9 268 résultats
0484139606.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20191-333778044Xhansebooks 2019. Paperback. New. 308 pages. 8.50x5.99x0.70 inches. hansebooks paperback
0428139736.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18796456New York: Charles A. Lilley Publisher 7 Murray Street 1879. 115 1 pages. Advertisements. Date based on external evidence. The publisher produced only a very few books all issued in 1879. ~ Evident FIRST EDITION. A promotional cookbook featuring recipes that are brief if not altogether lacking in detail. The book is in service to Houghton & Dutton a dry goods specialist from Boston and the recipes are interspersed with descriptions of the shop's various departments crockery glassware millinery etc. In addition to the text descriptions there are advertisements throughout with varied typography but all hawking Houghton & Dutton. Susan G. Knight was also the author of a number of other works including one cookbook Tit-Bits How to prepare a nice dish at moderate expense Boston & New York 1865. A comparison of the two text would perhaps be of use. Some age-toning to text-block and wear to corners of some leaves. In printed yellow wrappers worn and soiled but whole. Unrecorded. OCLC locates no copies. Charles A. Lilley, Publisher, 7 Murray Street unknown books
1340976722.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
416 p. Age stain. All edges gold gilt. Early manuscript ownership of Dennis P. Beach, Feb. 1867. Bookplate of Allen J. Smith (York, PA) on front paste down. Front inner hinge cracked. 24mo. 145 mm. Original embossed blue cloth binding. Spine lettered and decorated in gold gilt. Extremities worn with slight loss. Author's edition. Hardbound. Good. AI BX 6
1876NJ297021876-1878 vi, 454 p., 9 lithographed pls, contemporary half morocco with gilt title on spine. Library stamps and ex libris/bookplate of Amherst College Library on end-papers.Includes many papers: Minot, Relationship between worms and vertebrates / Hunt, Quebec Group in Geology / Hyatt, Embryology of Sponges / Scudder, Century of Orthoptera. Acrydii / Wright, Remarkable Gravel Ridges Merrimack Valley (3 pls) / Emerton, Comparison Spiders of Europe and North America / Lyman, Mode of Forking among Astrophytons (3 pls) / Burgess, Anatomy Psocidae (1 plate) / Uhler, List Hemiptera Heteroptera in Collection of T.W. Harris (82 p.), etc.etc.
1879NJ297031879-1881 vi, 506 p., 4 lithographed pls, 1 folded map, contemporary half morocco with gilt title on spine. Library stamps and ex libris/bookplate of Amherst College Library on end-papers.Includes many papers: Rathbun, Devonian Brachiopoda Province of Pra, Brazil / Scudder Century of Orthoptera, Decades viii-x / Parker, Experiments on Spontaneous Generation (1 plate) / Kingsley, Notes N. American Decapoda / Halsted, American Species Characeae / Fewkes, Structure of Rhizophysa filiformis (1 plate) / Stone, The Kames of Maine (1 map), etc.etc.
93034Lanham etc., University Press of America, 1988.
1859833001859. PRINTS - BOSTON SOUTH BOSTON 1859 HANDCOLORED LITHOGRAPH BY JOSEPH FOXCROFT COLE. Boston: J. F. A. Cole ca. 1859. Image matted to 22 x 29 1/2 inches. Three spots of browning to the sky area faint arc of foxing a few more to the scenes below the main image. Main image features a main intersection of roads one signposted "G Street Ward 12". Great perspective. Very good overall. Below the title is printed: "To the citizens of South Boston this picture is most respectfully dedicated by the Artist. unknown
1859833001859. COLE Joseph Foxcroft. PRINTS - BOSTON SOUTH BOSTON 1859 HANDCOLORED LITHOGRAPH BY JOSEPH FOXCROFT COLE. Boston: J. F. A. Cole ca. 1859. Image matted to 22 x 29 1/2 inches. Three spots of browning to the sky area faint arc of foxing a few more to the scenes below the main image. Main image features a main intersection of roads one signposted "G Street Ward 12". Great perspective. Very good overall. Below the title is printed: "To the citizens of South Boston this picture is most respectfully dedicated by the Artist. unknown books
336pp. 25 cm. Hardcover Very good condition good
1332063489.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Very Good Turkish Chapograph print. Extremely rare first and the earliest printing material in book form (both in scarce institutional holdings and market rarity), which has brought the concept of optical art to Turkey. This compilation and work were prepared by the contemporary Turkish architects Güven and Alemdar, who were experts on urbanization. The book includes nine chapters excluding the plates: History of op-art.; Optical effects: Black and white.; Optical effects: Color.; Reliefs, moving objects, and light.; Special joint characteristics in 'Op'.; 'Op' and other art genres.; Leading names in the European school of 'Op'.; British and American 'Op'.; Critics.; and Plates. Plates were taken from various American art magazines published in the period and German advertisements from German magazines which reflected 'Optic art'. Op art, short for optical art, is a style of visual art using optical illusions. Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping. The antecedents of op art, in terms of graphic and color effects, can be traced back to Neo-impressionism, Cubism, Futurism, Constructivism, and Dada. László Moholy-Nagy produced photographic op art and taught the subject in the Bauhaus. Time magazine coined the term op art in 1964, in response to Julian Stanczak's show Optical Paintings at the Martha Jackson Gallery, to mean a form of abstract art (specifically non-objective art) that uses optical illusions. Works then labeled as "op art" had actually been produced for several years before Time's 1964 article. For instance, Victor Vasarely's painting Zebras (1938) is made up entirely of curvilinear black and white stripes not contained by contour lines. Consequently, the stripes appear to both meld into and burst forth from the surrounding background. Also, the early black and white "dazzle" panels that John McHale installed at the 'This Is Tomorrow' exhibit in 1956 and his 'Pandora' series at the Institute of Contemporary Arts in 1962 demonstrated proto-op art tendencies. Martin Gardner featured Op Art and its relation to mathematics in his July 1965 Mathematical Games column in Scientific American. In Italy, Franco Grignani, who originally trained as an architect, became a leading force of graphic design where op art or kinetic art was the focus. His Woolmark logo (launched in Britain in 1964) is probably the most famous of all his designs. Op art perhaps more closely derives from the constructivist practices of the Bauhaus. This German school, founded by Walter Gropius, stressed the relationship of form and function within a framework of analysis and rationality. Students learned to focus on the overall design or entire composition to present unified works. Op art also stems from trompe-l'oil and anamorphosis. Links with psychological research have also been made, particularly with Gestalt theory and psychophysiology. When the Bauhaus was forced to close in 1933, many of its instructors fled to the United States. There, the movement took root in Chicago and eventually at the Black Mountain College in Asheville, North Carolina, where Anni and Josef Albers eventually gave lectures [.] (Source: Wikipedia). Not located in OCLC and the Turkish National Library.
1987948190New York: Braziller / Metropolitan Museum of Art, 1987. XXII; 88 S. mit Abb. Originalhalbleinen, im Schuber.
1333983719.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
60 pages. Features: One-page photo ad for Goodrich Silvertown tires shows huge 100-ton transformer on large flatbed trailer; Babe Ruth's birthday (with small photo); Marriage of Dorris Bowdon to Nunnally Johnson (with small photo); Obituary for Capt. Wilford H. (Captain Billy) Fawcett; Obituary for Lord Tweedsmuir, Governor General of Canada; Absolutely gorgeous one-page full-color ad for Diamond T Super-Service Trucks; Nice one-page photo ad for International Trucks illustrates work on huge aquaduct to bring water to Rio de Janeiro; Photo of Maurice Wrixon with his unique animal - half cat, half monkey?; George R. Hart performed marriages wholesale before being shut down; Census Storm - maze of "Prying Questions"; American Youth Congress (AYC) Blasts War; War Rumblings in Near East mark Anzac arrival in Suez; Allies provide guns for Finland; Photo of German soldiers at Essen Krupp works scanning skies for bombers; How the Finnish War Affects the Western Front; IRA Bombers' Hanging Brings Riots in Dublin and Belfast; Censor woes in France; Four war photos from Finland; Lord Haw-Haw; Britain's new fighter, the Boulton & Paul Defiant; Walt Disney - illustrated Pinocchio movie article; Intimate view of Hitler by Hermann Rauschning; Joe Louis fights Arturo Godoy - with photos; Nice one-page photo ad for Chrysler features the 6-passenger New Yorker sedan; Photo of figures skaters Eugene Turner and Joan Tozzer; Nice one-page Chevrolet ad features the Special De Luxe Sport Sedan; Fast photo captures runners William Fritz, Charles Beetham and Charles Quigley in the Boston Garden; Weird 2/3-page photo ad for Kreml Shampoo and Hair Tonic; Alcoholics Anonymous; Fashionable one-page ad for Mallory hats; Fashion designers Elizabeth Hawes and Muriel King; GM shareholder Charles S. Mott; Nice color-photo ad for the new 1940 Studebaker Commander features an orange car surrounded by a well-heeled group; Back cover features nice ad for Old Overholt Whiskey with an illustration of the Falstaff Inn of Pennsylvania. And much more. Moderate wear. Clean and unmarked. A quality vintage copy. Book
19663116625Boston: Bruce Humphries 1966. XIV, 463 Seiten. 8° (17,5-22,5 cm). Orig.-Leinenband mit goldgeprägtem Rückentitel. [Hardcover / fest gebunden].
0265485347.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9780190868413_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In The Evolution of Moral Progress Allen Buchanan and Russell Powell resurrect the project of explaining moral progress. They avoid the errors of earlier attempts by drawing on a wide range of disciplines including moral and political hardcover
197928761Boston MA: The Museum of Fine Arts. As New. 1979. Hardcover. 0878461345 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Among the artists represented: Boudin Diaz de la Pena Fromentin Puvis de Chavannes and others. -- with a bonus offer-- . The Museum of Fine Arts hardcover
19863116562Boca Raton, Ann Arbor & Boston: CRC Press 1986. (8), 503 Seiten. 4° (25-35 cm). Orig.-Pappband mit Goldprägung. [Hardcover / fest gebunden].
1983Q-0878462317Museum of Fine Arts Boston 1983-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Museum of Fine Arts Boston paperback
DADAX08784623170000-00-00. paperback. New. xx. Buy with confidence. Excellent Customer Service & Return policy. paperback
1390462706.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback