Du Noyer, PaulBiblio.com
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1997001239Raincoast Book Distribution 1997 This truly unique collection for every John Lennon and Beatles fan presents a fully illustrated track-by-track analysis of every song Lennon recorded in his ten-year career as a solo artist and the fascinating events and details behind each one. 90 photos many in color. Soft cover. As New. Raincoast Book Distribution paperback
1997107c6834Canada: Raincoast. Fair. 1997. First Edition. Paperback. 1858682843 . 128 pages. Index. Chronology. Discography. Abundantly illustrated with photos in colour and black and white. "The only book which explores the stories and thinking behind every song John Lennon wrote after leaving The Beatles - from the idealism and inner doubt of Imagine to the love songs on Double Fantasy. Essential reading for anyone who has been moved by the lyrics of one of the legendary icons of pop culture." - from back cover. Usual library markings. Above-average wear. Binding intact. A sound working copy.; 4to - over 9¾" - 12" tall; We All Shine On: The Stories Behind Every John Lennon Song 1970-80 Yoko Ono May Pang . Raincoast paperback
1989812G1948USA: Word. Good. 1989. First Edition. Paperback. 78 pages. Songs include: Before My Very Eyes; Every Now And Again; The Fine Line; I Could Live Without You; The Long Arm of the Lord; No Other Gods; That's Not Jesus; Untouched by Human Hands; We Belong to Him; Yesterday's News. Clean and unmarked with average wear. A sound copy.; 4to - over 9¾" - 12" tall; Wayne Watson - The Fine Line Medium Range Voice: Songbook for Piano and Voice Before My Very Eyes; Every Now And Again; The Fine Line; I Could Live Without You; The Long Arm of the Lord; No Other Gods; That's Not Jesus; Untouched by Human Hands; We Belo . Word paperback
1993812G1947USA: Word. Good. 1993. First Edition. Paperback. 93 pages. Songs include: A Beautiful Place; God in a Box; Hard Times; More of You; A Place for You; Say it All Again; Say What You Say; A Season In Your Path; Walk in the Dark; The Way That I Miss You. Clean and unmarked with moderate wear. A sound copy.; 4to - over 9¾" - 12" tall; Wayne Watson - A Beautiful Place: Songbook for Piano and Voice Christian . Word paperback
1984812j1475USA: Columbia Pictures Publications. Good. 1984. First Edition. Paperback. 0898983355 . "Waylon Jennings 1937-2002 was an American singer songwriter musician and actor. He is considered one of the pioneers of the outlaw movement in country music." - Wikipedia. This songbook features piano sheet music lyrics and guitar chords for these songs: America; Come With Me; The Conversation; Don't You Think This Outlaw Bit's Done Got Out of Hand; I Ain't Living Long Like This; Looking For Suzanne; Shine; Theme From The Dukes of Hazzard Good Ol' Boys; Waltz Me To Heaven Women Do Know How To Carry On. 40 pages including several page of photos of Waylon in color and black and white. Unmarked with average wear. A sound vintage example of this particularly wonderful Waylon Jennings memento which contains the classic Dukes of Hazzard Theme.; 4to . Columbia Pictures Publications paperback
1883208551883. Very good overall. An interesting hand painted and roneoed ship's musical program. Produced for an Australian ship voyage 29th November 1883 with the proceeds of the performance "devoted to the relief of the suffering of a destitute and invalided steerage passenger". <br /> <br /> The evenings proceedings are roneographed inside the fold. It lists 15 performances including arrangements for violin and piano; a "letter song: Rip Van Winkle"; other songs a recitation; "Italian boat song"; and a vocal duet. The performers include Mr. & Mrs. Rignold and Signor Steffani. Mr. & Mrs. G. Rignold are recorded as having traveled from Adelaide to Sydney on 29th January 1883 on the ship "Birksgate" and in October 1886 they traveled on the ship "Hanroto" from Hobart to Melbourne with Mr. & Mrs. Lohr all of them described as "Theatrical". Signor Steffani is listed in the Sand's Sydney Directory for 1883 at 129 Phillips St. and in 1895 as a "teacher of singing" at 56 Elizabeth St. ancestry dot com. In fact the performances by "professionals" were most likely money making efforts for the performers who traveled repeatedly between various ports in Australia. One wonders if the money collected actually went to relieve the suffering of "a destitute and invalided steerage passenger" unless that is Mr. Rignold or Mr. Steffani. <br /> <br /> The R. M. S. John Elder made voyages between London and Australia see article in the Sydney Morning Herald referring to arrival from London on 15 July 1885 just 6 months after this voyage on the NLA website. It seems possible that this voyage was only in Australian waters as the Rignold's were already in Australia in January 1883. <br /> <br /> The cover of the program is hand painted with a background design of gingko leaves daffodils and a dragon fly with a tropical island view superimposed. On blue coated paper folded with the number 1 penciled at lower left of the front. In some spots the text of the reproduction is faded and it has been re-written by hand in purple ink. Short closed tear bottom edge. Folded folio 8 3/4 x 13 1/2". The paper is speckled with white dots akin to some unusual sort of bleaching perhaps related to the paper making process as it skirts the cover illustration. <br /> <br /> An unusual survival. unknown
1976107c6737U.K.: Forsyth Brothers 1976. Book. Good. Paperback. First Edition. Folio - over 12" - 15" tall. 14 pages. Includes: The Coral Tree; Freom Sea-Green Caves; The Noon Sirens; The Echo Nymph; A Seaborn Knight; Mermaid's Lullaby; Sea Hunting; Naids' Rest Call; Halls of Delight; The Passing of Una; A Starlight Frolic; The Sweet Hush of Dawn. Average wear. Unmarked. A sound copy. Forsyth Brothers Paperback
1922204651922. African American Sheet Music. "Water Boy: A Negro Convict Song". Arranged by Avery Robinson. Boston Mass: The Boston Music Co. 1922. As Sung by Mr. Roland Hayes an American lyric tenor and composer. 7 pages. Measures 9" x 12". "Waterboy" a.k.a. "The Water Boy" is an American traditional folk song. It is built on the call "Water boy where are you hidin'" The call is one of several water boy calls in cotton plantation folk tradition. Numerous artists have written and/or recorded their own versions of this African-American traditional song including Avery Robinson who wrote this edition and who popularized "Water Boy" as a jazz song in the 1920s. The opening call to the "water boy" has been said to bear a resemblance to melodies found in classical works by Cui Tchaikovsky and Liszt as well as a Jewish marriage song and a Native American tune. The first melody of the subsequent refrain is similar to the old German tune "Mendebras" used for the hymn "Oh Day of Rest and Gladness." Mad epopular by African American songwriter singer and composer Roland Hayes. Hayes taught at Black Mountain College for the 1945 Summer institute where his public concert was according to Martin Duberman "one of the great moments in Black Mountain's history" and after this concert in which unsegregated seating went well the school had its first full-time black student and full-time member of the faculty. Staple bound and in very good condition. Pencil signature of a noted film scholar "Thomas Curtiss" is in the upper front corner. Overall in very good condition. unknown
1988156426Melior Publications 1988. Trade Paperback. Near Fine. Book is in excellent condition. Binding is solid and square covers have sharp corners exterior shows no blemishes text/interior is clean and free of marking of any kind. 186 pages wtih music and lyrics for songs such as San Juan pig Quincyland Kettle Valley line The frozen logger Wet me down in Washinton Northwest Gal I will see you in Seattle Celia Mine Hindustan Do not morgage the farm Walla Walla is my hometown etc. Inscribed by Ms. Allen on title page Keywords: Music Northwest History Traditional Songs Lyrics Songs such as San Juan pig Quincyland Kettle Valley line The frozen logger Wet me down in Washinton Northwest Gal I will see you in Seattle Celia Mine Hindustan Do not morgage the farm Walla Walla Hometown Melior Publications paperback
1997DADAX0571531067Faber & Faber 1997-04-01. paperback. New. 8.70x0.30x11.70. Buy with confidence. Excellent Customer Service & Return policy. Faber & Faber paperback
1969563H4959Canada: Berandol Music Limited 1969. Book. Good. Paperback. Reprint. 4to - over 9¾" - 12" tall. 30 pages. 1969 reprint of the 1956 first edition. Includes sheet music for violin and piano with chords for these songs: Back Up and Push; Blue Pacific Hornpipe; C.N.E. Breakdown; Dancing Slippers; Fiddler's Dream; Frank Ryan's Hornpipe; Frisco Waltz; London Clog; Macton Reel; Maple Leaf Two-Step; Maple Sugar; Mary Ann's Reel; Mengie of McBride's Hill; Sunset Waltz; Two-Step Polka; Ward Allen Breakdown. Includes full-page photo of Ward Allen plus his life story inside back cover. Two pages of black and white reproductions of photos include shots of the CFRA "Oldtime Show" in Ottawa Ward Allen signing autographs at the show Ward Allen with Hank Snow and Ken Reynolds Unmarked with moderate wear. This sound vintage copy preserves a precious and joyful slice of Canadian musical history. Berandol Music Limited Paperback
18837986Oliver Ditson Boston 1883. HB NODJ ISSUED 1883 1st edition Brown decorated Embossed Cloth with Gold Gilt Cover minor Rub Wear Scuff 96 pgs interior Nice Tight Clean with pg mark or small Chips VG/VG- AS-IS NODJ. First Edition. Hard Cover. Oliver Ditson Boston hardcover
194220063New York: Charles Scribner's Sons 1942. Hardcover. 8vo. Pictorial red paper over boards pictorial dust jacket. 46pp. Very good/very good. Spine slightly sunned. First edition of this collection of patriotic ballads inscribed on the front flyleaf "To Arnold Gates with / the very best possible of wishes from / his friend; Struthers Burt" and dated Southern Pines North Carolina January 5 1943. Tight and attractive. Charles Scribner's Sons hardcover
1943812G2655New York: Mayfair Music. Fair. 1943. First Edition. Paperback. 48 pages. Includes sheet music for piano and voice plus some guitar chords for the following songs: Carolina Moon; The Anniversary Waltz Dream Serenade; Good Night Little Girl of My Dreams; Hearts are Never Blue in Blue Kalua; I'm Drifting Back to Dreamland; I'm Lonesome for you Caroline; In the Valley of the Moon; In the Valley of Yesterday; Little Locket of Long Ago; A Little Street Where Old Friends Meet; Somewhere in Old Wyoming; Sweet Hawaiian Moonlight; Wednesday Night Waltz; When the White Azaleas Start Blooming; When Your Hair Has Turned to Silver; Yesterday; You'll Always be the Same Sweetheart. Somewhat above-average wear. Cover holding by one staple. A worthy copy of this delightful vintage compilation.; 4to - over 9¾" - 12" tall; Waltz Time with Abe Lyman - A Songbook Selection of Eighteen 18 Favorite American Waltzes . Mayfair Music paperback
5046London; 1871-1878. The collection is in good condition with each letter entirely legible. Two items particularly aged and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy at Cambridge of Robinson's piece published by W. Sprague of Westminster in 1874 copied by F. C. Wood 'words by permission of Messrs. Hopwood & Crew'. All items 12mo. ITEM ONE one page with slight loss at head: 'Willm Haslam' of 41 Middleton Road Dalston to 'Master Robinson' 21 March 1871. He will not require 'the services of yourself & Friend - on Thursday at Hounslow'. ITEM TWO one page: Theodore Distin 'Theo Distin' to Robinson 28 March 1872. 'I shall be happy to sing for you for whatever you can afford to give - & be pleased to help you in any way'. He will also 'look over' Robinson's 'Hymn': 'I have not yet had time'. Distin member of a family of musical entertainers is notable as the man who brought the first of Adolphe Sax's Sax Horns to Britain. ITEM THREE one page: 'Chas. F. Combe' of 17 Westbourne Terrace North Bayswater to Robinson. Offers to engage Robinson in employment and gives details in four parts. ITEM FOUR one page: Combe to Robinson. 'I find I shall be obliged to make an attendance at S. Olaves at the end of the present quarter There appears to be a feeling which we cannot quite overcome - . I write therefore to tell you that I shall be obliged to terminate your engagement at the expiration of your next month . I am sorry I have been unable to offer you a better position .'. ITEM FIVE one page: Letter of Robinson 'W. W. Robinson Jnr.' 64 Murray Street New North Road Hoxton to firm of music publishers asking whether you may 'use the words of one of your songs entitled "Gently down the Stream" for new music seeing no Writers name to sic the words. . I am anxious to get it Published'. Undated reply from individual with indecipherable signature one page on reverse stating 'If you have any desire to be implicated in a suit at law by all means make use of the words of the song published by Messrs Hopwood & Crew they have nothing to do with us'. ITEM SIX two pages: Letter to Robinson from 'F. C. WOOD Lithographical Music Copyist 32 VINCENT SQUARE WESTMINSTER S.W.' 27 October 1873 on Wood's letterhead giving an estimate 'for 2 pages of music & title'. 'My former estimate was for 12 stave pages & I see by putting the song on 1 page 15 staves will be required . Work done by this system is always cleaned off the stones as soon as finished so that the entire number of copies is likely to be required are always ordered at once. This makes it so much cheaper than engraving. Proofs also cannot be given but accuracy is insured by my having a correct copy & thoroughly examining the work before printing a single copy. If your copy is correct you need have no fear.' Discusses details of legal deposit and asks to be informed on some matters relating to the song. 'What will you do . You may depend on the work being thoroughly well done.' ITEM SEVEN two pages: Wood to Robinson 30 October 1873. 'I always enquire whether copies sent me are correct because proofs not being given it is not at all likely I can take responsibility of mistakes in copies sent me. When I have a good copy to work from parties need not fear for my work because I take good care to do it right. But as you seem rather fearful of the result I have taken the trouble to copy the whole out and send it herewith for your approval. NOT PRESENT Please see if it is correct & the music arranged as you desire to the two verses and if you return it at once I shall at once proceed. You will thus see that I have done all that can be expected to insure correctness & if I can turn out 70 pages of Band music with only the omission of one crescendo - and no mistakes surely 2 pages may be done properly.' ITEM EIGHT two pages: Wood to Robinson 10 November 1873. Sends receipt for his work of £1. 8. 6 and undertakes to forward a receipt from Stationers' Hall for five shillings. 'I am glad you are satisfied with the work as in fact I was sure you would be. But I am sorry to say theh work is cleaned off the stones. It is always so to make way for other work.' Offers to copy another hundred at £1. 4. 0. Signed receipt on verso of second leaf of bifolium. ITEM NINE one page: Margaret Bucknall 21 York Place Newport to Robinson. 'My sundays are all arranged for! Many thanks for so kindly offering to help me.' ITEM TEN four pages: F. T. Barnard 9 Cambridge Terrace Salcombe Road Sidmouth Devonshire to Robinson 19 August 1876. 'The Wedding takes place on Saturday next at Eleven o'Clock. Play some thing bright and pretty until the Bride arrives upon her arrival at Altar finish immediately. After ceremony whilst they are in Vestry similar music leading into Wedding March.' Gives further instructions and asks Robinson to discuss with the verger. 'Respecting terms of course it ought to be One Guinea ask about it and try hard for it but if any demur is made do not object as something was mentioned to me a short time since about obliging a friend for such a ceremony but I gave no decided answer; of course I being away alters the case . but take what is offered and I will arrange with you afterwards'. ITEM ELEVEN two pages: Distin of 96 Penrose Street Sutherland Square S.E. to Robinson 2 January 1877. He is pleased Robinson has 'succeeded in gaining the appointment' and hopes 'it may be only the beginning of a successful Career for you. & if my word has been the means of helping you towards it I am very pleased.' Thinks it 'rather strange' that he has 'not yet heard from Ryle who promised to send me my Fee "sharp."' ITEM TWELVE two pages: F. Jones 'per RG.' 27 Doynton Street Highgate New Town N.W. to Robinson 22 June 1878. Thanks him 'on behalf of my troupe' for sending 'Gently down the Stream' with band parts 'which we shall have the greatest pleasure in singing at our next entertainment; I with-held myself from writing before as I wished to put your letter &c before a special committee last evening they unanimously thanked you for your great kindness and agreed to have the song tried by the band this evening; they the band tried it & the Musical Director & the whole of the Troupe pronounced it a very pretty and suitable song'. Asks if Robinson would insert 'on the title page of a new edition "As sung by Mr. R. S. Austin of the original Lilian Minstrels". I have Grafton Hall Grafton Street Tottenham Ct. Road in view for our next concert'. ITEM THIRTEEN one page: Jones again 'per RG. to Robinson 9 July 1878. He 'cannot get Grafton Hall for a Saturday evening which night is most convenient for the vocal portion of my troupe the majority of which reside out of London.' Consequently he intends 'suspending all further concerts till September' but will let Robinson know if the Troupe perform before then. London; 1871-1878. unknown
