China Ballet TroupeBiblio.com
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1971AG10052<p>Beijing: Published by People's Publishing House printed by Beijing Xinhua Printing Factory distributed by Xinhua Bookstore May 1971 <b>FIRST EDITION.</b> The May 1970 Script Revised and Performed Collectively by China Ballet Troupe. 8vo. xiv 534 2 pp. colophon printed titled red wrappers <i>slight tears to the foot of the binding.</i></p><p>In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film.</p><p>Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows."</p><p>本剧是文é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆä¹‹ä¸€ã€Šçº¢è‰²å¨˜å军》，由毛主å¸å¤«äººæ±Ÿé’负责制作和演出。很多被æ‹æˆäº†ç”µå½±ã€‚</p><p>最åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人，é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„抗战故事，宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„英勇。虽然是京剧，很快就å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åŽ†ç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡å在å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚</p> People’s Publishing House paperback
1962116975London, Faber and Faber, 1962.
1996009877Honululu, University of Hawaii Press, 1996. xii, 340 S. Orig.-Leinenband mit Schutzumschlag. "Few thinkers have stood as squarely at both the center and the periphery of an intellectual movement as has Shao Yung (1011-1077). Ethical model and eccentric, socialite and eremite, Shao Yung is perhaps not only the greatest enigma of early Neo-Confucianism, but also one of its undisputed giants. In this impressive life-and-thought study, Don J. Wyatt painstakingly sifts through all available evidence relating to Shao Yung and his scholarship to provide a portrait that fully exposes the moral center of the man and his work. Drawing on the abundant store of letters and accounts by Shao's contemporaries and his own much-neglected poetry, Wyatt has assembled a study that intimately relates Shao's life to his thought. He challenges the assumptions of previous Western scholarship by persuasively arguing against the acceptance of works traditionally ascribed to Shao - specifically, the Kuan-wu wai-p'ien (Outer Chapters on Observing Things), the Yu-ch'iao wen-ta (Fisherman and Woodcutter Dialogue), and the cryptic quasi-autobiographical essay Wu-ming kung chuan (Biography of the Nameless Lord)" (Publisher's description). Mit kleinem chinesischem Stempel und das hintere Vorsatzpapier mit Besitzvermerk in Kugelschreiber, sonst schönes, gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
198711213DBPhiladelphia. Houston. Los Angeles. Cleveland., Philadelphia Museum of Art. The Museum of Fine Arts Houston. Los Angeles County Museum of Art. The Cleveland Museum of Art., 1987. 30,5 x 23 cm. 161 S. Illustrierter OKarton., 11213D Erste Auflage. Einbandkanten mit minimalen Bereibungen. Sonst gutes bis sehr gutes Exemplar.
1987279722San Francisco: Chronicle 1987. hardcover. Frontispiece and profuse illustrations in color and black & white. 4to brown cloth dust wrapper. San Francisco: Chronicle 1987. Fine.<br/><br/> Chronicle unknown books
19842080202104503532National Palace Museum 1984. Soft Cover. Fine. Volume: 1 National Palace Museum paperback
192317092Peking, 1923. 8, 2, 190 Seiten. Gr.-8°.Pappband d. Zt. mit Papierrückenschild (Vorderumschlag mit eingebunden).
193528115Gollancz, London, 1935. 348 S. 8°, OLn.
193027896ABShanghai, Statistical Department of the Inspectorate General of Customs, 1930. 2nd edition. 4to. IX, 630, (4)pp. Orig. cloth.
19762652EBo.J. [1976]. Groß-8°. 23,5 cm. XXVIII, 621 und 174 Seiten. Original-Leinenband mit goldgeprägtem Deckel- und Rückentitel.
197164258Taipei Taiwan: Mei Ya Publications Inc. 1971. 8vo. xii 302 pp. Red publisher’s cloth black lettering w/ d.j. minor chipping head of spine couple minor closed tears still NF/G copy from the library of David Kohl 1946-2025 former art teacher at the Hong Kong International School musician artist and historian. Second edition of this analysis and translation of the famed Western Han Dynasty work 77-6 B.C. containing 125 biographies of women extending fro the virtuous to the virtueless focused on how a nation’s prosperity and adversity were highly influenced by women. This edition was first adapted from an extended thesis by the author and originally published in a very small run expanded for this Taiwanese printing. Mei Ya Publications, Inc., hardcover
1994108905Boulder, San Francisco, Oxford Westview Press. 1994. XI, 276 pages. Original cloth binding and dustjacket (Owner stamp). 24x16 cm
1985132536Singapore, National Printers, 1985. 23,5 x 16 cm. 560 Seiten. Pappband mit Schutzumschlag (sehr gut).
195011843London/New York, Allen und Unwin/Macmillan Company, (1950). Kl. 8°. X,2,123,1 S. OPappband. Vorsatz mit kl. Notiz, Vortitel mit kleiner, mit einem Wachstropfen befestigten, getrockneten Blume und einer kleinen Notiz, durchgehend mit sauberen Bleidtiftanstreichungen und gelegentlichen Anmerkungen am Rand (z.T. chinesische Zeichen), diese z.T. in Tinte.
1995009854New York, Columbia University Press no date [ca. 1995], 1995. xii, 216 S., 15 Blatt. Orig.-Broschur. Mit kleinem chinesischem Stempel und das hintere Vorsatzpapier mit Besitzvermerk in Kugelschreiber, sonst schönes, gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
196711160New York, Columbia University Press, 1967. Broschiert, 8°, XII, 212 S.; -Einband bestossen, ordentliches Exemplar/ soft board, 8vo, xii, 212 pp; -cover worn, good copy.
1986009695Honululu, University of Hawaii Press, 1986. 242 S., 1 Blatt. Orig.-Broschur. Das letzte Blatt mit kleinem Besitzvermerk in Kugelschreiber, sonst schönes, gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
1986009653Honululu, University of Hawaii Press, 1986. 242 S., 1 Blatt. Orig.-Broschur. Ein schönes, gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
1997009805Albany N.Y., State University of New York Press, 1997. xiii, 376 S. Orig.-Broschur. Mit kleinem chinesischem Stempel und das letzte Blatt mit Besitzvermerk in Kugelschreiber, sonst schönes, gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
1978219152No publication details. 1978. Colour poster for performances of the 中華人民共和國藝術團 in 1978 at the Los Angeles Shrine Auditorium. 106.5 x 76cm text in both English and traditional Chinese characters. The printed poster image is in red blue green black and white and the performance venue and times beneath the image appear to have been stencilled on later in black ink. The left edge minor creasing and a few small tears left edge not affecting image; some soft creasing in places tiny thumb tack holes in corners. Good condition with colours still vibrant. This landmark tour in 1978 by the Performing Arts Company of the PRC marked the first cultural exchange between China and the U.S. after the normalisation of relations just a few months earlier.The Shrine Auditorium in Los Angeles California at 665 W. Jefferson Boulevard was the location of the third major city performance on the tour after New York and Washington. It notably featured a mix of traditional Chinese opera acrobatics and folk dances. . No publication details. unknown
1981009706Berkeley, Cal., Institute of East Asian Studies / Berkeley Center for Chinese Studies, 1981. xii, 83 S. Orig.-Broschur. Mit kleinem chinesischem Stempel, sonst schönes, gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
195814412(Foreign Languages Press?), Peking 1958. 446 p. with 3 coloured and 7 b/w plates. Cloth with illustrated dust jacket. Slight traces of use. Some spotting on edges. Very good copy.
1964030414Nagoya 1964 Monumenta Serica Hardcover Very Good 1st Edition
191286389Esward Arnold: London. 1912. XI, 404 S., Abbildungen,auf Tafeln (plates), 3 Karten (maps),. Insgesamt sauber - noch gut erhalten. - On the whole clean - fine condition. [2 Warenabbildungen] 8° (Oktav, 18,5 bis 22,5 cm), Goldgeprägtes Orig.- Leinen (Hardcover).
1913219384London.: Hodder and Stoughton. 1913. 2 sketch maps 1 plan black and white photographic frontispiece and 35 illustrations xiv 338pp index bookplate front pastedown endpapers browned one plate attached by tape green cloth binding faded on the trifle worn spine corners bumped gilt dragon stamped on the front cover and lettered in gilt on the spine corners bumped but a firm copy. 20 x 13cm. Well observed missionary account of 1911-12 revolution as it affected the Shensi and Kansu regions of Northern China. . Hodder and Stoughton. hardcover
