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19053067New York: Henry Holt 1905. 300 pages. Solid with a university library bar code label on the back cover.The spine is somewhat color faded and has a little fraying on the top.The previous owner's book plate is on the inside front cover and a name with the date '05 is on the back of the frontpiece in fountain pen ink. A 1/2 inch by 7.5 inch strip along the right edge of the front free end paper has been cut out and only about two library rubber stamps are inside. Otherwise the interior is unmarked. 1st Printing. Hardcover. Good. 12mo - over 6¾" - 7¾" tall. Ex-Library. Henry Holt hardcover
1904BOOKS073399INew York: Henry Holt. Very good copy. 1904. 1st. hardcover. 8vo 300 pp. Translated from the French by Louise M. Henermann. With the leading Motifs in Musical Notation and Illustrations of the Scenes at the Metropolitan Opera House. Introduction by H.E. Krehbiel. . Henry Holt hardcover
0259436046.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282380698.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
048457664X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484828150.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1932020935Chicago Illinois: The University of Chicago Press 1932. Very Good condition. Previous owner's name on front free endpaper. All other pages are clean and unmarked. NO foxing. NOT a library discard. THE PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA Volume Twenty-Six Vol. 26 Parts One and Two 1932. Two parts bound as one as issued. Only 550 copies printed. This issue is devoted to studies of 15th century books and contains papers presented at the BSA's Chicago meeting in December 1930. Contents: MUSIC AND MUSIC PRINTING IN INCUNABULA by Otto Kinkeldey; GLEANINGS FROM INCUNABULA OF SCIENCE AND MEDICINE by Arnold C. Klebs; MINERAL TECHNOLOGY : FIFTEENTH CENTURY by Thomas T. Read; ARTISTIC ASPECTS OF FIFTEENTH CENTURY PRINTING by William M. Ivins Jr.; THE INFLUENCE OF THE MATHEMATICAL WORKS OF THE FIFTEENTH CENTURY UPON THOSE OF LATER TIMES by David Eugene Smith; BIBLIOGRAPHY AND LEGAL HISTORY by Theodore F.T. Plucknett. Bound in the original wraps. 6.25" wide by 9.5" tall. First Edition. Softcover. Very Good condition. x 171pp. Great Packaging Fast Shipping. The University of Chicago Press Paperback
1592240054.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1592240313.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
196662724New York: Oak Publications 1966. First Edition. First printing. Small folio 28cm. Red pictorial paper wrappers; 96pp; black and white illustrations throughout. Rubbing to edges crease to upper front corner else Very Good. <br /> <br /> A collection of subversive folk and original songs by noted folksinger and guitar teacher Jerry Silverman published shortly after the release of his influential "Folksinger's Guitar Guide" in 1962. He collected these songs from "the streets of the Bronx the halls of CCNY the fountains of Washington Square the fleshpots of the Catskills the pubs and clubs of London Dublin and Glasgow" etc. 5. Illustrated with a miscellany of images copied from "the great tradition of political satire and social caricature best exemplified by artists like Hogarth Daumier Grosz and Art Young." 6. 62724. Oak Publications unknown
18954423Cincinnati / New York / Chicago: The John Church Company 1895. First edition. G. Softcover book bound in stiff printed wrappers. 20 cm. 36 pages. Spoken parts in acts; 12 musical pieces with musical notation. In good plus condition. No ownership marks/writing within. Light spotting/staining to the front/back matter and some of the interior pages. Closed tears to the end pages. Moderate edge wear/tear rubbing soiling to the covers. Scarce. The John Church Company paperback
189021806New York: Charles Scribner's Sons 1890. First Edition First Printing. Very Good/No Jacket. <br /> A comprehensive and laudatory Victorian travelogue documenting the 'Grand Tour' of the American West during the peak of the railroad expansion era.<br /> <br /> Written by Henry T. Finck the influential music critic for the 'New York Evening Post' this work provides a sophisticated Easterner's perspective on the natural wonders of the Pacific Coast from the burgeoning groves of Southern California to the rugged glaciers of Alaska. Finck's narrative serves as a vital primary source for the study of early Western tourism capturing the transition of the frontier into a series of 'natural show places' curated for the elite rail traveler of the late 19th century.<br /> <br /> KEY FEATURES<br /> Visuals: Illustrated with 20 full-page black-and-white photographic plates and a map documenting the primary landscapes of the Western tour.<br /> Binding: Original publisher's olive-green cloth; front board and spine elaborately decorated with black and gilt stamped topographical and floral motifs.<br /> Content: Detailed accounts of the Canadian Pacific Railroad Yellowstone the Grand Canyon and the Pacific Northwest including early descriptions of British Columbia.<br /> Imprint: New York: Charles Scribner's Sons 1890. First Edition statement.<br /> Specs: 8vo; 8 inches tall; xiv 309 pp. 21 leaves of plates.<br /> <br /> CONDITION - The bindings are tight and square maintaining a strong shelf presence. The internal text is clean with light even age-toning throughout. There is moderate shelf-handling wear to the cloth primarily at the extremities. A previous owner's inscription is present on the front free endpage. An solid unrefined example of Victorian bookmaking.<br /> <br /> SCHOLARLY FEATURES<br /> Railroad History: Provides a critical contemporary account of the Canadian Pacific Railroad's impact on regional travel and the 'Laying the Foundations' of British Columbia.<br /> Cultural Geography: Illustrates the 'warm praise' and promotional tone used by Eastern intellectuals to market the West as a sophisticated destination for health and leisure.