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Paperback, 240x170mm, 160p, throughout bw and col. illustrations. English edition ISBN 9789085866145. Van de massele Europese emigratie tussen 1850 en 1940 naar de Nieuwe Wereld zijn bijna geen beelden bewaard gebleven. Van de Joodse emigranten zijn er wel de foto's van het leven voor het vertrek (Roman Vishniac in de shetls in Oost-Europa) en bij aankomst (Jacob Riis in de Lower East Side - New York). Beelden uit de vertrekhavens vindt men enkel bij de Antwerpse kunstenaar Eugeen Van Mieghem (1875- 1930) die rond 1900 beklijvende kunstwerken maakte van de ca. 2,5 miljoen landverhuizers die met de Red Star Line vertrokken naar Amerika en Canada. Dit boek vertelt het verhaal van "The Missing Images" dat de laatste jaren internationaal herontdekt wordt. Scarcely any images have been preserved of the mass migration from Europe to the New World which occurred between 1850 and 1940. Of course, photographs do exist concerning the lives of Jewish migrants prior to their departure (Roman Vishniac in the Eastern European shetls), as well as photographs taken on the arrival of those migrants at their destination (Jacob Riis in the Lower East Side of New York). However, images from the ports of embarcation are to be found only in connection with Antwerp's artist Eugeen Van Mieghem (1875- 1930) who, around 1900, produced moving works of art portraying the roughly 2.5 million people who emigrated to the United States and Canada on the Red Star Line. This book tells the story of "The Missing Images" that have been rediscovered internationally in recent years.
Box, 10 little books, 132 x 225mm., 360pp., colur illustration. ISBN 9789085865391. This box contains 10 booklets on Antwerp museums. Each booklet acts as a guide to the most impressive works of art in the museum. At the same time, it provides information on the selected works, as well as frames of reference in terms of (art) history and techniques. A few introductory pages contain general information on the museum itself. New.
Box, 10 boekjes, 132 x 225mm., 360pp., rijke kleurillustratie. ISBN 9789085865384. Deze box bevat 10 boekjes over Antwerpse musea. Ieder boekje bespreekt de belangrijkste kunstwerken van het museum. Tegelijkertijd geeft het ook informatie over de geselecteerde werken en kadert ze in de kunstgeschiedenis en bespreekt het de gebruikte technieken. Enkele inleidende pagina's geven algemene informatie over het museum zelf. Nieuw.
in-4° 135 pages, nombreuses illustrations en couleurs, cartonnage de l'editeur, jaquette illustree. (HB+DW) Bel exemplaire. [PLC-8] Objects from the Antwerp Ethnographic Museum. Africa: 30 pp.; Oceania: 22 pp.; Indonesia: 12 pp.; America: 24 pp.; Asia: 35 pp.
in-4° 128 pages, nombreuses illustrations en couleurs, broche, couverture illustree. Bel exemplaire. [PLC-5]
in-4° 128 pp. entierment illustrees en couleurs, broche, couverture illustree. Tres bel exemplaire. [PIL-5A]
Complet en 3 tomes, relié en 1 volume: t.I-II: 335pp. (texte, 1e et 2e partie) & t.III: 45 planches, exemplaire très intéressant avec mention du prix obtenu et le nom de l'acheteur pour chaqu'un des objets, reliure cart., br.orig. conservées, 28cm., bon état, S91779
3 tomes: t.I-II: 335pp. (texte, 1e et 2e partie) & t.III: 45 planches, 29cm., br.orig., bon état, S40984
Gebrocheerd, originele papieren uitgeversomslag met embleem, frontispice in z/w, 26.8x21.2 cm., 114 pp. + 2, buitentekst illustraties in z/w, met opdracht + gesigneerd door de auteur. Zevende nummer der Kapittelschriften.
Bruxelles, L'Edition Universelle 1937, 212pp., signé avec dédicace par l'auteur, 25cm., bon état, B21628
Bruxelles, L'Edition Universelle 1937, 212pp., br.orig., 25cm., non coupé, cachet, bon état, B90423
softcover geillustreerde papieromslag, 135 x 215mm., pagina's niet genummerd, boordevol z/w fotomateriaal. Met tabellen en grafieken en technische informatie. in prima staat.
Gebonden, halfkarton en gemarmerde platten, handgeschreven titel op rug, 160 x 260mm., originele blauwe titelpagina, 16pp. De lijst werd achterin eigenhandig aangevuld door de vorige eigenaar. In goede staat.
Contents: Ford ad (color) inside front cover; Boeing B-29 ad; Plymouth car ad; Nice color Borden's ad featuring Elsie the cow and family; International Trucks ad; War election proves to world America's faith in democracy - campaign hottest in years but politics stop at the borders of nation united in arms; Wehrmacht wages bitter fight to prolong war through winter - but British storm Walcheren, opening way to use of Antwerp as supply base for Allies; Photo of Red Army soldiers parading through Belgrade; One man's fight against corruption - the story behind the Gen. Joseph W. Stilwell Incident; Risque ad for Samson card tables features stripper (?) standing on table while soldiers look on with pleasure!; Heavy Going - Japs fight hard in Leyte Caves but defense lacks organization; De Gaulle's sway over France challenged by turbulent reds; Lucky Strike - nice color ad; Goodyear color centerfold ad shows the 'Rubber Railroad'; photo of soldiers outside an Italian showing of Charlie Chaplain's "The Dictator"; Photo of Greek money changer - inflation forces him to carry a literal armload of paper drachmae - with text; Mackenzie King names McNaughton to Cabinet - may avert showdown over Zombies; Jack Miner passes away - Canadian Goose man; Britain asks a helping hand to regain vital export trade - wants modified lend-lease and joint reconversion timing after victory in Europe; Kuppenheimer clothing ad - in color; Horse racing and betting popular; Homer P. Rainey booted out of the University of Texas; Brooks Atkinson's Chinese Drama; A.J. Cronin - doctor and craftsman; Great Northern Railway ad shows refrigerator cars for apples being pre-cooled with large blocks of ice; embarassing ad for Kreml Hair Tonic; Chesterfield cigarette color ad (nice) on back cover. Average wear. Address label atop front cover. Unmarked. 2" X 1" chip from lower corner of front cover. A sound copy. Book
Roman, harde kaft. 263 pagina's
Roman, harde kaft. 263 pagina's
2 volumes: iv,504 + 460pp., 27cm., grotendeels onopengesneden, orig.omslagen (ruggen hersteld), B51699
2 volumes ingebonden in 1 band: iv,504 + 460pp., 27cm., moderne gecart. band, linnen rug met titel in goudopdruk, originele omslagen mee ingebonden, mooie staat, B90496
Gebonden, halflederen band met goudopdruk, gemarmerde platen, 25.8x17 cm., 460 pp. 13 hoofdstukken. Narede. Bylagen - oorkonden. Tabel der hoofdstukken.
