25 870 résultats
1960205114BBMurnau, Lux, (1960). Mit Abb. a. Taf., Ktn.- Skizz. 223, 111 S. OLwd. m. OU. - Ferner Osten, Bd. 4. - Gutes Expl.
1960205112BBMurnau, Lux, (1960). Mit Abb. u. Ill., Ktn.- Skizz. 303 S. OLwd. - Ferner Osten, Bd. 1. - Gutes Expl.
1976V39915Frankfurt / Wien / Zürich ( Büchergilde Gutenberg) 1976 (= Erste Auflage). 4°, Originalleinen mit illustriertem Originalumschlag (Hardcover) 241 S, zahlreiche Abbildungen, ISBN 376322016X 1
8vo, hardcover in dj, pp.446. Shanghai has historically been China’s jewel, its richest, most modern and westernized city. The bustling metropolis was home to sophisticated intellectuals, entrepreneurs, and a thriving middle class when Mao’s proletarian revolution emerged victorious from the long civil war. Terrified of the horrors the Communists would wreak upon their lives, citizens of Shanghai who could afford to fled in every direction. Seventy years later, members of the last generation to fully recall this massive exodus have revealed their stories to Chinese American journalist Helen Zia, who interviewed hundreds of exiles about their journey through one of the most tumultuous events of the twentieth century. From these moving accounts, Zia weaves together the stories of four young Shanghai residents who wrestled with the decision to abandon everything for an uncertain life as refugees in Hong Kong, Taiwan, and the United States. Benny, who as a teenager became the unwilling heir to his father’s dark wartime legacy, must decide either to escape to Hong Kong or navigate the intricacies of a newly Communist China. The resolute Annuo, forced to flee her home with her father, a defeated Nationalist official, becomes an unwelcome exile in Taiwan. The financially strapped Ho fights deportation from the U.S. in order to continue his studies while his family struggles at home. And Bing, given away by her poor parents, faces the prospect of a new life among strangers in America. The lives of these men and women are marvelously portrayed, revealing the dignity and triumph of personal survival. Herself the daughter of immigrants from China, Zia is uniquely equipped to explain how crises like the Shanghai transition affect children and their families, students and their futures, and, ultimately, the way we see ourselves and those around us. Last Boat Out of Shanghai brings a poignant personal angle to the experiences of refugees then and, by extension, today. “Zia’s portraits are compassionate and heartbreaking, and they are, ultimately, the universal story of many families who leave their homeland as refugees and find less-than-welcoming circumstances on the other side.”—Amy Tan, author of The Joy Luck Club
1920146964Couverture souple. Brochure. 14 pages.
1982158529Beijing, Verlag für fremdsprachige Literatur, 1982. 10 Bl., mit zahlreichen farbigen Abbildungen. Original-Broschur, 8. Chinesisches Bilderbuch mit veriedlichten Darstellungen von Kindern. Softcover Schönes Exemplar.
in-8, 173 pages, broché, couverture illustrée à rabats. Bon etat. [TX-10]
Un volume broché de format in 8° de 176 pp.; illustrations érotiques en noir dans le texte; couverture illustrée, à rabats. Bel état. Voir les photos.
3 catalogues. 26cm x 21cm. 58; 18; 18 p. Original wrappers with coloured illustrated title to cover. Boards with some staining, inside in very good condition. With numerous coloured illustrations of the paintings on plates. Introductory texts in Chinese and English.
200727968BShanghai:, Bo Yin Contemporary International Artists Gallery., (2007-2010). 26cm x 21cm. 58; 18; 18 p. Original wrappers with coloured illustrated title to cover. 3 catalogues. Boards with some staining, inside in very good condition.
199711759(Beijing, Kultur und Kunstverlag, 1997). An Album of Yellow River traditions. Mit einem Text von Bu Jian und sehr zahlreichen, oft ganz-, z.T. doppelseitigen, z.T. farbigen Fotoabbildungen nach Aufnahmen von Xianmin Zhu. 25/26,5 cm. 145,11 S. OPappband mit Prägung und gering gebrauchtem Schutzumschlag mit Bauchbinde.
47515951like new. unknown
1994165023Beijing, China Forestry Publishing House, 1994. 242 S., mit zahlreichen Abbildungen nach Farbphotographien. weisser Original-Leinwand, mit Schutzumschlag, Umfassende Enzyklopädie des Bambus in englischer Sprache. Jede Art ist abgebildet und in einer detaillierten Legende beschrieben. Neben den botanischen Daten und der Verbreitung auch Angaben zur wirtschaftlichen Nutzung der Spezie. Mit einer Einleitung, einem Vorwort und einer botanischen Einführung sowie einem Index und einem ausführlichen Verzeichnis chinesischer Literatur zum Thema. Hardcover Schutzumschlag etwas berieben und vorne mit kleinem Einriss und einer kleinen Preisetikette auf der Rückseite; davon abgesehen gutes Exemplar.
52463655-nnew. unknown
52463655like new. unknown
2007801102007 Paris, Laffont, 2007, in 8° broché, 340 pages ; couverture illustrée.
8vo, br. ed. pp.288. Nel '68, gli studenti manifestavano sventolando il Libretto rosso del presidente Mao. Nel frattempo, in Cina, la Rivoluzione culturale mieteva vittime proprio tra i giovani. Una di questi, al tempo studentessa di musica, decide pochi anni fa di ignorare l'insegnamento del padre, di «andarsene in silenzio, senza lasciare traccia», e raccontare invece la sua storia, e quella di un'intera generazione di giovani sottoposta a un diffuso lavaggio del cervello e convinta della giustezza di un'ideologia che li costringeva alla delazione e alla denuncia, oltre a togliere loro ogni libertà. Uccidendoli anche nell'anima: commoventi il rimorso, il dolore e il pentimento di Zhu Xiao-Mei per aver creduto alle menzogne del maoismo e avere agito di conseguenza. È anche per «chiedere scusa», che l'autrice scrive, ed è proprio il pentimento, tra i tanti sentimenti contrastanti, ad animare la sua scrittura. Nata in una di quelle famiglie che al tempo vennero disgregate ed etichettate con il bollo infamante «di cattive origini», cioè di musicisti e intellettuali, Zhu Xiao-Mei viene internata per cinque anni in un campo di rieducazione ai confini con la Mongolia. La storia di come le note di una fisarmonica risveglino in lei l'amore per la musica e la spingano a procurarsi avventurosamente un pianoforte è raccontata con semplicità, la stessa che aggiunge pathos involontario al resoconto dei mille soprusi perpetrati dai sorveglianti sugli internati. Il potere salvifico della musica anche in circostanze orribili è un tema trattato diffusamente in letteratura a proposito della Shoah, ma Zhu Xiao-Mei aggiunge una quantità di riflessioni inedite, e racconta il percorso a dir poco accidentato che la porta negli Stati Uniti, le difficoltà che affronta per continuare a studiare pianoforte, per poi approdare a Parigi dove dà il primo concerto, dedicato a Bach. Il compositore che per lei indica una «via» molto simile a quella del Tao. Suonerà le Variazioni Goldberg ovunque, e la sua esecuzione è diventata un culto.
197290163Taiwan, Republic of China, Kuangchi Press 1972 In-8. Reliure éditeur pleine toile verte, VII-748 pp. Bon exemplaire. - Traduit par Séraphin COUVREUR, S. J.
1882sd1186Editions en langues étrangères, Beijing Dos carré collé 1882 In-4 (18,8 x 25,7 cm), dos carré collé, 54 pages, illustrations en noir et blanc, texte en français et chinois ; quelques légers frottements au premier plat, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Paperback. Very Good. From Publishers Weekly The Chinese Cultural Revolution lasted from 1966 to 1976, and reactions to it have dominated Chinese writing since. The so-called "Chinese Western" examines the impact of the Revolution on impoverished, isolated western China, regions profoundly entrenched in tradition. Each of the eight stylistically varied stories selected by Zhu Hong, a professor of American literature in Beijing who has also taught at Harvard, illuminates the bewilderment and undeniable courage of a people confronted by monumental change. In Jia Pingwua's nearly mythic "How Much Can a Man Bear?" the injustices of the Cultural Revolution are only a politicized form of existing enslavement: " 'Let me tell you,' " says a husband to his wife, " 'living, your body belongs to me, and dead, your ghost is mine!' " The urban student who narrates Zhu Xiaoping's "Chronicle of Mulberry Tree Village" observes a destitute rural village to which he has been sent for reeducation and concludes that its guileful inhabitants elude his ability to judge them. Wang Meng's "Anecdotes of Chairman Maimaiti" counters suffering with black humor; a failed author sentenced to labor "with writers he envied" jokes with them after Red Guards assault him for being an "evil liberal writer": " 'Who cares if you folks don't give me recognition! The people consider me a writer!' " One wishes stories by women had also been included, but with novel subjects, richly evoked settings and vivid, often poignant characterizations, this collection has wide appeal. Copyright 1988 Reed Business Information, Inc. ISBN: 0345351401
1995RO80246681Presses Universitaires d'Aix-Marseille. 1995. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 386 pages. Etiquette RFID collée sur le second plat.. . . . Classification Dewey : 951-Chine
195819988ABNanjing, Jiangzu People's Publishing House, ca. 1958. 14,5 : 21 cm. 2 leaves, 38 paper cuts in different colours. Illustrated original wrappers.
5300USA, University of Hawai'i Press, 2013. 1 volume, soft-cover, in-8, XVIII-324 pp., 1 map, a very good copy.
2025x-1032859156Taylor & Francis Ltd 2025. Paperback. New. 210 pages. 9.18x6.12x9.21 inches. Taylor & Francis Ltd paperback
