Connor, Tommy; Pola, EddieBiblio.com
8 829 résultats
1939563H5144London/Toronto: B. Feldman & Co. Ltd./Canadian Music Sales 1939. Book. Fair. Sheet Music. First Edition. Folio - over 12" - 15" tall. 4 pages. Sheet music for voice and piano with ukulele chords. Three-inch openings to fore-edge of both leaves otherwise unmarked with average wear. A worthy vintage copy of this WWII-era tune. B. Feldman & Co., Ltd./Canadian Music Sales Paperback
1925108c8594Chicago: Milton Weil Music Co. 1925. Sheet music. Good. Paperback. First Edition. Folio - over 12" - 15" tall. 6 pages. Great cover photo of one of the Flagler Bros Charles and Ruth. Covers discretely taped together. Average wear. Unmarked. A quality copy. Milton Weil Music Co. Paperback
63-9103Los Angeles CA: Music Trades Association of Southern California 1928. Printed Ticket. 10.5 x 5.5 cm. Good with minor creasing. Scarce. Los Angeles, CA: Music Trades Association of Southern California, 1928. unknown
1917058742New York / Boston / Chicago: White-Smith Music Publishing Cp 1917. Soft cover. Very Good . 29 Pp Ads At Rear. Light Usage Some Browning Of Covers Pencil Ownership Information And A Couple Of Pencil Notes In Margins. Per Wikipedia Charles Wakefield Cadman 1881 - 1946 Was An American Composer. For 40 Years He Worked Closely With Nelle Richmond Eberhart Who Wrote Most Of The Texts To His Songs Including Four American Indian Songs. She Also Wrote The Librettos For His Five Operas Two Of Which Were Based On Indian Themes. He Composed In A Wide Variety Of Genres. He Was Greatly Influenced By American Indian Music Which He Had Been Studying Especially Through The Work Of Ethnologists Alice Fletcher And Francis La Flesche. Fletcher And La Flesche Had Studied The Omaha Tribe And Recorded Their Music And Stories. Having Published Several Articles On American Indian Music Cadman Became Regarded As One Of The Foremost Experts On The Subject. In 1908 He Began Touring To Present Lectures Known As The "Indian Talk" Or "Indian Music Tour" Accompanied By The Performance Of Native American Music And His Own Compositions. Tsianina Redfeather Muscogee / Cherokee Billed As "Princess Redfeather" Performed As A Singer On Some Of His Tours. Her Signature Song Was Cadman's "From The Land Of The Sky-Blue Water". Another Such Song Was "At Dawning" Which Became Widely Known In The 1920S. Cadman Toured Both The Us And Europe For 25 Years To Present This Lecture. Cadman Drew From Omaha And Iroquois Songs For His Four American Indian Songs Op. 45 Which Became His First Commercial Success In 1909. This Was Aided By Performances Of These Songs By Noted Soprano Lillian Nordica Who Was On A Concert Tour. In The Summer Of 1909 He Went To Nebraska To Study The Music And Traditional Instruments Of The Omaha And Winnebago Tribes. He Lived With The People On Their Reservations Learning To Play Their Instruments. During His Trip To The West He Met Francis La Flesche An Omaha Ethnologist Who Was Working With The Smithsonian Institution On Studies Of The Omaha And Osage Peoples. Cadman Assisted Him In Making Recordings On Wax Cylinders Of Traditional Songs. These Works Are Now Held By The Library Of Congress And Some 60 Songs Are Available Online. Cadman Drew From La Flesche's Recordings And He Was Also Interested In His Stories Collected From These Peoples. They Began Work That Year On An Opera; Cadman Had Already Started To Pull Melodies From Three Printed Collections Of Omaha And Pawnee Music Published By Ethnologist Alice Cunningham Fletcher Who Also Was With The Smithsonian. The Songs Were Transcribed Or Harmonized By Others. Cadman And Eberhart Worked Closely With La Flesche By Mail And He Continued To Provide Cadman With Omaha Melodies For The Opera. They Were Not Permitted To Use Melodies Which La Flesche Had Collected For An As Yet Unpublished Report For The Smithsonian. Together With Librettist Nelle Richmond Eberhart Cadman And La Flesche Worked Together For About Three More Years To Create An Opera Based On Omaha Stories And Music. Cadman Made Occasional Indian Music Tours To Raise Money For The Project. He Moved To Denver In 1911. Cadman Completed The Music For Da O Ma 1912 And Sought A Venue For It But It Was Never Produced Or Published. It Was Rejected By The Boston Opera Company The White-Smith Music Publishing Company Which Had Published Numerous Songs By Cadman; And The Metropolitan Opera. In The Course Of Their Work The Team Had Changed The Opera From An Omaha To Sioux Lakota/Dakota Setting. Cadman Did Gain Some Distribution For This Music: Selections From The Opera Were Published By White-Smith In 1917 As A Piano Suite And By Boosey In 1920 As An Orchestral Suite. <br/> <br/> White-Smith Music Publishing Cp paperback
200995303New York: Atria Books 2009. First Edition. Hardcover. Near Fine/Fine. Hardcover in dust jacket. First printing of first edition. Book is crisp and clean with tight binding and sharp corners. Small stain on corner of front board. Unclipped dust jacket is fresh and bright. Illustrated with Plympton's exuberant color drawings many full-page. Small square 4to. 79 pp. In protective Mylar. <br/><br/> Atria Books hardcover
19840106831984. Soft Cover. Good. Publisher: Ross Books 1984 Good Soft Cover ISBN: 0-89496-043-1 cover chips. paperback
192476385Berkeley: V.p. 1924-1932. Seven Indian Songs from the Yosemite Valley. Berkeley: National Society of Colonial Dames; 1924. First edition. Folio 9 x 12 inches. 18 2 pp. Publisher's printed tan wrappers.Five Songs from the Tundras: An Eskimo Song Cycle. Berkeley: D. N. Lehmer 1932. Folio 9 x 12 inches. 910 2 pp. Publisher's printed white wrappers.Indian Songs from the Mesas. Berkeley: D. N. Lehmer 1932. Folio 9 x 12 inches. 1314 2 pp. Publisher's printed white wrappers.Derrick Norman Lehman was a multifaceted man of great learning. Lehmer was awarded his Ph.D. in mathematics in 1900 from the University of Chicago for his thesis Asymptotic Evaluation of Certain Totient-Sums. He went on to publish a number of important papers in the field of advanced mathematics the most famous of which was his "Factor Stencils" that was published in 1929. But oddly and like many mathematicians he had a real penchant for writing music. Over a period of years he published many collections of songs which he composed including Seven Indian Songs from the Yosemite Valley 1924 Down the stream and other Indian songs 1927 Indian camp-fire songs 1930 Indian songs from the Northland 1931 Fingers of the sun and other Indian songs from the Sierra slopes 1931 Songs from the Mesas 1932 Songs from the Tundras 1932 The Ballad of San Francisco Bay 1937 and Five Little songs 1937. These are not transciptions of actual songs but Lehmer's interpretations. V.p. unknown
1978563H3888USA: Jobete Music Co / Commodores Music Publishing Corp. 1978. Book. Good. Sheet Music. First Edition. 4to - over 9¾" - 12" tall. Fantastic color cover photo of Lionel Richie and the Commodores in funky 'space cadet' attire. 6 pages. Unmarked with average wear. A quality vintage copy of this big Commodores hit from the late 70s when they took the pop music world by storm. Jobete Music Co / Commodores Music Publishing Corp. Paperback
1936024931New York: G. Schirmer 1936. First Edition . Printed Wrappers. Good. Sheet music song #3. covers split along entire length of spine paper aged faint dampstaining right along spine edge of front cover tiny chip at bottom left very small owner's signature at bortom. <br/> <br/> G. Schirmer unknown
1939024932New York: G. Schirmer 1939. First Edition . Printed Wrappers. Fine. Sheet Music Song #2. Fine With Just A Touch Of Wear At Corners Very Small Owner's Signature At Bottom. <br/> <br/> G. Schirmer unknown
1787373365Philadelphia: Printed and sold by the Author . John. Aitken Sculp 1787. Engraved title letterpress 1p. List of Subscribers 6 engraved sheets. 4to. Loose sheets trimmed close at the gutter margin. Engraved title letterpress 1p. List of Subscribers 6 engraved sheets. 4to. "By one of those strange coincidences which delight the historian and at the same time provide the essayist with convenient points of departure the year 1787 which saw the writing of the Constitution of the United States saw also the solid beginnings of music publishing in this country as a separate and independent enterprise. The scene of these beginnings was Philadelphia the publisher and composer a certain William Brown the engraver John Aitken; the publication itself bore a dedication to no less a person than Francis Hopkinson signer of the Declaration of Independence and our first native composer. Three Rondos for the Piano Forte or Harpsichord. Composed and Humbly Dedicated to the Honourable Francis Hopkinson Esq. by William Brown. Philadelphia. Printed and Sold by the Author. Price Two Dollars. J. Aitken Sculp - so runs the full title of this musical landmark which the composer-publisher himself in inviting subscribers had called 'the first attempt of the kind in America'" Oliver Strunk "Early Music Publishing in the United States" The Papers of the Bibliographical Society of America vol. 31 no. 2 1937 pp. 176-79.<br /> <br /> Dunlap & Claypoole's Daily American Advertiser of 23 January through 10 February 1787 announced that subscriptions were being gathered for William Brown's Three Favorite Rondos Adapted to the Harpsichord. Subscriptions were being gathered both by Mr. Brown and Mr. Reinagle for the work. Among the notables on the subscriber list here are Alexander Reinagle four members of the Penn family and the dedicatee Francis Hopkinson. <br /> <br /> Very scarce with only four examples in OCLC. Evans 20246; Sonneck p. 361 Printed and sold by the Author ... J[ohn]. Aitken Sculp unknown
1949List3603Various publishers 1949. Three titles as follows: J’ai deux Amours. Fox-trot chanté par Josephine Baker. Paris: Éditions Salabert 1930. 4 pp. Fine condition;. Near fine condition. A tight visually appealing trio of illustrated Parisian sheet music issues tracing Josephine Baker’s arc from Jazz Age sensation to postwar cultural legend. J’ai deux Amours—arguably her defining anthem—captures the carefully crafted dual identity that propelled Baker’s rise: African American expatriate turned Parisian icon marketed simultaneously as modernist spectacle and cosmopolitan muse. As scholars have noted Baker’s image circulated widely through commercial ephemera such as sheet music covers where graphic design celebrity branding and racialized fantasy converged in the interwar marketplace.1<br /> <br /> Sur Deux Notes reflects Baker’s assimilation into mainstream chanson culture and her ongoing collaborations within Paris’s cabaret milieu while Revoir Paris issued after World War II resonates with her decorated service in the French Resistance and her celebrated return to the Folies Bergère stage. Together these pieces offer a compact visual and musical snapshot of Baker’s evolving persona across two decades—part performance artifact part cultural document and wholly emblematic of Paris as a crossroads of Black modernism and popular entertainment.<br /> <br /> 1 Bennetta Jules-Rosette Josephine Baker in Art and Life: The Icon and the Image University of Illinois Press 2007. Various publishers unknown
193563910No Imprint: For The Author n.d. 1935 -1948. Three pieces of promotional ephemera produced for Ray Myers during the 1940's and later. Comprising: Pamphlet 23cm x 15cm. Original grey card wraps titled in black to front wrap. Clean and sharp with a small closed tear to the upper of the fore-edge not interfering with text. Signed in pencil by Myers to a "Welcome" page at the front underneath an image of the musician and his wife. Also present is a 2pp. loosely inserted song sheet. <br /> <br /> with A folded green card envelope 16cm x 10cm. Titled in dark blue to front panel: "Souvenir Folder of Ray R. Myers 'The Armless Musician.'" Lightly sunned to edges slight touches of wear and spotting to card very good. Containing 9 black and white photographs of Ray Myers arranged in a concertina format that folds out into a panorama of images of Mr. Myers performing mundane every day tasks without the benefit of arms. The general theme of his promotional material was to depict him driving shooting lighting a cigarette etc.<br /> <br /> with A folded brown card enevelope 14.5cm x 10cm. Clean and sharp inscribed by Ray R. Myers to the front panel: "Best Wishes Ray R. Myers." Titled in black to rear closure flap; "Souvenir of Ray R. Myers." Containing 9 black and white phtographs of an older Mr. Myers now in his 50's playing guitar composing with a keyboard riding a small tractor playing with his dog etc. <br /> <br /> Ray R. Myers was a celebrity steel guitarist and variety musician born without arms in Lancaster PA in 1911. Quickly showing musical aptitude he was sent to a local community school after his parents maintained they wanted him to have as "normal" an upbringing as possible. Despite living in relative poverty they rejected offers from large circuses and carnivals to take Roy in and did their best to ensure he could make up his own mind as to what career he wished to pursue. Eventually after the death of hs father relatively young Roy did take up Ripley's "Believe it or Not Oddities" offer to perform and became somewhat of a musical celebrity and radio star and by the 1950's he had a daily show on WPDX in West Virginia. 63910. For The Author unknown
18971238134Harper & Brothers Publishers 1897. hardcover. Used-Very Good/N/A. Some wear from use. Good used book. Harper & Brothers, Publishers hardcover
1930848G0729USA: Harms Inc. 1930. Sheet music. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 6 pages. Nice cover art of Amos 'n Andy. Music from the movie "Check and Double Check."Pages detached but all present. Above-average wear and soiling. Harms, Inc. Paperback
13161St. Cuthbert's College Ushaw Durham. List dated 1918-19 and printed at Shibden Industrial School Halifax. The three items in good condition lightly-aged. Item One: 'St. Cuthbert's College. Ushaw. List of the Names and Numbers of the Professors and Students. 1918-19.' Shibden Industrial School Halifax. 10.5 x 6 cm stapled booklet in red wraps with title on front and printer's slug at foot. Headed 'A.M.D.G.' and ending 'L.D.S.' the list runs from number 1 blank to '337 John Corboy'. Item Two: Printed programme for 'The Tailor Prince and the Jester An Operetta' 'Composed by Mr. J. Hughes Holloway College Prof. of Music.' 'Junior House - Shrovetide 1918'. 4pp. foolscap 8vo. Bifolium. Printed in blue ink. Giving names of cast and orchestra with libretto. Some light pencil notes at foot of first page. Item Three: Mimeographed programme 'A.M.D.G. DIVINES CONCERT. Wed. November 7th.' Giving the name of the accompanist and choir and listing the eighteen pieces in the concert. Last page gives text of the poem 'Crossing the Plain' 'Ho! For the lovely Western plain' in block capitals. St Cuthbert's was founded in 1808 and closed due to lack of vocations in 2011. From the papers of John Aidan Mulvany who was educated there. St. Cuthbert's College, Ushaw, Durham. List dated 1918-19, and printed at Shibden Industrial School, Halifax. paperback
197961897Pendragon Press 1979. Hardback. Very Good hardback very light edgewear light spotting to page edges. Clean and unmarked. Hardback. The picture on this listing page is of the actual book for sale. Pendragon Press hardcover
1972555j0125USA: Walter Kane & Son Inc. / Triangle Music Corp. Good. 1972. First Edition. Unknown_Binding. Sensational compilation of piano sheet music with lyrics and chords for these Three Dog Night songs many of which were big hits: An Old Fashioned Love Song; Black and White; Can't Get Enough Of It; Celebrate; Circle for a Landing; Eli's Comin'; The Family of Man; Feelin' Alright; Fire Eater; Good Time Living; Heaven Is In Your Mind; I Can Hear You Calling; I'll Be Creeping; It Aint' Easy; I've Got Enough Heartache; Jam; Joy To the World; Liar; Mama Told Me Not to Come; Mistakes & Illusions Poem; Never Been to Spain; Nobody; One Man Band; Out in the Country; Peace of Mind; Pieces of April; Rock & Roll Widow; Shambala; Woman. 100 pages including sixteen pages of sepia-tone photos of members of the band. Unmarked with average wear. Binding intact. A most wonderful memento of this super-popular early-70s band which featured the extraordinary vocals of Danny Hutton Chuck Negron and Cory Wells.; 4to . Walter Kane & Son, Inc. / Triangle Music Corp. unknown
1969A52932New York NY: Walter Kane & Son Inc. . 1969. First Edition; First Printing. Paperback. Very Good. This is an oversized paperback book with illustrated covers and a glued spine. The book is in Very Good condition and was issued without a dust jacket. The spine ends and corners of the book covers have some very light bumping and rubbing. There is a small crease to the bottom front corner. The text pages are clean and bright. "Three Dog Night is an American rock band formed in Los Angeles in 1967 founded by vocalists Chuck Negron Cory Wells and Danny Hutton. This lineup was soon augmented by Jimmy Greenspoon keyboards Joe Schermie bass guitar Michael Allsup guitar and Floyd Sneed drums. The band had 21 Billboard Hot 100 top 40 hits between 1969 and 1975 with three hitting number one. Three Dog Night recorded many songs written by outside songwriters and they helped to introduce mainstream audiences to writers such as Harry Nilsson "One" Randy Newman "Mama Told Me Not to Come" Paul Williams "An Old Fashioned Love Song" Laura Nyro "Eli's Comin'" and Hoyt Axton "Joy to the World" "Never Been to Spain". " from Wikipedia; 89p. pages; Pictured 4/19/26 . Walter Kane & Son, Inc. paperback
203553U.S.A.: G K Hall & CoUS. First Edition. Hardcover. Very Good/No Dj. 8v. pp. xx 432 bumped corners no dustjacket remainder mark on lower edges otherwise very good. The body of this text contains the musical scores along with covers and illustrations. G K Hall & Co,US hardcover
MU-18Cambridge MA.: Harvard University Press 1965. Classic comprehensive text traces the history of the harpischord from approximately 1500 to 1800 including the five most important schools of harpischord making- Italy Flanders France England and Germany; inventions applied to the harpischord; contemporary descriptions of instruments and technical processes; the claviorganum; the pedal; the Bach disposition; inventories of the workshops of French harpischord makers; etc. 369 text pages. 41 plates. 18 tables. Gilt spine and front cover. Virtually no shelfwear. Dustjacket has a few small closed edge tears and a small scuff mark on the rear cover. In mylar. First Edition. Hard Cover. Fine/Very Good. 8vo - over 7¾" - 9¾" tall. Harvard University Press Hardcover
1989026279G. K. Hall & Company 1989. A beautiful copy. Appears unread. Near PERFECT condition but for previous owner's bookplate on the front pastedown endpaper. NOT a remainder. Pages are fresh crisp clean and unmarked -- apparently never read. NO underlining. NO highlighting. NO margin notes. Illustrated throughout with prints and musical notation. Bound in the original red cloth stamped in bright gold on the spine. Full title: "Three Centuries of American Music A Collection of American Sacred and Secular Music Volume 1 American Solo Songs through 1865.". 1st ed No additional printings listed. Hardcover. Fine condition/No dust jacket as issued. Illus. by NOT a library discard. 8vo. xx 432pp. Great Packaging Fast Shipping. G. K. Hall & Company Hardcover
1989026280G. K. Hall & Company 1989. A beautiful copy. Appears unread. PERFECT condition but for previous owner's bookplate on the front pastedown endpaper. Sharp corners. NOT a remainder. Pages are fresh crisp clean and unmarked -- apparently never read. NO underlining. NO highlighting. NO margin notes. Illustrated throughout with prints and musical notation. Bound in the original red cloth stamped in bright gold on the spine. Full title: "Three Centuries of American Music A Collection of American Sacred and Secular Music Volume 2 American Solo Songs 1866 through 1910.". 1st ed No additional printings listed. Hardcover. Very Fine condition/No dust jacket as issued. Illus. by NOT a library discard. 8vo. xxii 498pp. Great Packaging Fast Shipping. G. K. Hall & Company Hardcover
1960mon00000099411960. Spiral Bound. Very Good. in x in x in. Opera in Four Scenes. Two Volumes. Reproduction of handwritten work. Rear page notes work by Andrew W Imbrie at Tokyo May 14 1961. Blue wraps black comb binding. Wear to edes of blue wraps. In Memoriam for Andrew Welsh Imbrie 1921-2007 is taped to the front cover of the volume containing scenes 1 & 2. Pages with browning to edges. unknown
19476260New York: Hargail Music Press 1947. First Edition. One of 1000 copies. Bifolium 31cm; printed wrappers; 4pp. Some light wear creasing and toning to extremities with a small faint stain to lower edge of front wrapper; Very Good. A collaborative work between Bowles and Williams first performed at Town Hall New York on 30 September 1947 by William Horne a tenor. Miller E40. Hargail Music Press unknown
