44 881 résultats
Un volume (30 cm) di 191 pagine, con varie foto in bn e a colori. In lingua russa, caratteri cirillici. Tutta tela editoriale verde con titolo al piatto e al dorso. Condizioni molto buone.
6 pages. Nice cover photo of Alice White. Average wear. Name on front cover. Sheet music
223 p. , 21433 lots illustrés en n/b et en coul. Inv. 34924
463 p., nbr. ill. n/b et coul. Inv. 25519
Tre volumi in 12° legati in pelle, titolo ai tasselli ai dorsi a nervi decorati ai piccoli ferri, tagli e sguardie marezzati, frontespizi, XXVI, 405, 440, 304 pp, rispettivamente 4 tavole ft. incise al fondo d'ognumo dei tomi. Troppo nota l'opera del Rousseau per discettarne, si sottolinea solo il più che bello stato di conservazione e la scarsa reperibilità. Tomi facenti parte dell'opera completa di J. J. Rousseau
cm.24x17, br.ed. con sovr.ill., pp.187, ottimo
<h3>Autore: Dino Abba</h3> <h3>Anno: 1977</h3> <h3>Formato: 17x24 cm - Copertina Morbida </h3> <h3>Pagine: 67 con illustrazioni</h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: Buone, come da foto, con segni del tempo e di utilizzo.</h3>
rilegato con sovraccoperta; catalogo dell'omonima mostra, Cremona Museo Civico Ala Ponzone 29 settembre - 22 ottobre 2000; a cura di Carlo Chiesa e Bruce Carlson; testo italiano/inglese; ill. colore; in condizioni molto buone; contenuto: i saggi presenti nel volume trattano dell'ascesa della liuteria cremonese, del Metodo Amati, della liuteria cremonese tra tardo '700 e '800
(Codice CZ/0143) In 4º (31 cm) 4 pp. Spartito. Copertina illustrata. Ottimo stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
Monza, 2011; br., pp. 28, cm 21x29,5.
8vo and 12mo. Together 2 pp. With autograph address and 1 autograph envelope. The lettercard from 1907 to a singer named Roguet-Linder, scheduling a meeting between Büsser's rehearsals. - The letter with a postmark from 25 July 1925 to the Argentinian music critic Michel Raux Deledicque with information concerning the repetition of a concert. - The letter from 1925 on stationery with embossed letterhead of the Palace Hotel in Buenos Aires. The lettercard shows tears from opening.
8vo and visiting card format. 1¾ pp. and 1 line. Beautiful letter to a friend at the Paris Opera concerning the audition of a young soprano named Gardis that had to be postponed due to a cold: "Mlle Gardis, le soprano [...] dont je vous ai parlé l'autre jour, et à qui vous m'avez bien voulu promettre de donner votre appui auprès de Mr Gaillard, vient d'attraper un gros rhume ! Ne voulant pas se présenter dans de mauvaises conditions, elle préfère attendre jusqu'au mois prochain pour son audition à l'Opéra. Elle s'était fait inscrire pour jeudi prochain, selon votre conseil. Je vous prie donc, mon cher Confrère, de vouloir bien, au mois de Novembre, vous souvenir de ma demande". - The visiting card was to thank an unnamed recipient: "Tous mes remerciements". - Although she was never admitted to the Paris Conservatory, Holmès received lessons from Henri Lambert, Hyacinthe Klosé, and César Franck, whom she considered her most important teacher. Like many female composers of the 19th century, Holmès initially published under a male pseudonym ("Hermann Zenta"). She was particularly successful as a composer of programme music and symphonic music. In 1889 she was commissioned to write the "Ode triomphale" for the Universal Exhibition, which required around 1200 musicians. Holmès first heard Richard Wagner's work at age 13 and was strongly influenced by the German composer ever since. - The letter on stationery with embossed monogram "B.D.". The visiting card with lithographed name and traces of former mounting.
Oblong 12mo and visiting card format. 2 pp. and 3 lines. The letter to an unnamed recipient, possibly the writer Édouard-Auguste Spoll, asking him to authorize the composer J.-M. Mayan to use a portrait of her for his publication "Le Chant et la voix, étude complète de l'art lyrique" (Paris, 1891): "Monsieur Mayan m'écrit que vous voulez bien lui accorder l'autorisation de se servir pour sa méthode de chant d'un portrait que vous avez publié lors de ma biographie. Si vous n'éprouvez aucun inconvénient je vous serai très obligé de lui accorder cette autorisation." Spoll is the author of the only contemporary biography of the famous singer "Mme Carvalho : notes et souvenirs avec un portrait à l'eau-forte par Lalauze" (Paris, 1885). - The visiting card with lithographed name to thank an unnamed person: "avec ses remerciements et ses souhaits bien sincères". - Caroline Miolan Carvalho was considered one of the greatest sopranos of her time. As the prima donna at the Théâtre Lyrique (1856-67) she created several of Charles Gounod's most famous roles, including Marguerite in Faust (1859), Baucis in Philémon et Baucis (1860), and Juliette in Roméo et Juliette (1867). - Minor browning. The visiting card with staple holes.
8vo. Together 2 pp. on bifolia. Both to the conductor Walther Straram concerning his engagement as choirmaster and conductor at the Opéra-Comique. In the letter from 13 June 1908, Carré lays out the conditions of the ten-month engagement starting September. The second letter from 29 May 1909 was to remind Straram of the expiration of the contract at the end of the season. The earlier letter is written in Carré's own hand. - Carré had been a successful actor before becoming the director of the theâtre du Vaudeville in Paris in 1885. In 1898 he was appointed director of the Opéra-Comique, a position he would hold until 1914 and again from 1919 to 1925. - After conducting at the Paris Opéra and the Opéra-Comique, Walther Straram (1876-1933) founded his own Orchestre des Concerts Straram in 1925. The ensemble that emphasized contemporary music was considered to be among the best French orchestras at the time. Straram premiered Honegger's Prélude à la tempête, Ravel's Boléro, and Messiaen's Les Offrandes oubliées. In 1929 Stranvinsky conducted the orchestra for the first recording of Le Sacre du printemps. - Both on stationery with lithographed letterhead of the director of the Opéra-Comique. Traces of folds.
Small 8vo and 12mo. Together 6½ pp. Collection of documents from the last decade of Gustave Nadaud's life, including the original manuscript of his chanson "Albion en Egypte". The fair copy was written in Cairo on 16 January 1883 and is a satirical take on the British occupation of Egypt from 1882, evoking the anti-British trope of "Perfidious Albion": "Egyptiens, combien s'envie | Le sort que vous font les Anglais, | Ils versent le miel de la vie | Dans les mailles de leurs filets. | Dormez sur l'une et l'autre oreille. | Ils sont puissants, ils sont nombreux. | Albion veille: | Egyptiens, soyez heureux!". It was published in Nadaud's "Nouvelles chansons à dire ou à chanter" (Paris, 1891). - In a letter to a M. Dubus, Nadaud announces a trip to Belgium via his native city of Roubaix, for which reason he will be unable to meet the recipient. An undated note presents Nadaud's apologies to a M. Lacroix, as Nadaud had been "the cause of the evil", apparently referring to an accident that caused injury to the recipient's foot. The note was probably delivered by a woman whom Nadaud had sent to take care of Lacroix's injury. - In the final letter from 28 October 1892, Nadaud thanks an unnamed friend for sending him his latest book: "Vous étes mille fois aimable de me donner un souvenir à moi [...]". - The manuscript shows some browning and minor stains. Well preserved.
Zusammen 5 SS. 8vo und qu.-12mo (115:90 mm). Im Brief vom 21. Oktober 1886 kündigt Stockhausen einem engen Freund namens François, wohl aus Stockhausens Zeit an der komischen Oper in Paris, die Zuschrift seiner Publikation "Julius Stockhausen's Gesangstechnik und Stimmbildung" (Leipzig: Peters, 1886) an und bittet um Anmerkungen für die in wenigen Wochen erscheinende Neuauflage: "Dans peu de semaines il doit paraître une nouvelle édition dans la même forme, de sorte qu'on pourra ajouter ou retrancher ce qui est superflu et ce qui manque. Peux tu nous aider un peu?" Er berichtet vom Erfolg seiner 1880 gegründeten Gesangsschule in Frankfurt ("L'école marche à souhaits. J'ai tant d'élèves que je puis faire un choix") und von Proben mit dem Frankfurter Cäcilienchor für eine Aufführung von Beethovens Missa solemnis. Die letzten Zeilen sind Nachrichten von Freunden und Familie gewidmet. - Die Briefkarte vom 18. Dezember 1900 ist an eine Cousine Stockhausens gerichtet, deren Name, wohl Anna, durch ein spielerisches Noten-Kryptogramm angedeutet wird. Stockhausen erkundigt sich über einen Freund und entrichtet Weihnachtsgrüße: "Ich danke dir sehr für deinen ausführlichen Brief. Meiner muss kurz seyn. Schicke mir bitte ein Wort über Nahm. Ist er in Carlsruhe oder in Freiburg wo er sich niederlassen wollte? Für dich einen herzlichen Weihnachtsgruss von deinem alten Vetter". - Die Briefkarte mit lithogr. Briefkopf. Wohlerhalten.
Zusammen 12½ SS. auf 8 Bll. 8vo bis Folio. Der vierseitige Brief vom 5. IX. 1872 an eine "ungetreue Seele", der einseitige Briefentwurf v. 1. XI. 1873 an einen Professor (auf weiteren 1½ SS. Gedichtentwürfe mit Korrekturen und Streichungen), das Manuskriptfragment zu einem Feuilleton (rechts oben mit Rotstift paginiert 3-5; am Ende von Kalbeck signiert) und der Vertrag zwischen der Verlagsbuchhandlung George Westermann und Max Kalbeck über die Herausgabe des Briefwechsels zwischen Paul Heyse und Gottfried Keller (von George Westermann und Max Kalbeck unterschrieben; 3 ms. SS. auf Doppelblatt; Braunschweig, 25. Juni 1914; das hintere Blatt mit Textverlust durch Ausriß).
Zusammen (1+1+2 =) 4 SS. auf 3 Bll. Mit einem ms. adr. Kuvert. An einen Sammler, dem er sein Buch über Alban Berg zusenden will und mit Dank "für die Zusendung der Kritik meines jüngsten Buches. Der Name des Kritikers ist mir allerdings völlig unbekannt, was aber nichts heißen will. Obwohl ich ein großer Verehrer Strindbergs bin und mich die Filme von Bergman höchst interessieren, verstehe ich nicht ein einziges Wort Schwedisch, mit Ausnahme von Skol! [...]" (a. d. Br. v. 26. III. 1976, in deutscher Sprache und hier in normalisierter Umschrift). - Neben der erwähnten Biographie von Alban Berg schrieb der britische Musikwissenschaftler auch eine höchst anerkannte über Puccini.
COMMISSARIAT GENERAL DU MAI MUSICAL. 1983. In-4 Carré. Broché. Etat d'usage. Couv. convenable. Dos satisfaisant. Intérieur frais. Environ 40 pages augmentées de nombreuses photos et autres illustrations en noir et blanc dans et/ou hors texte - Quelques pages desolidarisées. Des dessins au stylo bleu realisés sur la 1ere et derniere pages.
Due volumi (25 cm), con diversa titolazione, di 396 e 470 pagine. In lingua tedesca. Una firma di possesso alla pagina bianca. Tele editoriali gialle con titolo ai piatti; senza sovracoperta.
3 fascicules broch?s. 26 x 33 cm.
Vol. in -8 (20 x 25 cm.), legatura cartonata con sopracopertina bianca con disegno grigio sul piatto, velina trasparente di protezione, pp. 149 con ill. a colori applicata al foglio in antiporta. In buone condizioni. Tiratura limitata a sole 200 copie numerate stampate per il CIRCOLO DI DISCOFILI J. TEO ZILLIKEN.
SIGNED BY ARTIST WITH DEDICATION dated 11.1964. Ludwig Blum (1891-1975) was a Czechoslovakia-born Israeli painter who emigrated to Israel in 1923, and became known as "the painter of Jerusalem" due to his faithful, yet charming depictions of the Old City and the hills of Jerusalem, and the surrounding Judean desert. This album contains the following paintings: 1.Jerusalem as seen from the Mount of Olives; 2.The Citadel of David (David's Tower); 3.The Street of the Jews; 4.Via Dolorosa; 5.The Temple Area; 6.Market in the Old City of Jerusalem; 7.Bethlehem; 8.Nazareth; 9.Tiberias and the Sea of Galilee; 10.The Sea of Galilee. Contains English and Hebrew captions and a short biography of the artist in English. 325x250mm. 12 pages & 10 plates with caption pages/protective sheet between them. String-bound Softcover. Cover yellowing and wrinkled. Cover edges and corners bumped/wrinkled. Rear cover slightly stained. Rear cover upper edge slightly torn. Artist's signed dedication of pre-title front whitepage. [SUMMARY]: This extremely rare collection of Holy Land paintings by an eminent 20th-century Israeli painter is in good condition.
