209 résultats
1938527345San Mateo California: The Quercus Press 1938. Softcover. Fine. First edition. Foreword by Edith Van Antwerp. Quarto. 4pp. printed rectos only. Sewn yellow-gold wrappers printed in black on front cover. The title page is printed in black type with 'modern horse character' in Chinese framed in bright yellow thick line rule and the colophon prints the 'Archaic horse character' and the 'heiroglyphic horse character 500 B.C.' in Chinese and thanks 'Mr. Patrick Pichi Sun Vice-Consul in San Francisco for the Republic of China for writing the modern horse character that appears on the title page of this book' presumably this statement was by Edith Van Antwerp.<br /> <br /> Beautifully designed and printed in a small edition "a very few copies have been printed." with a printed calling card and handwritten note from Edith Van Antwerp presenting this copy to Melba Berry Bennett. The engraved card measures 2 7/8 by 2 inches and stating "Mrs. William Clarkson Van Antwerp' with a twelve-line holograph note on recto and verso of card from Edith Van Antwerp to 'Dear Melba' Melba Berry Bennett presenting this book and stating: "Dear Melba - At long last-- here it is! It goes to you with Frances' i.e. Mrs. Theodore Max Lilienthal and my love and thanks for your amiable forbearance when we were in the throes of production. We really think it is pretty good. we hope it will find favor in your eyes. Best Christmas wishes E. V. P."<br /> <br /> Theodore Max Lilienthal and Leon Gelber established the Gelber-Lilienthal Book Shop in San Francisco in 1924 and a publishing company under the imprint Lantern Press. Mr. and Mrs. Theodore Max Lilienthal along with Edith Van Antwerp later established The Quercus Press in San Mateo California. In 1940 they began using the Albion Press that once belonged to William Morris the press was acquired from the estate of Dr. J. W. Bartlett of New York. Melba Berry Bennett poet bibliophile and Robinson Jeffers family friend wrote the authorized biography of Jeffers The Stone Mason of Tor House: The Life and Times of Robinson Jeffers which was awarded the California Commonwealth Club's Silver Medal in 1966. She was also associated with The Quercus Press. On April 1 1940 she was one of the supporters of The Quercus Press who pulled the first page that was printed by The Quercus Press on their newly acquired Albion Press that was once owned by Morris and the Kelmscott Press. <br /> <br /> Edith Van Antwerp's Foreword concludes: ". a very few copies have been printed for a very few people in whose hearts today is this very same ancient love of the horse." A fine copy of a rare publication. OCLC lists a two holdings Huntington Library and Mills College. The Quercus Press unknown
1661JC5F71XARFAUAntwerp 1661. 4to. Joris Willemsens I 18th-century vellum faded manuscript title on spine. With an integral engraved architectural title page by Petrus van Caukercken after Abraham van Diepenbeeck with the title on a drapery held by 2 putti in an arch and flanked by figures of Claudius Galenus and Masawaih al-Mardini views of a botanical garden and an apothecary's shop below and Jesus with numerous religious and allegorical figures above in a cloud letterpress title page with a woodcut decoration a divisional title for part 2 woodcut tailpieces woodcut decorated initials 5 series. Set in roman and italic with incidental Greek textura and pharmacological signs. 1 1 blank 46 285 = 281 32 1 blank pp. Rare first and only edition in Latin of the first and only official pharmacopoeia for Antwerp containing hundreds of medicinal recipes and throwing a great deal of light on 17th-century medical practice in the Low Countries. The work's separate part with the title "Selectiora chymica" shows the rising importance of chemistry in the production of medicines. Although Plantin published an important and influential 1568 Antwerp edition of Valerius Cordus's Dispensatorium first published posthumously at Nürnberg in 1546 it was not produced by order of any official municipal body. In 1624 the magistrates of Antwerp set up a Collegium Medicum which did declare that medicines were to be prepared following Cordus until further notice. In 1659 the Antwerp Collegium Medicum decided to produce their own pharmacopoeia primarily at the impetus of their secretary and future director Michiel Boudewijns 1591-1681 best known as the father of modern medical ethics. Although his name does not appear on the title-page the book does attribute the 18-page preface to him and he was probably the principal compiler of the book. The decision to compile it makes explicit reference to those published at Augsburg 1564 Rome 1583 Amsterdam 1636 and Brussels 1641 but Valerius may have remained the most important source. No apothecaries were officially consulted in the compilation of the pharmacopoeia reflecting the growing status of physicians and declining status of apothecaries.Although the letterpress title-page is dated 1660 the engraved title-page when present is apparently always dated 1661 and in some copies the 1660 has been corrected to 1661. The work has extensive preliminaries with dedications notes to the reader laudatory verses etc. but some copies include an unsigned bifolium inserted after a2 containing an additional dedication not present here. The present copy does have the rarer addendum leaf at the end and an addendum slip on Q3r supplying the omitted last line of that page with the quire signature and catchword below it. The addendum leaf has three blind impressions of the type for this addendum slip in its head margin.With minimal wear at the edges. With a brown spot in the outer margin of the first two gatherings; a very good copy.l Anet 6 copies; Daems & Vandewiele pp. 62-63 5 copies; STCV 12879911 5 copies incl. 1 defective; not in Krivatsy; Wellcome. hardcover
1850103087<p>Antwerp S. Mayer n.d. c. 1860. Four porcelain cards. size: c. 225 x 31 cm. All signed: "Gravé par S. Mayer a Anvers" & "Etabl. lith. de S. Mayer à Anvers". In 1880 the firm of S. Mayer was taken over by Seghers. some light staining & two plates with some tiny damage to the margins but good copies.</p><p>The five senses - sight hearing smell taste and touch - are represented on these charming porcelain cards. Sight hearing and smell each have their own card and taste & touch share a card. Five scenes represent the five senses: sound is represented by a woman listening at at door; taste by a clergyman drinking a glass of wine smell by a man sitting on a chair who smells a substance he has taken from a small pot; sight by a girl looking through binoculars and a woman who is reading; and touch by a miser touching coins. Surrounding these scenes on each of the plates are numerous tiny drawings also representing the senses. They range from seventeen small noses on cord held by two little devils twelve tiny eyes no a scroll held by two little angels to small scenes showing a painter at work a cook two fencing boys a little girl playing a piano a woman being revived with smelling salt etc. etc. The lithographer obviously had fun making these.</p><p>Porcelain-cards or were mainly produced in Belgium in the nineteenth century between 1825 and the 1870's. They are called porcelain-cards because they look a bit like porcelain. They were printed in lithography on a white background of paper with kaolin or lead white. Their production gradually stopped in the 1870's because of the health hazards for printers. They are technical masterpieces of the so-called chromolithography just after its invention.</p>
190432423Anvers: Bellemans Freres. As New. 1904. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - LIMITED EDITION. Text in French. 207 lots catalogued; a number of illustrations. Among the artists represented: Frans Hals; N. Maes; Weenix; A. Myyens; and many others. Also included are facsimiles of the signatures of the artists where available. -- with a bonus offer-- . Bellemans Freres paperback
195858690Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1958. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 286 pp. 20 x 13 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
195058750Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1950. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 184 pp. 22 x 14 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
195858766Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1958. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French and Dutch. 150 pp. With 82 ills. 19 x 13 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
195958781Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1959. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Dutch and French. 176 pp. With 116 ills. 20 x 15 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
197731714Anvers: Musee Royal Des Beaux-Arts. As New. 1977. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED CRISP TIGHT TO THE SPINE - 388 pages; text in French. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
190232429Anvers: Avenue Marie-Therese. As New. 1902. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 443 lots; many black and white illustrations; text in French. Among the French Flemish Dutch and other master artists represented: Tiepolo S. Rosa A. Cuyp Verboekhoven Diaz de la Pena and many others. -- with a bonus offer-- . Avenue Marie-Therese paperback
196458799Antwerp Belgium: Rubenshuis. As New. 1964. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 32 pp. With 12 ills. 22 x 15 cm. -- with a bonus offer-- . Rubenshuis paperback
18702005280042Handcrafted 1870. Hardcover. Very Good. A unique lovely hand-painted book in a fine binding. 28.5 x 25 cm. No date circa 1870-1880. Bound in fine contemporary red morocco with gilt lettering and decoration. Boards are heavily gilt ruled with extra-gilt dentelle. Marbled end sheets. All edges gilt. Manuscript calligraphic text of Aldrich's poem with hand-painted illustrations. "Painted by Mrs. John H. Van Antwerp Albany New York." Calligraphic title and 25 botanical plates many with the names of the flowers on the verso in Martha's hand with tissue guards. Many of the plates also include lovely images of butterflies moths or various insects. Drawn on Reynolds' Bristol Board. The artist has matched the variety of flower with Aldrich's verse. The artist Martha Wiswall Van Antwerp died August 30 1880 and drew this work on Reynolds' Bristolboard; and thus this work must have been created some time in the 1870s. Van Antwerp has signed the book in calligraphic initials on the title page and a small bookplate in the rear assigns this work to her. <br> Text of Aldrich's poem: "I like not lady-slippers Nor yet the sweet-pea blossoms Nor yet the flaky roses Red or white as snow; I like the chaliced lilies The heavy Eastern lilies The gorgeous tiger-lilies That in our garden grow." This volume was bound by Martha Van Antwerp's brother-in-law Daniel Lewis Van Antwerp 1828-1910 who began binding in Albany under his name in 1852 having previously worked for Anthony L. Harrison whose business he assumed. Binding Provenance provided to us by Mr. Steve Beare Handcrafted hardcover
1600304<p>c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark.</p>
1993ATWanANT50Antwerp: 1993. 1993. 4to. wrs. regular edition of the exhibition catalogue. 33 facsimile reprints of past Picabia publications. loosely laid in folio cloth clam-shell box with cloth slipcase. Deluxe Edition of 1200. Hardcover. Antwerp: 1993. Hardcover
1763313596Gorinchem: N. Goetzee etc. 1763. 8vo. Three quarters orange morocco and marbled boards t.e.g. by Backwells. Fine. 8vo. see at large L. Brummel Twee ballingen 's lands tijdens onze opstand tegen Spanje 1972 N. Goetzee etc. unknown
1998x-0824701534Marcel Dekker Inc 1998. Paperback. New. 1st edition. 352 pages. 10.25x7.25x0.75 inches. Marcel Dekker Inc paperback
189267459London: Longmans Green and Co 1892. First edition 8vo pp. xviii 268; frontispiece portrait of the author 29 plates 3 illustrations in the text and a folding map printed in color at the back; original pictorial blue cloth stamped in gilt on upper cover and spine; lightly rubbed the spine a little darkened else a very good sound and clean copy. Bookplate of Wilson S. Howell. Pratt 1852-1924 was a member of the Royal Geographical Society "and in 1891 he received the Gill Memorial Award for the encouragement of geographical research in early career researchers who have shown great potential. In the same year he visited Tibet and China. In China his activities were treated with suspicion and notices were posted warning locals of assisting him. He made some progress by employing Chinese Christians. These employees were harassed by the locals and his German assistant had to retreat from his work. Whilst he was in Tatsienlu in China he met and was assisted by the French missionaries and naturalists Bishop Felix Biet and Father Jean André Soulié . In 1892 he published an account of his journey The snows of Tibet through China. This book is thought to show that Pratt did not actually get to Tibet but he only got close enough to meet the missionaries who had been ejected from the country. Incidentally Pratt's book is thought to be a source for the work of Vladimir Nabokov" Wikipedia. Yakushi P290a. See also "Chinese Rhubarb and Caterpillars" by Dieter E. Zimmer a paper read at the International Vladimir Nabokov Symposium St. Petersburg July 18 2002. Longmans, Green, and Co unknown
19341732151934. 173215 Algemeene Centrale Van Bouw -- Ameublement En Gemengde Vakken Van Belgie Gewest Antwerpen. 48 pp. pofusely illustated in black white and red 14 b&w photographic images. 8vo 212 x 146 mm. wraps. Antwerp Van Arteveldestraat 1934. A small but rare book on the industrial furniture trades in interwar Belgium. While this book does not appear to be formally affiliated with the Vienna Method of illustration the influence is unmistakable. the 14 pages of charts at the back use pictorial represntations to bring the statistc to life in the exact manner that Otto Neurath and Gerd Arntz has just perfected. The use of the red and black for the charts is also a nod to Neurath's International picture language from 1936. Slightly browned by age with a handul of fox marks but overall a clean tight copy. Extremely rare with OCL listing three copies all in Belgium. paperback
1895352981New York: Metroploitan Job Print 224-232 West 26th St 1895. 43 charts some two sheets. Sheets loose. 9pp. of text. Folio. Brown cloth porfolio. 43 charts some two sheets. Sheets loose. 9pp. of text. Folio. Keenelland Association Library: p.6 Metroploitan Job Print 224-232 West 26th St unknown
16097763Hantwerpen by Abraham Verhoeven 1609. 1609 4to. 8 p. Modern wrappers. Clean and crisp with old foliation in ink evidence of its previously being bound in a collection. Woodcut arms of Antwerp on the title. Untraced in online library catalogues. The text gives an account of the celebratory procession in Antwerp on the occasion of the truce with Spain complete with the words of the song mentioned on the title. Loosely inserted are a catalogue description date 1991 and the bookseller's letter addressed to Anna Simoni. Hantwerpen by Abraham Verhoeven, unknown
1552Ant65961552. John Chrysostom Full calf worn & scuffed. Binding shaken some leaves coming loose unknown
183355397Paris L'Imprimerie Royale 1833. 4to. Contemp. hcalf. Gilt spine. Gilt lettering. Stamp on title-page. 4138 pp. 2 large folded engraved maps/plans. Clean and fine printed on thick paper. <br/><br/><em> </em> unknown
1905200925036Royal Museum of Fine Arts Antwerp 1905. Paperback. Acceptable. 0x0x0. please read Book is well worn but fully intact with just a few pencil markings on text pages - pencil note on half-title page - 185 pages - inside a mylar sleeve - my shelf location - 32-a-27 Royal Museum of Fine Arts, Antwerp paperback
elala2359Antwerp: J.E.Buschmann 1863. 4to. pp. clxii 518. with half-title. Flemish & French titles & text. numerous text illus. coats of arms &c. 19th century half roan worn but solid Antwerp: J.E.Buschmann, 1863 unknown
61222Anvers Gerald Berbie c. 1775. 8vo. 99 13 pp. Title within printed frame. Sewn as issued in original grey wrapper defective in spine. From the library of David Gottfr. Hildebrand at Ericsberg who bought it in Antwerpen Nov 4 1782. unknown