Musique

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Marsollier des Vivétieres, B.J. et P. GavauxAntiquariat.de

La traité nul, Comédie en un acte et en prose, méle d'Ariettes. Représentée le 5 Messidor, an 5, sur le theatre Feydeau.

[Music]. BEMETZRIEDER , [Antoni]. (1743-1817)Biblio.com

Lecons Declavecin et Principes D' Harmonie

177144016Paris: Chez Bluet Libraire 1771. 4to. 20cm trimmed in 4's viii362 but 363pp. & 1p. "Approbation du Censeur Royal complete with half title stylized initial B vignette on the title page initial illustrated vignette in frame border on page one beginning and ending printed chapter device decorations printed music throughout in near contemporary quarter calf backed blue paper over boards gilt ruled bands and panel device decorations and faded title the spine is somewhat worn the upper hinges is cracked the board edges are heavily worn text block is sound on the whole considering the contemporary period a very good. Very Good. Antoine Bemetzrieder en allemand : Anton Bemetzrieder est un compositeur théoricien et professeur de musique français né à Dauendorf le 26 mars 1739 et décédé à Londres en 1817. Il suit d'abord des études à Strasbourg et est diplômé en philosophie en 1760 et en droit en 1762. Il part s'installer à Paris en 1766 et entame l'étude de la musique qu'il enseigne bientôt. En particulier il fut engagé par Denis Diderot en 1769 pour enseigner le clavecin à sa fille. Son premier ouvrage les Leçons de clavecin et Principes d'harmonie rencontra un vif succès. Il y avait pu profiter de l'aide de Diderot qui donna sans doute sa forme de dialogue à ce traité pédagogique. Bemetzrieder publiera d'autres ouvrages pédagogiques jusqu'à son départ pour Londres en 1781. Il y enseigne encore la musique réédite ses œuvres et en écrit de nouvelles sur la musique les mathématiques la philosophie et l'éthique. BEMETZRIEDER Antoni 1743-1817. Antoine Bemetzrieder in German: Anton Bemetzrieder was a French composer theorist and music teacher born in Dauendorf on March 26 1739 and died in London in 1817. He first studied in Strasbourg graduating with degrees in philosophy in 1760 and in law in 1762. He moved to Paris in 1766 and began studying music which he soon began teaching. In particular he was hired by Denis Diderot in 1769 to teach his daughter the harpsichord. His first work Harpsichord Lessons and Principles of Harmony was a great success. He benefited from the help of Diderot who undoubtedly gave this pedagogical treatise its dialogue-like form. Bemetzrieder published other pedagogical works until his departure for London in 1781. There he continued to teach music republished his works and wrote new ones on music mathematics philosophy and ethics. With a contemporary bookplate "Bibliotheque de Mr. Gaston Calmann-Levy Chez Bluet, Libraire unknown

Patrick McGahern Books, Inc. (ABAC) · Canada1 200,00 $CA≈ 815,04 €

(MUSIC). (BINDINGS - JOLY FILS). [LAUJON, PIERRE]Biblio.com

LES A PROPOS DE SOCIÉTÉ OU CHANSONS DE M. L. and LES A PROPOS DE LA FOLIE OU CHANSONS GROTESQUES GRIVOISES ET ANNONCES DE PARADE

