Maurice ROLLINATBiblio.com
29 645 résultats
188372680Paris: G. Charpentier 1883. Fine. G. Charpentier Paris 1883 19 x 14 cm relié First edition one of 50 numbered copies on Holland paper the only deluxe copies after ten on Japan and a few on China. With frontispiece portrait of the author engraved by F. Desmoulin. Half brown morocco with corners smooth spine with mosaic heart-shaped havana morocco title and author labels covering a long floral spray in mosaic gilt with inlaid colored morocco petals and leaves head and foot enhanced with five small circles gilt and inlaid with havana morocco gilt fillet on covers marbled paper endpapers and pastedowns original wrappers preserved top edge gilt retaining deckled edges. Binding signed by Canape. Our copy is enhanced with an autograph quatrain mounted on a stub: ""Barbey d'Aurevilly: c'est la plume effroyable la plume qui fait peur au papier frémissant. Car elle écrit les mots que lui dicte le Diable avec du Vitriol des larmes et du sang!"" ""Barbey d'Aurevilly: it is the dreadful pen the pen that frightens the trembling paper. For it writes the words dictated by the Devil with Vitriol tears and blood!"". The note mirrors a remark by Barbey d'Aurevilly his friend who also called him a devil but a ""Devil of steel"". G. Charpentier unknown
18952731<p>1895. Original lithograph printed in colors from the set AMOUR . P. Cailler 109. 15 1/4 x 11 margins 21 x 16. Deckled edge. In fine condition with full margins. signed in the plate. Prov:Candillier</p> Amboise Vollard
1819P4781Montreal: Canadian Pacific c.1918-1930. Very Good. Notes: The White Empress fleet were the Empress of Britain Empress of Asia Empress of Russia Empress of Canada Empress of Australia or the Empress of Japan.<br>Maurice Logan was a prominent commercial artist working out of Northern California. He was also a fine artist and in 1917 joined five other California painters to form the "Society of Six" a group of artists whose work was categorised first and foremost by bold colours. Logan designed one other poster for the Canadian Pacific but was primarily employed by the American Railway companies. Image Size : Platemark Size : Paper Size : 940x565 mm 37.01x22.24 Inches Coloring: Printed in Color Medium: Lithograph Categories: Posters; Transportation Ships; Canadian Pacific unknown
1926RADIGUET005033Marcel Seheur Paris. 1926. First edition thus: illustrated by Maurice de Vlaminck with a frontispiece etching and ten black and white lithographs of which three are full-page and seven in the text. Folio. Original wrappers. Publisher's prospectus laid in.Out of a total edition of 345 copies this is one of twenty hors commerce and ad personam copies the recipient's printed name being Lucien Boucher printed on japon with a suite of the ten illustrations on chine bound in at the end and with a separate portfolio containing them printed on japon. Also included is yet another suite with seven of the lithographs on chine and three on japon. Lucien Boucher was an engraver and poster artist who illustrated at least four books for Marcel Seheur in the twenties.Fine in custom-made leatherette chemise and slipcase. Marcel Seheur, Paris. hardcover
2000C102367Somogy. As New. 2000. Hardcover. 2850564311 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 240 pages; illustrated in color. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Somogy hardcover
200891222Institute. New. 2008. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French and English. 600 pages with approximately 500 illustrations most in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer . Institute hardcover
30977Paris Grasset 18 octobre 1926. 1 vol. 125 x 185 mm de 272 p. et 2 f. Broché sous emboîtage Devauchelle. . Édition originale. Couverture illustrée d'un bois gravé de Pierre Lissac. Un des 11 premiers exemplaires sur chine. Exemplaire de passe non numéroté pour Maurice Genevoix. . Un an après Raboliot Goncourt 1925 c'est vers la Loire à la suite de la Sologne que se tourne Genevoix. Il est revenu vivre après 1919 à Châteauneuf-sur-Loire près des lieux pour lesquels il avait déjà donné quatre plus tôt un merveilleux Rémi des Rauches qui mettait déjà en scène avec bonheur le fleuve-roi par la grâce d'un tonnelier offrant au lecteur de magnifiques descriptions qui sont autant d'invitations au voyage. La Loire était même le dédicataire de son roman c'est dire. La Boîte à pêche est de prime abord une évocation quasi ethnographique des diverses formes de pêche et du plaisir qu'elles procurent : un roman « du terroir » que le milieu intellectuel parisien a taxé de « régionaliste » avec ses oeillères habituelles ; pour sa part Genevoix le justifie par la nécessité de conjurer le souvenir de la barbarie de la première guerre toujours vive ainsi qu'il l'exprime dans son avant-propos en hommage au maître à pêcher Najard et aux camarades de collège et de pêche Bailleul et Jeanneret. C'est à la faveur du succès de Raboliot Rémi des Rauches et La Boîte à pêche - trois textes imprégnés d'un vocabulaire d'une exceptionnelle richesse sensorielle que Genevoix pourra en 1927 acquérir la maison des Vernelles à Saint-Denis-de-l'Hôtel. Il y aménagera un bureau face à la Loire et y écrira une grande partie de son oeuvre à venir. Précieux exemplaire de tête qui provient de la bibliothèque de l'auteur aux « Vernelles » avec ex-libris. Paris, Grasset, (18 octobre) 1926. 1 vol. (125 x 185 mm) de 272 p. et [2] f. Broché, sous emboîtage (Devauchelle). unknown
185253892Paris: Imprimerie Administrative de Paul Dupont/ Varnout et Galante 1852. First edition second printing. Softcover. g to vg. Small quarto. 49 1pp. Illustrated blue wrappers with black lettering on the covers. String-tied binding for the book block.<br /> <br /> A scarce illustrated catalog of early vulcanized rubber medical devices manufactured by the French company Varnout et Galante. Included here are more than 80 medical surgical and gynecological instruments designed under the supervision of physician and gynecologist Marie Maurice Gariel 1811-1878. The work includes numerous small engraved figures throughout illustrating various products. Each item is numbered for reference with a description some brief and some longer. The products include not only items related to reproductive medicine and women's health such as breast-feeding instruments vaginal douches tampons urethral probes and urinals for incontinence but also more general medical equipment such as crutches braces bandages protective gloves mattress pads for medical beds restraints compression belts and inflatable cushions. <br /> <br /> This publication is notable and intriguing in that it was produced at a time when both the modern medical field of gynecology was in it's infancy and the revolutionary process of vulcanizing rubber was a newly established industry. Only eight years earlier in 1844 American chemist and engineer Charles Goodyear had patented the groundbreaking process for manufacturing this material on an industrial scale and its wide range of potential uses was just starting to be discovered. The introductory pages extoll the virtues of the new technology of vulcanized rubber and include tables comparing vulcanize to un-vulcanized rubber under various metrics. Table of contents at the rear.<br /> <br /> Text in French.<br /> <br /> Wrappers with minor rubbing to extremities and small chips to the bottom right corners of the front cover and at a few points on the spine. Light foxing at the bottom of the back cover. Interior with a very few tiny sporadic stains but otherwise very clean. Wrappers in good interior in very good condition overall. Scarce. Protected in modern mylar. Full title: Catalogue des Appareils et Instruments de Médecine et de Chirurgie en Caoutchouc Vulcanisé Fabriqués sous la Direction Immédiate de M. Le Doctuer Gariel Par Varnout et Galante<br /> <br /> This second printing is the same in every way to the first printing of the previous year save that the printed year at the bottom of the title page has been adjusted to 1852 instead of 1851.<br /> <br /> Marie Maurice Gariel 1811-1878 was a French physician and gynecologist. He was a member of the Société anatomique de Paris Anatomical Society of Paris and a notable figure in the focus of reproductive medicine and women's health at a time when the field of gynecology was in its early stages. His son was noted French physician and medical engineer Charles-Marie Gariel 1841-1924. Imprimerie Administrative de Paul Dupont/ Varnout et Galante unknown
1953140946678Rye Sussex: Vernon Bartlett at Mermaid Cottage 1953. First Edition. Near Fine. First edition first printing. Staple-bound in publisher's textured cream colored wraps lettered in brown and black. 24 pp. Near Fine with soiling and wear to covers. Rusting to staples with light toning to contents. A charming how-to British surfing guide for beginners. The author a politician and journalist was forward thinking in telling his readers not to litter beaches “You wouldn’t show yourself so unworthy of the beautiful beaches on which you are privileged to spend your holidays.†No other copies listed according to WorldCat. Vernon Bartlett at Mermaid Cottage unknown
1857462459Trenton: Printed at the Office of the True American 1857. Hardcover. Very Good. First edition. Octavo. 211pp. 11 plates plus large folding map in color. Brown cloth stamped in blind and gilt. Library of Congress duplicate stamp bottom of the front board and corners bumped very slight loss at the spine ends small tears and faint stain in the margins of the map with a minor archival repair on the verso overall very good or better. Inscribed by the author George H. Cook to Spencer F. Baird of the Smithsonian who is acknowledged on p.11 for his survey of fishes in the area: "Prof. Spencer F. Baird with the respects of Geo. H. Cook." Baird's small ownership stamp on the titlepage. Baird's comprehensive geological and natural history survey of the County with Beesley's informative and relatively early historical sketch including early mentions of sea bathing at the County resorts. A noteworthy association copy the map by Egbert L. Viele is highly prized in its own right. Printed at the Office of the True American hardcover
18982730<p>1898. Original lithograph printed in colors from the set AMOUR. P. Cailler 118. 11 x 16 margins: 16 x 21 Deckled edge. SIGNED IN PENCIL LOWER RIGHT. In fine condition with full margins.</p> Ambroise Vollard
19266068Paris: H. Floury 1926-27. First edition. 28 cm; 2 volumes. 4 307 4; 4 282 2 pages. Six original drypoint sketches each printed in two states included. LACKS as commonly the 4 original lithographs from the second volume. Volume 1 with 9 color lithograph plates including front cover 17 black and white lithograph plates and 32 black and white lithographs paired with a second striking in brownish ink. Volume 2 with 13 color lithograph plates including front cover 2 tinted "helogravures" and 32 lithograph plates each reproduced in black-and-white and green-tint versions. Volume 1 one of 175 copies numbered "75" in ink over original number scratched out and volume 2 one of 200 copies legitimately numbered "75" in ink. Bound in early 20th-century gray buckram with leather title labels. Original color lithographed wraps bound in. <br /><br /> H. Floury paperback
1929133042New York: E.P. Dutton 1929. First Edition. First Edition in English and first edition in hardcover preceded by the French edition "Les mains d'Orlac" in 1920. With the publisher's wraparound band. <br /> <br /> A seminal horror novel rare in dust jacket written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "Orlacs Hande" The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br /> <br /> Near Fine in a Very Good dust jacket with the publisher's wraparound band "The Dutton Prize Mystery for November". The jacket's deco design is bright and striking with some toning to the spine jacket and band a chip at the crown affecting a portion of the title "The Ha" and part of "n" a portion of the publisher name at the heel the "Du" in "Dutton" and a few tiny chips nicks and closed tears. <br /> <br /> Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. E.P. Dutton unknown
19801236771980. Signed. SENDAK Maurice. Poster signed ""The Art of Maurice Sendak"". New York: Harry N. Abrams 1980. Color poster measuring 21 by 26 inches closely framed. $3500.Lovely color-printed poster with an image of children decorating a Wild Thing as if he were a Christmas tree signed by Maurice Sendak.A note at the bottom of the poster indicates that ""This painting was commissioned for the December 30 1976 issue of Rolling Stone."" Sendak chose this poster to be included in his Posters collection one of only 24 to be selected. Hanrahan C8. The former owner of this poster was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing featuring the cake. Sendak often referred to Betty as ""Elizabeth"" in inscriptions as he felt that ""Betty"" was too common a name. The many inscribed drawings along with first editions signed books and other valuable items grew into one of the country's premier Sendak collections.Fine condition. unknown
19811236781981. Signed. SENDAK Maurice. Print inscribed. No place 1981. Color print measuring 15 by 21 inches; handsomely matted and framed entire piece measures 20 by 26 inches. $3500.Color print with a Christmas theme with two Wild Things prominently featured inscribed ""For ElizabethFor Christmas!Maurice Jan '82.""This charming print has as its most central vignette a hot air balloon with an image of Santa Claus on the balloon decorated with holly garland and Christmas ornaments with two Wild Things in the basket one playing a horn and the other a violin as they join in with a harpist and saxophonist close below on the ground. Not in Hanrahan. The former owner of this inscribed print was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing featuring the cake. Sendak often referred to Betty as ""Elizabeth"" in inscriptions as he felt that ""Betty"" was too common a name. The many inscribed drawings along with first editions signed books and other valuable items grew into one of the country's premier Sendak collections.Fine condition. unknown