<br /> Early Photography: The 20 plates serve as a 'visual index' of the sites deemed most significant to the 1890s traveler predating the mass-market postcard era. HISTORICAL SIGNIFICANCE -<br /> Henry T. Finck was more than a music critic; he was a 'tastemaker' of the Gilded Age. His 'Scenic Tour' was published at a moment when the completion of the major transcontinental lines allowed for a new kind of 'Armchair Travel' to become a physical reality for the American middle class.<br /> <br /> The work is particularly valued for its sections on the Pacific Northwest and Alaska which were then seen as the 'Final Frontier' of North American tourism. By linking Southern California to the Grand Canyon and Yellowstone in a single narrative Finck helped codify the 'Standard Western Loop' that would define American tourism for the next century.<br /> <br /> SUBJECTS: Western Americana Railroad Travel California History Alaska Yellowstone National Park Grand Canyon Canadian Pacific Railroad British Columbia Travel Narrative First Edition Victoriana.<br /> <br /> BIBLIOGRAPHIC REFERENCE: Smith 104; Carson 605; LOA Railroad; Univ. of Victoria p. 98. Charles Scribner's Sons unknown
42584Oxford: Clarendon Press 1991. 1st edition. "This first volume begins with the settlement of the North German peoples and the cultivation of church music following the mission of St Augustine in 597. Relations between France and England form the background to the account of medieval music after the Norman Conquest and the growth of a distinct national style is then traced from the early fifteenth century through the Tudor period and that of the Reformation to the outstanding achievements of Elizabethan and Stuart England. The arrival of Handel is related to the period of experimentation following Purcell's death in 1695 and the volume concludes with his decision to remain and the end of the Stuart monarchy." Pp.xviii/691 over 200 musical examples and sixteen pages of plates. Blue cloth dustwrapper has slight sunning to spine but is now in a removable clear protective wrap. A heavy volume over 3lbs which may require extra to send overseas. VG/VG. Oxford: Clarendon Press, 1991. hardcover
41919942-nnew. unknown
41919942like new. unknown
1927812H1038New York: Carl Fischer Inc. 1927. Book. Fair. Paperback. First Edition. 8vo - over 7¾" - 9¾" tall. 28 pages. Oblong 9.5" x 13". Above average wear with numerous markings. Binding intact. A worthy vintage copy. Carl Fischer Inc. Paperback
2013009777NY: Oxford Univ Pr. Instructor's Edition. First Edition. Hard cover in dust jacket. Published NY: Oxford Univ Pr. 2013 first printing. 4to. 8 1/2" x 10 1/4" xxxi1212pp. extensively illustrated with color reproductions and musical examples. Fine like new in fine dust jacket. . Fine. Hard. 1st. 2013. Oxford Univ Pr unknown
1905812H0699Toronto: Whalley Royce & Co. Limited 1905. Book. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 96 pages. Contains sheet music for Tenor I & II and Bass I & II for these songs: Annie Laurie; Bill of Fare; Blue Bells of Scotland The; Bonnie Doon; Catastrophe A; Cradle Song; Cruiskeen Lawn The; Lead kindly Light; Minstrel Boy The; Mother Goose Medley; My old Kentucky Home; My Pretty Maid; My Shepherd; Oft in the Stilly Night; O Happy Day; On the Sea; Owl and the Pussy Cat The; Remember now Thy Creator; Robin Adair; Rock of Ages; Simple Simon at the Fair; Simple Simon; Sleep little Baby of Mine; Softly now the Light of Day; Tom the Piper's Son. Above-average external wear. Unmarked. Binding intact. A worthy copy of this wonderful vintage compilation. Whalley, Royce & Co. Limited Paperback
1969BOOKS085035ILondon: Oxford University Press. Fine copy in fine dust jacket & slipcase. 1969. 1st. hardcover. 8vo 178 pp.plates . Oxford University Press hardcover
195515414New York: Passantino 1955. Original wraps. Near Fine. A wonderful piece of theatre history the original 1955 program for Truman Capote's "House of Flowers". THIS COPY IS NOT ONLY SIGNED BY TRUMAN CAPOTE on the title page next to his printed name BUT IS ALSO INSCRIBED BY HAROLD ARLEN WHO WROTE THE MUSIC FOR THE PLAY TO PEARL BAILEY THE PLAY'S LEAD. This inscription appears next to Arlen's printed name on the title page as well. The program itself is clean and Near Fine in its stapled yelow wrappers with very faint creasing along the panels. Tall thin quarto crisp black-and-white photos thruout of the principals involved in the production and performance of the play. Passantino unknown
1979w241033302Sunbury Press 1979. 629pp. Blue cloth hardback no DJ index b&w illustrations appendices The Organ in New England : An Account of Its Use and Manufacture to the End of the Nineteenth Century . Hard Cover. Very Good. Sunbury Press Hardcover
1992A50266Chicago IL: Wilkeson Sacred Harp Singing Society. Very Good. 1992. 2nd Edition; 1st Printing. Plastic comb binding. This is an oversized paperback book with a plastic comb binding and heavy cardstock covers. The book is in Very Good condition and was issued without a dust jacket. The book is in mostly clean bright condition with a tiny bit of fading to the spine joints of the book cover. The text pages are clean and bright. "Karen E. Willard is the founder and president of Pacific Northwest Sacred Harp Singers Inc. She is active as in church leadership choir singing and politics as of 2012 she is the Democratic challenger to the incumbent state legislator in Washington's 31st legislative district." from Hymnary and "Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ever since. Sacred Harp music represents one branch of an older tradition of American music that developed over the period 1770 to 1820 from roots in New England with a significant related development under the influence of "revival" services around the 1840s. This music was included in and became profoundly associated with books using the shape note style of notation popular in America in the 18th and early 19th centuries. " from Wikipedia . Wilkeson Sacred Harp Singing Society unknown
0331033968.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331320134.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0365801542.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover