11 039 résultats
195838022New York: John Wiley & Sons 1958. First edition of this classic in management science. Octavo original cloth. From the library of Nobel Prize-winning economist John Harsanyi with his signature on the front free endpaper . 'Outside the Carnegie group we should like to acknowledge especially our many hours of fruitful work and discussion with Robert A. Dahl on the subject of influence measurement and the help and guidance that John C. Harsanyi provided for our treatment of the relation between game theory and other theories of conflict' p. vi. 'Simon was attracted to the exciting intellectual environment emerging at the Carnegie Institute of Technology in Pittsburgh. After moving to Carnegie in 1949 Simon stayed there for more than five decades. At Carnegie Simon collaborated on work that established the field of organization theory. The founding work was a major study done with James G. March published as Organizations. The book continued the argument that decision makers are not able to act in an objectively rational manner; rather they are constrained by both cognitive and external limitations. So instead of assuming that each decision maker scans all possible alternatives and chooses the one that maximizes expected utility Simon argued that decision makers instead use 'satisficing' as a criterion for making decisions; they choose the first alternative that looks 'good enough.' March and Simon wrote in Organizations 'Most human decision making whether individual or organizational is concerned with the discovery and selection of satisfactory alternatives; only in exceptional cases is it concerned with the discovery and selection of optimal alternatives.' . . . One of Simon's insights was that the observed complexity of human behavior arose from simple and general underlying mechanisms that were applied to a complex task environment. Simon illustrated this with his famous metaphor of 'the ant on the beach.' The ant's goal is to reach some distant food. While the ant's path to the food seems very complex twisting and turning most of the apparent complexity is due to the grains of sand to be traversed. The complexity of the environment rather than the complexity of mechanism within the decision maker gives rise to the observed behavior. 'In solving problems' March and Simon wrote 'human thinking is governed by programs that organize myriads of simple information processes - or symbolic manipulating processes if you like - into orderly complex sequences that are responsive to and adaptive to the task environment and the clues that are extracted from that environment as the sequences unfold' ' Mie Augier & Edward Feigenbaum 'Herbert A. Simon: 15 June 1916 - 9 February 2001' Biographical Memoirs Proceedings of the American Philosophical Society Vol. 147 No. 2 June 2003 pp. 196-7. Fine in a near fine dust jacket. Rare and desirable with a noted provenance. John Wiley & Sons hardcover books
LEGATURA IN TUTTA TELA BEIGE CON PICCOLO DECORO IMPRESSO IN ORO, OPERA STAMPATA IN SOLI 150 ESEMPLARI FIRMATI DALL'AUTORE, LA NOSTRA E' LA COPIA N. 7, SU CARTA UMBRIA DELLE CARTIERE MILIANI DI FABRIANO. STAMPA DELLE ACQUEFORTI AD OPERA DEL MAESTRO STAMPATORE CALCOGRAFO VINCENZO ZANCHI, CON L'AUSILIO DI ALUNNI DELLA SEZIONE. STAMPA DEL TESTO AD OPERA DEI MAESTRI TIPOGRAFI ARTURO POGGIOLI E ANSELMO LUSLINI. VOLUME INTROVABILE. COLLAZIONATO COMPLETO numero pagine: 80 formato: 26.5X18.1 stato conservazione: BUONO, COPERTINA LEGGERMENTE SPORCA, ERA FODERATO E QUINDI TRACCE DI SCOTCH NEI 4 PUNTI AL RISVOLTO PER FERMARE LA FODERA collana: LE METE / 1
1939ABE-1538494660313Royal Opera House Covent Garden 1939 EXTREMELY RARE! REX WHISTLER designed this glorious programme for the State Performance in Honour of The President of the French Republic and Madame Lebrun at the Royal Opera House March 22 1939. WHISTLER's cover design is an elaborate affair; the embossed card covers are ingeniously cut away in curves. It is fabulously decorated by Rex Whistler on the front and back. A gold cord with tassels forms the binding round the twelve folded pages. Dancers included Margot Fonteyn Robert Helpmann William Chappell Frank Staff and Frederick Ashton. Sir Thomas Beecham conducted the London Philharmonic Orchestra. This is a great collectable example of ephemera in its own right but it is of especial value for admirers of Rex Whistler. Soft cover. Fine. Royal Opera House Covent Garden paperback
0141022620New. Brand new and still unused unknown
0141033355New. Brand new and still unused unknown
1928008397Covici Friede 1928. Book. Fine. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Fine copy in near fine jacket first Edition.$2.00 on flap.Small loss at Crown & Heel of jacket.Epic Poem on Boxing.Very Scarce. Covici Friede Hardcover
