814 résultats
186529198Paris: E. Heu PN E.H. 750 1865. Large octavo. Quarter dark tan morocco with textured maroon paper boards spine with raised bands titling gilt with initials "A.S." gilt to foot marbled endpapers. 1f. recto title within decorative border printed in sepia verso notes on first performance and named cast list 1f. recto contents verso blank 232 pp. Lithographed.<br/><br/>Named cast includes Berthelier Léonce Désiré Duvernoy Tacova Gourdon Gobin Pelva Halbleid Valter Leriche Lisa Tautin Irma Marié Zulma Bouffar Frasey-Berthelier Garrait Sorac Bonelli Simon Delmary and Marie Brun.<br/><br/>Slightly worn; hinges partially split. Occasional minor to moderate foxing; slightly trimmed; small oval publisher's handstamp to lower margin of title. First Edition. <br/><br/>Les bergers to a libretto by Crémieux and Gille was first performed in Paris at the Bouffes-Parisiens on December 11 1865.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 750] unknown books
186725833Paris: G. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed.<br /> <br /> Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. <br /> <br /> Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790.<br /> <br /> La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on 12 April 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz."<br /> <br /> Offenbach was "with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11211] unknown
2019x-0367209543Taylor & Francis 2019. Hardcover. New. 200 pages. 9.25x6.00x0.50 inches. Taylor & Francis hardcover
186926619Paris: Colombier PN C. 3447. 1869. Large octavo. Dark red morocco-backed marbled boards raised bands on spine in decorative compartments gilt titling gilt marbled endpapers. 1f. decorative title 1 named cast list for the first performance and table of contents 2-371 i blank pp. Lithographed. <br/><br/>With contemporary signature to upper right corner of title and publisher's handstamp to lower.<br/><br/>Binding slightly worn rubbed and bumped; spine slightly faded. Scattered foxing heavier to some leaves; lower outer corners slightly soiled; occasional minor creasing to blank inner margins; small tear to pp. 223-224 repaired not affecting music. An attractive copy. First Edition. OCLC no. 21830665.<br/><br/>Les Brigands to a libretto by Henri Meilhac and Ludovic Halévy was first performed at the Théâtre des Variétés in Paris on December 10 1869.<br/><br/>"Offenbach's last big Second Empire success Les brigands featured José Dupuis as Falsacappa and Zulma Bouffar as Fragoletto. Its principal numbers include Fiorella's rondò 'Après avoir pris à droite' Fragoletto's saltarello 'Falsacappa voici ma prise' the canonic chorus 'Soyez pitoyables' and Antonio's 'O mes amours ô mes maîtresses'. The work is noted for the comic carabinieri who always arrive too late to capture their prey and for witty political comment such as Antonio's declaration that 'one should steal according to the position one occupies in Society'." Andrew Lamb in Grove Music Online. Colombier [PN C. 3447.] unknown books
186625827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed.<br/><br/>Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. <br/><br/>Publisher's and music seller's handstamps to lower portion of title.<br/><br/>Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC no. 82470995.<br/><br/>La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on October 31 1866.<br/><br/>"The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown books
186625827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed.<br /> <br /> Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. <br /> <br /> Publisher's and musicseller's handstamps to lower portion of title.<br /> <br /> Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC 82470995.<br /> <br /> La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on 31 October 1866.<br /> <br /> "The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown
1935BOOKS261393Self Published . VG/No Dustjacket. 1935. 1/4 Leather. Wonderful document describing a vistor to the New York City area. Included are photographs images from brochures post cards pen and ink sketches etc. The visit included a visit to East Orange NJ to see relatives Herr und Frau George E. Schreiber. They also visiited Washinton D. C. Each chapter starts with a colored initial. We believe that this became a wedding present. Enclosed in a custom box that is slightly rubbed. . Oblong Folio 213 pp. Slight rubbing of cloth cover. . ***** Self Published ***** hardcover
39683Over 65 measures. 2 pp. Oblong octavo 157 x 235 mm. Notated on both sides of the leaf in black ink and pencil on 6-stave rastrum-ruled paper. Marked "g mol - c" at head. Unsigned and undated. <br /> <br /> With some passages with notation for two instruments on one stave and indications including letter names which may be bass notes and key names.<br /> <br /> Worn and soiled; creased at folds; half of blank outer margin lacking; edges slightly frayed and with small tears. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory but his most significant achievements lie in the field of operetta. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory." Andrew Lamb in Grove Music Online. unknown
19251799WEGWEISER=VERLAG G.m.b.H 1925. 1. hardcover. WEGWEISER=VERLAG G.m.b.H hardcover
19852111050485xbvkBerlin, Edition Handpresse Gutsch, 1985. Buch: 11 Blätter braunes Büttenpapier (4 seitlich unaufgeschnitten), davon 9 einseitig bedruckt mit Gedichten, abwechselnd mit 9 seitlich unaufgeschnittenen Doppelblättern mit illustriertem Titelblatt, Druckvermerk, 2. illustr. Titelblatt, 14 ganzseitigen Farblinolschnitten und kurzer Künstlerbiographie. - Brauner Halbledereinband mit beigefarbenem farblich changierendem Grobleinenbezug; Folio (ca. 37 x 25 cm) / MANUSKRIPT: grossformatige Halbleinenkladde der Zeit.
18495Aquarelle, gouache, mine de plomb et photographies réalisées par Henri Fost et Jenny Carré, sous couverture demi-basane à coins marron, (1935), in-4, dos à cinq nerfs.
0486418944New. Brand new and still unused unknown
187540324Paris, Typographie Lahure, (1875). In-8 de 16 pp., cartonnage Bradel papier coquille, pièce de titre manuscrite en long, couverture illustrée conservée (reliure moderne).
1934149520Paris: Studio Piaz 1934. Four vintage oversize photographs from the 1934 revival of Jacques Offenbach's 1875 operetta showing actress Josephine Baker in costume as Dora. All photographs with the stamp of Studio Piaz at the lower corner of the recto and one with the address stamp of J. Manuel Richard Baker's personal secretary on the verso.<br/><br/>The operatic debut of the longtime comedian actor and dancer. The production which was staged at the Theatre Marigny in Paris was the first time Jacques Offenbach's comic operetta had been staged since its 1875 debut. <br/><br/>Two photos 11.5 x 9.25 inches and two photos 8 x 10 inches. Very Good plus overall one photo with brief archival reinforcement at the corners on the verso. Studio Piaz unknown books