1776ST12954Paris: Joseph-Gérard Barbou 1776. 215 x 135 mm. 8 1/2 x 5 1/4". Three volumes. ELEGANT 19TH CENTURY BROWN MOROCCO GILT BY JOLY FILS stamp-signed on front turn-ins covers with French fillet border raised bands spine compartments densely gilt with complex fleurons drawer handle tools and circlets intricately gilt turn-ins marbled endpapers gilt edges. Engraved title pages three engraved vignettes and three engraved plates after Moreau le jeune. Cohen-de Ricci p. 604. Lightly washed and pressed in keeping with bibliophilic fashion at the time of binding one title page with small corner tear otherwise A FINE SET clean and still crisp internally with ample margins and the scarcely-worn bindings quite lustrous. This is a finely bound copy of singer and playwright Pierre Laujon's songs "About Society" and "About Folly" with illustrations of "ravishing grace" that Cohen-de Ricci considers among the best efforts of Jean Michel Moreau. Laujon 1727-1811 wrote and performed in musical reviews and ballets where his efforts attracted the attention of the Count of Clermont and the Prince de Condé who hired him to direct their festivals and pageants. The songs here were composed for these "society festivals" gently mocking the frivolous naughty behavior of the elite. The accompanying illustrations showing beautifully dressed courtiers and bon-vivants are the work of Moreau le jeune 1741-1814 deemed by no less than Gordon Ray to be "the greatest name among French illustrators of the 18th century." The graceful bindings here were done by one of the great bookbinding houses of France. After apprenticing in the provinces Antoine Joly 1838-1917 moved to Paris found employment with the celebrated Léon Gruel later formed a partnership with Thibaron in 1874 succeeded him 11 years later and in 1892 turned the business over to his son Robert 1870-1924 who signed his work "Joly fils." According to Duncan & DeBartha "An excellent gilder like his father Robert designed and produced a range of classical covers." The trifecta of light-hearted songs elegant engravings and luxurious bindings endow this set with a great deal of French charm. Joseph-Gérard Barbou] unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis1 820,00 $US≈ 1 539,90 €

(Music) Brown, WilliamBiblio.com

Three Rondos for the Piano Forte or Harpsichord Composed and Humbly Dedicated to the Honourable Francis Hopkinson

1787373365Philadelphia: Printed and sold by the Author . John. Aitken Sculp 1787. Engraved title letterpress 1p. List of Subscribers 6 engraved sheets. 4to. Loose sheets trimmed close at the gutter margin. Engraved title letterpress 1p. List of Subscribers 6 engraved sheets. 4to. "By one of those strange coincidences which delight the historian and at the same time provide the essayist with convenient points of departure the year 1787 which saw the writing of the Constitution of the United States saw also the solid beginnings of music publishing in this country as a separate and independent enterprise. The scene of these beginnings was Philadelphia the publisher and composer a certain William Brown the engraver John Aitken; the publication itself bore a dedication to no less a person than Francis Hopkinson signer of the Declaration of Independence and our first native composer. Three Rondos for the Piano Forte or Harpsichord. Composed and Humbly Dedicated to the Honourable Francis Hopkinson Esq. by William Brown. Philadelphia. Printed and Sold by the Author. Price Two Dollars. J. Aitken Sculp - so runs the full title of this musical landmark which the composer-publisher himself in inviting subscribers had called 'the first attempt of the kind in America'" Oliver Strunk "Early Music Publishing in the United States" The Papers of the Bibliographical Society of America vol. 31 no. 2 1937 pp. 176-79. Dunlap & Claypoole's Daily American Advertiser of 23 January through 10 February 1787 announced that subscriptions were being gathered for William Brown's Three Favorite Rondos Adapted to the Harpsichord. Subscriptions were being gathered both by Mr. Brown and Mr. Reinagle for the work. Among the notables on the subscriber list here are Alexander Reinagle four members of the Penn family and the dedicatee Francis Hopkinson. Very scarce with only four examples in OCLC. Evans 20246; Sonneck p. 361 Printed and sold by the Author ... J[ohn]. Aitken Sculp unknown

James Cummins Bookseller · États-Unis4 500,00 $US≈ 3 807,45 €

Music - Mattheson, JohannBiblio.com

Der vollkommene Capellmeister das ist gründliche Anzeige aller derjenigen Sachen die einer wissen können und vollkommen inne haben muß der einer Capelle mit Ehren und Nutzen vorstehen will.

173916570AB1739. Ham burg Herold 1739. 345 : 225 cm. 28 pages 2 leaves 484 pages 8 leaves register with engraved vignette on title-page type-set musical examples within the text woodcut head and tailpieces 1 full-page engraved plate. Contemorary half vellum decorated papers on boards. First print of the first edition "Neues Verzeichnis bisheriger Matthensonischer Werke" which is only missing in the first print. The rare original edition of the most important work of Matteson an encyclopedia of knowledge of the music-practice of its time. An undispensable source for music-academics. He brings together a vast array of facts as well as his most complete statement of several major theoretical concepts. These include the systematizing of the doctrines of rhetoric as they become the basic of compositio.A lengthy discussion of emotion in music leads to.the only attempt found in baroque literature to arrive at a true "Doctrine" of the Affections. New Grove 11 p. 835. - Mattheson's most important and extensive theoretical work "an encyclopedia of the entire musical practice of his time" in the extremely rare original edition. The important matters from music theory and aesthetics which are often dealt with quite briefly in the 3 "Orchestras" in the "Critica musica" in the two "Schools for basso continuo" as well as in the "Core of melodic science" are treated in such detail that this work must almost be called a fundamental one Schmidt. Mattheson's works have become an indispensable source for musicology because without them it is difficult to understand the great music-historical turn that took place in his time. Joseph Haydn owned a copy of it; Goethe knew it as is evident from his letter to Zelter of Jan. 1 1819. - Cannon No. 138; Wolffheim I 819; Hirsch I 378. - With a small inscribtion at the inner front board. Boards coverd with a special marbled paper. hardcover

Michael Steinbach Rare Books · Autriche4 500,00 €

(BINDINGS - DEROME LE JEUNE). (MUSIC, POETICAL TREATISES ON). YRIATE [or IRIATE], TOMAS DEBiblio.com

LA MUSICA POEMA

1779ST19371Madrid: Imprenta Real 1779. FIRST EDITION. 235 x 150 mm. 9 1/4 x 6". 10 p.l. 126 XL pp. 1 leaf errata. EXCELLENT CONTEMPORARY CRIMSON MOROCCO BY DEROME LE JEUNE his ticket with address of Rue St. Jacques on verso of front free endpaper covers framed with thick and thin gilt rules raised bands spine compartments with central floral sprig surrounded by a lozenge of small tools volute cornerpieces gilt titling gilt-rolled turn-ins gilt edges cobalt blue paste-paper endpapers. WITH SIX CHARMING ENGRAVED ALLEGORICAL PLATES after G. Ferre. Front pastedown with morocco bookplate of Mortimer L. Schiff and small book label with a gilt cipher on a red peach. A Large Paper Copy. Palau y Dulcet IV 107; RSIM B VI 429; MGG VI 1403 f.; Gregory-Bartlett I 129. Three minute dents to front board a hint of wear to bands and corners isolated faint foxing blank recto of frontispiece leaf and blank verso of final leaf with faint blue shadown from endpapers but all of these quite trivial and otherwise A BEAUTIFUL COPY--fresh clean and bright internally with very wide margins and strong impressions of the plates and in a lustrous binding showing with few signs of use. This is surely one of the handsomest poetical treatises on music ever produced and it is offered here in a binding done by one of the finest craftsmen working in Europe during the period of the book's publication. The work is written in the "silva" form of poetry used by persons of high rank illustrated with fine engravings and put into elegant morocco by the finest hands among the large Derome family of binders. According to Palau our first edition is "beautiful and printed on fine paper." He says further that although the strongly expressed opinions of the youthful author on contemporary composers caused the work to be "unfairly attacked" it was "appreciated by professors of music and collectors of literature in that genre" especially in Italy and America. A child of the Enlightenment Iriate 1750-91 gained entry to intellectual and artistic circles in Madrid through his uncle who was librarian to the king of Spain. He translated works by Horace and Virgil into Spanish by royal request and wrote criticism poetry and dramas. He is best known for his satirical fables on the contemporary literary scene "Fábulas literarias." There were no fewer than 18 members of the Derome family who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th but by far the most distinguished family member was Nicolas-Denis called "le jeune" 1731-88. Known for the gracefulness of his bindings and for being capable of "amazing delicacy" in Hobson's words Derome le jeune was simply the leading binder of the day and his work was much in demand. Because he refused to turn away customers Derome was forced to hire a number of assistants whose work he could not always supervise closely. However Thoinan says that the binder's best work is indicated by the presence of his ticket as here. The volume's provenance adds to its luster: it was in the distinguished library of American bibliophile Mortimer Schiff 1877-1931. In Dickinson's words Schiff a financier and philanthropist Schiff "brought together an unrivaled collection of decorative bindings." His library included works by great printers important illustrated books and works printed on vellum but chiefly fine and historic bindings. The "Reliures" database of the Bibliothèque Nationale de France commends Schiff for assembling "one of the most important inter-war libraries" noting that his collection was "renowned for its collection of French bindings.". Imprenta Real unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis8 112,00 $US≈ 6 863,56 €

(FRENCH ILLUSTRATED BOOKS). (MUSIC). (ENGRAVED BOOKS). LABORDE, BENJAMINBiblio.com

CHOIX DE CHANSONS MISES EN MUSIQUE . . . ORNÉE D'ESTAMPES PAR J. M. MOREAU. "CHANSONS DE LABORDE"

1773ST20891Paris: Chez de Lormel Imprimeur de l'Academie Royale de Musique 1773. FIRST EDITION First Issue with pencilled correction of "affreux Serpent" on p. 54 of Vol. II. 237 x 160 mm. 9 1/4 x 6 1/4". Engraved throughout. Four volumes. Tasteful contemporary crimson morocco gilt covers with triple fillet border floral garland at corners crossed trumpets with laurel branches at center smooth spines in gilt compartments with floral sprig within an oval catkin wreath two tan morocco labels gilt turn-ins marbled endpapers all edges gilt restorations to head of two spines. ENGRAVED THROUGHOUT: Engraved decorative title page and dedication page in volume I three engraved frontispieces by Le Bouteux and Le Barbier in volumes II-IV one of these a portrait of the dedicatee La Dauphine Marie Antoinette and 100 FULL-PAGE PLATES the 25 in volume I designed and engraved by Moreau le jeune all with tissue guards those in volumes II-IV engraved by Masquelier and Née after designs by Le Barbier Le Bouteux and Saint-Quentin about one-third of the plates with original tissue guards. Without the separately printed portrait of Laborde issued in 1774 and found in some copies. Cohen-de Ricci pp. 534-38; Ray 49 pp. 90-91 p. 76; Lewine pp. 266-68. Spines slightly and evenly sunned a hint of wear at corners but the bindings otherwise beautifully preserved with only the most trivial imperfections; internally with isolated inconsequential foxing or small stains. A VERY FINE CONTEMPORARY SET the lovely bindings scarcely worn the margins extremely ample the contents clean and fresh and THE ENGRAVINGS RICHLY IMPRESSED. Dedicated to the crown princess Marie Antoinette this opulent production--offered here in fine contemporary morocco--beautifully displays the music fashion and aristocratic antics of Louis XV's court perfectly encapsulating the French Rococo. According to Cohen-de Ricci "This book—one of the most beautiful of the 18th century—is perhaps along with 'Contes de La Fontaine' the most delightful by virtue of the grace of its subjects and the variety of the costumes depicted therein." It contains some of the most elegant and memorable engravings to be seen in any French work of the period and they transform a book of perhaps more than occasionally vapid songs into a profoundly pleasurable visual experience. The author Benjamin de Laborde or Jean-Benjamin de La Borde 1734-94 was the hunchbacked valet of King Louis XV. In consequence of the monarch's indulgence of his favorite de Laborde's songs were given a presentation described by Ray as being of "the utmost sumptuousness" the entire work having been produced by engraving. The first volume which Cohen-de Ricci Ray and Lemire unanimously proclaim a "masterpiece" is graced by plates that were both designed and cut by Jean-Michel Moreau called Moreau le jeune 1741-1814. Ray says that the work done by Moreau le jeune during the 1760s "showed him to be the equal of the established rococo masters Boucher Eisen and Gravelot" and that in his work during the 1770s "he carried all before him." So Moreau was in his prime then when he executed these charming scenes often of courtship set in pastures pleasure parks and elegant interiors; they represent the culmination of the Rococo style delicate and lush without being cloying. Because of a quarrel between the artist and the author the final three volumes were illustrated by Le Bouteux and by Jean-Jacques-François Le Barbier 1738-1826. Le Barbier was one of the first great French neoclassical illustrators and Ray declares the engravings here his "most sustained and accomplished series of illustrations apart from that for Gessner's 'Oeuvres'" and laments that the present work "has not received the attention it deserves." Le Barbier's compositions are characterized by charm grace and elaborate and convincing detail. This first printing presents the engravings at the height of their richness and power which has been undimmed by the intervening centuries. With any copy of this work the engravings will always take center stage but here the tasteful contemporary red morocco bindings deserve a prolonged bow: they are perfectly elegant and elegantly perfect. Chez de Lormel, Imprimeur de l'Academie Royale de Musique unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis9 880,00 $US≈ 8 359,47 €

