1 506 résultats
193463142Paris:: The Obelisk Press 1934. publisher's wrappers illustrated by Maurice J. Kahane rear wrapper detached. A dark brown stain affects the bottom 1-1/4 inch of the spine extending to a larger unprinted area on the back panel; small chips at the edges of the spine affecting the lettering at the bottom of the front panel. Old pencil ownership signature; contents otherwise clean and fine. 8vo. Preface by Anais Nin. The Obelisk Press, unknown
0804011818.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0244081034.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19682080302106802103Kadokawashoten 1968. Soft Cover. Fine. Size: Paperback 278 pages Number of books: 1 Kadokawashoten paperback
1975855Garden City New York: Doubleday & Co 1975. First Edition First Printing. Publisher's Red Boards Backed with Blue Cloth Stamped Gilt and Metallic Blue Detailing. Very Good/Very Good. A Very Good or Better Book in a Very Good Dust Jacket Unclipped $8.95. Signed with Inscription by Author to Flyleaf. Book is moderately bumped rubbed and sunned to extremities. Text block is toned and lightly soiled. Text is unmarked. Binding is tight and square though spine cloth is pulled at crown. Dust jacket is moderately rubbed and bumped causing some chipping and fraying to corners tail and crown. Jacket is generally toned with some instances of light soiling. Hardcover. Octavo. xiv 1 2-226pp. Doubleday & Co unknown
1975210412Garden City NY: Doubleday 1975. Hardcover. VG some minor wear and aging to dj. Boards and pages excellent. Color illustrated dj with black text red boards with blue decorative design gilt text on spine. 226 pp. 24 unnumbered leaves of bw plates. Signed and inscribed by the artist. "This is the candid powerful autobiography of an artist determined to brin her total identity as a human being and a woman into the practice of her art. <br /> <br /> Judy Chicago was already a working artist before she came to feminism. But throughout her life she had always seen her essential femaleness - especially when revealed in her work - as a bar to full acceptance by the male-dominated art world. <br /> <br /> Through the Flower is the record of her journey toward the deepest meaning of that femaleness - 'through the flower' of her sex - into a space where she and other women could pursue new ways of relating to each other and to men.'. Doubleday hardcover
1975090953Garden City NY: Doubleday & Company Inc. 1975. xi 226 pages 24 leaves of plates illustrations; 22 cm. Firm binding clean inside copy. Expected browning. Stated First Edition. Dust jacket toned & lightly soiled protected in a mylar cover. Memoir of the feminist artist Judy Chicago a canonical text. CONTENTS: My childhood; Making a professional life and an equalized relationship; Back to painting getting married the women's movement; Fresno and the woman's program; Returning to Los Angeles; Womanhouse performances; Finding my way and discovering women's art; Learning from the past; Getting it together. 1st. Hardcover. Near Fine/Very Good. 8vo. Collectible. Doubleday & Company, Inc. Hardcover
1945AP0015<p>New York: Gemor Press 1945. First Edition. One of 1000 copies of the regular limited edition illustrated with five woodcuts by "Ian Hugo" Nin's husband Hugh Parker Guiler. Original decorative boards in a Hugo design in maroon and cream. Deckle edge pages.</p><p>Used - Very Good condition. Covers show shelf wear scuffing and some smudging. Spine edges show some wear. Early pages show some light bending. Pages and page edges show aging discoloration. Bindings are tight. Actual Item Pictured Cover now protected in heavy mylar.</p><p>"The unveiling of women is a delicate matter. It will not happen overnight. We are all afraid of what we shall find."</p> Gemor Press hardcover
1945736New York: Gemor Press 1945. Good. Ian Hugo. <p data-path-to-node="12">First Edition. 183 pp. 8vo. Original illustrated paper-covered boards. Five woodblock illustrations by Ian Hugo. Boards show light rubbing and blunting to corners; spine is naturally sunned/browned. Internally clean with firm binding.</p> <br /> <p data-path-to-node="13">Nin explores the internal emotional landscapes of three women navigating the depths of desire psychological fragmentation and the search for self. Ian Hugo's woodblocks created specifically for this edition perfectly mirror the surreal and jagged nature of Nin's prose. This collection marked Nin's first major success in the United States and remains a essential volume for collectors of feminist literature and fine press printing.</p> <br /> <p data-path-to-node="14"> </p> . Gemor Press unknown
