato da Pieter Paul Rubens e inciso da Theodor Galle, marca editoriale (compasso tenuto da una mano: Labore et Constantia) in fine. Il Mascardi fu assiduo della corte degli Este a Modena, andò a Roma per laurearsi in legge e, grazie alle raccomandazioni del conte Camillo Molza, che Mascardi ringraziò dedicandogli il Discorso sopra un componimento poetico intorno alla cometa,[3] nel 1618 fu assunto in qualità di segretario dal cardinale Alessandro d'Este (1568-1624). A Roma cominciò a comporre un poemetto fantastico, il Tiburno, per celebrare la fondazione della città di Tivoli, la casata e la sfarzosa villa che gli Este possedevano nella cittadina laziale. Il lavoro venne interrotto per la morte di papa Paolo V, nel 1621.Per celebrare l'apertura del conclave, il Mascardi compose l'Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Ad esso seguì, dopo l'elezione del cardinale Alessandro Ludovisi - papa con il nome di Gregorio XV - l'anonima Scrittura intorno alla elezione a sommo pontefice del cardinal Ludovisio, forse scritta da Alessandro d'Este o composta dal Mascardi su sua diretta commissione e ispirazione, nella quale erano esposte critiche nei confronti di diversi cardinali, suscitando così la reazione della famiglia Ludovisi, in particolare del cardinale Ludovico, contro il cardinale d'Este. A fare le spese del conflitto tra le due potenti famiglie fu così il Mascardi, che nel giugno del 1621 si ritrovò licenziato e allontanato da Roma. Si rifugiò allora a Genova dove fu favorito dalla conoscenza di personaggi importanti delle famiglie gentilizie quali Marcantonio Doria e Giacomo Lomellini, e da poeti di successo come Ansaldo Cebà e Gabriello Chiabrera. Poté così recitare pubblicamente, il 26 settembre 1621, l'orazione Per la coronazione del serenissimo Giorgio Centurione,[8] e in dicembre divenne membro dell'«Accademia degli Addormentati». Qui pronunciò altri discorsi, tra i quali uno per la monacazione di Margherita Doria, figlia di Marcantonio e di Isabella della Tolfa, e l'orazione Intorno al furor poetico, dedicata al patrizio Tommaso Grimani, tutti raccolti nelle Orazioni, pubblicate nel 1622 dall'editore genovese Giuseppe Pavoni. Una sua commedia, Le metamorfosi d'amore, composta per il carnevale del 1623, è invece rimasta manoscritta. Nella speranza di poter rientrare a Roma e di essere ripreso al servizio degli Este, il Mascardi aveva dedicato al cardinale Alessandro i Silvarum libri IV, pubblicati nel 1622 ad Anversa da Balthasar Moretus, ma senza ottenere risposta. In 4 °, (16cc), 202 pp, (6cc), first edition, vellum binding, title designed by Pieter Paul Rubens and engraved by Theodor Galle, publishing mark (compass held by one hand: Labore et Constantia) in fine. Mascardi was a regular at the Este court in Modena, went to Rome to graduate in law and, thanks to the recommendations of Count Camillo Molza, whom Mascardi thanked for dedicating his Discourse on a poetic composition around the comet, in 1618 he was hired in as secretary to Cardinal Alessandro d'Este (1568-1624). In Rome he began to compose a fantastic poem, the Tiburno, to celebrate the foundation of the city of Tivoli, the house and the sumptuous villa that the Este owned in the Lazio town. The work was interrupted by the death of Pope Paul V in 1621. To celebrate the opening of the conclave, Mascardi composed the Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Following it, after the election of Cardinal Alessandro Ludovisi - pope with the name of Gregory XV - followed the anonymous Scripture around the election as supreme pontiff of Cardinal Ludovisio, perhaps written by Alessandro d'Este or composed by Mascardi on his direct commission and inspiration, in which criticisms of several cardinals were exposed, thus provoking the reaction of the Ludovisi family, in particular of Cardinal Ludovico, against Cardinal d'Este. To pay for the conflict between the two powerful families was so Mascardi, who in June 1621 found himself fired and removed from Rome. He then took refuge in Genoa where he was favored by the knowledge of important personalities of the noble families such as Marcantonio Doria and Giacomo Lomellini, and by successful poets such as Ansaldo Cebà and Gabriello Chiabrera. He was thus able to publicly recite the prayer On September 26, 1621, for the coronation of the most serene Giorgio Centurione, and in December he became a member of the "Accademia degli Addormentati". Here he gave other speeches, including one for the monk of Margherita Doria, daughter of Marcantonio and Isabella della Tolfa, and the prayer Around the poetic fury, dedicated to the patrician Tommaso Grimani, all collected in the Orations, published in 1622 by the Genoese publisher Giuseppe Pavoni. One of his comedies, The Metamorphoses of Love, composed for the carnival of 1623, has instead remained handwritten. In the hope of being able to return to Rome and be resumed in the service of the Este, Mascardi had dedicated IV books to Cardinal Alessandro the Silvarum, published in Antwerp by Balthasar Moretus in 1622, but without getting an answer.
