5 769 résultats
xii + 324pp., 19cm., reliure toile, tranches supérieurs dorées, qqs.rousseurs, bon état, X85288
Small 4to, 25.8cm. Pp. Pp. [iv],76,[4], 400 small photot of scenery, buildings, villages and people etc. on 66 plates, 2 photographic group portraits of expedition crew, 14 portrs. of expedition members in text, 1 fold. map of itinerary. Orig. printed flexible boards. Three corners a little bumped, very good otherwise. - Text in Japanese and English.
69pp. + 3 planches hors-texte, publié dans la série "Société d'émulation de Bruges, Mélanges" tome 7, 25cm., brochure originale, bon état, X103735
Fine English Paperback. Pbo. 4to. (32 x 32 cm). In English. 156 p., color ills. Chinese treasures in Istanbul. Prepared and translated by Robert Bragner, Zeynep Rona.
539 p. + Engraved Frontis and Half Title. Foxed and age stain. Clipped manuscript ownership of Asthon Richardson? on fly leaf. Mildly XLib with stamps and bookplate of Young Men's Christian Association, Wilmington, DE. J.T. Heald Bookseller's label. 12mo. 195 mm. Original embossed stamped publisher's cloth binding. Extremities worn with loss. Loss at head and tail of spine and hinge. Hardbound. BAL 19650. Born in Kennett Square, Chester County, PA, Bayard Taylor (1825-1878) was a popular and influential American poet, literary critic, journalist, translator, and travel author. **PRICE JUST REDUCED! AI BX 2
8vo, br. ed. pp.400. Ancient Chinese society developed a sophisticated and complex bureaucracy which is still in operation today and which had its pristine form in the government of the Western Zhou from 1045 to 771 BC. Li Feng, one of the leading scholars of the period, explores and interprets the origins and operational characteristics of that bureaucracy on the basis of the contemporaneous inscriptions of royal edicts cast onto bronze vessels, many of which have been discovered quite recently in archaeological explorations. The inscriptions clarify the political and social construction of the Western Zhou and the ways in which it exercised its authority. The discussion is accompanied by illustrations of the bronze vessels and their inscriptions, together with full references to their discovery and current ownership. The book also discusses the theory of bureaucracy and criticizes the various models of early-archaic states on the basis of close reading of the inscriptions.
1 vol. 8vo. softcover, black and white ill. and photographies, University of Chinese People Press, 1994. 157 pp.. Text in Chinese language, only. ISBN 7-300-01941-2 Very nice copy of this book, that can be useful even for not Chinese-speaking readers, as plans and pictures already bring much information. (On the photographies of missionaries' tombstones for instance, epitaphs are written in both Mandarin and Latin.) Chinois
Roy. 8vo., First Edition, with coloured frontispiece, very numerous coloured and monochrome reproductions throughout, and coloured endpaper maps; green cloth, upper board and backstrip lettered in gilt, a near fine copy in unclipped dustwrapper.
8vo [21.5 x 14 cm]; xvi, 406, [i] pp, tinted frontis, extra title page with vignette of Chinese wedding, 15 other illustrations including map and plates. original pictorial wraps, cover slightly rubbed at edge, but clean and near fine. A picture of this book is available upon request by email. Fortune was the first plant collector to travel in China after the conclusion of the Opium War, as a botanical collector for the Horticultural Society of London starting in 1843. Travel was not allowed for more than 30 miles past Shanghai, but undaunted "he set off by boat from Shanghai, in Chinese costume complete with shaved head and pigtail" (see Coats p. 101-110 for details), and was the first westerner to reach Soochow and many other parts of China, collecting large numbers of plants and seeds. The book contains two chapters on the cultivation and manufacture of tea with suggestions on the possibilities of developing a tea industry in India, and contained new knowledge about the production and processing of tea. In fact, this book and his later books and plant collecting (as an employee of the East India Company) lead to the Indian tea industry. As a result of the travels described here he found numerous new plants including anemones, chrysanthemums, jasmine, forsythia, honeysuckle, etc. Besides plants and horticulture, the author also describes the people and geography. This was his first book. Cordier p. 2115. Massachusetts Horticultural Society Catalogue p. 102. This is a nice production reprinting the first edition, which is very scarce.
8vo, pp.xix- 405. The so called 'Kingdom of Prester John' was a Christian power thought to exist in Central Asia at the time of the twelfth-century crusades. At a deeper level, for the steppe peoples it constitutes a distant dynamic which led to the world-shattering rise of Mongol power under Chinggis (Genghis) Khan. The book ranges widely in subject matter, space and time. Christian history and ecological, demographic, social and economic history are all interwoven with the politics, religions and literature of the vast and varied area between European Russia and China from c800 to 1300. The author's views are distinctive and stimulating and are not always accepted by western specialists. But his bold synthesis fills in many of the missing links between histories of Europe and medieval China and makes it possible to think of these vast areas as, in some senses, parts of a greater whole.
Routledge Studies on China in Transition. Later digital reprint, undated. Very good, almost as - new condition; minor shelf wear only; contents clean, sound, bright. Used
<p>26 cm, cartella con lacci in tessuto editoriale cartonata illustrata a colori al piatto, p. 18. Con 10 tavole a colori protette da velina. Testo in francese.</p>
Un volume (23 cm) di VI-344 pagine; una tabella ed una carta geografica ripiegate fuori testo. In lingua francese. Graziosa legatura coeva in tutta tela, cornice dorata ai piatti; tagli dorati. Ottime condizioni. Chapitres: 1- Japon, 2- Corée et Mandchourie, 3-Ouest de la Chine, 4-Sud de la Chine, 5-Tonkin, 6-Cochinchine et Cambodge, 7-Indochine occidentale, 8- Inde.
4to, br. wraps, illustr. drawings and color, pp.137 plus 83 photos, text in chinese.in deep study of one of the few intact walled cities in china's shanxi province.
8vo, br. ed. In the thirteenth century, the Mongols created a vast transcontinental empire that functioned as a cultural clearing house for the Old World. Under Mongol auspices various commodities, ideologies and technologies were disseminated across Eurasia. The focus of this path-breaking study is the extensive exchanges between Iran and China. The Mongol rulers of these two ancient civilizations shared the cultural resources of their realms with one another. The result was a lively traffic in specialist personnel and scholarly literature between East and West. These exchanges ranged from cartography to printing, from agriculture to astronomy. The book concludes by asking why the Mongols made such heavy use of sedentary scholars and specialists in the elaboration of their court culture and why they initiated so many exchanges across Eurasia. This is a work of great erudition which crosses new scholarly boundaries in its analysis of communication and culture in the Mongol empire
Paris, Éditions Nilsson, sin fecha (hacia 1930), 34 x 25,5 cm., carpeta en cartoné original y lomo en tela, 6 hojas incluso portada a dos tintas + 24 láminas.
16mo gr. (pp. 383 + (5)), Leg. edit. tutta tela, tit. oro incorn. al p. ant. e fr. al ds., ottimo esemplare della collana "Biblioteca dei ragazzi".
pp.452, illustr, leg, edit. in procinto di distacco, altrimenti buono.
XL + 411pp., Academic dissertation, 25cm., original softcover, text clean and bright, good condition, R103685
Fribourg, Office du Livre, 1969, 36 x 27 cm., tela original con sobrecubiertas, 223 págs., con numerosas ilustraciones y láminas en negro y color.
In 4', cart. ed. con sovrac., pp. 324, ill. in n. e col. n.t., in francese; strappetti ai margini della sovrac, en français, trés petites dechirures en marge de la jaquette, autrerment comme neuf. Editions Skira, 1989, in-4 relié pleine toile d'édition sous jaquette d'édition illustrée couleurs. 319 pages. Riche iconographie couleurs et noir et blanc. Parfaite condition. Sa thèse mise à part, le seul livre que J.F. Billeter ait publié pendant ses années d’enseignement est L’Art chinois de l’écriture, paru chez Skira en 1989, illustré en noir et blanc et en couleurs. Cet ouvrage de synthèse sur la calligraphie chinoise traite des caractéristiques de l’écriture chinoise, de la technique du pinceau, du passage de l’écriture à la calligraphie proprement dite, de ce que les calligraphes de différentes époques ont dit de leur pratique, des diverses fonctions qu’a remplies la calligraphie. Des rapprochements sont faits avec la pratique de la peinture, du dessin et surtout l’exécution musicale en Europe. Une version remaniée de l’ouvrage a paru chez Allia en 2010 sous une forme plus maniable, illustrée en noir et blanc seulement. Le chapitre final (ch.9) a été réécrit. Il jette sur l’ensemble du sujet un jour qui n’est plus tout à fait le même que dans la première édition. J.F. Billeter y met en lumière la relation intime qui unissait l’art chinois de l’écriture, un certain culte de l’écriture et une civilisation qui était aussi, sous l’empire, un ordre politique
Mm 245x335 NUOVO, SIGILLATO / NEW, SEALED - Volume in copertina rigida con sovraccoperta, 320 pagine profusamente illustrate a colori. Condizioni del libro: nuovo - brand new in original shrinkwrap. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
First Edition. Exhibition Catalogue. Beautiful copy of this handsome volume, companion volume to major 1987 exhibition. Bound in original dark blue cloth with spine lettered in gold in English and with Chinese character in gold on front cover. 59 color, 120 b.w. photos, 2 maps, bibliography, 218p.
4to, hardcover Bollingen Series XXXV, national gallery of art washington: What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people.In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
8vo, 2 volumes v1 pp.vii-383; v.2 pp.vii,440