19751236251975. First Edition. Signed. SENDAK Maurice. Really Rosie. New York: Screen Gems-Columbia 1975. Folio 9 by 12 inches original pictorial paper wrappers. $3500.First edition presentation copy of the piano/vocal score of the animated television special composed and performed by Carole King inscribed on the first page of music to a close friend and neighbor: ""For Andy who is Really Swell!Maurice Sendak June '77.""The animated television series Really Rosie was based on Sendak's books The Sign on Rosie's Door and The Nutshell Library. It featured music composed and performed by Carole King with the story and lyrics by Maurice Sendak. This score features music for piano vocal and organ with additional chord notations. Not in Hanrahan. The former owner of this inscribed book was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing. The many inscribed drawings along with first editions signed books limited edition books and other valuable items grew into one of the country's premier Sendak collections.Pinpoint foxing to edges of text block faint staining to rear wrapper only slight rubbing to wrappers. A near-fine inscribed copy. unknown
199593217Ide Et Calendes. New. 1995. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. Text in French. 818 works catalogued and illustrated many in color. Estève Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee Ide Et Calendes hardcover
1967C84578U. of California Press. As New. 1967. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000V5R9LM. TWO 2 VOLUME SET. Volume 1: The Evolution of an Artist - xxiv 339 pages197 illustrations hors texte. Volume 2: A Catalogue Raisonne - x 238 pages California Studies in the History of Art 7 4to. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . U. of California Press hardcover
175751567Arkstee et Merkus Amsterdam and Liepzig 1757. 2 vols. roy. 8vo. First Edition Large Paper text in French on laid paper with 84 fine engraved plates 52 large and folding ALL BUT TWO FINELY COLOURED BY HAND and numerous fine engraved head- and tail-pieces title and first Avertissement leaf of first volume creased; contemporary full tree calf sides framed in gilt backs with raised bands second and fourth compartments with red leather labels framed lettered and numbered in gilt all other compartments richly framed and tooled in gilt with floral sprays red sprinkled edges boards mildly age-marked upper joint of first volume cracked but sound all other joints mildly rubbed but bindings wholly sound A REMARKABLY BRIGHT FRESH CLEAN CRISP COPY WITH BROAD MARGINS IN WHOLLY UNRESTORED PERIOD BINDING. With the eighteenth century personal bookplate of Steuart of the Isle of Man overlaid by the nineteenth-century armorial bookplate of Sir John Ogilvy of Inverquharity on front paste-downs. From the broad margins this may well be a Large Paper or similar superior issue. The later bookplate is that of Sir John Ogilvy 9th Baronet 1803-1890 sometime MP for Dundee and Convener of Forfarshire. De Saxe 1696-1750 was a distinguished soldier of the first half of the eighteenth century serving first the Holy Roman Empire and then the Imperial Army before French service as Marshal General of France. He is remembered for his victories during the Austrian Succession most notably at Fontenoy in 1745 and for this most influential military treatise published shortly after his death. A SPLENDID COPY WITH NOTABLE PROVENANCE. Jähns II 1502; Brunet V 174. Arkstee et Merkus, Amsterdam and Liepzig, hardcover
17042202<p>48 378 12 pp. With an engraved frontispiece.</p><p>Contemporary mottled calf with ribbed and gold-tooled spine sprinkled edges.</p><p>Rare first and only edition of a peculiar and polemical work which uses a female abecedarium to attack Catholic invective against women. Arranged alphabetically—from <em>Avidum animal</em> to <em>Zelus Zelotipus</em>—the author ironically surveys women's wit eloquence moral qualities and physical appearance combining satire polemic and learned rhetoric. The book also offers insight into early-eighteenth-century Protestant debates on marriage gender and Catholic religious culture.