Ando HiroshigeBiblio.com
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213356New York: Kotsu Nippon N.D. First Edition; First Printing. Softcover. Very Good in wraps. Faint soiling along spine. Kotsu Nippon unknown
42023902Tokyo n.d. ca 1920's. An Oban horizontal color woodblock print:33.8 x 22.6 cm. sheet: 35.2 x 25.4.8 cm. with superb impression and registry UNUSED excellent example seldom found. RARE EARLY EDITION . . . SUPERB COMPOSITION LANDSCAPE BY JAPAN'S MOST ICONIC . . . LANDSCAPE ARTIST & PRINTMAKER . . . HIROSHIGE . . . FROM THE SERIES: . . . TOKAIDO GO JU SAN TSUGI NO UCHI: . . . NO. 5 IN "THE 53 STATIONS OF THE TOKAIDO HIGHWAY" . . SHINMACHI-BASHI: NEW TOWN BRIDGE . . THE ARTIST: ANDO Hiroshige 1797-1858 was the last major master of the Ukiyo-e school. In 1811 he entered the studio of Utagawa Toyohiro soon given the 'nom d'artiste' "Hiroshige." . He published his first color woodblock printed book in 1818. He was greatly influenced by Hokusai's series of landscape prints including this series TOKAIDO GO JU SAN TSUGI. Being impressed Hiroshige set out to do his own impressions of the Tokaido highway series. . . Hiroshige soon distinguished himself as the landscape master of Japan during this period. He made a large contribution to the development of the landscape color print as well as the traditional "Kacho" "Bird & Flower" prints with a tendency to the Kyoto Shijo School. . He remained the master of impressionist creating poetic views of nature and remained the best-loved of all Japanese artists. See Lane below p.229. With signature samples by dates. . FAMOUS PRINT FROM THE FAMOUS TOKAIDO HIGHWAY SERIES: . This famous series by Ando Hiroshige I TOKAIDO GOJU SAN TSUGI NO UCHI: THE FIFTY-THREE STAGES OF THE TOKAIDO HIGHWAY has been a standard and famous series of 54 prints since its issue in 1833-34. This is stop #5 showing Hodogaya Shin Machi Bashi New Bridge over the Katabira river. . Published by Takenouchi Magohachi Hoeidô and Tsuruya Kiemon Senkakudô circa 1833-34 Tenpo 4-5th. years with the red Hanko seal/chop of both Hoeido and Senkakudo. . CONDITION: . NOTES ON SPECIFIC COPIES: . Copy 1.: This is the original FIRST EDITION of the print. It was published circa 1833-34. The front surface is rubbed dusty the back side is re-backed with some Japanese calligraphy paper. . The impression & registry are excellent the colors are strong. . There are some neat restorations to the back side of the print using Washi handmade Japanese mulberry fiber paper when the item was re-backed in the distant past. . The white borders intact and perhaps a tiny bit trimmed. . The front side as usual a bit dusty rubbed with minor soil a feint discoloration above the trees on the left 1/3. Regardless the image & coloring are strong & impressive. . The print has been 're-backed' some time in its distant past using some old Washi paper which appears to have been an old signature samples sheet with other Fude bamboo brush & Sumi black ink writing. There are 2 small pin/tiny holes which are mended by the backing. . This was a common practice in the early 19th century. The work is now quite firm & solid. The backing paper is not visible from the front side. . Given the fact that is print is about 187 years old it is in better than the average condition. Please review the photos prior to ordering. . edition. It is in pristine condition excellent registry & impression about as good as it can get. . Copy 2: This is a circa 1920's reprint of the original edition. A pristine example UNUSED with superb impression and registry about as good as it can get. Ready for framing and display. . Color photos are posted to our website. . REFERENCES: . This print was exhibited at Le Musée National des Arts Asiatiques Guimet July-October 2019. This print was offered at Sotheby's London: see Sothebys 2020/fine-japanese-art/utagawa- iroshige-i-1797-1858-four-prints-hodogaya This link shows our Hodogaya print as the top left example. Their estimate was about $993 per print in a group of 4. LANE Richard: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT: see p.229 for an excellent biography of Hiroshige PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E: see p.232 #1 he cites: "55 Oban prints ca. 1833-34 publishers Hoeidoh & Senkakudoh." This print being #5 of the Tokaido series cited as #74 page 232 & illustration. See his p.230-31 for a map of the Tokaido station series. Wikipedia: Hiroshige I: TOKAIDO GOJU SAN TSUGI: See wikipedia for more info on 53 Stations of the Tokaido. unknown
44025701Tokyo n.d. ca 1920's. An Oban horizontal color woodblock print:35 x 22.8 cm. sheet: 38.1 x 22.3 cm. with superb impression and registry UNUSED excellent example seldom found. RARE EARLY EDITION . . . SUPERB COMPOSITION LANDSCAPE BY JAPAN'S MOST ICONIC . . . LANDSCAPE ARTIST & PRINTMAKER . . . HIROSHIGE . . . FROM THE SERIES: . . . TOKAIDO GO JU SAN TSUGI NO UCHI: . . . NO. 8 IN "THE 53 STATIONS OF THE TOKAIDO HIGHWAY" . . HIRATSUKA NAWATA MICHI: HIRATSUKA NAWATA ROAD . . THE ARTIST: ANDO Hiroshige 1797-1858 was the last major master of the Ukiyo-e school. In 1811 he entered the studio of Utagawa Toyohiro soon given the 'nom d'artiste' "Hiroshige." . He published his first color woodblock printed book in 1818. He was greatly influenced by Hokusai's series of landscape prints including this series TOKAIDO GO JU SAN TSUGI. Being impressed Hiroshige set out to do his own impressions of the Tokaido highway series. . . Hiroshige soon distinguished himself as the landscape master of Japan during this period. He made a large contribution to the development of the landscape color print as well as the traditional "Kacho" "Bird & Flower" prints with a tendency to the Kyoto Shijo School. He remained the master of impressionist creating poetic views of nature and remained the best-loved of all Japanese artists. See Lane below p.229. With signature samples by dates. . This is a circa 1920's reprint of the original edition. A pristine example UNUSED with superb impression and registry about as good as it can get. Ready for framing and display. . Color photos are posted to our website. . . unknown
44027001Tokyo n.d. ca 1920's.Oban horizontal color woodblock print sheet: 38.4 x 25.6 cm.; print: 35 x 22 cm. a pristine copy superb registry and impressionnearly flawless verso clean bright & solid example seldom found. RARE EXAMPLE . . . A FLAWLESS & SUPERB EXAMPLE ! . . .HIROSHIGE: TOKAIDO GOJU-SAN TSUGI: 53 STAGES OF THE TOKAIDO . . . THIS IS PRINT NUMBER 13 MUMAZU . . . PILGRIMS ON THE PATH TO THE LODGING INN AT NUMAZU . A superb and stunning example with the artist's signature in lower left corner in block. With exceptionally vivid colors superb detail immaculate without flaw! . A The classic Ukiyo-e print by the master of landscape. The scene depicts three pilgrim travelers walking along a tree-lined river bank towards Numazu-shuku inn under a huge full moon in a deep blue sky. One of the travelers is wearing the white robes of a pilgrim and he is carrying a huge Tengu see below for definition mask on his back. This indicates his destination is the famed Shinto shrine of Konpira on Shikoku island. When he arrives there he will donate the mask to the shrine in an act of gaining 'merit.' . HIROSHIGE I 1797-1858: He was the last major master of the Ukiyo-E school. Studied under the eminent Toyohiro published book illustrations and several series of prints of actors warriors girls and landscapes. He and Hokusai are the two most eminent and celebrated artists of the Japanese woodblock genre. See Lane below for more details . . TENGU: An animial with a very long nose. Tengu are a type of legendary creature found in Shinto belief. They are considered a type of Yokai supernatural beings or Shinto Kami Gods or spirits. . CONDITION: A stunningly superb example flawless brilliantly executed. Superior color impression & registry. Seldom found in such pristine condition about as good as it can get. . There is a tiny mend on the right upper margin done in the distant past almost imperceptible of no impact and does not show up on our scan of the back side see spine.jpg photo on our website. . Color photos are posted to our website. . REFERENCE: . LANE Richard: IMAGES OF THE FLOATING WORLD see Tokaido map on p.230-231 Hiroshige biography p.229 list of Hiroshige signatures & dates page 229 pp.174-178 see p.233 for this print details. . . unknown
44027101Tokyo n.d. ca 1920's.Oban horizontal color woodblock print sheet: 37.8 x 25.1 cm.; print:34.9 x 22.4 cm. a very superb example fine impression & registry2 old tiny mends on back top corners else extra clean firm & solid. RARE EXAMPLE . . . A FLAWLESS & SUPERB EXAMPLE ! . . .HIROSHIGE: TOKAIDO GOJU-SAN TSUGI: 53 STAGES OF THE TOKAIDO . . . THIS IS PRINT NUMBER 50. TSUCHIYAMA . . SHOGUN'S PROCESSION HEADING FOR TSUCHIYAMA JUKU LODGING . This classic by the master shows a Darmyo's procession of Samurai leading the way through "Haru same" "sudden spring shower." The procession rushes to shelter at the next Juku inn to take shelter. . Tsuchiyama-juku Tsuchiyama mountain inn is located on the main route from Kyoto to the Ise Grand Shrine and developed from the Heian period as a good location for travelers to pause before attempting the steep Suzuka Pass. . This kind of procession was part of the z"Sankin-kotai system." . The purpose was to strengthen central control over the d Daimyos who were major feudal lords. It required feudal lords Daimyo to alternate living for a year in their own domain and in Edo the capital. . HIROSHIGE I 1797-1858: He was the last major master of the Ukiyo-E school. Studied under the eminent Toyohiro published book illustrations and several series of prints of actors warriors girls and landscapes. He and Hokusai are the two most eminent and celebrated artists of the Japanese woodblock genre. See Lane below for more details. . Color photos are posted to our website. . CONDITION: . A stunningly superb example brilliantly executed with analine-blue indigo river. The impression & registry are fine seldom foud in such pristine condition about as good as it can get. . There are two tiny old mends on the verso back top edge. There is also the feint inperceptible hint of a minor bend to the lower corners our scanner can not pick these up. Of little impact. These can always be matted out when framing. See spine.jpg photo on our website. . REFERENCE: . LANE Richard: IMAGES OF THE FLOATING WORLD see Tokaido map on p.230-231 Hiroshige biography p.229 list of Hiroshige signatures & dates page 229 pp.174-178 see p.236 for this print details. . . . unknown
42023901Edo 1833-34 Takenouchi. A single Oban horizontal color woodblock print: 35.7 x 23 cm. sheet:37.5 x 34.8 cm.dusty excellent impression and registry a bit of old 'rubbing' to surface else solid & firm. RARE EARLY EDITION . . . SUPERB COMPOSITION LANDSCAPE BY JAPAN'S MOST ICONIC . . . LANDSCAPE ARTIST & PRINTMAKER . . . HIROSHIGE . . . FROM THE SERIES: . . . TOKAIDO GO JU SAN TSUGI NO UCHI: . . . NO. 5 IN "THE 53 STATIONS OF THE TOKAIDO HIGHWAY" . . SHINMACHI-BASHI: NEW TOWN BRIDGE . . THE ARTIST: ANDO Hiroshige 1797-1858 was the last major master of the Ukiyo-e school. In 1811 he entered the studio of Utagawa Toyohiro soon given the 'nom d'artiste' "Hiroshige." . He published his first color woodblock printed book in 1818. He was greatly influenced by Hokusai's series of landscape prints including this series TOKAIDO GO JU SAN TSUGI. Being impressed Hiroshige set out to do his own impressions of the Tokaido highway series. . . Hiroshige soon distinguished himself as the landscape master of Japan during this period. He made a large contribution to the development of the landscape color print as well as the traditional "Kacho" "Bird & Flower" prints with a tendency to the Kyoto Shijo School. . He remained the master of impressionist creating poetic views of nature and remained the best-loved of all Japanese artists. See Lane below p.229. With signature samples by dates. . FAMOUS PRINT FROM THE FAMOUS TOKAIDO HIGHWAY SERIES: . This famous series by Ando Hiroshige I TOKAIDO GOJU SAN TSUGI NO UCHI: THE FIFTY-THREE STAGES OF THE TOKAIDO HIGHWAY has been a standard and famous series of 54 prints since its issue in 1833-34. This is stop #5 showing Hodogaya Shin Machi Bashi New Bridge over the Katabira river. . Published by Takenouchi Magohachi Hoeidô and Tsuruya Kiemon Senkakudô circa 1833-34 Tenpo 4-5th. years with the red Hanko seal/chop of both Hoeido and Senkakudo. . CONDITION: . NOTES ON SPECIFIC COPIES: . Copy 1.: This is the original FIRST EDITION of the print. It was published circa 1833-34. The front surface is rubbed dusty the back side is re-backed with some Japanese calligraphy paper. . The impression & registry are excellent the colors are strong. . There are some neat restorations to the back side of the print using Washi handmade Japanese mulberry fiber paper when the item was re-backed in the distant past. . The white borders intact and perhaps a tiny bit trimmed. . The front side as usual a bit dusty rubbed with minor soil a feint discoloration above the trees on the left 1/3. Regardless the image & coloring are strong & impressive. . The print has been 're-backed' some time in its distant past using some old Washi paper which appears to have been an old signature samples sheet with other Fude bamboo brush & Sumi black ink writing. There are 2 small pin/tiny holes which are mended by the backing. . This was a common practice in the early 19th century. The work is now quite firm & solid. The backing paper is not visible from the front side. . Given the fact that is print is about 187 years old it is in better than the average condition. Please review the photos prior to ordering. . edition. It is in pristine condition excellent registry & impression about as good as it can get. . Copy 2: This is a circa 1920's reprint of the original edition. A pristine example UNUSED with superb impression and registry about as good as it can get. Ready for framing and display. . Color photos are posted to our website. . REFERENCES: . This print was exhibited at Le Musée National des Arts Asiatiques Guimet July-October 2019. This print was offered at Sotheby's London: see Sothebys 2020/fine-japanese-art/utagawa- iroshige-i-1797-1858-four-prints-hodogaya This link shows our Hodogaya print as the top left example. Their estimate was about $993 per print in a group of 4. LANE Richard: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT: see p.229 for an excellent biography of Hiroshige PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E: see p.232 #1 he cites: "55 Oban prints ca. 1833-34 publishers Hoeidoh & Senkakudoh." This print being #5 of the Tokaido series cited as #74 page 232 & illustration. See his p.230-31 for a map of the Tokaido station series. Wikipedia: Hiroshige I: TOKAIDO GOJU SAN TSUGI: See wikipedia for more info on 53 Stations of the Tokaido. unknown
106381n.d. Hardcover. Fair/No jacket. Accordion folded woodblock print that has each successive color layer printed. In a trifold cover that is barely holding together. The woodblock are printed on heavy cardstock and are in very good shape.<br /> <br /> There is also Hiroshige's print of Miya Atsuta Juku from his series Tokaido Gujusan-Tsugi The Fifty-Three Stations of Tokaido. This is woodblock 42.<br /> <br /> This was originally owned by printer Paul Veres who reproduced the book as a beautiful inkjet version. All in a decorative clamshell box. hardcover
1975KFZZQ100509Nihon Keizai Shimbun 1975. Soft Cover. Fine. KFZZQ100509 Nihon Keizai Shimbun paperback
2111902154600994Takamizawa Mokuhansha N.A. Soft Cover. Fine. The book is in fine condition. Takamizawa Mokuhansha paperback
1985DYTWW10212Nikkei Inc. 1985. Soft Cover. Fine. Number of books£º1 Nikkei Inc. paperback
02-1017Mokuban: Yugenkaisha Takamizawa n.d. 53 color woodcuts 8 x 13 cm. Pasted into oblong accordion board binding which has split between two pages thus the item is in two pieces but is in otherwise very good condition with slightly browned pages. 13 x 19.5 cm. Images pasted at the top 2 corners; marked with publisher's stamp in the plate and verso. Mokuban: Yugenkaisha Takamizawa, [n.d.] unknown
1960RO80175662EDITIONS DU CREDIT LYONNAIS. 1960. In-4. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 9 Pages en feuillets + 55 Planches en couleur + Invitations du credit lyonnais. Salissure sur l'emboitâge.. . Sous Emboitage. . Classification Dewey : 895-Littérature d'Asie
51905Crédit Lyonnais.1960.In-4 à l'italienne en feuilles, sous chemise rouge et étui toilé ivoire avec calligraphie.Lacets comme fermoirs et ivoires.TBE malgré taches légères sur la couverture.
57313Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1840/42. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
57312Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1840/42. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
57311Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1840/42. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
57314Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1840/42. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
135751Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1859. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
58327Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1858/59. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
135752Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1859. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
135750Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1859. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
135777Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1858/59. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
135779Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1858/59. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
58325Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1858/59. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
135776Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1858/59. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