1928008397Covici Friede 1928. Book. Fine. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Fine copy in near fine jacket first Edition.$2.00 on flap.Small loss at Crown & Heel of jacket.Epic Poem on Boxing.Very Scarce. Covici Friede Hardcover books
1898WRCAM54953Puerto Principe Cuba 1898. Broadside 16 1/4 x 12 1/4 inches. Toned old folds and creases minor edge chipping short closed tear slight fold separations. Very good. A very rare possibly unique surviving example of a Cuban broadside dating from the month after the conclusion of the Spanish- American War. The war ceased with a truce between the United States and Spain on August 12 1898; the official end of the war came a few months later on December 10 when the two parties signed the historic Treaty of Paris. Here on September 10 in the interim between truce and treaty the outgoing Spanish colonial governor of the south- central Cuban city of Puerto Principe present-day Camagüey Emilio March y Garcia calls for reinforcement of the truce agreement that would ensure free and open commercial trade in the region in the face of continuing interference by Cuban insurgents. March y Garcia claims that the Cuban revolutionaries are illegally detaining people interrupting the cattle trade trampling property rights carrying arms in flagrant disregard for the law and more. The ARIZONA REPUBLICAN published an English translation of this proclamation in its September 26 1898 issue. The translation reads: <br> <br> "I hereby inform the commanders of insurgent bands who are pillaging in the neighborhood of this city; who not observing the agreement between the Spanish and American governments with regard to the freedom of commercial relations are illegally detaining the country people; who are obliging the land owners to procure special passes and permits in order to put in order their plantations and will not allow them either to sell their cattle under the absurd pretext that the estates are the property of the nominal Cuban state and that its government alone can distribute and sell them and turn their products to what uses it sees fit thus trampling under foot the rights of property whereas on the part of this government the most absolute liberty in making contracts has been allowed and will be allowed in the future thus demonstrating the respect it has for the rights of all persons within its jurisdiction. I must call to notice with real sorrow that if these towns are suffering almost the horrors of starvation it is the result of the measures adopted by the chiefs of the insurgent bands who are impeding free traffic by forbidding the entry of all kinds of provisions especially cattle into the towns. In view of what I have already explained I consider it necessary to publish the following warnings: Article 1. I repeat my order of August 23 last permitting free entry and exit to all towns of this province subject to my authority and the most absolute freedom of trade between all the inhabitants of the province. Article 2. The prohibition to enter towns with arms remains in force and whoever is found with arms in his possession will be punished in accordance with the laws." <br> <br> Don Emilio Augusto March y Garcia Mesa was a career Spanish military commander who spent at least three stretches of time in Cuba the last as military governor of Puerto Principe during the Spanish defeat in the Spanish- American War. He also served as the colonial governor of Puerto Rico and general captain of Arago the Balearic Islands and the Canary Islands. <br> <br> The present broadside is exceedingly rare and quite possibly unique with no copies listed in OCLC and no records at auction. unknown books
194119801ENew York & Los Angeles: Whittlesey House / Warner Bros 1941. Later printing. Signed by thirty members of the cast and crew for the Oscar nominated film One Foot in Heaven to the young actress Carlotta Jelm who played the character Eileen Spence the daughter of William and Hope Spence played by Frederic March and Martha Scott in the film and whose signed inscriptions read: “All happiness to Carlotta Frederic March.†and “To my daughter Eileen - my best wishes always Martha Scott.†The book is also signed by Norman Vincent Peale who served as a technical advisor for the film “To Carlotta with best wishes Norman Vincent Peale.†With signatures of director Irving Rapper cinematographer Charles Rosher assistant director Jesse Hibbs Peter Caldwell who played her brother “It was good being your brother Peter Caldwell.