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0656328711.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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1396546405.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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0332888886.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1024478440.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19901263151990 Volume 4, Spring 1990 - Interagency Arctic Research Policy Commitee - In-4, broché, couverture illustrée - 120 pages - Plans et photographies en N&B in texte - Ouvrage en anglais/ Book in english
200253888AB(s.l.),, Univeristy of Oregon. 2002. 4°. 358 S., illustriert. Originalbroschur.
G15086, Washington, Smithsonian Institution, 1951, pp.469-495, in the series "Miscellaneous Collections" N°4042
200253888AB(s.l.),, Univeristy of Oregon., 2002. 4°. 358 S., illustriert. Originalbroschur.
Washington, Smithsonian Institution, 1951, pp.469-495, in the series "Miscellaneous Collections" N°4042
Washington, Smithsonian institution, 1937. In 8°, PP XI+431n. Brossura originale. Numerose illustrazioni in nero fuori testo, alcune tavole più volte ripiegate.
1930WRCAM56103Various locations in Oregon and Alaska 1930. Approximately 325 photographs twenty postcards and real photo postcards a linen- backed map of Alaska and a few assorted ephemeral items all housed in a contemporary leather satchel. Generally minor wear some chipping to about twenty photographs. Overall very good. A treasure house of silent cinema photography from the Pacific Northwest and Alaska featuring over 300 images from THE CHECHAHCOS and other films produced in the orbit of the film's director Lewis H. Moomaw all retained by one of his crewmen Guerney William Hays. <br> <br> THE CHECHAHCOS released in 1924 was the first feature film shot in Alaska. "Cheechako" is a native word referring to a "greenhorn" or someone newly arrived in the mining districts of Alaska or northwestern Canada. A melodramatic tale of the Klondike Gold Rush the was directed by Lewis H. Moomaw of the Alaska Moving Pictures Corporation. The story was based in part on the experiences of the film's producer Austin E. Lathrop known as "Alaska's first home-grown millionaire." The film has been preserved in the National Film Registry and can easily be viewed on the internet. Offered here is a large collection of photographs and other ephemera once belonging to a CHECHAHCOS crew member named Guerney William Hays 1880-1952 including film stills snapshots from the set and other images of Alaska scenery. Many of the images match up with scenes from the completed film. The subject matter includes all that might be expected from a film produced in and about Alaska: glaciers dogsleds saloons archvillains and damsels in distress along with shots of the crew and technology that made the film possible. <br> <br> The largest and most professionally-produced photographs in the collection are eighty 8-x- 10-inch prints almost all of them clearly from the CHECHAHCOS shoot with twenty-one stamped on the verso by the Alaska Moving Pictures Corporation and with either a printed or manuscript title written along with the stamp reading "The Chechakos" the spelling of which was later tweaked to its release title. One of the stills shows the entire company of the Alaska Moving Pictures Corporation about 150 people in the snow beside their Pullman cars; two banners for the film company hang outside the rail cars. A separate shot of the film company shows their train at the entrance to McKinley Park with a banner hanging on the train reading "Private Car Alaska Moving Pictures Corporation Entrance to McKinley Park on the Alaska Railroad." Other stills show scenes from the film shots of the cast and crew preparing to start scenes posed scenes clearly intended for use as publicity stills cast group pictures behind-the-scenes shots of the cameramen and other crew with various equipment photographs of empty interiors perhaps to be used for continuity a few featuring the dog sled teams and more. In addition to documenting the production these images also present a rare view of Alaska in the early-20th century. <br> <br> The remaining 240 images most of which measure approximately 3 x 5 inches were likely not formally produced by the film company for use as publicity but are in fact production photographs and still stand as valuable visual documentation of the early filmmaking process. While some of these photos are more of the vernacular sort the great majority of the images show a mixture of preproduction production and set-related photographs from the film company's time in Alaska shooting THE CHECHAHCOS and from other production's attached to the career of Lewis H. Moomaw the film's director. A great number of these images were likely produced as working production photographs - executed for the use of the company during the shooting process scouting for locations documenting costumes set continuity set construction what might today be called craft services suggesting or documenting potential camera set-ups or as studies for potential publicity stills and more. While not created as traditional publicity products these images capture the early filmmaking process both in front of and behind the camera presenting a quite uncommon slice of film production history. The fact that they were produced during the production of a film in Alaska make them an even more valuable source of information on the filmmaking process in