Edited by RIFAT GÜNALAN, SINAN SÜMBÜL.MareMagnum
de Camp, L. SpragueAntiquariat.de
New York lag einst am Bosporus Metropolen der Antike
2338Gütersloh: Bertelsmann, o. A. 350 Seiten , 22 cm, Leinen
Antiquariat Ardelt · DE - Großräschen8,95 €
242 résultats
New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In Turkish. 528 p., b/w ills. Osmanli belgelerinde Beykoz. Beykoz (Beicos) based on the Ottoman archival documents. A very heavy volume.
Fine Turkish Paperback. Oblong large 8vo. (14 x 20 cm). In Turkish. 31 p., b/w ills. Ortaköy. Tarih - sosyal ve mimari doku.
Very Good French Original sepia-toned photograph printed in a period photograph paper. 19x25 cm. Descriptive text in French. Chipped and tear on margins. Iranian was born in 1890 in Constantinople, Istanbul. It is known that he established his studio in 1891 in Pera district of Constantinople - the center of Armenian cultural and political life. In 1895 he enters into partnership with another photographer by the name of Gugasyan. By 1900s the business seems to have wound down as the images marked with his studio signature don't exhibit any over elements of the new century. Of all the major Armenian studios from Istanbul, Iranian's photographs are the rarest, and less than 300 are known to have survived. Iranian's primary subject was the city of Constantinople, its picturesque landscape, architectural heritage, and the many types of artisans and workers that populated its streets. Using the latest photography techniques, which allowed for very rapid exposures, Iranian captured the bustle of the city streets with remarkable clarity. Teeming with life and movement these images have a remarkable immediacy and documentary veracity quite unlike similar views produced by other photographers of the period. The typical approach for many of Iranian's contemporaries such as Sebah & Joalier or Guillame Berggren was to achieve as clear a picture as possible with perfectly balanced compositions and highly visible details - the hallmark of a 'good' commercial photographer. In contrast, Iranian's street views are full of photographic 'ruptures' - blurred figures in movement, surprised glances of people caught unawares - which give his works the viscerality of snapshots. But above all, Iranian was a master at capturing the mood of a place. Catching the Ottoman capital on the brink of rapid transformation, the photographer aimed to record many of its ancient streets and quarters disappear or change the appearance. Thus, like the Parisian street photography of Atget, Iranian's images are 'nostalgic for the present' that is irrevocably slipping into the past. In his studio, the clientele had the choice of a large range of costumes and props through which the modern urbanite could slip into the role of some long-gone ethnic or street type and become a part of history. It is this sense of melancholy that gives Iranian's photographs their subtle emotional power. This is also perhaps the reason why he was ultimately not as successful as a commercial photographer. Modernity had captured the imagination of the people and the wistful romanticism of Iranian's markedly less spectacular images was fast going out of fashion. The small legacy he has left behind is nevertheless of significance in the history of Near-Easter photography. He was one of the rare Ottoman photographers with an individual and subjective approach, which deserves a proper evaluation.
2338Gütersloh: Bertelsmann, o. A. 350 Seiten , 22 cm, Leinen
171713493Nürnberg, Johann Leonhard Buggel, 1717. Pergamenteinband, 8°, [9], 574 [18] S.; -Deckel berieben, Bindung etwas lose, Titelblatt gestempelt, gutes Exemplar, ohne Kupfer.
New New English Original bdg. Dust wrapper. Folio. (32 x 24 cm). In Turkish. 232 p., ills. Naks-i Istanbul: Ortaköy Büyük Mecidiye Camii. "He was only 17 when he ascended the throne. However, Sultan Abdülmecid I, who is recalled as the pioneer of modernization trends, father of education reforms, as a matter of fact one of the architects of the Imperial Edict of Reorganization, by his education and rearing, has gone down in history as the individual who has taken the first step to abolish slavery. Istanbul had acquired its most beautiful silhouette by the palaces, manors and mosques that were built during the reign of Sultan Abdülmecid. And among these building, there is one mosque that is the pearl of the Bosphorus, which is ascribed as Naks-i Istanbul (Imprint of Istanbul). The Ortaköy Büyük Mecidiye Mosque, built on an embankment towards the sea, is a waterfront mosque that is as beautiful as a princess, and poses as the most favorite Ottoman heritage of the past and the present. The "Naks-i Istanbul Ortaköy Büyük Mecidiye Camii", where the comprehensive repair and restoration works conducted by Gürsoy Restoration during 2011-2014 are told, has been published by Gürsoy Group Publications under the editorship of Dr. Ahmet Uçar. This work, where the detailed information is provided also on the life, personality and reign of Sultan Abdülmecid I by names who are specialized in their fields, has assumed a very important place in literature.".
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 57, [4] p., color ills. Naile Akinci. Bebek variations, 1961-2007.= Bebek çesitlemeleri, 1961-2007. [Exhibition catalogue]. Text by Hasim Nur Gürel. 1500 copies were printed.
1747PHO-1539Paris, Mortier et Merigot & Piget, 1747. 2 volumes in-4, relié plein veau époque, dos à nerf orné avec pièce de titre et tomaison, tranches rouges, illustré de 16 planches dont 3 vues dépliantes, tome 1 ; manque la pièce de tomaison, coiffes et coins usés, début de fente, ressaut de feuillets, adhésif sur la page de garde, Tome 2 ; manque aux coins, coiffes usées, début de fente, traces de réparation aux cartes, déchirure sans manque, ressaut de feuillets.
