[VIETNAM] ART WORKERS COALITION [Fraze Dougherty, Jon Hendricks, Irving Petlin]; Ron Haeberle, photoBiblio.com
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197083515New York: Art Workers Coalition 1970. Offset lithograph in colors; 64cm x 97cm 25" x 38". Mild creasing to extremities else a fine clean copy; unbacked. This one of a presumably small number of copies bearing a rubber-stamped message which reads: "This poster was originally co-sponsored by the Museum of Modern Art. On Dec. 19 trustee William S. Paley forbid the Museum to associate its name with this poster. Do the Trustees approve of the massacre" stamped twice in the image lower right. <br /> <br /> One of the true icons of Twentieth Century American protest art this poster created by the Art Workers Coalition under the guidance of Fraze Dougherty Jon Hendricks and Irving Petlin was issued to bring attention to the horrendous My Lai massacre of March 1968. The photograph by Ron Haeberle originally appeared in Life Magazine. The Museum of Modern Art had originally promised to underwrite the poster's creation and to donate paper and printing costs - but later abandoned the project under the objections of board President William S. Paley. The AWC still managed to print fifty thousand copies which they distributed for free. As a response to MoMA's backing out of the project an unknown number of the posters were rubber-stamped with the message quoted above and a demonstration was held inside the museum in front of Picasso's Guernica where copies of the poster were unfurled and given away. These events are recorded in a 2015 interview with co-creator John Hendricks: ".We had a big meeting of Art Workers' Coalition about how we should address their MoMA's reneging of the agreement with us. It was decided to make a rubber stamp.saying "This is the poster that the Museum of Modern Art agreed to do jointly with Art Workers' Coalition and Bill Paley and Arthur Drexler refused to do" or something like that. So we stamped as many posters as we could with that stamp. Then we had a number of demonstrations in front of the museum and inside in front of Guernica." interview with William Twersky WT_History Blog April 2015. We have traced no copies in commerce or institutional collections that make note of the rubber-stamped notice. In 1972 the design was repurposed to protest President Richard Nixon's campaign for a second term; for that version the motto was changed to "Four More Years Four More Years" 83515. Art Workers Coalition unknown
1950367089Paris: Édition de la Belle Page 1950. First editions from the limited issues each inscribed by the author. 4 vols. 8vo. Printed wrappers some light toning. First editions from the limited issues each inscribed by the author. 4 vols. 8vo. Collection of four works interpreting Vietnam for a contemporary French public written during the First Indochinese War by Tran Van Tùng 1915-post-1964 a France-based Vietnamese author and nationalist who became secretary general of the Democratic Party of Vietnam which presented itself as a political alternative to both the Diệm and communist governments. Each is inscribed by the author to Philip Dodson Sprouse then first secretary to the American ambassador to France in the early 1950s and later the U.S. ambassador to Cambodia from 1962-64.<br /> <br /> From the limited issues: Le Viet-Nam et sa civilisation is one of 500 hors commerce; Le Viet-Nam au combat is one of 200 on vélin blanc spécial Aussedat; Le Viet-Nam face a son destin one of 400 numbered copies on Marais Crèvecoeur. With Tran Van Tùng's card and associated ephemera. Édition de la Belle Page unknown
1674244<p>8 ff. 367 1 pp. Bound in contemporary calf gilt heraldic stamp on covers gilt spine with raised bands worn with joints cracked but sound head foot and corners bumped. Lacking endleaves; illegible ownership inscription on lightly soiled title; very good overall.</p><p>Rare first edition of this account of the state of Christianity in Thailand Cambodia Vietnam by rivals of the Jesuits. The Société des Missions Etrangères a new apostolic missionary group established in Paris in 1660 was as a society of secular priests who devoted their lives to foreign missions but refrained from taking vows. Under the aegis of the Propaganda Fide the Société des Missions soon became embroiled in conflicts over territory with the Jesuits. As a result of the patriotism of its priests the organization's impact extended beyond evangelicalism into the political realm: in addition to facilitating a series of embassies and treaties it also successfully established a more active trade between Indo-China the Indies and France. This Relation brought fresh information about the condition of the mission in different parts of southeastern Asia between 1666 and 1671.</p><p>It consists of four parts the first dealing with the mission in Siam and containing descriptions of amongst others Bourbon Island Madagascar and Mozambique the second treating the situation in Cochin-China the third the mission in Cambodia and the fourth being devoted to Tonkin including an account of the work of bishop Lambert de la Motte. Lambert was a member of the Society's first expedition to the Far East which had left Europe in 1660.</p><p>Fermanel de Favery c. 1632-88 superior and director of the "S'naire pour les Missions Etrangères" signs the dedicatory epistle to Cardinal de Bo' and consequently Streit Lach and Van der Kley ascribe authorship to him. The work was reprinted in 1680 and 1684 and an Italian translation <em>Relatione delle missioni de vescovi vicarii apostolici' alli regni di Siam Cocincina Camboia e Tunkino</em> was published in Rome in 1677 and 1697.</p><p> Cordier I.826 s.v. Evêques Français; Chadenat 1706 1684 ed.; Satow 46; Streit V.1797; Lach III.i.222ff.</p> Pierre Le Petit, Edme Couterot & Charles Angot hardcover