the 1920s in a most unusual place. Production stills are produced in very small quantities compared to publicity stills are often unique or close to unique records of a production have a much lower survival rate and are keenly sought after as historical records of the filmmaking process. <br> <br> One of the few captioned photographs shows four wives of the CHECHAHCOS cast and crew on a fishing expedition including Moomaw's wife and Mrs. Guerney Hays. A few other photographs show an actress posing with crude dummies that were apparently about to be sent to their doom in a canoe scene in the Alaskan wilderness. Other production photographs from Alaska feature scenes on glaciers one of which shows the exact spot from a moment in the opening minute of the film a young girl with a giant Alaskan crab who is also pictured in the larger professional images and is in the film film crews poised on icy ground dog sled teams identified locations in Skagway and more. <br> <br> One of the other films pictured here is likely CALL OF THE ROCKIES 1929. This western was filmed in Oregon the usual home of the filmmakers involved in the Alaska Moving Pictures Corporation with Moomaw as supervising producer. CALL OF THE ROCKIES was directed by Raymond K. Johnson one of the cinematographers on THE CHECHAHCOS and features two actors identified in pencil captions on the verso of photographs present here: Russell Simpson and Jim Mason. There are numerous photographs featuring a western wagon train and other images of the traditional western which either appeared in CALL OF THE ROCKIES or perhaps one of Moomaw's other films produced in Oregon in the 1920s - UNDER THE ROUGE 1925 or FLAMES 1926 the latter of which climaxed in a raging forest fire and featured an early screen appearance by Boris Karloff. <br> <br> All of the postcards feature Alaskan scenes or subjects and were most likely acquired while the film company was shooting in Alaska or produced for them while they were there. This is the case for at least one of the postcards - a Christmas greeting with the banner at bottom reading "Compliments of the Alaska Moving Pictures Corporation." The final item of note here is a folding linen- backed map of Alaska issued by the Alaska Steamship Company. The map measures about 21 x 30 inches and was issued in 1917. It was almost certainly taken along to Alaska by Hays for the filming of THE CHECHAHCOS linen- backed either before-hand or while in Alaska to prevent damage from over-use. The entire collection of photographs and ephemera is housed in a period leather satchel. <br> <br> These photographs were collected and retained by Guerney or Gernie William Hays 1880-1952 who spent a career in the early film industry mostly in Oregon. Some pieces of ephemera bear his name and some of the larger stills are annotated "Hays" on the verso. His 1918 draft registration lists him as a motion picture operator in Portland and his obituary lists him as a member of the International Alliance of Stage Employees. His only film credit in the Internet Movie Database is for THE CHECHAHCOS for which he is credited with "sets and lighting" and also an uncredited supporting role on screen. One of the larger-format photographs features a crew member in a cramped equipment room with dozens of lights and mounds of cables; this is almost certainly Hays himself or perhaps one of his assistants. One of the photo developer's envelopes bears the name of Hobart H. Brownell the cinematographer of THE CHECHAHCOS. Two of the photographs here are inscribed to Hays - one from the actor Bert Sprotte in 1919 and the other from banjo player Eddie Peabody who has inscribed his portrait to Hays writing that "No finer stage manager I ever worked with." Another photograph shows Peabody's elaborate stage show. <br> <br> THE CHECHAHCOS remains an important early film for its authentic depiction of Alaskan life. Movies about the great white north were popular with early film audiences but were usually filmed in California. When Lewis H. Moomaw proposed to shoot a film entirely in Alaska about the days of the Klondike Gold Rush in the territory locals in Alaska jumped at the chance to find him funding. Upon arrival in Anchorage fully half of the town showed up to greet the film company. The cast and crew would spend three months filming in and around Anchorage the small mining town of Girdwood on Childs Glacier Abercrombie Rapids and Eyak Lake. The film premiered in the Empress Theatre in Anchorage on December 11 1923 and played to packed houses across Alaska the next year. Sadly the film never found a large audience in the continental United States playing occasionally over the next two years before falling into obscurity. The film was essentially lost until the year 2000 when a print was restored by archivists at the University of Alaska Fairbanks. Three years later the film was selected for preservation by the National Film Registry. <br> <br> The Library of Congress's press release when they selected THE CHECHAHCOS to the National Film Registry describes the film as such: "This independent regional film was the first feature film produced in Alaska and is renowned for its spectacular location footage of the lonely and unfathomable Alaskan wilderness frenzied dogsled pursuits and life-and-death struggles on the glaciers." <br> <br> A wonderful collection of great historical interest for early film scholars and of the history of Alaskan cinema. hardcover books