194532968New York: Gemor Press 1945. Very Good . New York: Gemor Press 1945. First Edition Limited to 50 de luxe copies on Etruria paper this unsigned copy presumably hors série. Octavo 24.5cm; publisher's pink pictorial paper-covered boards; 183pp.; hand-colored woodcut frontispiece four leaves of color plates. Light wear to spine ends margins toned brief ink spotting to top edge of rear cover else a Very Good internally clean and sound copy.<br /> <br /> Exceptional example of this de luxe edition of one of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. A trade edition limited to 1000 copies with uncolored illustrations appeared simultaneously though this limitation has two extra plates. <br /> <br /> Franklin A6b. Gemor Press unknown
194532955New York: Gemor Press 1945. Very Good . New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Light wear and dust-soil else a Very Good or better copy. <br /> <br /> Exceptional example of one of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. <br /> <br /> Franklin A6a. Gemor Press unknown
194533870New York: Gemor Press 1945. Very Good -. New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Boards rubbed and worn at corners and spine ends general dust-soiling and brief damp stain at bottom margin of rear cover internally clean and sound. A Good to Very Good copy. Inscribed and signed on front free endpaper "For George Davis avec amitié / Anaïs."<br /> <br /> One of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. <br /> <br /> Excellent association copy inscribed and signed on front free endpaper to Harper's Bazaar and Mademoiselle editor George Davis 1906-1957. Davis and a collection of like-minded friends had founded a bohemian artist's commune in Brooklyn Heights in 1940 to which Nin was a regular guest. It was Nin who gave the commune its name February House after noticing that most of its residents had been born in that month. <br /> <br /> Franklin A6a. Gemor Press unknown
1945140947165New York: Gemor Press 1945. First Edition. Near Fine. First edition first printing. Signed by Anais Nin on the front free endpaper. Publisher's cream paper covered boards printed in maroon with woodcuts by Ian Hugo. Near Fine with very light wear and soiling to covers small stain to rear cover offsetting to end sheets from binder's glue and light even toning to pages. One of 1000 copies of 1050 total. <p>A lovely copy with firm binding. Anais Nin's novel handles the travails of existing as a woman in a male-dominated world. Gemor Press unknown
1945140947340New York: Gemor Press 1945. First Edition. Very Good. First edition first printing. Signed by Anais Nin on the front free endpaper and inscribed with a French quotation to a previous owner. 184 3 pp. Publisher's cream paper covered boards printed in maroon with woodcuts by Ian Hugo. Very Good with light wear and soiling to covers several small stains to spine and front cover and light even toning to pages. Offsetting to pastedowns from binder's glue. One of 1000 copies of 1050 total. <p>An attractive copy designed and printed by the author. Anais Nin's novel handles the travails of existing as a woman in a male-dominated world. Gemor Press unknown
a509981945 First edition Gemor Press. Limited to 1000 copies. Small octavo five monotone woodblocks by Ian Hugo paper covered boards with attractive woodcut illustration in maroon. Signed by Anais: "Jose Alemany con la amistad de Anais Nin New York 1945." Also LAID IN is an autograph letter signed by Nin. This handwritten letter of 13 lines is also written to Jose Alemany. It discusses Nin's current lecture tour of various colleges and her hopes of arranging a visit to Alemany's college. It concludes: "This is my last winter in New York" and is signed "Anais". VG to Near Fine no wear light toning of cover no DJ. In later removable protective glassine jacket. Pictures supplied on request. . hardcover
194521689New York NY: Gemor Press 1945. First edition. Hardcover. Very good/poor. Octavo standard size. Slight wear to edges of boards. Original tissue dust jacket present but heavily worn at edges and cormers. SIGNED and inscribed by Nin to Myron Wood a mid-20th century American photographer and author of several books on the Southwest. Includes a couple NYT newspaper reviews of other Nin works laid in at rear. 183 6 p. Includes colophon noting 1000 copies of the trade edition were made and 50 signed copies with colored illustrations. This is a copy of the trade edition. <br/><br/> Gemor Press hardcover
1098333462.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3640142349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1140921894New. Brand new and still unused unknown
1170730426.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1142696871.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
117073040X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1170929796.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1170929788.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0977485110.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
