Chaim Perelman; Lucie Olbrechts-Tyteca; John Wilkinson [Translator]; Purcell Weaver [Translator];Biblio.com
2 116 résultats
1971Q-0268004463University of Notre Dame Press 1971-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! University of Notre Dame Press paperback
1986x-0893913774Praeger 1986. Hardcover. New. 9.25x6.25x0.75 inches. Praeger hardcover
823767like new. unknown
2014x-1137319933Palgrave Macmillan 2014. Hardcover. New. 186 pages. 8.50x5.50x0.75 inches. Palgrave Macmillan hardcover
2014x-1349457558Palgrave Macmillan 2014. Paperback. New. 186 pages. 8.50x5.51x0.46 inches. Palgrave Macmillan paperback
2019Viva-9781978805866EUROSPAN GROUP 2019. Paperback with Sewing. New. EUROSPAN GROUP paperback
2019Viva-9781978805866EUROSPAN GROUP 2019. Paperback with Sewing. New. EUROSPAN GROUP paperback
A9781634632669Hardback. New. hardcover
2014AME_9781634632669Nova Science Publishers 2014. 1. Hardcover. New/New. Nova Science Publishers hardcover
22035772-nnew. unknown
22035772like new. unknown
1972RCIXEXI00fpDavid Lewis 1972. Very Good. Cixous Helene. The Exile of James Joyce. Purcell Sally A.J. New York: David Lewis 1972. 1st edition. xv 765pp. Indexed. Illustrated. 8vo. Red cloth with gilt lettering. Book condition: Very good. Edges lightly rubbed. Former owner's notes in two small sections of text. Dust Jacket Condition: Fair. Top edges rubbed with tiny tears and small losses. Tears along edges of spine with losses on head of spine and in title area. David Lewis hardcover
197885573London: John Calder 1978. First U.K. Edition. First impression. Inscribed on title page: "To Edward" signed undated but apparently contemporary with publication. Octavo. Red cloth hardcover; dustjacket; xv765pp. Mild soil to text block edges; faint reading crease to spine still solidly Very Good. In the original dustwrapper unclipped priced £15 at base of front flap crisp and clean with just a trace of wear along upper extremities Near Fine. <br /> <br /> A major work of postructuralist literary analysis expanded from Cixous' 1968 doctoral dissertation L'Exil de James Joyce ou l'Art du remplacement. This translation originally appeared in the U.S. in 1972. An elusive title quite uncommon signed. John Calder unknown
2024x-1350434701Bloomsbury USA Academic 2024. Hardcover. New. 320 pages. 9.21x6.14x1.00 inches. Bloomsbury USA Academic hardcover
20081-0736072152Human Kinetics 2008. Paperback. New. 2nd edition. 331 pages. 10.75x8.25x0.75 inches. Human Kinetics paperback
0880115025New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1998Q-0880115025Human Kinetics 1998-07-24. Paperback. New. In shrink wrap. Looks like an interesting title! Human Kinetics paperback
2008DADAX0736072152Human Kinetics 2008-10-30. 2. paperback. New. 8.25x0.75x10.75. Buy with confidence. Excellent Customer Service & Return policy. Human Kinetics paperback
0873224795New. New. Satisfaction Guaranteed or your money back. unknown
2004Q-0736050906Human Kinetics 2004-10-06. Paperback. New. New. In shrink wrap. Looks like an interesting title! Human Kinetics paperback
1994Q-0873224795Human Kinetics 1994-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Human Kinetics paperback
2004DADAX0736050906Brand: Human Kinetics 2004-10-06. 2. paperback. New. 8.50x0.43x11.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Human Kinetics paperback
177536850London: Published by C. Shepherd 1775. Mezzotint. A fine impression of this early print of Charles Lee the famous general of the American Revolution.<br/> <br/>Public demand for portraits of Revolutionary heroes was not limited to America but spread to English and European print shops where an inquisitive audience clamored for a glimpse of the key figures of the war. Public interest reached such a frenzy that European printmakers published fictitious portraits before they had accurate likenesses of the sitters and thus many of the first English and European prints of Revolutionary colonials were completely invented. London publishers using the names C. Shepherd Thomas Hart and John Morris issued a series of mezzotints of the officers of the American Revolution none of which were taken from accurate portraits but rather were constructed on a visual formula and bore no resemblance to the individuals they claimed to be representing. Tomlinson's portrait of General Charles Lee is just such a portrait: the image bears little resemblance to contemporary accounts of his appearance and there is no record of him sitting for the artist. This portrait was executed and printed early in the war with the expectation that Lee would play a major role in the conflict an assumption based on his past military record in the French and Indian War. Although born in England Lee committed himself to the Patriot cause and soon became a leader in the Colonial army. He took part in the defense of Charleston and was a commander at the Battle of Monmouth. This is a fascinating early print of this Revolutionary general which not only records the practice of invented portraits but became a compositional model for other portraits of Revolutionary War heroes.<br/> <br/>Chaloner Smith British Mezzotinto Portraits Engraver not ascertained Class III 9; Cresswell The American Revolution in Drawings and Prints 147; George Catalogue of Political and Personal Satires.in the British Museum V 5296; Russell English Mezzotint Portraits and their States II p.450.9. Published by C. Shepherd unknown books
17617777London: Published by R. H. Laurie; 53 Fleet Street and Bowles & Carver 1761. Mezzotint. New state ii/ii with the publication line altered. Inscription reads as follows: " J. Reynolds pinx.Cha Corbutt fecit./ Strive not TRAGEDY nor COMEDY to Engross a GARRICK who to your NOBLEST CHARACTER does EQUAL HONOUR./ Reddere Personae scit convenientia cuique./ Published by R.H.LAURIE; 53 Fleet Street and BOWLES & CARVER St. Pauls Church Yard London Price 6s.". In good condition apart from a small section of paper loss in the upper margin not extending into the image and two small skillfully mended tears on the bottom margin. Images size: 13 1/8 x 16 inches. One of the most famous portraits of the actor David Garrick by Sir Joshua Reynolds.<br/> <br/>David Garrick 1717-1779 was perhaps the most influential actor in the English theater. He successfully took on all aspects of theatrical production including actor manager playwright publicist and theatre advocate. He displayed an amazing range by convincingly playing parts in every genre from comedy to tragedy history to farce. From 1747 until his retirement in 1776 he was the manager of Drury Lane where he initiated many improvements: he introduced concealed stage lighting removed spectators from the stage and cultivated a naturalistic style of acting. Garrick was acutely conscious of the value of pictures as advertisements. He sat for every painter of note many of whom are now little more than names. He was painted in oils and in watercolours drawn in pencil and in pastels modelled in wax and in terracotta; his likeness even appeared on medals Wedgewood china and playing-cards. This portrait by his friend Reynolds demonstrates in a mildly humorous way the actor's talents and character; posed between Tragedy and Comedy Garrick is depicted the master of both. Garrick's broad smile and Tragedy's melodramatic stance note the dagger at her waist favor Comedy. Reynolds' painting was a huge public success and inspired many prints and paintings pirated prints of the image even made their way to the streets of Paris. The popularity of this image is a testimony to Garrick's fame and to Reynolds' talent. University of Florida website Penny An interesting derivative of this scene is Shakespeare Nursed by Tragedy and Comedy a beautiful stipple engraving based on a painting by Romney.<br/> <br/>Penny Reynolds 42; Chaloner Smith British Mezzotinto Portraits 31 this state not recorded; Russell English Mezzotint Portraits and their States 31 this state not recorded; Hamilton Catalogue Raisonné of the Engraved Works of Sir Joshua Renolds p.29; Lennox-Boyd Theatre: the Age of Garrick p.108; O'Donoghue Catalogue of Engraved British Portraits. in the British Museum 52. Published by R. H. Laurie; 53 Fleet Street, and Bowles & Carver unknown books
