[Israël, Silvestre; Adam Perelle:]Antiquariat.de
154 résultats
1670900376AGParis:, um 1670. Kupferstich, Blattmaß. 18 x 27 (quer). Plattenmaß: 13 x 24 cm (quer). [2 Warenabbildungen]
16393300368London: Cornelius Bee and Laurence Sadler 1639. Book. Good. Cloth. Folio - over 12" - 15" tall. Text in latin. pp title 3 4 1 3 145 title of the " Additamenta" 149 - 310 2 8 2 1. Signature of Richard Vaughan editor of " The Chronicles of Mattew Paris " on fep his extensive annotations appear throughout the first part of the text. A sound textblock in a plain 20th cent cloth binding end papers replaced. Cornelius Bee and Laurence Sadler Hardcover
1690LBW-7907[Paris], J.B. Nolin, [circa 1690]. 255 x 775 mm.
1700200060AG1700. Paris Jacques Chereau c.1700s. Original hand-coloured engraved vue d'optique. Plate Size: 39.3 cm x 28.5 cm. Sheet Size: 41.5 cm x 29.7 cm. Original print. In very good condition. Clean crisp and bright impression. A beautifully coloured vue d'optique of 18th Century Paris. A beautiful original hand-coloured copperplate engraving that shows a view of The Paris Observatory and the College des Jesuits on the left bank of the Seine. In the foreground people are shown out strolling and conversing. Below the printed area is the title and the following address of the publisher in French: "A Paris chez J. Chereau rue St. Jacques au dessus de la Fontaine St. Severin aux 2 Colonnes No. 257." Jacques Chéreau 1688 - 1776 was a portrait engraver printmaker and publisher of optical prints in a neighbourhood of printmakers at the Rue Saint-Jacques variously given on prints as "au Grand St. Remy" "au Coq" or "au dessus de la Fontaine St. Severin" in Paris France. From about 1740 to about 1820 optical prints also called "vue optique" or "vue d'optique" prints were made to be viewed through a Zograscope or other devices of convex lens and mirror all of which produced optical illusion of depth. Intaglio optical prints have exaggerated converging lines and bright hand-colours which contribute to the illusion of depth. Typically the legends of optical prints have reversed words along the top edge as those would be seen though the scope but words on the bottom of the prints are normal. Jacques and his brother were considered some of the most prolific publishers of prints in Paris. Subjects include current events views of the known world and fantasy compositions. Wikipedia unknown
