Nin, Anais; Ian Hugo [woodblocks]Biblio.com
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1945140947165New York: Gemor Press 1945. First Edition. Near Fine. First edition first printing. Signed by Anais Nin on the front free endpaper. Publisher's cream paper covered boards printed in maroon with woodcuts by Ian Hugo. Near Fine with very light wear and soiling to covers small stain to rear cover offsetting to end sheets from binder's glue and light even toning to pages. One of 1000 copies of 1050 total. <p>A lovely copy with firm binding. Anais Nin's novel handles the travails of existing as a woman in a male-dominated world. Gemor Press unknown
GOR001793459Paperback. Very Good. paperback
1935928P36Paris: The Obelisk Press 1935. Leather. Very Good. 7.5" by 5.5". None. A Zaehnsdorf bound second edition of Henry Miller's controversial novel published by the Obelisk Press in Paris. The second edition of this brilliant and controversial work strikingly bound by Zaehnsdorf. Five hundred copies of this second edition were printed. Miller's 'Tropic' novels were first published by the Obelisk Press in Paris during the 1930s due to the obscenity laws in the States at the time which resulted in the works being banned in the country.'Tropic of Cancer' is a novel regarded now as an important work in twentieth century literature notorious for its candid sexuality.By Arthur Miller an American author who was known for breaking with the literary forms of the day and developing a new type of semi-autobiographical novel.This edition with a preface by Anais Nin who helped to edit the book and assisted financially in the publication of the work. In a half crushed morocco binding with cloth to the boards bound by Zaehnsdorf. Externally generally smart with light marks to the boards and spine including a damp stain to the tail of the boards and spine. Fading to the head of the boards and to the spine. Minor rubbing to the spine. Front hinge is starting but firm. Internally firmly bound. Pages are lightly age-toned and clean. Very Good The Obelisk Press hardcover
23237New York: Gemor Press. 1947. First US edition first printing. First US edition first printing. Signed and inscribed presentation copy. Original orange cloth lettered and decorated in black to the front panel lacking the scarce dustwrapper. A very good copy the binding square and firm the contents clean throughout. The cloth is a little dusty with a few light surface marks. Rubbed to spine tips with a small split c. 2.5 cm to the cloth along the rear edge of the spine. Inscribed by the author in black ink to the front free endpaper "Marcus Blechman / a woman's Season / in Hell / Anaïs Nin". The recipient is the renowned photographer Marcus Blechman who was responsible for a number of memorable portraits of stars of Hollywood theatre and film including Tallulah Bankhead Gloria Swanson and Helen Hayes. 'House of Incest' Nin's first work of fiction was originally published in 1936 as 'The House of Incest' later editions dropping the definite article by Siana Editions in Paris. This edition published the following decade was issued by Nin's own Gemor Press. A short concentrated personal work it is according to her biographer Noel Riley Fitch "her most complex workand the best illustration of her literary beliefs in the primacy of psychological reality and the Jungian dreamworld". Her description of the work as "a woman's Season in Hell" in this copy's inscription with its allusion to Rimbaud's great long prose poem a work famously championed and translated by Nin's lover Henry Miller was one that she used again in a 1959 letter to Laurence Durrell and is an indication that Nin thought of this strange enigmatic work more as a poem in prose than as a novel. Noël Riley Fitch 'Anaïs: The Erotic Life of Anaïs Nin' Boston: 1993; Franklin A2b. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. New York: Gemor Press. 1947 hardcover
14652Oser Press 1973. Near Fine. Silver cardboard box bottom with plastic top is intact and showing a bit of wear. Loose bound collection of 8 poems by Lynne Honickman each accompanied by an original signed print by Louis Kahn and others. Introduction by Anais Nin is also signed. This is #36 of an edition of 120. Truly an unusual and rare item. Oser Press unknown