1784PHO-1112Amsterdam, s.n., 1784, 3 tomes, in-8, lvj, 274 ; 301 ; 252-208pp. ,relié plein cuir moucheté , dos lisse orné avec pièces de titre et tomaison , frise dorée sur les plats , tranches marbrées, coins usés , frottements ,petites rousseurs , Joli cachet de l'École d'artillerie de la garde impériale »
1784PHO-1205Amsterdam, s.n., 1784, 4 parties en 2 volumes , in-8, xl, 203 ; 220 ; 180-152pp. ,relié plein cuir marbré , dos à nerfs orné avec pièces de titre et tomaison , tranches marbrées, coins et coiffes usés , frottements ,ex-libris manuscrit barré aux titres (1 et 3)
1784PHO-1774Amsterdam, s.n., 1784, 3 tomes en 2 volumes, in-8, lvj, 274 ; 301; 252-208pp., relié plein veau , dos lisse orné avec pièces de titre et tomaison (reliure moderne).
20141-3841732003Éditions universitaires européennes 2014. Paperback. New. 172 pages. French language. 8.66x5.91x0.39 inches. Éditions universitaires européennes paperback
2014__3841732003Éditions universitaires européennes 2014. Paperback. New. 172 pages. French language. 8.66x5.91x0.39 inches. Éditions universitaires européennes paperback
3841732003.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Very Good English Paperback. Pbo. 4to. (32 x 22 cm). In Turkish. [ix], 166 p., b/w ills. Old and contemporary piers of Marmara Region. Marmara iskeleleri dokümani.
27456un feuillet ancien XVIIIe s.,2p.- 30x22 cm,- dessins PROFILS de la cote
Milano, Edizioni Librarie Italiane, (1957), in-8, brossura editoriale con sovraccoperta, pp. 278. Invio autografo dell'autrice. Prima edizione.
11364Guerres contre les russes, les arabes, les allemands, les bulgares, luttes civiles contre les deux Bardas, Jean Tzimiscès, les jeunes années de BasileII le tueur de bulgares. Fort in 4 demi chagrin rouge à nerfs et à coins, titre doré, filets à froid sur les plats ; Carte de l’Empire Byzantin, en couleurs, sous serpente, faux-titre, titre,, 799 pages, non rogné, tête dorée, illustrations dans et hors-texte (un dépliant) Hachette & Cie 1896. Rousseurs plus ou moins fortes, éparses, plus concentrées en début et fin de volume,
136202Verlag von A. G. Liebeskind, Leipzig IX, 185, (1) Seiten. Mit Illustrationen u. Buchschmuck (von C. Weichard). Brauner Original-Ganzleder-Einband mit dreiseitigem Goldschnitt. (Einband etwas verblasst). 18x12 cm. Gebundene Ausgabe
38067Paris. Plon. 1879. In-12. Demi-Chagrin rouge. 4 nerfs au dos. Titre et fleurons dorés. 326 p. Bon état. Couverture usagée.
1954054171Istanbul: Impimerie Kader 1954. 1st Edition . Soft cover. Very Good. 12mo - over 6¾ - 7¾" tall. Paperback. 12mo. 16 x 11 cm. In French. 117 3 p. advertisements. "Le premier livre-fusée en vente dans toutes les librairies" i.e. The first rocket book on sale in all bookstores. Occasionally slight stains on cover and some pages. Otherwise a good copy. The last four pages have watch advertisements of watch shops in Istanbul. Contents: Avant propos par Mehdi Bayani.; A l'quest rien de nouveau.; Une grande tache philosophique de notre siecle: guerir - au sens spirituel - nos morts penseurs.; L'humanite en mal de se depasser.; Le sur homme malade et convalescent.; La volupte de l'avenir.; "Car je t'aime ô Eternite".; La nouvelle condition humaine: l'eclosion inevitable de la conscience universelle - raison du surhumain.; La predestination - raison de sociologie ethique et non de fatalisme.; Du concept du peche non a une biologie amorale - mais a une realite biologique a volition morale - et la contrainte d'être riche par surabondance de valeurs.; La drame Esprit-Chair.; L'hymen Ciel-Terre et le jumelage parapsychologie - atome.; L'homme au minimum et efforts au maximum Reponse: Orgie et valeurs.; Quelques reflexions en guise d'epilogue par Hilmi Ziya Ülken 1901-1974.; Errata.; Note de l'autuer. Socialism - Post-War Nazis. <br/> <br/> Impimerie Kader paperback
192030428Paris Flammarion 1920 In-12 284 pp
In-4°, legatura ottocentesca in mezza pelle con titoli e fregi in oro al dorso, taglio dorato, pp. (2)164 e (2) di Table. Ritratto dell'autrice in antiporta, frontespizio con vignetta e titoli in inglese, 78 tavole fuoti testo di vedute e monumenti, incise in acciaio, una carta geografica alla fine. Prima edizione col testo francese, pubblicata lo stesso anno dell'originale inglese. Tracce del tempo ai piatti; leggera brunitura della carta, ma bell'esemplare. Julia PARDOE (1806 - 1862) è stata una poetessa, narratrice e storica inglese. Tra le prime donne a descrivere la Turchia, dove viaggiò col padre, il comandante Thomas Pardoe, nel 1836.
Very Good French Paperback. 4to. (34 x 24 cm). In French and Turkish. 112, [1] p., b/w plts. Le Yali de Köçeoglu à Bebek sur le Bosphore.= Köçeoglu Yalisi, Bebek, Bogaziçi.