<br />The author was an Amsterdam merchant and former Catholic priest who converted to Calvinism and became known for his vehemently anti-Catholic writings often directed against monastic life and clerical celibacy. <em>Zeege-pralende lof-tooneel der vrouwelyke sexe</em> must be read within this broader religious and ideological agenda: Johannes Mauritius presents Catholic denunciations of women as a deliberate strategy employed by "the Papists" to justify the prohibition of marriage and to lure men into the cloister. He was the father of the prodigy poet jurist and later Suriname governor Joan Jacob Mauricius 1692–1768 whose early intellectual development was shaped by his father's militant anti-Catholicism and literary ambitions.</p><p><strong>Condition: </strong>corners slightly bumped front joint splitting. Small faint stain on the first few pages see pictures. Otherwise in very good condition.</p><p><strong>Reference: </strong>Muller 482; De Vries 190; Scheepers I 452.</p> Johannes Strander
1977102825Rizzoli; Thames & Hudson; Mercatorfonds. New. 1977. Hardcover. 0847800342 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 318 pages; black and white and some color images. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Rizzoli; Thames & Hudson; Mercatorfonds hardcover
194248769Paris: Gallimard 1942. Fine. Gallimard Paris 1942 14.50 x 21 cm broché First edition one of 13 numbered copies on vélin pur fil Lafuma-Navarre paper the only large paper copies. A very good unsophisticated copy. Gallimard unknown
194252427Paris: Gallimard 1942. Fine. Gallimard Paris 1942 14 x 20.50 cm broché First edition an advance service de presse copy. Three small wormholes and a clear dampstain to margin of upper cover one joint cracked at foot. Retaining its prière d'insérer. Very precious and moving autograph inscription signed and dated by Maurice Blanchot to his mother and sister: ""Personne ne reçoit tant de Dieu que celui qui est entièrement mort. Saint Grégoire. Pour sa chère maman et sa vieille Marg en toute affection. Maurice No one receives God so fully as someone who is entirely dead. Saint Gregory. For his darling mother and old Marg with all love. Maurice."" Gallimard unknown
1946483421946. Fine. 1946 21.70 x 11.50 cm 7 feuillets foliotés Autograph manuscript by the author 14 pages in octavo published in issue no. 12 December 1945January 1946 of L'Arche. A complete recto-verso manuscript in a densely written hand with numerous deletions corrections and additions. Essay published on the occasion of the release of Father du Lubacs Le Drame de lhumanisme athée. After the war the place of Friedrich Nietzschealongside the Marquis de Sade and Søren Kierkegaardin Maurice Blanchots thought reflects the decisive influence of Georges Bataille and the philosophers he held in highest regard. From this point on Blanchot devoted many texts to these figures and Du côté de Nietzsche stands as a key testimony of that engagement. The very title of his forthcoming collection La Part du feu to be published in 1949 including this article in a slightly revised form is itself a Bataillean reference. For Blanchot Nietzsches power through his use of language and style lies less in his most explicit and oft-commented theses than in the crucible of a more fluid and sometimes self-contradictory discourse: « L'influence de Nietzsche ne se réduit pas aux formes extérieures qu'elle a prises ; c'est probablement au contraire ce qui de Nietzsche a échappé à toute transmission manifeste cette part de lui étrangère aux influences directes qui a exercé l'influence la plus profonde. » This idea would remain central to Blanchots reading of the German philosopher. Nietzsches inconsistency and ambiguity are embodied in the theme of the death of God central to his work: « En aucune façon le thème de la Mort de Dieu ne peut être l'expression d'un savoir définitif ou l'esquisse d'une proposition stable » Blanchot observes. And he famously adds: « Se contredire est le mouvement essentiel d'une telle pensée. » In LEntretien infini 1969 Blanchot would once again revisit the Nietzschean question of the death of God where it meets that of the unity of man. A remarkable text by Maurice Blanchot on Friedrich Nietzsche illustrating the profound influence of Georges Bataille on his thought. unknown
196477110Paris: Scripta et Picta 1964. Fine. Scripta et Picta Paris 1964 28.50 x 38 cm en feuilles sous chemise-étui First edition illustrated with 48 color lithographs by the author one of 260 numbered copies on Arches wove paper the only printing with a few on japon. The work is further adorned with 40 initials designed by the distinguished bookbinder Paul Bonet. This is the most important illustrated book by Maurice de Vlaminck the fruit of nearly ten years of work. A handsome copy complete with its chemise and slipcase. Scripta et Picta unknown