Musique

La traité nul, Comédie en un acte et en prose, méle d'Ariettes. Représentée le 5 Messidor, an 5, sur le theatre Feydeau.

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La traité nul, Comédie en un acte et en prose, méle d'Ariettes. Représentée le 5 Messidor, an 5, sur le theatre Feydeau.

Graduale Romanum Juxta Missale. Ex Decreto Sacrosancti Concilii Tridentini Restitutum, Et Clementis VIII. auctoritate recognitum. Adjectis Officiis Novissime Editis Ad exemplar Missalis Romani. Ultima editio multò auctior & emendatior.

Feria Quinta in Cena Domini; Feria Sexta in Parasceve; Sabbata Sancto. Musical manuscript parts for tenor and bass

Vollständiges Marburger Gesangbuch zur Uebung der Gottseligkeit in 680. Christlichen und Trostreichen Psalmen und Gesängen Hrn. D. Martin Luthers und Andrer Gottseliger Lehrer

Littanie a 3. Voci. Copyist manuscript

Opere Drammatiche Del Sig. Abate Pietro Metastasio Romano Poeta Cesareo. Volumes I Through 4 complete

Projet concernant de nouveaux singnes pour la musique. Lu par l'auteur à l'Académie des Sciencesm, le 22. août 1742.

Memoire Sur la Musique des Anciens Ou l'on expose le Principe des Proportions authentiques dites de Pythagore & de divers Systemes de Musique chez les Grecs les Chinois & les Egyptiens; Avec un parallele entre le systeme des Egyptiens & .

A Pocket Companion for Gentlemen and Ladies: Being a Collection of the Finest Opera Songs & Airs in English and Italian. A Work Never Before Attempted. Volume I

Harmonia-Sacra, or A choice Collection of Psalm and Hymn Tunes & in Two and Three Parts For the Voice, Harpsichord, and Organ.

Lecons Declavecin et Principes D' Harmonie

GRUNDSATZE DES GENERALBASSES ALS ERSTE LINIEN ZUR COMPOSITION

Deutschland. (Hrsg. v. J.F. Reichardt). Bd. 3-4 (= St. 7-12/damit Erscheinen eingestellt).

Generation harmonique, ou traité de musique theorique et pratique.

LES A PROPOS DE SOCIÉTÉ OU CHANSONS DE M. L. and LES A PROPOS DE LA FOLIE OU CHANSONS GROTESQUES GRIVOISES ET ANNONCES DE PARADE

Three Rondos for the Piano Forte or Harpsichord Composed and Humbly Dedicated to the Honourable Francis Hopkinson

Der vollkommene Capellmeister das ist gründliche Anzeige aller derjenigen Sachen die einer wissen können und vollkommen inne haben muß der einer Capelle mit Ehren und Nutzen vorstehen will.

LA MUSICA POEMA

CHOIX DE CHANSONS MISES EN MUSIQUE . . . ORNÉE D'ESTAMPES PAR J. M. MOREAU. "CHANSONS DE LABORDE"

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Filtres actifs

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