1969148329Milan: c.1969. Striking pop art-influenced suite of anti-imperialist propaganda posters published in Milan by the Comitato Vietnam - self-described in their literature as the "sezione italiana del tribunale Russell". The work of a collective comprised of six prominent Italian artists the images carry the theme 'Rebellion is right rebellion is possible' into various theatres of anti-imperialist struggle. Baratella b. 1935 Mariani b. 1936 and Spadari 1938-97 were long-term collaborators and members of the Nuova Figurazione art movement. Amadori 1945- 2015 won the Joan Miró prize in 1972. Spadari's contribution draws on the "solarised" image of Castro in the Cuban Revolution from his work "26 de julio" while in an anti-Vietnam War themed poster similarly treated repeated images of a Vietnamese women are overlain by a Lichtensteinian US fighter jet wheeling away from an explosion from which emerges a Coca-Cola bottle cap with the slogan 'Nixon boia' - Nixon executioner also the title of a song by popular singer-story teller Franco Trincale - and the partially obscured text 'Coca-Cola merda'. Nixon also features on a poster featuring his cartoonish portrait wearing a star-spangled neck-tie while being choked out by several nooses above him a ferociously snarling Black Panther head; while "Africa Rossa/Africa Nera" centres on a photographic image of the clenched first Black Power salute. Baratella based his poster around his painting "Benito Mussolini Storia del fascismo" where "Il Duce's" face morphs into a skull here with the lower part is superimposed with six small portraits of current political leaders including de Gaulle Pompidou Khrushchev and LBJ. The last in the group dramatises the Arab-Israeli conflict with a repeated image of a woman PFLP fighter - Leila Khaled - in keffiyeh and camo fatigues carrying a AK-47 above her a map of Jerusalem. No other set of these traced a couple of examples of individual posters noted institutionally; an excellent evocation of the artistic-political synergies of the period. Six large black and white photomontage posters 700 x 500 mm printed on coated paper each with the repeated slogan 'ribellarsi è giusto ribellarsi è possibile' in red; in the original tan slub-weave linen textured light card portfolio printed in red title to the front panel superimposed on a red five-pointed star. The portfolio a little rubbed and soiled pale damp spots at the spine-fold where there are a few short splits posters show light handling but overall very good. unknown
16334531London: Robert Raworth for Richard Clutterbuck 1633. Hardcover. Very Good. 4to - over 9¾ - 12" tall. Tastefully bound in ruled red morocco interior gilt dentelles; title-page dusty and trimmed at upper & outer margins; repaired corner of prelims. Otherwise very good. Rare first edition of the first book on Vietnam in English an eyewitness account of the commerce government and cultural life of Cochin-China central Vietnam written by the Jesuit missionary Cristoforo Borri and first published in Italian in 1631.Borri begins by marking the kingdom's boundaries identifying it as a narrow strip of land between Laos and the South China Sea bordered to the north by Tongking and to the south by Champa. A discussion of the kingdom's fertile land and rich natural resources follows emphasizing the abundance of fruits nuts rice fish textiles domestic stock and "all other things requisite for the entertainement of a man's life." Silk is produced in such quantities that "the baser sort of people wear it dayly." Gold and silver mines abound and "the Wood and Timber of this countrey is the best of all the world." Having piqued his readers' curiosity the author goes on to describe Cochin-China's vibrant commercial climate declaring it free of the red tape and bureaucratic hostility that so often greeted European traders in East Asia.Borri's 1631 Relazione a Jesuit missions letter directed at his Catholic superiors and lay readers was already unusual among works in its genre for devoting a substantial part exclusively to non-religious content. Ashley the translator executed further changes of his own in order to render the present work more attractive to Protestant business interests-most notably by omitting the part where Borri testified to the struggle and success of his Jesuit missions particularly the conversion of Pulucambi province. The translation also cheerfully elides two disastrous episodes in recent European trade with Cochin-China: the 1601 massacre of 23 members of an envoy from the VOC and a similar massacre in 1613 of the crew of an English trading vessel. This attempt to coax England's notoriously skittish merchants into commerce with Cochin-China is also borne out by Ashley's choice of dedicatee: Maurice Abbot the newly-elected governor of the British East India Company. According to Pollard and Redgrave the work's last signature is in 3 rather than 4 because the unsigned title-page was printed as the 4th and final leaf.Cristoforo Borri 1583-1632 a Milanese astronomer lived in Cochin-China from 1617-1622 where he learned enough of the language to hear confession. By 1633 two years after its first appearance his Relatione had been translated into French German Dutch and English. This is the first copy to appear on the market since 1988 Christie's sale of John Fleming 11.08.88.STC 1504; Lach.III v. 3 p. 1250-1266; Dror & Taylor Views of 17th C Vietnam pp. 66. Not in Löwendahl who nonetheless records translations in French German and Dutch. Robert Raworth for Richard Clutterbuck hardcover
