814 résultats
34738P., Julliard, Novembre 1958, in 8° broché, 126 pages.
QWA-12371Hérault Editions, 1995, in-8 br. (15,5 x 23), 165 p., préface de Michel de Decker, croquis de Philippe Azria, photos, état de neuf.
3543petit in 8 broché,couverture illustrée,VIII,309 pages, illustrations hors-texte,Plon 1940 couverture modeste avec la bordure extérieure effrangée
200837568ABOffenbach am Main, Hochschule für Gestaltung, 2008. 4°, 278 S. mit sehr zahlr. Farb-Abb., Illustr. Arbeitsproben, Ausstellungsszenen etc. etc., sowie 2 DVDs illustr. original Kartonage (Paperback), tadelloses, sauberes Exemplar ohne nennenswerte Mängel (re01)
196283096Zch.: Schweizer Druck- u. Vlgshs. (c 1962). 367 Ss. 8°. Rotes illustr. Ln. mit Rückentitel, Kopfgelbschnitt u. illustr. Umschl. (Umschlag am Rücken etw. gebräunt). [2 Warenabbildungen]
1980119344Berlin, Henschelverlag 1980. * Mit 27 Abbildungen auf Tafelseiten. 382 Seiten. 20,5 x 13 cm. Original-Pappband mit Original-Umschlag.
1993MOFFCON1Paris Editions Premières Loges 1993 In-8 broché (25x17 cm), couverture illustrée pelliculée, nombreuses illustrations, livret intégral commenté, discographie, vidéographie, bibliographie sélective, 176 pp. Nouvelle édition.
14280G. Brandus et S. Dufour 147 pages in-12. Sans date. cartonné. 147 pages. Partition conforme au théâtre contenant paroles et musique sans accompagnement avec analyse de la pièce
196272639München, List Verlag, 1962. Origi.Leinenband mit Schutzumschlag im Schuber, 8°, 367 Seiten.
1979RE11621979. Quer-8°, 38 nn. Bl., schwarz-weiße Abb, Regionalwerbung, kart. Gut erhaltenes Heft. Das hier gefeierte Gebäude wird in Kürze wegen schwerwiegender Mängel und Sanierungsbedarf wieder abgerissen. Die darin verbauten Kunstwerke des Bildhauers Karl-Heinz Deutsch gelten nunmehr als denkmalwürdig.
1980133455Fayard 1980 In-8 cartonné 22 cm sur 14. 372 pages. Jaquette abîmée. Bon état d’occasion.
1985031014Melville NY: Belwin-Mills 1985. Livret de Eugene Grangé et Jules Noriac. viii 220p. music original stiff wrappers Oeuvres scéniques dl'Offenbach A.544. Belwin-Mills unknown books
1957018697Bloomington: Indiana University Press 1957. Translated by Lander McClintock. Drawings by Alajalov. 200p. b/w illus. dj. Indiana University Press unknown books
196689945Le club de la Femme 1966 In-12 relié sous rhodoïd 19 cm sur 14. 248 pages. Bon état d’occasion.
199530387ABOffenbach, Offenbacher Geschichtsverein, 1995. 21 cm, 36 Seiten, mit zahlreichen Schwarzweißfotos, broschiert. leichte Gebrauchsspuren, gut erhalten. Alt-Offenbach, Blätter des Offenbacher Geschichtsvereins. Neue Folge, Heft 30/31 (Dezember 1995).