1945140947340New York: Gemor Press 1945. First Edition. Very Good. First edition first printing. Signed by Anais Nin on the front free endpaper and inscribed with a French quotation to a previous owner. 184 3 pp. Publisher's cream paper covered boards printed in maroon with woodcuts by Ian Hugo. Very Good with light wear and soiling to covers several small stains to spine and front cover and light even toning to pages. Offsetting to pastedowns from binder's glue. One of 1000 copies of 1050 total. <p>An attractive copy designed and printed by the author. Anais Nin's novel handles the travails of existing as a woman in a male-dominated world. Gemor Press unknown
19482823First Edition Thus; A Very Good or better book in a Very Good dust jacket. SIGNED and inscribed by the author to Sascha Laurance a Hollywood Script Supervisor later owned by Elton John co-writer Bernie Taupin; Taupin's blind stamp to the front free paper below the inscription. A unique association copy of this collection of stories the 3rd collection from Nin all containing the title story with other mixed content. This copy is in very good or better condition with a square tight binding bright gold lettering over clean black boards and crisp pages throughout free from markings; the book does show some mild rubbed areas to the boards and a couple of small indentions to the edges else near fine or better. Housed in a clean and bright original dust jacket that shows some mild fading to the spine common for the title and some light rubbing and chipping to the edges with a couple of associated short closed tears. Overall a highly presentable copy greatly enhanced with Nin's signature and the unique association. Not remaindered not price clipped not ex-library; in a fresh Mylar sleeve and will ship carefully wrapped in a sturdy box. E. P. Dutton hardcover
1944140949249New York: Gemor Press 1944. First Edition. Near Fine. First edition first printing one of 300 copies. Bound in publisher's black and white illustrated paper-covered boards. Near Fine with lean to binding light toning light rubbing to extremities creasing to front free endpapers. <p>A surreal production of short stories printed by Nin herself with equally unearthly copper engravings by her husband Ian Hugo. The couple collaborated often both in print and cinema most notably for Hugo's avant-garde conceptual films such as Bells of Atlantis 1952 where Nin lent dialogue from her poem “House of Incest†and Melodic Inversion 1958. Gemor Press unknown
1833046866Paris: Urbain Canel Adolphe Guyot 1833. First Edition. Hardcover Quarter Leather. Very Good Condition. Scarce collection of 26 works of fiction by French women - contemporary quarter leather over marbled boards. Scattered foxing paper of mixed quality and some pages browned. Includes an early Sand "Une Vielle Histoire". 407pp; 429pp; 413pp; 491pp; 446pp; 403pp Size: Octavo 8vo. 6-volume set complete. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 046866. Urbain Canel, Adolphe Guyot hardcover
a509981945 First edition Gemor Press. Limited to 1000 copies. Small octavo five monotone woodblocks by Ian Hugo paper covered boards with attractive woodcut illustration in maroon. Signed by Anais: "Jose Alemany con la amistad de Anais Nin New York 1945." Also LAID IN is an autograph letter signed by Nin. This handwritten letter of 13 lines is also written to Jose Alemany. It discusses Nin's current lecture tour of various colleges and her hopes of arranging a visit to Alemany's college. It concludes: "This is my last winter in New York" and is signed "Anais". VG to Near Fine no wear light toning of cover no DJ. In later removable protective glassine jacket. Pictures supplied on request. . hardcover
194280235New York: Gemor Press 1942. First Edition. Hardcover. Very good. Limited to 500 copies. Presentation copy inscribed by Anaïs Nin to Doris Townsend Wright on the front flyleaf with Townsend Wright's bookplate on the front pastedown. Octavo. Original pictorial paper-covered boards. The spine is leaning just a touch with some mild toning and wear along the extremities; otherwise very good.<br /> <br /> The first American edition of Nin's second published book which was hand printed by Anais 1903-77 and her lover Gonzalo Moré with engravings by her husband Ian Hugo born Hugh Parker Guiler 1898-1985 in the "revealed" technique employed by William Blake. The stories that comprise this collection "Djuna" "Lilith" and "The Voice" delve into the psychological landscapes of its characters including a film star a woman's relationship with her father and a psychoanalyst reflecting Nin's own life and relationships particularly with Henry Miller and her analysts. It is considered a significant work in her oeuvre showcasing her unique literary voice and daring subject matter. Gemor Press hardcover
