68 résultats
1870100615Ménestrel 1870 approx.
190053218- Photographie 4 x 7, 5 cm. Collée sur carton.
190052404- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
190053217- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
186325383Brandus 1863 approx.
1900ABE-1923899606924 PAGES-27 CM X 34,5 CM-COUVERTURE COULEURS MME SIMON-GIRARD (ROLE D'HELENE)-EN COUVERTURE INTERIEURE "MENELAS (M. BRASSEUR) LE CONCOURS DES BOUTS-RIMES", NOIR ET BLANC-LETTRE DE M. LUDOVIC HALEVYLA BELLE HELENE, OPERA-BOUFFE DE HENRI MEILHAC ET LUDOVIC HALEVY, MUSIQUE DE J. OFFENBACH-RICHE ICONOGRAPHIE-NOTES ET SENSATIONS, 2 PHOTOGRAPHIES COULEURS HORS TEXTE (MME SIMON-GIRARD ET BRASSEUR, EVE LAVALLIERE)-LE THEATRE DES VARIETES 1777-1900-TRACES DE RELIURE
189889996Partitions sur la pêche, poissons et crustacés Rouart,Lerolle 1898 approx.
190028764Berlin: Ed. Bote & G. Bock PN 5000 1900. Large octavo. Disbound. 1f. recto title verso cast list and contents 3-66 pp. Text in German and French.<br/><br/>Remnants of dark orange wrapper to spine. Small publisher's label to lower margin of title. La chanson de Fortunio to a libretto by Crémieux and Halévy was first performed in Paris at the Bouffes-Parisiens on January 5 1861.<br/><br/>Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 5000] unknown books
190029222Paris: Au Ménestrel Heugel et Cie. PN H. & Cie. 2147 1900. Large octavo. Original publisher's light green printed wrappers with title within decorative border. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 72 pp.<br/><br/>Named cast includes Geoffroy Mareschal Lise Tautin and Dalmont.<br/><br/>Wrappers worn; browned at edges; upper with small rectangular publisher's handstamp to lower margin; spine defective reinforced with archival tape. Occasional minor foxing; edges of title browned; small circular publisher's handstamp to lower margin of cast leaf. Le mariage aux lanternes to a libretto by Dubois M. Carré and Battu was first performed in Paris at the Bouffes-Parisiens on October 10 1857.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Au Ménestrel, Heugel et Cie. [PN H. & Cie. 2147] unknown books
189028870Paris: C. Joubert PN B. & Cie. 12614 1890. Large octavo. Original publisher's brown cloth-backed dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso notes 56 pp.<br/><br/>Wrappers somewhat worn with minor soiling and staining. Some signatures split or partially split; minor soiling. Le violoneux to a libretto by Mestépès and Chevalet was first performed in Paris at the Bouffes-Parisiens Salle Marigny on August 31 1955. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. C. Joubert [PN B. & Cie. 12614] unknown books
190028859Berlin: Ed. Bote & G. Bock PN 13139 1900. Large octavo. Original publisher's dark orange wrapper with title within decorative border. 1f. recto title verso cast list and contents 3-52 pp. Text in German and French dialogue in German only. <br/><br/>Wrappers slightly worn. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 13139] unknown books
190029220Paris: Ménestrel Heugel et Cie. PN H. 2447 1900. Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 74 pp.<br/><br/>Named cast includes Guyot Geoffroy Tautin and Geoffroy. Annotations to cast list in pencil.<br/><br/>Wrappers worn soiled and slightly chipped; spine with small tears and minor loss; detached; publisher's handstamp to lower margin. Browned; small circular publisher's handstamps to lower margin of title; former owner's handstamp to upper margin of second leaf. Re-issue from first edition plates. <br/><br/>Le mari à la porte to a libretto by Delacour was first performed in Paris at the Bouffes-Parisiens on June 22 1859.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ménestrel, Heugel et Cie. [PN H. 2447] unknown books
1867R150202274CALMANN LEVY. 1867. In-8. Broché. A restaurer, Plats abîmés, Dos abîmé, Intérieur frais. 125 pages- plats désolidarisés- dos manquant- pages désolidarisées- 1 annotation et 1 tampon sur le 1er plat. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1895RO50023010"Imprimerie des Annales. 8 décembre 1895. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches représentant Alexandre Dumas père avec fac-similé d'un autographe, ""Calinerie"" de Carrier-Belleuse, ""Moeurs parisienne"".. . . . Classification Dewey : 780.26-Partitions"
1895RO50022979"Imprimerie des Annales. 5 mai 1895. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches ayant pour thème ""Salon de 1895"".. . . . Classification Dewey : 780.26-Partitions"
1898RO50023126"Imprimerie des Annales. 27 février 1898. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches ayant pour thèmes ""Le procès Zola"" et ""Avant le bal - Après le bal"" de Réal del Sarte illustrant un poème de Albert Mérat.. . . . Classification Dewey : 780.26-Partitions"
1895RO50048089EMILE BENOIT. 1895. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Coiffe en pied abîmée, Déchirures. 1 page de partition + 3 pages avec illustrations en noir et blanc : Salon de 1895. Paroles de Ch. CLairville et J. Cordier. Quelques déchirures aux extrémités des pages, sans réelles conséquences sur la lecture. Rousseurs.. . . . Classification Dewey : 780.26-Partitions
1855277741855 L'Artiste, Journal de la Littérature et des Beaux-Arts.1855- N°3- 14 janvier 1855,IN4 broché,fascicule en feuilles sous chemises jaunes, très rare,bon état,planche manquante.
1855277771855 L'Artiste, Journal de la Littérature et des Beaux-Arts.1855- N°6- 4 fevrier 1855,IN4 broché,fascicule en feuilles sous chemises jaunes, très rare,bon état,2 planches .
188628480Paris: Choudens Fils PN A.C. 8431 1886. Large octavo. Original publisher's light pink illustrated wrappers. 1f. recto title verso blank 1 cast list and contents 2-75 i blank 14 publisher's catalogue pp. Unopened.<br/><br/>Wrappers slightly worn; minor damage to head of spine. Some signatures split and partially detached. Fleurette oder Näherin und Trompeter to a libretto by Hopp and Zell C. Walzel after Pittaud de Forges and Laurencin Chapelle was first performed in Vienna at the Carltheater on March 8 1872.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 8431] unknown books
188629226Paris: Choudens Père & Fils PN A. C. 3017 1886. Large octavo. Quarter dark brown morocco with marbled boards raised bands on spine with titling gilt marbled endpapers. 1f. recto title within decorative border verso notes 1f. recto named cast list and contents verso blank 215 i blank pp.<br/><br/>Named cast includes Judic Grivot Perret Godin Desmonts Mannère Grivot Scipion Jean-Paul Daubray Habay Fugère Homerville Guyot Courcelles Durand Maxnère and Rivet.<br/><br/>Binding slightly worn rubbed and bumped. Browned; trimmed at inner margin and guarded; upper margin of title trimmed just affecting border; small handstamp to upper margin of first page of music. Printed from first edition plates.<br/><br/>Madame l'archiduc to a libretto by Halévy and Millaud was first performed in Paris at the Bouffes-Parisiens on October 31 1874.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A. C. 3017] unknown books
1867R150202273MICHEL LEVY FRERES. 1867. In-8. Broché. Etat passable, Couv. défraîchie, Dos satisfaisant, Mouillures. 125 pages- 1 signature en tête de la première page ainsi qu'en tête du 1er plat- 1 étiquette collée sur le 1er plat. . . . Classification Dewey : 792-Théâtre
189028772Paris: Choudens Père & Fils PN A.C. 5024 1890. Large octavo. Full red cloth titling gilt to spine marbled endpapers. 1f. recto title within border by L. Denis verso notes 1f. recto notes on first performance named cast list and contents verso blank 3-254 pp.<br/><br/>Binding slightly worn. Some browning; former owner's signature to free front endpaper dated 1936; tape reinforcement to outer edge of verso of title. Printed from first edition plates.<br/><br/>Belle Lurette to a libretto by Blum Blau and Toché completed by Delibes was first performed in Paris at the Renaissance on October 30 1880.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 5024] unknown books