15pp.+ frontispice (portrait), 29cm., br.orig.(dos restauré), dédicacé par l'auteur, non coupé, sur papier de luxe, extrait du T.XXII du Bulletin du Cercle Archéologique littéraire & artistique de Malines
Hardcover with dusjacket, 384 pages, 27,4 x 24,4 x 4,2 cm ill. ISBN 9789057184390. Nothing will come of nothing. Shakespeare placed these words into the mouth of old King Lear, but the saying actually dates back to well before the early seventeenth century, to the philosophers of ancient Greece. Though we mean it a little tongue in cheek, we believe this saying actually captures what goes on at a university very well. The source of everything is education and research, after all. The University of Antwerp is a relatively young, dynamic university. But every story has a backstory, and Antwerp?s backstory just happens to be particularly interesting ? Long before our beloved university was founded, the city was a hub for science and education. It was home to printers, publishers and booksellers, who played a crucial role in the dissemination of knowledge. That is what we ? the editors and authors of this book ? set out to demonstrate, with just as much careful research as sheer pleasure, in our book Met kennis van zaken. Wetenschap en onderwijs in Antwerpen vanaf 1500. And it is not for nothing ? forgive us the play on words ? that the English edition is titled Nothing will come of nothing. Science and education in Antwerp since 1500. This book does not attempt to provide an exhaustive history of Antwerp. Neither does it explore all sections of the population ? ?only? those who were involved in Antwerp's ?knowledge culture?, such as humanists, scholars, artists, craftspeople, printers, publishers, booksellers, teachers and connoisseurs of the arts. That said, former rector Professor Alain Verschoren?s foreword is followed in Professor Emerita Helma De Smedt?s introduction by a brief historical outline of the most important characteristics and events in and concerning Antwerp in the period 1500-1850. Later on in the book she also provides a non-exhaustive sketch of the city?s economic development during the same period. Knowledge, arts, knowledge transfer ... the book covers many aspects that capture the essence of today?s Faculty of Arts, including in the chapters by professors Guido Van Heeswijck, Hubert Meeus and Guido Marnef and by doctors Tom Deneire, Timothy de Paepe, Jan Dewilde and Ria Fabri.
Hardcover with dusjacket 384 pages, Illustrated. FINE! ISBN 9789057184390. Nothing will come of nothing. Shakespeare placed these words into the mouth of old King Lear, but the saying actually dates back to well before the early seventeenth century, to the philosophers of ancient Greece. Though we mean it a little tongue in cheek, we believe this saying actually captures what goes on at a university very well. The source of everything is education and research, after all. The University of Antwerp is a relatively young, dynamic university. But every story has a backstory, and Antwerp?s backstory just happens to be particularly interesting ? Long before our beloved university was founded, the city was a hub for science and education. It was home to printers, publishers and booksellers, who played a crucial role in the dissemination of knowledge. That is what we the editors and authors of this book set out to demonstrate, with just as much careful research as sheer pleasure, in our book Met kennis van zaken. Wetenschap en onderwijs in Antwerpen vanaf 1500. And it is not for nothing ? forgive us the play on words ? that the English edition is titled Nothing will come of nothing. Science and education in Antwerp since 1500. This book does not attempt to provide an exhaustive history of Antwerp. Neither does it explore all sections of the population ? ?only? those who were involved in Antwerp's ?knowledge culture?, such as humanists, scholars, artists, craftspeople, printers, publishers, booksellers, teachers and connoisseurs of the arts. That said, former rector Professor Alain Verschoren?s foreword is followed in Professor Emerita Helma De Smedt?s introduction by a brief historical outline of the most important characteristics and events in and concerning Antwerp in the period 1500-1850. Later on in the book she also provides a non-exhaustive sketch of the city?s economic development during the same period. Knowledge, arts, knowledge transfer ... the book covers many aspects that capture the essence of today's Faculty of Arts, including in the chapters by professors Guido Van Heeswijck, Hubert Meeus and Guido Marnef and by doctors Tom Deneire, Timothy de Paepe, Jan Dewilde and Ria Fabri. With contributions by Ludo Cuyvers, Marc Demolder, Tom Deneire, Timothy De Paepe, Dave De ruysscher, Helma De Smedt, Jan Dewilde, Ria Fabri, Piet Lombaerde, Guido Marnef, Hubert Meeus, Ad Meskens, Robrecht Van Hee and Guido Vanheeswijck.
Broche, couverture papier en rouge et noir, 120 x 185mm., 100pp. Le dos du livre est dechire, jaquette en plastique.
183pp., tirage limité ("Imprimé à 75 exemplaires"), br.muet moderne, 28cm., qqs.rousseurs, rare
Originele uitgeversomslag groen gemarmerde papieromslag met opgekleefd titelvignet, 140 x 220mm., pp. 353-374. Herdruk van het originele exemplaar uit 1851. In goede staat.