8 829 résultats
1165700832.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009DADAX1104369346Kessinger Publishing 2009-04-27. paperback. New. 6.00x1.43x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
1166171353.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
110494555X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0766167887.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1169699995.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3787307958.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1166315428.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1120024072.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1143362594.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
199011390Zephyrhills Fl.: Joyce Record Club Publication 1990. Book. Very Good . Soft cover. First Printing of the First Edition. About fine but for some cracking to spine which has been taped to prevent further damage and minor corner bumping. Scarce. Joyce Record Club Publication Paperback
1963040687Philadelphia: Library Company 1963. First Edition. Hardcover. Very Good. pp: vii 205 with index; 15pp illus from photographs showing several hundred song sheets. Bound in brown buckram gilt spine lettering. 11.25" x 8.5" Standard reference on the topic. Library Company hardcover
1930117a9078London: Breitkopf and Hartel 1930. Book. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 21 pages. Undated. Covers taped on. Some markings. Above-average wear. Worthy working copy. Circa 1930. Breitkopf and Hartel Paperback
1917586840New York: T.B. Harms and Francis Day & Hunter 1917. Softcover. Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. Bifolium nearly separated along the fold edgewear and toning a complete but good only copy. For voice and piano. Plate number 5480-3. The back cover features short samples of "Love O' Mine" by Reynolds and Kern and "Have a Heart I Am All Alone" by Kern and Wodehouse. Oh Boy! is a musical that opened February 1917 at The Princess Theatre and was its most successful production eventually moving to the Casino Theatre and running for a total of 463 performances. In 1919 it was made into a silent film comedy directed by Albert Capellani and starred June Caprice Creighton Hale and Zena Keefe. OCLC locates seven holdings. T.B. Harms and Francis, Day & Hunter unknown
1917525140New York: T.B. Harms 1917. Softcover. Very Good. Sheet music. Folio. Single bifolium with a single sheet insert making six pages. Edgewear toning and rubbing still a very good and complete copy. For voice and piano. Plate imprint "T.B.H. Co. 13-4." The back cover features short samples of songs from Miss Springtime also with music by Emmerich Kalman and lyrics by P.G. Wodehouse and Herbert Reynolds "In the Garden of Romance" "Throw Me a Rose" "A Little Bid for Sympathy" and "The Love Monopoly." The Riviera Girl" is an Americanized version of the operetta Die Csárdásfürstin with music by Kalman and book by Leo Stein and Bela Jenbach. A 1917 New York Times review of The Riviera Girl commented "it is always in the best of taste is sometimes gay and witty and in its scenic and musical setting it is of the very highest order." OCLC locates seven holdings and it appears to be equally uncommon in the trade. T.B. Harms unknown
1919586935New York: Chappell & Co. / T.B. Harms and Francis Day & Hunter 1919. Softcover. Near Fine. Later printing. Folio. Single bifolium with a single sheet insert making six pages. Composer's signature stamp on the front cover light toning and rubbing else near fine. For voice and piano. Plate number 5682 - 4. The back cover features a short sample of "Yearning" by Sidney Carter and Neil Moret. The Canary appears to be a largely forgotten musical. It opened at the Globe Theatre in New York on November 4 1918 and ran for 152 performances. OCLC locates eight holdings and it appears to be equally uncommon in the trade. Chappell & Co. / T.B. Harms and Francis, Day & Hunter unknown
1917586888New York: T.B. Harms 1917. Softcover. Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. Bifolium separated along the fold but both leaves are present toning and light edgewear a complete but good only copy. For voice and piano. Plate imprint "T.B.H. Co. 22 - 4." The back cover features short samples of songs from Miss Springtime also with music by Kalman and lyrics by Wodehouse and Herbert Reynolds "In the Garden of Romance" "Throw Me a Rose" "A Little Bid for Sympathy" and "The Love Monopoly." The Riviera Girl" is an Americanized version of the operetta Die Csárdásfürstin with music by Emmerich Kalman and book by Leo Stein and Bela Jenbach. A 1917 New York Times review of The Riviera Girl commented "it is always in the best of taste is sometimes gay and witty and in its scenic and musical setting it is of the very highest order." OCLC locates four holdings and it appears to be equally uncommon in the trade. T.B. Harms unknown
1919525134New York: T.B. Harms 1919. Softcover. Very Good. Sheet music. Folio. Single bifolium with a single-sheet-insert making six pages. Light toning and bumping to the exterior very good or better. For voice and piano. Plate imprint "T.B.H. Co. 105_4 Loves a Very etc." The back cover features four short samples from the musical comedy Oh Lady! Lady!! with lyrics by P.G. Wodehouse and music by Jerome Kern. See You Later was not one of Wodehouse and Bolton's many hits writing for Theatre Heritage Elisabeth Kumm states that the show "never made it past out-of-town tryouts opening at the Academy of Music in Baltimore in April" which explains why there is so little information about this musical available and so few examples of its music to be found. OCLC locates only two holdings and it appears to be equally uncommon in the trade. T.B. Harms unknown
1919587276New York: T.B. Harms 1919. Softcover. Very Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. Two very small and neat internal tape repairs along the fold light edgewear and light toning still a very good and complete copy. For voice and piano. Plate imprint "T.B.H. Co. 9101_4 I Never Knew." The back cover features a sample of "Arabian Nights" by M. David and Wm. Hewitt. See You Later was a musical comedy with book and lyrics by P.G. Wodehouse and Guy Bolton but it was not one of their many hits writing for Theatre Heritage Elisabeth Kumm states that the show "never made it past out-of-town tryouts opening at the Academy of Music in Baltimore" which explains why there is so little information about this musical available and so few examples of its music to be found. OCLC locates only a single holding and it appears to be equally scarce in the trade. T.B. Harms unknown
1919587274New York: T.B. Harms 1919. Softcover. Near Fine. Sheet music. Folio. Single bifolium with a single sheet insert making six pages. One very small and neat internal tape repair light edgewear and light toning else near fine. For voice and piano. Plate imprint "T.B.H. Co. 95_4 Isn't It Wonderful!" The back cover features a sample of "Arabian Nights" by M. David and Wm. Hewitt. See You Later was a musical comedy with book and lyrics by P.G. Wodehouse and Guy Bolton but it was not one of their many hits writing for Theatre Heritage Elisabeth Kumm states that the show "never made it past out-of-town tryouts opening at the Academy of Music in Baltimore in April" which explains why there is so little information about this musical available and so few examples of its music to be found. OCLC locates three holdings and it appears to be equally scarce in the trade. T.B. Harms unknown
1919587280New York: T.B. Harms 1919. Softcover. Very Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. Light edgewear bumping to the corner toning and soiling to the exterior still a very good and complete copy. For voice and piano. Plate imprint "T.B.H. Co. 94 - 4 Desert Island" The back cover features four short samples from the musical comedy Oh Lady! Lady!! with lyrics by P.G. Wodehouse and music by Jerome Kern. See You Later was a musical comedy with book and lyrics by P.G. Wodehouse and Guy Bolton but it was not one of their many hits writing for Theatre Heritage Elisabeth Kumm states that the show "never made it past out-of-town tryouts opening at the Academy of Music in Baltimore" which explains why there is so little information about this musical available and so few examples of its music to be found. OCLC locates only two holdings and it appears to be equally scarce in the trade. T.B. Harms unknown
1917587452New York: T.B. Harms 1917. Softcover. Very Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. Bifolium separating along the bottom half of the fold and a bit at the top rubbing and light edgewear still a very good and complete copy. For voice and piano. Plate imprint "T.B.H. Co. 10 - 4." The back cover features four short samples from the musical comedy Oh Lady! Lady!! with lyrics by P.G. Wodehouse and music by Jerome Kern. The Riviera Girl" is an Americanized version of the operetta Die Csárdásfürstin with music by Kalman and book by Leo Stein and Bela Jenbach. A 1917 New York Times review of The Riviera Girl commented "it is always in the best of taste is sometimes gay and witty and in its scenic and musical setting it is of the very highest order. T.B. Harms unknown
1918602495New York: T.B. Harms Company 1918. Softcover. Very Good. First American edition. Quarto. Illustrated from black and white photos. Wrappers. Rubbing to the wrappers light wear to the spine ends and a music shop stamp on the front wrapper very good or better. For voice and piano. The title pages states that this musical was the fifth musical production put on by The Princess Theatre. Dorothy Parker was a fan of the production and of the writing team in general writing in Vanity Fair "Wodehouse and Bolton and Kern are my favorite indoor sport . I like the way they go about a musical comedy . I like the way the action slides casually into the songs . I like the deft rhyming of the song that is always sung in the last act by two comedians and one comedienne. And oh how do I like Jerome Kern's music – those nice soft polite little tunes that always make me wish I'd been a better girl. And all these things are even more so in Oh Lady! Lady!! than they were in Oh Boy an earlier work by the trio." OCLC locates only seven holdings and it appears to be equally scarce in the trade. T.B. Harms Company unknown
1905617661London: Hopwood & Crew 1905. Softcover. Good. Sheet music. Folio. Two nested bifolia with a single-sheet-insert making ten pages. Outer bifolium separated along the fold but both leaves are present inner bifolium mostly separated along the fold name stamp on the front cover bumping to the corners and rubbing to the front cover a good only copy. For voice and piano. Plate imprint "H & C Ltd. 4274." There is a variant printing of this song from the same publisher in the same year that excludes the third verse that is featured here. The rubber name stamp is that of actor and theater manager Frank Curzon with a notice printed on the front cover that reads "Application for right of performing the above Musical Comedy must be made to Mr. Frank Curzon Prince of Wale's Theatre London." OCLC locates six holdings and it appears to be equally uncommon in the trade. Hopwood & Crew unknown
1905618455London: Hopwood & Crew 1905. Softcover. Very Good. Sheet music. Folio. Two nested bifolia with a single-sheet-insert making ten pages. A few small neat internal tape repairs name stamp on the front cover corners lightly bumped a complete and very good copy. For voice and piano. Plate imprint "H & C Ltd. 4274." There is a variant printing of this song from the same publisher in the same year that excludes the third verse that is featured here. The rubber name stamp is that of actor and theater manager Frank Curzon with a notice printed on the front cover that reads "Application for right of performing the above Musical Comedy must be made to Mr. Frank Curzon Prince of Wale's Theatre London." OCLC locates six holdings and it appears to be equally uncommon in the trade. Hopwood & Crew unknown