†and others. Near fine copy with a trace of use in a very good lightly used and dust soiled dust jacket with thin tape repaired splits to the spine folds and a few small chips and tears. With four production stills: two of Frederic March and Martha Scott on their wedding day posed in front of an oversized prop of the book; one of Fredric March Martha Scott Carlotta Jelm and Peter Caldwell the young actor playing the son and the book’s author Hartzell Spence all posed as if for a formal family portrait and one of Frederic March and Peter Caldwell sitting in an audience as March gives the boy a stern look. All stills are in fine condition and three have binder punch holes. The book and film tell the true story of a happy family headed by a warm and dedicated pastor who with his wife and children moved from one parish to another serving each community with dedication wisdom and humor. The fil also starred Beulah Bondi as a wealthy member of his congregation Gene Lockhart as a member whose wife sings poorly in the choir Grant Mitchell as the architect of the church improvements and a skeptic played by Jerome Cowan. Whittlesey House / Warner Bros unknown books
194119801ENew York & Los Angeles: Whittlesey House / Warner Bros 1941. Later printing. Signed by thirty members of the cast and crew for the Oscar nominated film One Foot in Heaven to the young actress Carlotta Jelm who played the character Eileen Spence the daughter of William and Hope Spence played by Frederic March and Martha Scott in the film and whose signed inscriptions read: “All happiness to Carlotta Fredric March.†and “To my daughter Eileen - my best wishes always Martha Scott.†The book is also signed by Norman Vincent Peale who served as a technical advisor for the film “To Carlotta with best wishes Norman Vincent Peale.†With signatures of director Irving Rapper cinematographer Charles Rosher assistant director Jesse Hibbs Peter Caldwell who played her brother “It was good being your brother Peter Caldwell.†and others. Near fine copy with a trace of use in a very good lightly used and dust soiled dust jacket with thin tape repaired splits to the spine folds and a few small chips and tears. With four production stills: two of Fredric March and Martha Scott on their wedding day posed in front of an oversized prop of the book; one of Fredric March Martha Scott Carlotta Jelm and Peter Caldwell the young actor playing the son and the book’s author Hartzell Spence all posed as if for a formal family portrait and one of Fredric March and Peter Caldwell sitting in an audience as March gives the boy a stern look. All stills are in fine condition and three have binder punch holes. The book and film tell the true story of a happy family headed by a warm and dedicated pastor who with his wife and children moved from one parish to another serving each community with dedication wisdom and humor. The fil also starred Beulah Bondi as a wealthy member of his congregation Gene Lockhart as a member whose wife sings poorly in the choir Grant Mitchell as the architect of the church improvements and a skeptic played by Jerome Cowan. Whittlesey House / Warner Bros unknown
1960225421960. LGBTQ Lesbian Pulp Lesbian pulp novels published between 1960 and 1965 a crucial phase in the emergence of lesbian literature in American pulp publishing. These authors wrote about queer experience at a time when lesbian representation was largely dominated by heterosexual male writers and constrained by censorship that required publishers to present same sex desire through salacious marketing and "moralizing" tragic or heterosexual endings. Valerie Taylor Velma Nacella Young Paula Christian Yvonne MacManus and March Hastings Sally Singer were among the small group of queer women producing lesbian novels that treated relationships between women with greater emotional complexity and personal insight exploring themes of lesbian identity and the social consequences of living as an open or closeted gay woman. Several titles by these authors were later identified by lesbian bibliographer Barbara Grier as "A" tier works in The Lesbian in Literature indicating major lesbian thematic content and sympathetic narrative treatment. Archive includes: <br /> 1 Valerie Taylor Pen name of Velma Nacella Young. Stranger on Lesbos. Greenwich CT: Fawcett Crest 1960. First Crest printing February 1960. One of Taylor's most enduring works centering on Frances a discontented wife whose encounter with a vibrant lesbian social circle leads her to confront her own desires. A landmark title in Grier's A tier for its substantial lesbian content and refusal to deliver a purely punitive ending.<br /> <br /> 2 March Hastings Pen name of Sally Singer. Crack-Up. Chicago: Newsstand Library 1961. First printing. Subtitled on the cover: "The torment of a woman-frustrated in marriage-torn between desire and compassion." Hastings one of pulp's most prolific lesbian authors explores emotional collapse and the redemptive possibilities of same-sex love with more psychological nuance than the genre typically allowed.<br /> <br /> 3 Artemis Smith Pen name of Annselm Morpurgo. This Bed We Made. Derby CT: Monarch Books 1964. First Monarch edition originally published 1961. Greenwich Village-set tale of Elaine Perkins who marries to satisfy societal expectations but is drawn into a relationship with Nicole an artist's model. Back cover tagline: "Wife or Lesbian" <br /> <br /> 4 Valerie Taylor Pen name of Velma Nacella Young. Unlike Others. New York: Midwood-Tower 1963. First edition. From the author of Whisper Their Love and Stranger on Lesbos Unlike Others follows women whose relationships defy convention and societal approval. Known for infusing pulp conventions with emotional depth Taylor was one of the few openly lesbian pulp authors of her time.<br /> <br /> 5 Morgan Ives Pen name of Marion Zimmer Bradley. Spare Her Heaven. Derby CT: Monarch Books 1963. First edition. The story of Kathara a stage performer worshiped as the "Goddess of the Temple of Joy" whose allure draws both men and women into a cult-like world of pleasure. While framed through pulp's "devil or angel" dichotomy Ives weaves subversive notes of female autonomy into the sensational plot.<br /> <br /> 6 Paula Christian Pen name of Yvonne MacManus. The Other Side of Desire. New York: Paperback Library 1965. First printing. "Is it lust or love when one woman desires another woman" Carrie risks her marriage children and reputation for an affair with Kim only to find herself enslaved to "forbidden sex."<br /> <br /> The significance of these novels lies in their authorship and perspective. During the 1950s and 1960s lesbian pulp fiction formed one of the few widely distributed literary spaces where queer women could encounter representations of same sex relationships even when those narratives were sensationalized by commercial marketing. Writers such as Taylor Christian and Hastings expanded the thematic range of the genre by incorporating elements drawn from lived queer experience including emotional partnership internal conflict and the pressures of secrecy. Six volumes total. Standard mid century mass market paperback format. Moderate handling wear consistent with newsstand distribution including light edge wear and toning. Overall very good condition. unknown
192732053Indianapolis IN: Popular Fiction Publishing Company 1927. Mild tanning to text paper crease to lower edge slight edge wear and some edge trims a fine copy. 32053. Octavo single issue cover art by C. C. Senf. pictorial wrappers. Pulp Magazine. Includes stories by Seabury Quinn H. P. Lovecraft "The White Ship" Edmond Hamilton Eli Colter and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1877AMO-3303Paris, Typographie et Lithographie Jules-Juteau et Fils, s.d. (vers 1877) 2 volumes petits in-8 (18 x 13 cm) de 266 + 204 pages + environ 100 pages restées vierges in fine. Portrait photographique de l'auteur (9 x 5,7 cm) en frontispice du premier volume daté du 22 mai 1877 et signé par l'auteur. Chaque titre imprimé a été tomé à l'encre à la main par l'auteur "1" et "2". Le premier volume sur une Épître amicale manuscrite à Monsieur et Madame de Beaurepaire la Marche (2 pages 1/2) datée d'avril 1871. Suivent 3 pages manuscrites en vers intitulées : "Couplets pour le mariage de Camille et d'Albert", signées par l'auteur et datées du 27 novembre 1878. Le premier volume s'achève par 3 pages manuscrites de table des pièces en vers contenues dans le volume. Le deuxième volume s'ouvre sur un sonnet manuscrit "à ma nièce" (signé des initiales de l'auteur). Les pièces imprimées (plusieurs dizaines) ne sont pas paginées et ont été imprimées chez Jules-Juteau entre 1871 et 1877 environ. Certaines pièces ont été imprimées chez la Veuve Ed. Vert ou encore l'imprimerie Chaumont. Reliure de l'époque (vers 1880) plein chagrin rouge, dos à nerfs richement ornés, encadrements de filets dorés sur les plats, fleurons dorés dans les angles, dentelle dorée en encadrement intérieur des plats, doublures et gardes de papier peigne. Très bel état de conservation de l'ensemble. Quelques ombres au maroquin sur les plats. Intérieur frais. La reliure n'est pas signée mais de belle facture. Exemplaire spécialement composé et offert par l'auteur à sa nièce Julie de Beaurepaire de La Marche. En offrant ce recueil de chansons l'auteur se souvient en quelques vers choisis du château de La Marche (Villegaudin, Saône-et-Loire). En 1861, Le château de La Marche, alors propriété du dernier marquis de La Marche, Antoine-Félix de Beaurepaire, est détruit par les flammes. Il ne reste aujourd'hui que quelques dépendances du château encore debout.
gr. vol. in-4, pp. XX, 303, leg. m. pelle coeva con carta dec, ai piatti. Bella carta topogr. dell'antico Piceno ripiegata in antip. inc. da G.Battista Cipriani. Con un'infinità di antiche iscrizioni commentate. Lozzi 3587. Insieme all'opera sono raccolti 3 opuscoli: 1 - Idem. LETTERA del Reverendissimo Padre... parroco di S. Salvatore in Onda, ed innografo della S. Congregazione dei Riti... sull'antica Alba città de Piceno. Fermo, Paccasassi, 1824, in-8, pp. 16, leg. carta dec. coeva; 2 - [ANTALDI Antaldo]. SULLA EMENDAZIONE proposta dal P. Antonio Brandimarte di un luogo di Plinio Seniore nella descriione del Piceno. Frammento... Pesaro, Nobili, 1823, in-16, pp. 23, senza leg.; 3 - Idem. LETTERA del reverendissimo... al Sig. Abate Francesco Cancellieri... Terza edizione. Roma, Mordacchini, 1818, in-8, pp. VIII, senza leg. [299]
185447593Tomo I. de la 2ª Ed. y Tomo II. de la 1ª Ed.- Madrid: Imp. de José María Ducazcal Domingo Carlos Vila y Juan Manini Editores 1856 1854 respectivamente; 2 VOLS. 1 h. 696 p.; 2 h. 835 p.: Tomo I. con Frontis litográfico ante la portada 11 retratos litograficos 21 láminas litográficas alegóricas y profusión de grabados en madera intercalados en el texto; Tomo II. con Frontis litográfico ante la portada 36 retratos litográficos 30 láminas litográficas alegóricas y profusión de grabados en madera intercalados en el texto los grabados litográficos son la mayoría de Urrabieta C. Mújica D. Valdivieso C. Legrand J.Vallejo ; in Folio Mayor 32 x 225 cm; Excelente impresión sobre papel de gran calidad; Enc. de la época en Media Piel de lomo liso sin nervios cuajado en oro guardas en papel de aguas marbreado. La portada del Tomo 1º restaurada de un desgarro que casi no toca texto. Ambos tomos con leves señales de óxido en algunas pocas hojas. La encuadernación con algunas rozaduras en los bordes de las tapas que han sido restauradas. Dicho esto que es preceptivo la obra se encuentra en muy buen estado general. RARO EJEMPLAR. Palau Nº 90491 dice: Es curioso consignar que las pautas de las láminas para ambos tomos solo dan 11 y 36 retratos pero nada dice del resto de las láminas cuyo número no coincide ser el mismo en todos los ejemplares y es de suponer que se añadieron a la obra. Creemos que nuestro ejemplar está completo de láminas. MARINA PIRATAS CORSARIOS BUCANEROS Libro en español Imp. de José María Ducazcal (Domingo Carlos Vila y Juan Manini, Editores) hardcover
Silografia colorata con maschere(mm 403 x 285) n. 68 ms. al centro del margine inferiore. L'immagine riunisce due differenti tradizioni devote: quella trasmessa dal Teramano che narra il trasporto miracoloso della casa della Madonna da Nazareth al colle lauretano e l'apparizione della Vergine sopra la chiesa di Santa Maria di Loreto a Paolo della Selva. Perfetto esemplare.. Cfr. Infelise-Marini, 1990 n.15, pp. 157, Zotti Minici, 1996. n. 1493.
17001270943early 1700's. Hardcover. folio unpaginated; VG; spine paneled black leather with red label gilt lettering; rebound spine 3/4 bound corners and boards not rebound; bumping and peeling to corners wear to boards; This book consists of a compilation of plates mostly from Dutch engravers featuring bible scenes. The scenes range from the creation of man to the adoration of the three kings; plates are tipped onto thicker stock; some pages have fingermark stains; shelved above Case 3. 1270943. Shelved Dupont Bookstore. hardcover
100-23441Alyson Books. Paperback. New. In shrink wrap. Looks like an interesting title! Alyson Books paperback
178140734Barcelona, Bernardo Pla, 1781. 4to. Contemp. full calf. Richly gilt spine. Titlelabel with gilt lettering. Stamp on htitle and titlepage. (14),XXXVI,(4),391,(1) pp., 7 large folded engraved plates and 1 folded engraved plan. First inner hinge a bit loose, not broken. A few scattered brownspots, but a fine, clean copy printed on good paper.
178140734Barcelona Bernardo Pla 1781. 4to. Contemp. full calf. Richly gilt spine. Titlelabel with gilt lettering. Stamp on htitle and titlepage. 14XXXVI43911 pp. 7 large folded engraved plates and 1 folded engraved plan. First inner hinge a bit loose not broken. A few scattered brownspots but a fine clean copy printed on good paper. <br/><br/><em>First edition.- Klaus Jordan: 2359. </em> unknown
Cm. 21, pp. vii (1) 72 + 86 (2) d'appendice documentaria. Con alcune figure nel testo e 7 tavole incise in rame e più volte ripiegate f.t. tra cui tre piante della città di Senigallia ed una pianta del territorio marchigiano. Cfr. Lozzi (5170): "Assai rara". Legatura strettamente coeva in cartoncino ricoperto in carta decorata. Esemplare genuino e marginoso, con solo qualche forellino di tarlo, perlopiù marginale.
193119770Dayton OH: The McCall Company 1931-32. Vertical crease to the first issue mild rubbing and stress creases to the set a nearly fine to fine set with the exception of the January 1932 issue which is good only 19770. Octavo six issues pictorial wrappers. Pulp magazine. Bedsheet format. Complete six part serial "The Triumph of Tarzan" later published in book form as TARZAN TRIUMPHANT. The first issue has a Tarzan cover by Laurence Herndon. Reference: Heins p. 76-77. The McCall Company unknown
1965178461965. King Jr. Martin Luther. Original silver gelatin press photograph 1965 depicting Dr. King addressing a large crowd of demonstrators at the conclusion of the Selma to Montgomery march one of the pivotal public actions of the modern Civil Rights Movement. The march formed part of a coordinated campaign to secure federal protection of Black voting rights in the South culminating in the 54 mile procession from Selma to the Alabama state capital between March 21 and March 25 1965. Organized in response to violent suppression of earlier demonstrations including the events of "Bloody Sunday" the march became a catalyst for passage of the Voting Rights Act of 1965. The image captures King in the act of public address visually embodying the convergence of grassroots protest media coverage and federal legislative transformation that defined the movement's mid decade phase.<br /> <br /> King Jr. Martin Luther. Press photograph. No place 1965. Silver gelatin print approximately 6.5 x 4.5 inches black and white with light ink stamp on verso and handwritten notation "Secola - 4 Colonne."<br /> <br /> As a press photograph produced for editorial circulation the print reflects the essential role of photojournalism in shaping national and international perception of civil rights activism. Images of the Selma campaign were widely disseminated influencing public opinion and political response during a decisive legislative moment. Corners slightly bent; light handling wear; verso stamp faint but present; image clear with strong contrast. Overall condition: very good. unknown
182047134Portsmouth NH: Nath'l B. March 1820. Very Good. Portsmouth NH: Nath'l B. March n.d. ca. 1820. Small leather and wood trunk 25.5x11x12.5cm adorned with brass rivets scalloped edges to leather on lid retaining original brass latch and handle engraved ownership brass buckle of the original owner Jeremiah Emery of Shapleigh Maine 1790-1838; interior lined with the original white paper with a lovely blue polka dot design maker's label illustrated with a woodcut horse affixed inside of lid. Leather a bit dried and cracked some light dustiness and a couple small damp stains to lid else an excellent example. <br /> <br /> Small portable letter trunk manufactured by Nathaniel B. March 1783-1862 "Saddle Harness and Trunk Maker" located at State-Street in Portsmouth New Hampshire. His manufacturer's label further notes "Also Fur Caps & Curled Hair Mattresses." A lovely survival and an excellent example of American craftsmanship and paper design. Nath'l B. March unknown
192420857New York: The Frank A. Munsey Company 1924. The first issue February 9 has edge wear with the rear cover detached it is a very good copy the March 1 issue 5 has some paper loss to the spine affecting the title lettering a very good to nearly fine copy the rest of the issues are nearly fine to fine. A bright attractive set. 20857. Octavo seven issues cover illustration for the February 2 issue by Stockton Mulford interior illustration in each issue pictorial wrappers. Pulp magazine. Complete seven part serial "Tarzan and the Ant-Men." This magazine version is approximately 7000 words shorter than the novel published in book form in the U.S. the British book publication matches this version. Reference: Heins pp. 64-65. The Frank A. Munsey, Company unknown