1845B87732Antverpiae [Antwerpen], J.E. Buschmann 1845-1848 5 volumes (complete, all published): xvi,473 + 499 + xvi,532 + 502 + 446pp., illustrated with 3 folding plates (large folding panoramic view on Antwerp, "Turris Croneburgica" & "Vetus curia") in volume I & 2 folding plates (of which one large map of Antwerp) in volume 2 & 1 folding plate in volume 3, nice uniform 19th cy. hardcover bindings (marbled boards, spines in black leather with title and decorations in gilt, text in latin, text is clean and bright with only few occasional foxing, very good set, rare, [Papebroch, Papebrochius = Daniel Van Papenbroeck, Anvers 1628-1714, cfr. De Backer-Sommervogel VI p.182 no.12], B87732
5 volumes (complete, all published): xvi,473 + 499 + xvi,532 + 502 + 446pp., illustrated with 3 folding plates (large folding panoramic view on Antwerp, "Turris Croneburgica" & "Vetus curia") in volume I & 2 folding plates (of which one large map of Antwerp) in volume 2 & 1 folding plate in volume 3, nice uniform 19th cy. hardcover bindings (marbled boards, spines in black leather with title and decorations in gilt, text in latin, text is clean and bright with only few occasional foxing, very good set, rare, [Papebroch, Papebrochius = Daniel Van Papenbroeck, Anvers 1628-1714, cfr. De Backer-Sommervogel VI p.182 no.12], B87732
175514540Anvers, Jean-Baptiste Verdussen, 1755 ; 4 tomes reliés en 2 forts volumes in-12 ; plein veau havane moucheté, dos à nerfs décorés, pièces de titre grenat et de tomaison vert foncé ; (4) titre en rouge et noir, XX, 508 pp. ; (4), 552 pp. ; (4), 504 ; (4), 467 pp., frontispice montrant "St Paul prêchant à Ephèse, (qui) fait brûler les mauvais livres".
52671Antwerpen, J.-E. Buschmann, 1868, Gebonden in een fraaie band destijds, met opdruk en wapenschild. plat met marmerblad. In-4 . 121 pagina's. Met 60 originele etsen door J. Linnig. *prima staat. -- Avec 60 gravures originales de J. Linnig. *Tr s bon tat - Fijn uitgewerkte platen, pittoreske hoekjes en monumenten van Antwerpen weergevend o.m. het Steen, de Palingbrug, de Vischmarkt, het Vleeshuis, het Stoelstraatje, Het Oostershuis, de oude Hessebrug etc. Lijst der intekenaars en inhoudstafel voorin mee ingebonden.
49513, Antwerpen, Drukkery G. Van Merlen en zoon 1843-1853, Gebonden half lederen banden met goud opdruk, Volledige reeks in 8 delen: 634 + 673 + 679 + 672 + 664 + 660 + 639 + 322,159 pp., fraai geillustreerd met gravures door LINNIG binnen en buiten tekst (waarvan een groot aantal uitvouwbare),
Gebonden half lederen banden met goud opdruk, Volledige reeks in 8 delen: 634 + 673 + 679 + 672 + 664 + 660 + 639 + 322,159 pp., fraai geillustreerd met gravures door LINNIG binnen en buiten tekst (waarvan een groot aantal uitvouwbare) De rijke geschiedenis van Antwerpen tot 1890. beschreven in acht delen met vele originele illustraties en uitslaanbare platen. o.a. van LINNIG, met register enige editie van 1890, in goede staat.
25979Paris, G. Cres, 1922 20x27.6 cm., 813 pp., relie demi-maroquin havane a coins, signee par Laurent Peeters - Anvers. Filet dore cernant les plats de pap., dos orne, dos a 5 nerfs et finnement fleuronnes dores (decor floral), tete doree, couverture imprimee d'editeur. edition transcrite et annotee par Henri Clouzot, conservateur du Musee Galliera et illustree de 525 vignettes en n/b par Joseph Hemard, Tirage limite. Tirage de 400 exemplaires sur velin a la forme des papeteries de rives.
53138Deurle - Gent, Collibrant, 1969 Oorspronkelijke map met losbladige bladen op Japans Torinko Kozu papier. * E n van de 8 luxe exemplaren. ** Gesigneerd en genummerd met originele koperplaat, handschrift en tekening.
