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Legatura coeva in piena pelle (difetti), sguardie marmorizzate e tagli spruzzati azzurri, 8vo cm 11x17, pp (4) 422 234 52 32. Tracce d’uso sulla legatura che presenta piccole mancanze di pelle sui bordi dei piatti, fessure lungo le cerniere e scuffiature, uno strappo sulla carta di guardia posteriore, antiche firme di possesso su frontespizio e prima carta bianca. Discreto esemplare nel complesso. La prima parte dell’opera è dedicata alla Cina, sua storia, religione e istituzioni, con capitoli dedicati alla produzione della seta e alle tecniche di manifattura della porcellana; il secondo trattato è diviso in capitoli dedicati ad anni significativi per la storia del Giappone e dei suoi rapporti con l’Occidente; concludono l’opera brevi trattati dedicati alla Tailandia (Anecdotes Siamoises) e al Vietnam (- Tonquinoises et Cochinchinoises), e un’ultima parte intitolata A. de la presqu’isle au-dela du Gange con notizie su Laos, Cambogia, Tibet e altri paesi dell’Asia. Brunet VI, 28295.
116475Paris, Hermé 1997, 315x255mm, 254pages, reliure d'éditeur sous jaquette. Très bel exemplaire.
42 p. + 16 p. additional texts in English. Decorative cover. Rare.
11172Hanoi, Agence Vietnamienne d'Information, Juin 1991. 1 volume in-4, couverture toilée brune sous jaquette illustrée argentée, 173 pp., bords de la jaquette légèrement usés, bon état général. Ouvrage richement illustré de photographies de Vo Anh Ninh.
4 fascicules.
200084567Imprimerie Nationale 2000 Grand in-4. Reliure éditeur pleine toile bleu ciel, jaquette illustrée en couleurs, 231 pp., entièrement illustré de reproductions en couleurs et en noir & blanc.
20002081502111901662Chinese book office 2000. Soft Cover. Fine. Number of pages: 140p Size: A5 Soft Cover book Chinese book office paperback
1970WRCAM55101Biên Hòa Nha Trang Long Binh and other locations in Vietnam plus Luzon Philippines and Osan South Korea 1970. 469 black-and-white or color photographs measuring between 3 1/2 x 3 1/2 inches and 8 x 10 inches either mounted or laid-in to acetate sleeves almost all annotated in ink on the bottom margin or on the verso. Contemporary three-ring thick quarto-size binder black cloth over boards. Joints partially split some abrading and dust- soiling to covers. Slight fading to some of the color photos. Overall very good. An exceptional vernacular photograph album by a talented but unknown amateur photographer recording a wide variety of experiences on American Air Force bases in South Vietnam and Asia during peak years of the Vietnam War. <br> <br> The photographer was likely a member of the motor pool or a mechanic as the shots seem to center around truck airplane and helicopter maintenance. Most of the photographs capture scenes on or around the various bases with shots both inside and outside of barracks airplanes including several shots of a U2 spy plane bombed-out equipment and numerous photos of the people and structures in the "Vietnamese Area." A few images capture distant shots of the aftermath of a "rocket attack" on December 12 1969; shortly thereafter the photographer and his friends celebrate Christmas. Some of the more interesting photographs during the photographer's time in Vietnam include "VC Prisoners" "Group of Zips" "Papa-San Working His Rice Paddie" "Vietnamese Guard Tower" "Church on the West Side of Biên Hòa" "Refueling at Phan Rang Run" "Bring the Wounded Out" and several pictures labeled "Buddha Hill" likely the Long Son Pagoda in Nha Trang. Notably and for no obvious reason in two separate images the photographer snaps a picture in a magazine of the famous photograph of ThÃÂch Quang Duc the monk who burned himself alive at a busy intersection in Saigon in 1963. Several times the photographer takes a picture of another picture an interesting practice in the context of so many original photographs. <br> <br> A handful of images of the photographer himself can be seen in the album. In a couple of shots he is posed with his pet lizard. Later he and his fellow soldiers adopt a pet monkey who features in several photographs. There are also a healthy amount of aerial images featuring the South Vietnamese landscape notably rice fields villages rivers "bomb craters" and cities among other locations. Also the photographer identifies dozens of fellow soldiers by name throughout the album in both single portraits and in group photos. <br> <br> The album contains numerous shots both black-and-white and in color taken from the crowd and later on the runway during a December 28 1969 U.S.O. show at Long Binh with several images each of Bob Hope Neil Armstrong Connie Stevens Suzanne Charny Teresa Graves Les Brown the Golddiggers and others. One photograph of Neil Armstrong is captioned "Biggest Hit of the Show." This is understandable given the fact that Armstrong landed on the moon just five months before this U.S.O. show. There is also an 8 x 10 photograph of Connie Stevens inscribed to "Ron" either the photographer's first name or an autographed picture he received from a friend. After the U.S.O. show the photographer snaps several closer shots of Bob Hope Connie Stevens and others climbing into cars to leave. <br> <br> In April or May 1970 the photographer was shipped out to Osan Air Base in South Korea. Along the way he spends a couple of days at Clark Air Base in Luzon in the Philippines where he snaps a few shots of the base. By early May he has arrived at the Osan Air Base near Songtan Station in the city of Pyeongtaek South Korea just south of Seoul. He seems to be happy with his appointment at Osan; he captions one photograph "Home Sweet Home" and a few shots of the countryside as "Paradise." Here he also photographs Korean farmers their families villages a marketplace a church a school and other landmarks. The final two images dated in August 1970 show the photographer on an airboat on an unidentified Korean river. <br> <br> Personal photographic records by soldiers in Vietnam are growing ever more scarce in the market. This collection is one of the best we've encountered and most certainly informs the overall record of the war during perhaps its lowest point of public support. hardcover books
Edizione: Prima edizione . Pagine: 499 . Formato: 8° . Rilegatura: Cartonato grigio scuro con al dorso e al piatto scritte in oro. . Stato: Buono . Caratteristiche: Il rapporto annuale per l'anno 1862. Interessantissima statistica della salute degli abitanti di New York (morti, feriti, nascite, etc. Decine di tabelle statistiche realative alla città di New York, comparata anche con altre città. Interessante anche la parte delle statistiche meteorologiche e dei vaccini. Delavan fu il capo Ispettore del dipartimento della salute. . Autografo: Signed by Dan E. Delavan to G.Negretti (with compliments) .
1982ln108L'Harmattan Broché 1982 In-8 (13,7 x 21,5 cm), broché, 280 pages ; pliure au dos insolé, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1972C415Hanoi, Editions en Langues Etrangéres 1972. Kartoniert mit Schutzumschlag, 8°, 333 und 381 S., mit zahlr. Abbildungen, Tome I: Des Origines au XVIIe Siécle - Tome II: XVIIIe siecle, premiere moitie du XIXe siecle, in französischer Sprache
778Paris, Les Editeurs français réunis, 1969 ; in-12, broché. Quelques reproductions.
197082861Washington DC: New Mobilization Committee 1970. First Edition. Original illustrated poster offset printed in colors on white stock measuring 39cm x 50.5cm 15.25" x 20". Subtle toning along lower edge some trivial wear to extremities; unbacked very Near Fine. Striking anti-draft poster designed by Mark Morris featuring a combat helmet-turned-flower pot with the center of each flower containing the faces of men women children and soldiers. The border of the poster details specific actions civilians could take to resist the draft: bar military recruiters from high school and college campuses draft card turn-ins demanding draft counselors in high schools picketing the homes and businesses of draft board members and talk-ins et al. Not found in OCLC though we note examples held at OMCA CSPG and Minneapolis Institute of Art. 82861. New Mobilization Committee unknown
1970000015255Washington D.C.: New Mobilization Committee to End the War in Vietnam / The Philadelphia Resistance Press 1970. Poster. Very Good. 19.75" x 15.5". Poster. Color lithograph. Army green font and a multi-colored illustration with a caption spanning the poster's border. The illustration done by Mark Morris: a bouquet of wildflowers sprouting from an overturned soldier's helmet each flower's center with an image of an expressive person's face a grandmother a child three soldiers and a Vietnamese woman included in these images. The flowers petals printed in pink red and yellow. The border caption printed in red. It reads: Condemn a draft board or recruiting center as a public health hazard leafleting - street corners & shopping centers set up high school assemblies on the draft mail big things to your draft board to be included in your draft file circulate "we won't go" statements in high schools picket draft board members' homes and businesses talk-ins at draft boards & recruiting centers bar military recruiters from high schools & colleges demand draft counselors in high schools draft card turn-ins demonstrate at induction centers/recruitment centers - March 19th. With a black caption blocked in yellow: Who pays for war You do. / Who profits from war They do. / A teach-in where you work April 14th / Tell off your tax collector April 15th / Confront the corporations April 20th-30th. An address for the New Mobilization Committee is printed under the red border: 1029 Vermont Avenue Northeast Washington D.C. 20005. A truly striking image from the anti-war protest movement the people's countenances springing from a soldier's helmet perfectly demonstrates the human cost of war. North Carolina State University "New Mobilization Committee to End the War in Vietnam New Mobe March on Washington Map". The committee that commissioned this poster's printing was known colloquially as the New Mobe founded in 1969. The New Mobe was one of many student groups that advocated for resisting the draft during the Vietnam War. Groups like the New Mobe shed light on the often-predatory practices of the draft and on the damage the war inflicted on American and on Vietnamese lives. This poster provides a wealth of information on the kinds of actions the New Mobe and other groups performed in order to voice their opposition to the draft and to the war. Light wear to the poster's surface four pieces of masking tape on the poster's verso these were likely applied to the verso shortly after the poster was printed. New Mobilization Committee to End the War in Vietnam / The Philadelphia Resistance Press unknown
1968220901968. PropagandaCounterculture Ты / Uncle Sam Wants You! New York: International Poster Corp. 1968. Offset lithographic poster in red black and cream tones measuring 21 x 29 inches. A striking Cold War-era visual pastiche that fuses Soviet revolutionary imagery with American military propaganda this poster was issued during a peak moment of political unrest in the U.S. amid the Vietnam War and domestic resistance movements.<br /> <br /> This design is a bold recontextualization of the iconic 1920 Soviet recruitment poster "Ты запиÑалÑÑ Ð´Ð¾Ð±Ñ€Ð¾Ð²Ð¾Ð»ÑŒÑ†ÐµÐ¼" "Did you volunteer" by Dmitry Moor repurposed here with the English slogan "Uncle Sam Wants You!" emblazoned below in tall confrontational type. The juxtaposition of Soviet iconography-complete with red army uniform factory smokestacks and Cyrillic lettering-with a phrase universally associated with U.S. enlistment efforts delivers a searing critique of militarism nationalism and ideological doublespeak on both sides of the Cold War divide. Produced by the International Poster Corp. a commercial publisher in the late 1960s known for distributing countercultural and revolutionary imagery this poster was marketed to radical bookstores and student groups across North America. It exemplifies the era's politically charged appropriation of state propaganda styles as a vehicle for anti-war New Left and student movement critiques. The figure's accusatory point lifted directly from Moor's original underscores a shared visual vocabulary of coercion that transcended ideological boundaries. Very good condition with strong color retention and no visible tears small surface abrasion on recto not affecting images. Printed copyright and publishing line along bottom margin. An evocative artifact of 1960s countercultural print culture merging international iconographies of enlistment and resistance. unknown
Broch?. 247 pages. Passages soulign?s.
1956cv806France-Asie Brochure 1956 In-8, (23.5x16 cm), brochure, 42 pages, quelques photographies hors-texte en noir et blanc, extrait de France-Asie n°125-126-127 (octobre-novembre-décembre 1956) ; plats légèrement insolés, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1976sa1024Editions en langues étrangères, Hanoï Broché 1976 In-12 (12,2 x 18,8 cm), broché, 233 pages ; dos et intérieur bruni, rousseurs au quatrième plat, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
777Hanoi, Ed. en langues étrangères, 1976 ; in-16, broché., quelques reproductions.
1970125971970. République Démocratique du Vietnam Etudes Vietnamiennes n°26 1970 - Broché 12 cm x 19 cm 204 pages - Textes de Le Duan Nguyen Khac Vien et Vo Nhan Tri - Bon état
1971202537Philadelphia: SMC 1971. Tiny 3/4 inch pin with dove very good. SMC unknown books
1971258492Philadelphia: SMC; mfg. by Horn Co 1971. Tiny 3/4 inch pin with dove and slightly larger one with initials only very good. SMC; mfg. by Horn Co unknown books
2010LFA-126716126N° 474 (Février 2010) 82 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
2008LFA-126747109N° 458 (Septembre 2008) : revue de 82 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état