19471413260San Franciso California: Gemor Press 1947. First U.S. Edition. Hardcover. Tall octavo 52 pages. In Very Good minus condition. Bound in publisher's red fabric with black lettering and decoration. Mild bumping to spine. Slight discoloration to boards. Light cracking and staining to half title page as well as pages 24 and 25. Inscribed by Nin on front free end paper: "Gladys Calbrera 'What is it allotted me to say Only the truth disguised in a fairy tail.' Anais Nin." Shelved in Case 0. Made famous by her widely-read journals which were published through out the 1960s "House of Incest" was Anais Nin's first book. The prose poem alludes to the incestuous nature of her relationship with her father a topic that would later be discussed in her journals. As a trailblazer in the realm of female erotica and a writer of proto-autofiction the semi-autobiographical and taboo nature of "House of Nature" is an early example of what made Nin an unique voice in the American literary canon. 1413260. Shelved Dupont Bookstore. Gemor Press hardcover
194532955New York: Gemor Press 1945. Very Good . New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Light wear and dust-soil else a Very Good or better copy. <br /> <br /> Exceptional example of one of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. <br /> <br /> Franklin A6a. Gemor Press unknown
185451929Paris: Lehuby 1854. <p>Lenegre Antoine 1819-1867 binder Bassanville Anaïs de 1803-84. Les primeurs de la vie ou bonheurs joies et douleurs de la jeunesse. 4 viii 380pp. Frontispiece and 11 lithographed plates by Baunheim. Paris: P.-C. Lehuby n.d. 1854. 237 x 155 mm. Publisher's cloth binding of dark blue cloth with colored onlays elaborately stamped in gilt all edges gilt very minor spotting edge of one onlay lifting. Minor foxing but very good to fine.</p> <p> First Edition. Unsigned but in the style of Lenegre. </p> . Lehuby unknown
197272081Chicago 1972. Chicago: 1972. Period reel-to-reel audio recording preserved in an Ohio State University box with manuscript titles on the rear panel. Digitized in early 2020 into wav recordings which are provided on a USB key. The recording is 28 minutes 37 seconds in length. Nin 1903-77 the French-born diarist and passionate eroticist is interviewed by Robert Cromie of the Chicago Tribune for the PBS television program Book Beat. In the course of their wide-ranging conversation which was recorded shortly after the publication of The Diary of Anais Nin Volume Four 1944-1947 1971 she discusses her literary approach: "it's played all kind of the roles the Diary you know it was the story of growth of a woman it was also a notebook and many of the characters in the novels I would start taking from reality from the Diary and then of course they go through a transformation which fiction always does and they will become composites. So there will be two people in one portrait and they change but nevertheless the base of it was in truth in the truth of the Diary and you can find similarities." Nin also speaks to her complicated relationships with writer Gore Vidal and filmmaker Maya Deren among others and the publication of Under a Glass Bell 1944 by her own printing Press which she named Gemor Press. When asked about Henry Miller's bohemian lifestyle she recalls "he was very generous with everything with his ideas with his stories with his life . he's generous to other writers too which is something that we kept from the Paris days and we never understood when we came to New York the absence of fraternity. But then of course the New York scene was different. The French writer never made any money. There was something rather uncommercial about being a writer and we were always helping each other and inspiring each other and encouraging each other and I miss that. Henry continued to encourage writers and I did too. Somebody said the history of art is the history of friendship. Should be." She also touches on a number of topical issues musing on the future of the Diary and sharing her thoughts on feminism: "There's one aspect I'm very much involved in with the creativity of the woman the liberation of the woman. There's an aspect which is very militant which I'm not involved with and you know there are many factions as you know it's already divided into many factions. I'm interested in showing the writing of women their capacities inspiring them and the Diaries of course have meant a great deal to women because it's unusual to have the story of a woman's growth. We never had a record of that and I was always interested in the growth of plants I would watch plants grow. I think I love to see the growth of human beings and I found the only one I could really record scientifically completely was my own and I think this became the story of growth for other women: examining the conflicts and the obstacles and watching day by day how you could expand without damaging others how could you grow without being destructive and all the problems that a woman has. unknown
195990964Chicago: The Swallow press 1959. Fine. The Swallow press Chicago 1959 13.4 x 21 cm Broché First edition. A pleasing copy. Inscribed by Anaïs Nin to her friend the writer Christiane Baroche: ""Vos paroles Christiane Baroche : 'je veux cueillir le feu comme un dernier amant' amitié et concordances. Anaïs Nin."" The Swallow press unknown
199553598KNAUR THEODOR 10/1995. 1. softcover. Kindertagebücher Die KNAUR, THEODOR paperback
1947315980Washington DC / Paris: Black Sun Press 1947. Unbound. First edition. Portfolio with 32 loose sheets in paper folder. Edited by Henry Miller Romare Bearden Sam Rosenberg and Harry T. Moore. Folder very good with dampstain tears and chips and split at the fold. Interior sheets show minor signs of toning with the occasional tiny chip or subtle dampstain. Complete set with table of contents and contributors page. Includes works by Harry Thornton Moore Harry Goode Conrad Moricand Edwin J. Becker Leo Tolstoy Anäis Nin Emanuel Carnevali Albert Cossery Georg Mann Rene Batigne Harry Crosby Merle Hoyleman Selden Rodman Mason Jordan Mason Charles Olson René Bélance Vera Inber George Leite Modigliani Max Ernst Roberto Fasola William Calfee Jim Poe Scipione Justin N. Locke Mirko Man Ray Carmelo and Meraud Guevara. Black Sun Press unknown
1932028851Paris: Edward W. Titus 1932. Limited Edition. Octavo. 146 pages. Number 231 of 500 copies with the rare #231 slip laid in at the limitation page. The major critics continue to quote the insights of Anais Nin whose understanding of Lawrence was not only a remarkable example of modernism but also courageous feminism which even today shows insights that continue to be discussed in the D.H. Lawrence Journal. John Erskine who was an anti-feminist writer was quoted: "I am amazed at the scholarly and critical reaches--which theoretically no woman should possess." A fine copy bound in black cloth lettered in gilt spine lettering gilt in a near fine dust jacket with toning to the edges and spine. Picture of cloth binding has glare from camera. Edward W. Titus unknown
19443114833Near Fine with no dust jacket. 1944. Second Edition; Second Printing. Hardcover. Second printing. Though not called for SIGNED by Anais Nin on front end-paper. Close to fine in pictorial boards in supplied chipped un-printed acetate protective cover. Neat book shop sticker at base of rear pastedown. 86pp. One of 800 copies. Nicely preserved copy. ; 4 3/4" x 8 1/2"; 86 pages . hardcover
198846341HEYNE WILHELM 1988. 1. softcover. Einmalige Sonderausgabe! SONDERPROGRAMM JUBILÄUM 30 JAHRE HEYNE-TASCHENBÜCHER 1958 - 1988 HEYNE, WILHELM paperback
19322380Paris: Edward W. Titus 1932. Book. Fine. Hardcover. Limited First Edition. 8vo - over 7¾" - 9¾" tall. Black cloth gilt stamped. First edition one of 550 numbered copies. Fine with pages uncut in fine DJ with light fading on back and edges. Edward W. Titus Hardcover
51-2996Paris: La Mode Illustrée/Firmin Dido 1862-1873. 16 Handcolored engravings and lithographs. Sheet size 37.5 x 26.3 cm. Mounted with hinges on support sheets.The two artists were sisters.Adele-Anais Toudouze Paris 1822-1899 was one of the major artists for La Mode. She belonged to a most talented family of artists and engravers. Other family members who produced fashion plates and fine art included her mother Alexandre-Marie Colin 1798-1873 and her daughter Isabelle Toudouze 1872-1925. In 1845 Adele-Anais married the painter and architect Gabriel-Auguste Toudouze. She is also listed as Maddemoiselle Anais Colin Adele-Anais Colin & Adele-Anais Colin-Toudouze.Héloïse Colin was the daughter of painter Alexandre-Marie Colin and Marie Joseph Juhel. She married Auguste Leloir with whom she had two sons: the illustrator Maurice Leloir and the painter Alexandre-Louis Leloir.She exhibited her first drawings in the 1835 edition of the Salon. She basically painted watercolors and became known for her portraits of small dimensions. Heloise with her two sisters Adèle Anaïs Toudouze and Laure Noël were among the greatest illustrators of Parisian fashion of the mid-nineteenth.Colas 2082; Lipperheide 4690. Paris: La Mode Illustrée/Firmin Dido, 1862-1873 unknown
19782959SCHERZ 1978. 2. hardcover. SCHERZ hardcover
198263-00709Harcourt 1982-06-01. Hardcover. New. In shrink wrap. Harcourt hardcover