2011725103UK: Wallpaper Magazine 2011. Good. 4to - over 9 - 12" tall. Light rubbing to extremities with slight creasing to corners. Wallpaper Magazine unknown
1902108c8608London: Francis Day & Hunter 1902. Sheet music. Good. Paperback. Sixpenny Popular Edition. Folio - over 12" - 15" tall. 6 pages. Features cover photo of vocalist Miss Eily Helene. Average wear and soiling. Few markings. A worthy working copy. Francis, Day & Hunter Paperback
1951108c8212Boston MA: The Boston Music Co. 1951. Book. Good. Hardcover. First Edition. 8vo - over 7¾" - 9¾" tall. 55 pages. Includes lyrics and piano music for 55 charming songs for children. Prior owner's name in top corner of front board and first blank page. Moderate wear. Binding sound. A quality copy. The Boston Music Co. Hardcover
1952032658Hinrichsen Edition Ltd. 1952. EX LIBRARY with associated stamps and stickers. Contents tight bright and clean. First Edition. Paperback. Good. Hinrichsen Edition Ltd. Paperback
1928232G0766New York: Ed. Wolf 1928. Sheet music. Good. Paperback. Reprint. 4to - over 9¾" - 12" tall. Includes four-pages of piano music plus two pages of violin music plus original titled sleeve. Average wear. Unmarked. A quality vintage copy. Ed. Wolf Paperback
1968117j1936USA: Music Sales Corporation. Poor. 1968. First Edition Thus. Paperback. PLEASE NOTE: PHOTOS NOT INCLUDED IN THIS COPY. Fantastic vintage Doors songbook. The Doors "were among the most influential and controversial rock acts of the 1960s primarily due to Jim Morrison's lyrics and voice along with his erratic stage persona and legal issues. The group is widely regarded as an important figure of the era's counterculture." - Wikipedia. Includes piano sheet music lyrics and chords for these songs: Break On Through; We Could Be So Good Together; Hello I Love You; Light My Fire; Love Me Two Times; Five To One; When The Music's Over; Spanish Caravan; Not To Touch The Earth; Strange Days; Summer's Almost Gone; The Crystal Ship; The End; Unknown Soldier; My Wild Love; Love Street; Wintertime Love; Yes The River Knows. Originally issued with 84 pages this copy is missing the first 16 pages of title page and photos thus begins at page 17. All sheet music is present. The piano arrangements appear to be of an intermediate level. Sticker missing from central portion of front cover. Unmarked with average wear. Binding intact. A worthy example of this precious Doors memento. ; 4to . Music Sales Corporation paperback
1925812G1875USA: Irving Berlin Inc. 1925. Sheet music. Fair. Paperback. First Edition. Folio - over 12" - 15" tall. 6 pages. Illustrated front cover includes nice photo of Glenn C. Smith's Paramount Orchestra. Coverfold mostly open. Store stamp on front cover otherwise unmarked with average wear. A worthy vintage copy. Irving Berlin, Inc. Paperback
1993BOOKS098457IOxford: Clarendon Press. Fine copy in fine dust jacket. 1993. 1st. hardcover. 8vo 259 pp. . Clarendon Press hardcover
19-2168Moscow: Muztorg Mono Doloj Negramotnost’ 1924. Sheet Music. 18mo. 4 pp. Lenin’s portrait on front page; Lyrics on the last page. One Folded Page. Very Good. One of 18000 copies - Very Rare Copy. Light creasing. Text in Russian. Moscow: Muztorg Mono | Doloj Negramotnost’, 1924. unknown
3477Wien: Universal 1973. Early edition. In original paper. Folio size Facsimile of the manuscript. Fine condition. Early edition. In original paper. Folio size Facsimile of the manuscript. 203 folio page. Votre Faust is an opera in two acts by the Belgian composer Henri Pousseur for five actors four singers twelve instrumentalists and tape. The text is by the French author Michel Butor. Originally written between 1960 and 1968 it was premiered in 1969 in Milan and revised in 1981. Although about seven hours of performable material exists the variable structure does not permit use of it all in a single version and performances to date have been between three and three-and-a-half hours. Very rare. Universal unknown
