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ria9780470744611_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; "This is an engaging and informative book on the modern practice of experimental design. The authors' writing style is entertaining the consulting dialogs are extremely enjoyable and the technical material is presented brilliantly but hardcover
195958781Antwerp Belgium: Musee Royal Des Beaux-Arts. As New. 1959. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Dutch and French. 176 pp. With 116 ills. 20 x 15 cm. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
197731714Anvers: Musee Royal Des Beaux-Arts. As New. 1977. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED CRISP TIGHT TO THE SPINE - 388 pages; text in French. -- with a bonus offer-- . Musee Royal Des Beaux-Arts paperback
232350Parigi: Edizione Privata s.a. Rilegato hardback. Molto buono Very Good. Dedica e iniziali autografe dell'Artista Inscription signed with initials by the Artist. Menabò";" di presentazione degli ultimi lavori dell'Artista composto da 17 fotografie originali applicate su fogli di carta pesante patinata. Accompagnato da una lettera dattiloscitta dell'Artista ad un noto gallerista. Cm 30x30. pp. 16. Dedica e iniziali autografe dell'Artista Inscription signed with initials by the Artist. Molto buono Very Good. . Edizione Privata, hardcover
197566074Roma: Carucci Poesia visiva 1975. Brossura wrappers. Molto buono Very Good. Prefazioni di Aldo Rossi e Henri Floris Jespers. Traduzioni di Lydia Astengo. Testo in italiano e inglese. Con 64 tavole in nero. Cm 21x16. pp. XXIX 64. Molto buono Very Good. Prima edizione First Edition. <em>Nel dopoguerra è"; fra i primi ad interessarsi alla <strong>poesia visiva e sonora</strong>. È stato autore di numerosi poemi sonori la maggior parte dei quali realizzati nel laboratorio di musica elettronica di Utrecht fondatore e editore delle seguenti riviste: Vormen 1936-1940 Golfslag 1946-1950 De Tafelronde 1953-1982 Vers Univers 1966-1967 Lotta Poetica 1971-1975 and Factotum-Art 1977-1979. A fianco del poeta francese Henri Chopin ha organizzato ad Anversa nel 1963 l'esposizione Objectieve poë"zie. Fin dal 1964 ha tenuto mostre in numerosi paesi europei negli Stati Uniti e in Giappone. Nel 1974 entra a far parte del Gruppo internazionale di Poesia visiva.</em> Carucci, Poesia visiva unknown
149854522X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1661JC5F71XARFAUAntwerp 1661. 4to. Joris Willemsens I 18th-century vellum faded manuscript title on spine. With an integral engraved architectural title page by Petrus van Caukercken after Abraham van Diepenbeeck with the title on a drapery held by 2 putti in an arch and flanked by figures of Claudius Galenus and Masawaih al-Mardini views of a botanical garden and an apothecary's shop below and Jesus with numerous religious and allegorical figures above in a cloud letterpress title page with a woodcut decoration a divisional title for part 2 woodcut tailpieces woodcut decorated initials 5 series. Set in roman and italic with incidental Greek textura and pharmacological signs. 1 1 blank 46 285 = 281 32 1 blank pp. Rare first and only edition in Latin of the first and only official pharmacopoeia for Antwerp containing hundreds of medicinal recipes and throwing a great deal of light on 17th-century medical practice in the Low Countries. The work's separate part with the title "Selectiora chymica" shows the rising importance of chemistry in the production of medicines. Although Plantin published an important and influential 1568 Antwerp edition of Valerius Cordus's Dispensatorium first published posthumously at Nürnberg in 1546 it was not produced by order of any official municipal body. In 1624 the magistrates of Antwerp set up a Collegium Medicum which did declare that medicines were to be prepared following Cordus until further notice. In 1659 the Antwerp Collegium Medicum decided to produce their own pharmacopoeia primarily at the impetus of their secretary and future director Michiel Boudewijns 1591-1681 best known as the father of modern medical ethics. Although his name does not appear on the title-page the book does attribute the 18-page preface to him and he was