197129193New York: G. Schirmer PN 46699 1971. Large octavo. Original publisher's red and yellow decorative wrappers. i title ii-v introduction and notes vi cast list and contents 114 pp.<br/><br/>Titling to spine in manuscript. Ba-ta-clan to a libretto by Halévy was first performed in Paris at the Bouffes-Parisiens on December 29 1855.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Schirmer [PN 46699] unknown books
190028764Berlin: Ed. Bote & G. Bock PN 5000 1900. Large octavo. Disbound. 1f. recto title verso cast list and contents 3-66 pp. Text in German and French.<br/><br/>Remnants of dark orange wrapper to spine. Small publisher's label to lower margin of title. La chanson de Fortunio to a libretto by Crémieux and Halévy was first performed in Paris at the Bouffes-Parisiens on January 5 1861.<br/><br/>Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 5000] unknown books
198229229New York: Belwin-Mills PN A. 580 1982. Large octavo. Original publisher's white decorative wrappers printed in colour. 1f. recto title verso copyright and instrumentation iii introduction iv synopsis in French v synopsis in English vi cast list vii contents viii foreword to the English version 88 89-119 libretto 120 biographical notes pp. Text in French and English. L'île de Tulipatan to a libretto by Chivot and Duru was first performed in Paris at the Bouffes-Parisiens on September 30 1868.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A. 580] unknown books
190029222Paris: Au Ménestrel Heugel et Cie. PN H. & Cie. 2147 1900. Large octavo. Original publisher's light green printed wrappers with title within decorative border. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 72 pp.<br/><br/>Named cast includes Geoffroy Mareschal Lise Tautin and Dalmont.<br/><br/>Wrappers worn; browned at edges; upper with small rectangular publisher's handstamp to lower margin; spine defective reinforced with archival tape. Occasional minor foxing; edges of title browned; small circular publisher's handstamp to lower margin of cast leaf. Le mariage aux lanternes to a libretto by Dubois M. Carré and Battu was first performed in Paris at the Bouffes-Parisiens on October 10 1857.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Au Ménestrel, Heugel et Cie. [PN H. & Cie. 2147] unknown books
189028870Paris: C. Joubert PN B. & Cie. 12614 1890. Large octavo. Original publisher's brown cloth-backed dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso notes 56 pp.<br/><br/>Wrappers somewhat worn with minor soiling and staining. Some signatures split or partially split; minor soiling. Le violoneux to a libretto by Mestépès and Chevalet was first performed in Paris at the Bouffes-Parisiens Salle Marigny on August 31 1955. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. C. Joubert [PN B. & Cie. 12614] unknown books
198229185New York: Belwin-Mills PN A539 1982. Large octavo. Original publisher's ivory wrappers printed in colour. 1f. recto title verso copyright iii note iv-v synopsis vi cast list vii contents i full-page illustration 172 173-200 libretto pp. Text in French and English. Les bavards Bavard et bavardel to a libretto by Nuitter after Cervantes' Los habladores was first performed in Bad Ems on July 11 1862; in Vienna at the Kaitheater on November 20 1862; and in Paris at the Bouffes-Parisiens on February 20 1863.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A539] unknown books
190028859Berlin: Ed. Bote & G. Bock PN 13139 1900. Large octavo. Original publisher's dark orange wrapper with title within decorative border. 1f. recto title verso cast list and contents 3-52 pp. Text in German and French dialogue in German only. <br/><br/>Wrappers slightly worn. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 13139] unknown books
193729213London: Boosey & Co. PN H. 14748 1937. Large octavo. Original publisher's dark ivory wrappers printed in dark brown. 1f. recto title verso introduction i named cast list and act list 4-223 i publisher's catalogue pp. Text in English only.<br/><br/>Named cast includes Enid Cruickshank Nancy Neale Bruce Carfax Eddie GarrW. S. Percy Peter Owen Richard Goolden Clifton Boyne Darroll Richards Norah Colton Hazel Jennings Molly Johnson Marjorie Tomlin Patrick Worsley Hilton Porter Arthur Hoskins and Walter Bird.<br/><br/>Wrappers very slightly worn and soiled; small price handstamp to upper corner of upper; spine creased. Former owner's signature and address "Marshall Stone" to upper margin of title; annotation to lower margin of cast leaf in red pencil; lyrics to pp. 133-139 annotated in pencil and red ink. La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Variétés on April 12 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz."<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Boosey & Co. [PN H. 14748] unknown books
190029220Paris: Ménestrel Heugel et Cie. PN H. 2447 1900. Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 74 pp.<br/><br/>Named cast includes Guyot Geoffroy Tautin and Geoffroy. Annotations to cast list in pencil.<br/><br/>Wrappers worn soiled and slightly chipped; spine with small tears and minor loss; detached; publisher's handstamp to lower margin. Browned; small circular publisher's handstamps to lower margin of title; former owner's handstamp to upper margin of second leaf. Re-issue from first edition plates. <br/><br/>Le mari à la porte to a libretto by Delacour was first performed in Paris at the Bouffes-Parisiens on June 22 1859.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ménestrel, Heugel et Cie. [PN H. 2447] unknown books