19341007At sea 1934. Very good. Five issues of The Morning Alaskan each 4pp. Also four leaves of manuscript four mimeo news sheets two passenger lists thirteen menus and related material. Light wear and chipping to edges of newsletters and news sheets heavier to news sheets. Light wear overall. A nice archive of ephemera collected during a voyage from Seattle to Alaska aboard the S.S. Alaska. Founded in 1894 the Alaska Steamship Company ran cargo and passenger service to Alaska from Seattle through the mid-1950s at which point it became a freight-only company until its demise in 1971. The materials here likely saved from a voyage in June 1934 provide a glimpse into Alaskan cruise tourism during the height of the Great Depression. There are four daily mimeo "news sheets" titled "Sense and Nonsense" which are filled with one-liner inside jokes about the goings-on about the ship: "Mr Sullivan his own is still holding against all comers and how!!" and "Who was the boyfriend in Ketchikan Rose The flowers at least were beautiful." Additionally thirteen menus for breakfast lunch and dinner meals. The shipboard newspaper The Morning Alaskan features ads and a vignette of the ship on the first page followed by a mixture of news and tidbits from locales across the globe. One issue includes news about the dock strike in San Francisco the reappearance of a missing Japanese Vice Consul in Shanghai and sports news. It was a fairly sophisticated production presumably with the first page pre-printed and then the interior mimeographed aboard ship. The manuscript leaves contain brief notes about the voyage. Upon leaving Seattle on June 13 the author made the following notes providing an insight into the other passengers on the ship: "Six mo. truce made. First boat in 6 mo. why Eng. boats no help to Alaskans. Heavy cargo interesting loading - autos personal Bride soldiers lecturer natives Alaskans going home prospectors old men going back missionaries teachers natives contractors for school projects "nails counted." Orchestra steward. News Daily - ship personals sight seeing paper. Food number of meals & type." He notes stops at Juneau and Hawkes Inlet: "Juneau again. Hawkes Inlet at 9:30 p.m. light. Beautiful. Private homes at most canneries Gov. visiting Hawkes Inlet came on board." Though brief his notes do provide interesting details about the voyage. Notably this archive also highlights possible Chinese migration to Alaska perhaps for the cannery industry based on the passenger lists. The northbound passenger list from Seattle to Skagway on June 14 lists eighty roundtrip passengers as well as 107 passengers with destinations at various ports along the way such as Ketchikan Wrangell Petersburg Juneau and Skagway. It also lists among the passengers sixty "Orientals" and forty-six passengers traveling "Oriental Steerage." At Hawk Inlet thirty-one "Orientals" disembarked -- no white passengers -- twenty-nine of them traveling steerage. An interesting group of ephemera made even more interesting by the addition of the Asian-American component in the passenger lists. unknown books
171 pages. Contents include: The Polar Oceans Progarm of the Alaska SAR Facility; Remote Sensing and Geographic Information System Training Requirements in Arctic Canada; Topographic Data and Satellite Spectral Response in Subarctic High-Relief Terrain Analysis; Monitoring the Water Bodies of the Mackenzie Delta by Remote Sensing Methods; Operational Remote Sensing of Sea Ice; Remote Sensing of the Sea Surface Temperatures for Aquaculture Planning in Northern Norway; Remote Sensing of Permafrost by Ground-Penetrating radar at Two Airports in Arctic Canada; Mapping Muskox Habitat in the Canadian High Arctic with SPOT Satellite Data; Calibration of Aerial Thermal Infrared Imagery for Walrus Population Assessment; Detection and Classification of Muskox Habitat on Banks Island, Northwest Territories, Canada, Using Landsat Thematic Mapper Data; An Assessment of Bison Habitat in the Mills/Mink Lakes area, Northwest Territories; Preliminary Geologic Interpretation of SAR Data, Yellowknife-Hearne Lake Area; Monitoring Natural Vegetation in Southern Greenland Using NOAA AVHRR and Field Measurements; Satellite Geological Mapping of the Yellowknife Volcanic Belt; Measuring Climatc State Variables from SAR images of Sea Ice - The SIMS SAR validation site in Lancaster Sound; The Role of Imaging Radar in the Development of the Canadian Arctic - Background and applications; The Use of AVHRR Thermal infrared imagery to determine sea ice thickness withing the Chukchi Polyna; In Situ Measurements of Micro-Scale Surface Roughness of Sea Ice; Derivation of Snow Water Equivalent in Boreal Forests Using Microwave Radiometry; Lake and River Ice Investigations in Northern Manitoba using airborne SAR Imagery; Location and Areal Extent of Polynyas in the Bering and Chukchi Seas. Clean and unmarked with light wear. Nice copy. Book
No marks or inscriptions. Faint small crease to front cover, none to rear or to spine. A very clean very tight copy with bright unmarked boards, small paper flaw to one page and no bumping to corners. 176pp. A land of pristine wilderness, to where photographer Subhanker Banerjee devoted two years of his life documenting the land, its wild species and its Native peoples, with Inupiat guide Robert Thompson, travelling 4000 miles through the refuge on raft, kayak and snowmobile in all four seasons. This superb exhibition of his photographs is accompanied by essays from six people who know the area and a foreword by Jimmy Carter.
199931931Steinfurt : Tecklenborg-Verl. 1999. 123 S. : ca. 111 Abb.; 23 x 32 cm, mit Schutzumschlag Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in sehr gutem Erhaltungszustand
xliii, 859 pages. Footnotes, references, index. Black and white diagrams and reproductions of photos. "Provides insight at a ground level of Jenness' long, tough voyage of discovery, so that anyone interested in Arctic America or Canadian studies will find this journal a rare and enriching experience. Further, for Arctic scholars, this journal presents the detailed context for those pioneer monographs that launched the career of young Jenness and led to his becoming Canada's pre-eminent anthropologist." - dust jacket. Unmarked with average wear. Binding intact. Modest bow to front board. Possible light cigarette scent. A sound reading copy of this fascinating early Arctic diary. Book
256 p., illus. Hardcover Very good condition good
171959230Washington D.C.: Government Printing Office Hydrographic Office U.S. Navy 1917; 1930. Two vols. 8vo. ix 1 4 364 pp.; 19 mimeograph leaves. With 2 large folding colour map. First vol. in black publisher’s buckram silver lettering stamped on front cover & spine minor shelfwear slight interior toning shelfwear 2nd vol. mimeographed typescript & stapled at gutter margin minor dustsoiling edgewear predation to lower fore-edge tear to last leaf of blank lower portion still a VG set. First editions of these coast pilot guides to Arctic waters during and after World War I issued about the time of the Russian Revolution and offered key navigational guides for Naval forces during the ill-fated White Russia Revolution and over 13000 troops in the Polar Bear Expedition. Prior to modern GPS systems and satellite navigation these regularly updated and revised navigation handbooks provided key sailing instructions often drawing not only from Russian & British sources but also sailing reports from U.S. Navy vessels and those from merchant ships. The two maps serve as indexes to sailing charts to be ordered from the Hydrographic Office and keyed to sailing instructions within the coast pilots. The supplement is uncommon no copies located in Worldcat. Government Printing Office, Hydrographic Office, U.S. Navy, hardcover
Roy. 8vo., First Edition, with frontispiece and photographs in the text; blue boards, yellow cloth back lettered in blue, a very good, bright, clean copy in unclipped dustwrapper.
191110365San Francisco California 1911. 5.5 x 4" stapled booklet 36 pp color and black and white illustrations from drawings. A promotional cookbook of recipes making use of canned salmon issued by the Alaska Packers Association which was at the time the largest salmon packing company in Alaska operating canneries across the state and headquartered in San Francisco. The booklet prints recipes for 30 dishes and several sauces including "Salmon Pie" "Salmon Croquettes" and "Army and Navy Salmon Scouse" all of which call specifically for Argo Red Salmon. The cookbook additionally makes use of vibrant graphics to promote the products for instance the title page bears a color illustration of a child taking a wild ride on a salmon while waving a can above its head and the recipes are illustrated with color drawings of several of the dishes. Laid into the booklet is a color printed label for a salmon can in pristine condition. Booklet in excellent condition with a hint of toning to pages and a hint of foxing and spotting to covers. unknown
19891263141989 Volume 42, N° 3 - University of Calgary, Canada - 1989 - In-4, broché, couverture illustrée - 82 pages - Plans et photographies en N&B in texte - Ouvrage en anglais, un article en français/ Journal in english
1907WRCAM54859Racine Wi.: W.D. Harney Photogravure Co. 1907. Nine parts each bound separately and uniformly complete with titlepage in first volume. 26pp. of text printed rectos only and eighty photogravure plates. Folio. Publisher's rosewood cloth backstrip and burgundy wrappers front covers gilt. Mild fraying to spine cloth some wear mild chipping and light soiling to covers. Top corner of first few leaves of first volume creased. Internally clean. Overall very good. A substantial production providing a rich photographic tapestry of the Pacific Northwest and Alaska in the early twentieth century. Each volume contains nine photogravure plates with only eight in the eighth volume most full-page but some with more than one image per plate. Each part contains two or three text leaves printed rectos only. Altogether the work is comprised of eighty photogravure plates with tissue guards containing over 100 distinct photographic images. <br> <br> Numerous photogravures depict indigenous Eskimos and other people along with stunning views of rivers mountains mining agriculture landscapes dogsled teams totem poles ships and various aspects of life in the Pacific Northwest. Highlights include the "Largest Fir in Washington" "Bird's-Eye of Nome Alaska" "An Arctic Musher" and the "Eskimo Salmon Dance." The photogravures were taken by a number of prominent western photographers including Frank H. Nowell W.P. Romans Thomas W. Tolman Wylie T. Dennison and Asahel Curtis estranged brother of Edward S. Curtis. The gravures are printed in sepia blue or green tints and retain their clarity and power more than a century after their printing. <br> <br> "A magnificent work relating mostly to Alaska with many fine full-page tinted plates" - Decker. "Contains fine plates of scenery in Seattle and Alaska" - Soliday. DECKER 26:6. SOLIDAY I:1032. WICKERSHAM 412. W.D. Harney Photogravure Co. hardcover books