probably the principal compiler of the book. The decision to compile it makes explicit reference to those published at Augsburg 1564 Rome 1583 Amsterdam 1636 and Brussels 1641 but Valerius may have remained the most important source. No apothecaries were officially consulted in the compilation of the pharmacopoeia reflecting the growing status of physicians and declining status of apothecaries.Although the letterpress title-page is dated 1660 the engraved title-page when present is apparently always dated 1661 and in some copies the 1660 has been corrected to 1661. The work has extensive preliminaries with dedications notes to the reader laudatory verses etc. but some copies include an unsigned bifolium inserted after a2 containing an additional dedication not present here. The present copy does have the rarer addendum leaf at the end and an addendum slip on Q3r supplying the omitted last line of that page with the quire signature and catchword below it. The addendum leaf has three blind impressions of the type for this addendum slip in its head margin.With minimal wear at the edges. With a brown spot in the outer margin of the first two gatherings; a very good copy.l Anet 6 copies; Daems & Vandewiele pp. 62-63 5 copies; STCV 12879911 5 copies incl. 1 defective; not in Krivatsy; Wellcome. hardcover
73-6751Greenwich: Franklin X. McCormick 1954. One leaf on enamel paper. 12 x 15 inches. Views and floor plan of the building. As published in "The Portfolio of Ecclesiastical Designs" Second Edition 1954.Provenance: Clifford N Wright Architect Birmingham MI with his stamp in the lower right margin. Greenwich: Franklin X. McCormick, 1954 unknown
1938527345San Mateo California: The Quercus Press 1938. Softcover. Fine. First edition. Foreword by Edith Van Antwerp. Quarto. 4pp. printed rectos only. Sewn yellow-gold wrappers printed in black on front cover. The title page is printed in black type with 'modern horse character' in Chinese framed in bright yellow thick line rule and the colophon prints the 'Archaic horse character' and the 'heiroglyphic horse character 500 B.C.' in Chinese and thanks 'Mr. Patrick Pichi Sun Vice-Consul in San Francisco for the Republic of China for writing the modern horse character that appears on the title page of this book' presumably this statement was by Edith Van Antwerp.<br /> <br /> Beautifully designed and printed in a small edition "a very few copies have been printed." with a printed calling card and handwritten note from Edith Van Antwerp presenting this copy to Melba Berry Bennett. The engraved card measures 2 7/8 by 2 inches and stating "Mrs. William Clarkson Van Antwerp' with a twelve-line holograph note on recto and verso of card from Edith Van Antwerp to 'Dear Melba' Melba Berry Bennett presenting this book and stating: "Dear Melba - At long last-- here it is! It goes to you with Frances' i.e. Mrs. Theodore Max Lilienthal and my love and thanks for your amiable forbearance when we were in the throes of production. We really think it is pretty good. we hope it will find favor in your eyes. Best Christmas wishes E. V. P."<br /> <br /> Theodore Max Lilienthal and Leon Gelber established the Gelber-Lilienthal Book Shop in San Francisco in 1924 and a publishing company under the imprint Lantern Press. Mr. and Mrs. Theodore Max Lilienthal along with Edith Van Antwerp later established The Quercus Press in San Mateo California. In 1940 they began using the Albion Press that once belonged to William Morris the press was acquired from the estate of Dr. J. W. Bartlett of New York. Melba Berry Bennett poet bibliophile and Robinson Jeffers family friend wrote the authorized biography of Jeffers The Stone Mason of Tor House: The Life and Times of Robinson Jeffers which was awarded the California Commonwealth Club's Silver Medal in 1966. She was also associated with The Quercus Press. On April 1 1940 she was one of the supporters of The Quercus Press who pulled the first page that was printed by The Quercus Press on their newly acquired Albion Press that was once owned by Morris and the Kelmscott Press. <br /> <br /> Edith Van Antwerp's Foreword concludes: ". a very few copies have been printed for a very few people in whose hearts today is this very same ancient love of the horse." A fine copy of a rare publication. OCLC lists a two holdings Huntington Library and Mills College. The Quercus Press unknown
68-0793Paris France 1910. Blank Postcard with B&W Photo 3.5" x 5.5". Very Good. [Paris, France, 1910]. unknown
1804ZB533638Anvers: Chez Allebe Imprimeur An 12. -- 1804. iv half title and title leaves 82 1 errata 1 blank pp.; green calf binding sound but fair only book label of General J. Watts de Peyster on verso of half title clean text; includes details of the bizarre procession several poetic tributes and a list of dignitaries present at the reception. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Anvers: Chez Allebe, Imprimeur unknown
1998x-0824701534Marcel Dekker Inc 1998. Paperback. New. 1st edition. 352 pages. 10.25x7.25x0.75 inches. Marcel Dekker Inc paperback
196458799Antwerp Belgium: Rubenshuis. As New. 1964. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 32 pp. With 12 ills. 22 x 15 cm. -- with a bonus offer-- . Rubenshuis paperback
stela2208Antwerpen: 1969. 4to. unpaginated. Dutch text. b/w illus. b/w illus. wrs. printed acetate dw. torn at jacket folds one chip to lower edge Antwerpen: 1969 unknown
197465145Milano: Grafica Uno 1974. Ottimo Fine. Acquaforte appartenente al volume ''Ora di noi'' testo di Franco Passoni e sei incisioni originali di Seuphor stampato in 150 XXX esemplari Milano Grafica Uno 1974. Cm 162x15 Foglio 312x312. . Ottimo Fine. Tiratura 150 XXX. Upiglio Upiglio 1975 Marras Piero a cura di Giorgio Upiglio stampatore in Milano. L'opera grafica. Milano Cordani S.p.a. 1975. Grafica Uno, unknown
19321241751932. San Francisco: The Book Club of California 1932. <br /> <br /> 8vo vi 27 pp. Fold-out facsimile of one of Scott's letters as frontispiece and 3 illustrations. Quarter red leather and green paper-covered boards. Backstrip faded and spotted rust-shadow of paperclip to preliminaries otherwise fine.<br /> <br /> § One of 300 copies printed by Johnck & Seeger. Introduction by Oscar Lewis. The first essay "A Centenary Address" is by John Buchan the novelist historian and politician the second essay "A Forgotten Antiquary" is by William C. Van Antwerp who wrote elsewhere on Wall Street and on his collection of Scott. unknown
19321078811932. San Francisco: The Book Club of California 1932. <br /> <br /> 8vo vi 27 pp. Fold-out facsimile of one of Scott's letters as frontispiece and 3 illustrations. Quarter red leather and green paper-covered boards. Backstrip faded and worn in places internally fine.<br /> <br /> § One of 300 copies printed by Johnck & Seeger. Introduction by Oscar Lewis. The first essay "A Centenary Address" is by John Buchan the novelist historian and politician the second essay "A Forgotten Antiquary" is by William C. Van Antwerp who wrote elsewhere on Wall Street and on his collection of Scott. unknown
1870037082Anvers Belgium: s.n. 1870. First Edition. Decorated Boards. Very Good. 24 Albertype photographic views on 24 plates accordion format folding into embossed green boards gilt cover title. Contains exterior and interior views of: Anvers Place Verte et Cathedrale; birdseye views; La Bourse; Cour du Mussee Plantin; Musee Steen; Le Puits de Quentin Mestis; La Banque; Maison de Charles-Quint; Eglise des Jesuites; Bassin de Kattendyk; Theatre Flamand; &c. 4" x 6" Precedes the 1885 Universal Exposition at Anvers. This title not found in WorldCat. s.n. unknown
ria9781138957152_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Strength and power are key elements of soccer performance. A stronger player can sprint faster jump higher change direction more quickly and kick the ball harder. Strength Training for Soccer introduces the science of strength trainin paperback
12777Antwerp: Juliaen van Montfort 1662. Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.' Image on application. [Antwerp: Juliaen van Montfort, 1662] unknown
326727Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
326728Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
326726Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
326729Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1334592829.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback