29 645 résultats
09-0208ca. 1980. Paper envelope 11 x 17" containing one 1 8 x 10" color photo print of artist's work "Les Amoureux." Fine. ca. 1980. unknown
1956CE234781New York: Harper & Row 1956. Later printing. Cloth. Very Good/DJ Very Good. blue illustrated cloth with boy on sampan on front later printing1956 189 pages in Very Good short tears rear panel lightly soiled Dust Jacket. SIGNED. Textblock edge & endpapers lightly browned also 2 pages of text browned because newspaper article about DeJong placed there otherwise text unmarked. The dj is now protected in a mylar sleeve. Signed Presentation by author to Eva wife of Richard McKenna - author of Sand Pebbles - with his address label on front free endpaper. Harper & Row unknown
194865294NY: Dell 1948. Mass market paperback. Very good. Mass market paperback. First Printing. Slight lean with some faint vertical creasing the wraps else a very good tightly bound copy with a straight uncreased spine. Dell unknown
1921H3164Paris: la renaissance du livre 1921. Paperback. Good. Probably printed in 1921 from a code on the last page wraps inscribed to Edmond Roze a theatrical director actor and set designer d. Auschwitz 1943 with a funny little drawing. Good only with some wear to wraps pages tanning. Dekobra was well known for using journalistic features in his novels; he was one of France's best known writers between the two wars. la renaissance du livre paperback
007802New York: Payson & Clarke Ltd. First Printing. . Hardcover. Good/Good. Novel by the author of The Madonna of the Sleeping Cars The 13th Lover The Clown Prince and The Love Clinic translated from Serenade au Bourreau by Neal Wainwright. Decorated red and pink boards black cloth spine with brown titling. 272 pages. Corners and edges show some wear text block edge slightly darkened. Dust jacket which is not price-clipped has edgewear with chipping to spine ends and several small closed tears which have been repaired with clear tape on the inside. Shipping charges are calculated for a standard parcel under 1 kg. Additional charges will apply for heavier shipments but not until the customer agrees. Canadian customers please note that applicable sales taxes will be added. Please contact us with any questions you might have. Size: 12mo - over 6¾" - 7¾" tall <br/> <br/> Payson & Clarke Ltd. hardcover
69-8220Bruxelles Belgium: Editions Archives d'Architecture Moderne 1979. 8vo. 415 pp. Soft covers. Very Good. B&W Plates and Fold Outs. Text in French. Bruxelles, Belgium: Editions Archives d'Architecture Moderne, 1979 paperback
586602The Society of the Friendly Sons of St. Patrick for the Relief of Emigrants from Ireland in Philadelphia. Hardcover. USED Very Good/No Jacket. Green cloth. Inscribed by author Dennis Clark on ffep. There is a small stain above that inscription. Includes a letter from Bernard W. Croke to Kevin dated 1987 giving this book. The Society of the Friendly Sons of St. Patrick for the Relief of Emigrants from Ireland in Philadelphia hardcover
19671398981London: Routledge & Kegan Paul Ltd 1967. First Edition First Printing. Hardcover. Octavo 274 pages. In Very Good condition with a Very Good dust jacket. Spine brown with tan and black lettering. Dust jacket protected with a mylar covering price uncut: "35s net." General shelf wear. Tanning to endpapers. Shelved in Business & Economics. 1398981. Shelved Dupont Bookstore. Routledge & Kegan Paul Ltd hardcover
194425530New York: Random House. Very Good in Fair dust jacket. 1944. 1st Edition. First Printing. Hard Cover. Publisher's illustrated paper-covered boards. Profusely illustrated with color and B&W drawings by Tibor Gergely. . There is a brief gift inscription on the reverse of the ffep the head of the spine is worn and the corners bumped the edges are rubbed else near fine; otherwise unmarked the text block is tight square clean and bright. The unclipped $1.25 dust jacket now in Mylar has several small losses and separating edges and one larger loss on the corner of the front panel. GOOD/FAIR. . Color and B&W Drawings. 4to 11" - 13" tall. 44 pp . Random House hardcover
1924510222Private Printing. Very Good- with no dust jacket. 1924. First Edition. Hardcover. Has library markings spine label removed rear pocket withdrawal stammp on copyright page and blind stamp on title page. Faint water stain in margin at lower corners of pages. Otherwise a nice clean copy. ; Ex-Library; 267 pages . Private Printing hardcover
1905101267Paris: Henri Jouve Editeur-Imprimeur 1905 Ex-Library. Reading Copy Only. Soft cover. First Edition. 111 pages of essays on the treatment of ovarian insufficiency via ovary transplants. Cover is worn faded and soiled; text is in good condition. Henri Jouve, Editeur-Imprimeur paperback
19692423Marshall Cavendish. Good with no dust jacket; Previous owners name. 1969. Hardcover. Vol. 1/20/2025; There will be an extra charge on this set due to soze and weight. No international shipping available for this set. . Marshall Cavendish hardcover
15-9529New York Beverly Hills & Washington: Lester Cowan 1963 - 67. 4to. Nine Loose Pages Very Good with some creasing paper clip staining on a few pages.Invoice Submitted by M. William Krasilovsky to Drake Investment October 27 1967.TLS Maurice Scopp Robbins Music Corp to Lester Cowan Nov. 3 1964.TLS Charles B. Seton to Lester Cowan Feb. 12 1964.Draft of Letter from Lester Cowan to Harold Fendler July 9 1963 with Cowan's MS notes below text. Copy of same lacking MS notation.Typed memo from Lester Cowan to Ann Ronell & Drake July 9 1963 "Amendments to Agreement" with ink mark. Copy of same.Letter from Ann Ronell to Harold Fendler July 8 1963. TLS Harold Fendler to Ann Ronell June 18 1963. New York, Beverly Hills, & Washington: Lester Cowan, 1963 - 67. unknown
196633179Lausanne: Editons Rencontre 1966. 15 Vols. A clean and bright set. Careful packing and fast efficient shipping including delivery confirmation. Please note: International and Domestic Priority orders for this item will require additional shipping. TEXT IN FRENCH. . Faux Padded Leather. Very Good/No Jacket. Editons Rencontre Paperback
197771222Paris:: Plon. Very Good in Very Good dust jacket. 1977. Hardcover. 2259001998 . Text is in French - there is no English translation for this title. The seventh and last novel in The Accursed Kings series. The inspiration for George R. R. Martin's Song of Ice and Fire series which has been adapted for television as Game of Thrones. First edition. From a smoker's library - strong tobacco odor else very good in a very good dust jacket and acetate cover. Note the dust jacket consists of a front panel and flap only by design. ; 337 pages . Plon, hardcover
1962237178Paris: Jean Jacques 1962. Softcover. Very Good/Very Good. First edition. Very good in very good dustwrapper. Cover torn away from pages. It is a paperback with a dustwrapper In French. Shelf rubbing to dustwrapper. Small tears on edges of dustwrapper spine. Jean Jacques unknown
1962237176Paris: Jean Jacques 1962. Softcover. Very Good/Very Good. Very good in very good dustwrapper. Hinge cracked. Plenty of black and white photos. In French. Light foxing on inside cover and endpaper. Paper spine tearing away from pages. Shelf rubbing to dustwrapper. It is a paperback with a dustwrapper. Small tear on top edge of dustwrapper spine. Jean Jacques unknown
68-2418New York NY: Perls Galleries 1947. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1947. paperback
68-2420New York NY: Perls Galleries 1949. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1949. paperback
68-2416New York NY: Perls Galleries 1945. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1945. paperback
68-2419New York NY: Perls Galleries 1948. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1948. paperback
68-2417New York NY: Perls Galleries 1946. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1946. paperback
68-2412New York NY: Perls Galleries 1953. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1953. paperback
68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback