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8vo ril tela, sovrac (cloth, DJ). Book Condition: Perfetto (Mint). Con 23 ill. in nero e a colori, anche a doppia pagina Il testo proposto è un'antica versione orientale della fiaba di Cenerentola. Infatti molto tempo prima che le versioni di Giambattista Basile, di Charles Perrault e dei fratelli Grimm si affermassero in Europa, nella remota Cina dei T'ang, nel IX secolo, già ne circolava una versione scritta, qui presentata in appendice alla traduzione del testo tibetano. Strenna 2003 pp. 112.
8vo, br. ed. 260pp. "The one hundred-some stories depict the important role ghosts played in the lives of the Chinese, as well as revealing a great deal about sex, revenge, transvestism, corruption, and other topics banned by Mei's puritanical mid-Qing society". -- Reference & Research Book News.
in-8°, 287 pp., illustrations hors texte en couleurs, broche, couverture illustree plastifiee. Manquent la page de titre et de faux-titre sinon très bel exemplaire [NV-31]
4to, cartonato, br., pp. 306, 250 tavv. col., cm 21x29,5.
Illustrated Library of Travel. Revised. Frontispiece: Babies of Koioum; other illustrations include Brothers Schlagintweit, Tibetan peasant, Kirghiz man, Toorkee funeral, Yarkandee Guest Chamber, Shaghawal of Karkand, King Yakoob Beg, Head of Asiatic Camel, Return to Yarkand, Toorkee Wedding P. original cloth in very good condition, pages tight and clean
IN 8 CARRE. BR [BE]. ENV 40 PP. 27 ILL EN NOIR ET EN COULEURS. [BE]
In-24 oblungo (cm. 12.50), brossura illustrata, con alette, pp. 75, (9), con illustrazioni in bianco e nero nel testo. Piccola etichetta al piatto posteriore; peraltro, volumetto in ottimo stato (nice copy).
pp. 245-286. Illustrated. Unopened. 240mm. Original printed wraps, very worn with loss. Scarce original off-print. First Edition. ECONOMICS BX 1
Quarto in red printed paper wraps; 131p, bib., 28 cm. China -- History -- 19th century -- Sources.
Octavo softcover. 15 + 181 pages, map, chronology, bibliography and 16 plates
289 p. Hardcover Very good condition good
8vo, hardcover, 300pp. In the 1960s and 1970s, around 17 million Chinese youths were mobilized or forced by the state to migrate to rural villages and China's frontiers. Bin Xu tells the story of how this 'sent-down' generation have come to terms with their difficult past. Exploring representations of memory including personal life stories, literature, museum exhibits, and acts of commemoration, he argues that these representations are defined by a struggle to reconcile worthiness with the political upheavals of the Mao years. These memories, however, are used by the state to construct an official narrative that weaves this generation's experiences into an upbeat story of the 'China dream'. This marginalizes those still suffering and obscures voices of self-reflection on their moral-political responsibility for their actions. Xu provides careful analysis of this generation of 'Chairman Mao's children', caught between the political and the personal, past and present, nostalgia and regret, and pride and trauma.
8vo hardcover, 642 pagine. During the last two centuries BCE, the Western Han capital of Chang'an, near today's Xi'an in northwest China, outshone Augustan Rome in several ways while administering comparable numbers of imperial subjects and equally vast territories. At its grandest, during the last fifty years or so before the collapse of the dynasty in 9 CE, Chang'an boasted imperial libraries with thousands of documents on bamboo and silk in a city nearly three times the size of Rome and nearly four times larger than Alexandria. Many reforms instituted in this capital in ate Western Han substantially shaped not only the institutions of the Eastern Han (25-220 CE) but also the rest of imperial China until 1911. Although thousands of studies document imperial Rome's glory, until now no book-length work in a Western language has been devoted to Han Chang'an, the reign of Emperor Chengdi (whose accomplishments rival those of Augustus and Hadrian), or the city's impressive library project (26-6 BCE), which ultimately produced the first state-sponsored versions of many of the classics and masterworks that we hold in our hands today. Chang'an 26 bce addresses this deficiency, using as a focal point the reign of Emperor Chengdi (r. 33-7 bce), specifically the year in which the imperial library project began. This in-depth survey by some of the world's best scholars, Chinese and Western, explores the built environment, sociopolitical transformations, and leading figures of Chang'an, making a strong case for the revision of historical assumptions about the two Han dynasties. A multidisciplinary volume representing a wealth of scholarly perspectives, the book draws on the established historical record and recent archaeological discoveries of thousands of tombs, building foundations, and remnants of walls and gates from Chang'an and its surrounding area. cina han e roma di augusto.
Book is in excellent condition. New. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Text is in English & Chinese. B&W photos, 183 pages. Sticker has been removed from half title page.
8vo, br. ed. underlining and notes in pen to some chapters, ow looks externaly as new. book is an innovative attempt to convey something of how it has felt since the early nineteenth century to be Chinese. It is based on the assumption that people live their lives in stories, or as if they themselves were in stories-stories that are largely a social inheritance but are also in some measure self-created or at least continually adapted, edited, or extended. The author describes and interprets some of the most important stories through which the Chinese have lived their lives in the last two hundred years and their understanding of them. He shows how largely forgotten works of popular literature, novels and poems in particular, can admit the reader to a number of different emotional worlds. Together they suggest that there is no such thing as the Chinese story, let alone mind, but rather a historical palimpsest of extraordinary and often internally contradictory complexity. The book begins with an examination of Li Ruzhen s Destinies of the Flowers in the Mirror, which reveals a microcosm of the educated Chinese world predating major Western influences.Balancing this emphasis on the elite are the poems collected by Zhang Yingchang in Our Dynasty s Bell of Poesy, which portray the universe of peasants, women, artisans, soldiers, and prisoners. A bestseller of the 1930 s, Tides in the Human Sea, shows the crisis of absurdity that arises when feelings no longer coincide with inherited patterns of behavior as modernization begins to take hold. Hao Ran s Children of the Western Sands, a popular Communist work of the early 1970 s, allows us to be drawn into at least a momentary empathy with the idealism of the Maoist faithful. Almost as different as can be imagined is The Bastard, by Sima Zhongyuan, one of Taiwan s most widely read writers. Its characters interpret the Communist revolution in terms derived from traditional Chinese religion, as a deserved punishment inflicted on the Chinese for the filthy impropriety of their sexual conduct. The final work considered is a book of essays, A Commonplace Fellow, by Yuan Ze nan, a Chinese-American writer who has reached the point where his Chineseness has all but vanished, and who is consciously exploring its disappearance.
1 portfolio ([2] l., 3 plates (1 col.)) 35 cm. Introductory note in chinese, english, français and japanese. in perfect state. from the warring states period tomb at Tzetanku excavated by hunan museum archeologists in 1973
4to Cloth, 39 cm., 11 p. + 58 pages of illustration (part colored, part folded). Text in Chinese. 11] p. : 58 pages of ill. plates, facsims. (part col., part fold.) Chu Qu, Zhou