814 résultats
187728481Paris: Choudens Père & Fils PN A.C. 3632 1877. Large octavo. Quarter black calf with pebbled black paper boards. 1f. recto title within decorative border by J. Bourgeois verso blank 1 notes on first performance named cast list and contents 2-193 i blank pp.<br/><br/>Named cast includes Vanghel J. Gérard Geoffroy Delorme Maugé Milher Simon-Max Luco Haymé and Vavasseur. Occasional performance markings in pencil including some added notation. <br/><br/>Binding slightly worn and rubbed; spine slightly chipped at head and tail. Light to moderate foxing; several small tears; one leaf creased; minor loss to a few leaves. First Edition. <br/><br/>La Foire Saint-Laurent to a libretto by Crémieux and Saint-Albin was first performed in Paris at the Folies-Dramatiques on February 10 1877. Choudens Père & Fils [PN A.C. 3632] unknown books
18741174261Paris, Heugel et Cie., 1874. 4to. 2 Bl., 301, (1) S. Noten. Hldrbd d. Zeit m. eingeb. OVorderumschl. (nach Barbizet) (Vordergelenk gelockert, gering braunfl.).
6j1860Ohne Vrelag und Ort um 1990. CD in original Kunststoffhülle. - neuwertig/original verlagsfrisch verschweißt/gespielt vom Chor und Sinfonieorchester des Bayerischen Rundfunks unter der Leitung von Rudolf Moralt - unknown
201323601Frankfurt, Leipzig und Berlin, 1990 bis 2013. Stets in kleiner Auflage erschienen. Mit Abbildungen, Bibliographien, Beiträgen zu den Sammlertreffen usw.. OPappbände im IB-Format.
185628871Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9659 1856. Large octavo. Quarter dark blue calf with marbled boardsspine with gilt-ruled compartments and titling gilt. 1f. recto title within decorative borders verso blank 1f. recto contents verso blank 0 pp. Engraved.<br/><br/>Binding slightly worn rubbed and bumped; armorial bookplate to front pastedown. Minor foxing; small oval bookseller's and publisher's facsimile signature handstamp to lower margin of title. First Edition first issue.<br/><br/>Trombalcazar ou Les criminels dramatiques to a libretto by Dupeuty and Bourget was first performed in Paris at the Bouffes-Parisien on April 3 1856.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus, Dufour et Cie. [PN B. et Cie. 9659] unknown books
A9780367209544Hardback. New. hardcover
015241[Offenbach] Mélanie Waldor (1796-1871), poétesse, femme de lettres, maîtresse d'Alexandre Dumas. Lettre imprimée avec note A.S., sd [avril 1853], 1p in-8. A Monsieur Mathon de Fougères [ortographié de Forère]. Lettre imprimée invitant à une « assemblée de charité » en faveur des familles pauvres visitées et secourues par la conférence Saint-Vincent-de-Paul » de la paroisse d'Arcueil. On remarquera que Jacques Offenbach accompagnera la cérémonie. La liste des quêteuses est donnée, évidement que des dames de la sociétés, parmi lesquelles se trouve Mélanie Waldor. Au pied de la lettre, Waldor a ajouté deux lignes : « Monsieur, Votre aumône quelque légère qu'elle soit me trouverait bien reconnaissante. Mélanie Waldor de Villenave ». Belle pièce mentionnant Offenbach. [375]
BN96961Magistrat der Stadt Offenbach am Main. Zur Geschichte der Juden in Offenbach am Main: Band 3. Werden und Vergehen : Aufstieg Buchdruck Friedhöfe Erinnerungen <br/><br/>Zur Geschichte der Juden in Offenbach am Main: Band 3. Werden und Vergehen : Aufstieg Buchdruck Friedhöfe Erinnerungen Magistrat der Stadt Offenbach am Main unknown
BN212686Magistrat der Stadt Offenbach am Main. Zur Geschichte der Juden in Offenbach am Main: Band 2. Von den Anfängen bis zum Ende der Weimarer Republik <br/><br/>Zur Geschichte der Juden in Offenbach am Main: Band 2. Von den Anfängen bis zum Ende der Weimarer Republik Herausgeber: Magistrat der Stadt Offenbach am Main Magistrat der Stadt Offenbach am Main unknown
2014BN243306DOVER PUBN INC 2014. 2014. Softcover. Les Contes d'Hoffmann in Full Score <br/><br/>Les Contes d'Hoffmann in Full Score Jacques Offenbach DOVER PUBN INC paperback
1902QZI-11Paris, Calmann-Lévy, 1902. Édition originale des œuvres complètes (théâtre, opérettes, opéra-bouffe) d'Henri Meilhac et Ludovic Halévy. Huit volumes in-12 de 12,5 x 18,5 cm pour 383 + 386 + 402 + 404 + 412 + 493 + 474 + 468 pp. Relié demi-chagrin chocolat, dos à 5 nerfs, nom d'auteur et titre en caractères d'imprimerie dorés séparés d'un trait doré, tomaison en doré. Tranches supérieures dorées. Plats marbrés à motifs foncés tournoyants, gardes colorées marbrées d'un motif camaïeu clair. Couvertures conservées. Tranchefile. "Avec Ludovic Halévy, rencontré en 1860, Henri Meilhac entame une collaboration de près de vingt ans et donne les livrets des plus célèbres opérettes de Jacques Offenbach dont La Belle Hélène (1864), La Vie parisienne (1866), La Grande-duchesse de Gérolstein (1867) et La Périchole (1868) ainsi que le Carmen de Georges Bizet (1875). Le duo compose aussi des vaudevilles et des comédies : Les Brebis de Panurge (1863), Fanny Lear (1868), Frou-Frou (1869), Tricoche et Cacolet (1872), Le Prince (1876), La Cigale (1877), Le Mari de la débutante (1879). Des deux duettistes, Henri Meilhac apporte en propre sa fantaisie, confinant parfois à la loufoquerie. Gagnant beaucoup d'argent, il en dépense également beaucoup, cherchant l'inspiration dans les grands restaurants, les cigares et le champagne. Meilhac et Halévy fréquentent le salon littéraire de Geneviève Halévy ou se rencontrent aussi Lucien Guitry, Paul Bourget ou Joseph Reinach, entre autres."
185629200Paris: Léon Escudier PN L.E. 1566 1856. Octavo. Full modern dark green cloth modern marbled endpapers. 1f. recto title verso printer's note 1f. recto named cast list and contents verso blank. 95 i blank pp. Engraved.<br/><br/>Named cast includes Pradeau Berthelier Guyot and Dalmont.<br/><br/>Occasional light foxing; small publisher's facsimile signature handstamp to lower margin and former owner's name to title. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Léon Escudier [PN L.E. 1566] unknown books
188128795Paris: Choudens Père & Fils PN A.C. 5100 1881. Large octavo. Full modern dark green cloth modern marbled endpapers. 1f. recto title within border by L. Denis verso notes 1f. recto dedication verso blank 1f. recto notes on first performance named cast list and contents verso blank 242 pp.<br/><br/>Named cast includes Isaac Ugalde Dupuis Molé E. Gourdon Belhomme Troy Talazac Taskin Griovot Chenevières and Teste. <br/><br/>Free front endpaper torn with tape repair. Lower outer corners soiled; title trimmed at lower margin affecting text; minor tear to lower margin of dedication leaf; lower corner of p. 127 chipped just touching printed area; lower corners ragged with paper loss to pp.143-160 not affecting music. Numerous small tears to lower edges. Worn. First Edition first issue. Fuld p. 127.<br/><br/>Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on February 10 1881. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 5100] unknown books
187829225Paris: Choudens Père et Fils PN A.C. 3862 1878. Large octavo. Full modern dark grey cloth. 1f. recto decorative title verso blank 1f. recto notes on first performance named cast list and contents verso blank 3-187 i blank pp.<br/><br/>Named cast includes Peschard Paola Marié Girard Humberta Fanny Robert Descot Blot Blanche Daubray Jolly Troy Scipion Peschieux Maxnère Dubois Jannin Chambéry Sassard and Montaubry.<br/><br/>Slightly browned and foxed; trimmed affecting text at foot of title but not affecting music; tear to outer edges of pp. 67-70. First Edition.<br/><br/>Maître Peronilla to a libretto by Nuittier and Ferrier was first performed in Paris at the Théâtre des Bouffes-Parisiens on March 13 1878.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Choudens Père et Fils [PN A.C. 3862] unknown books
DADAX0367209543Routledge 2019-03-21. 1. hardcover. New. 6.00x0.50x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
ria9780367209544_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This in-depth study examines how the politics surrounding the Vietnam War shaped the modern conservative movement in the United States as disputes about the war splintered the right with libertarians opposing the Vietnam War and relig hardcover
186629199Paris: E. Gérard & Cie. PN C.M. 10459 1866. Large octavo. Half ivory cloth with decorative boards spine with dark red leather title label gilt. 1f. recto title verso blank 1f. recto notes on first perforamance named cast list and contents verso blank 291 i blank pp. Lithographed.<br/><br/>Named cast includes Dupuis Kopp Grenier Couder Hittemans Hamburger Horton Lèonie Beatrix Taillefer Jenny Schneider Aline Duval Vernet De Géraudon Amélie Gabrielle Legrand Martin and la Petite Mathilde.<br/><br/>Binding slightly worn; boards abriaded with some paper loss; ink markings to joints and title label; former owner's signature in pencil to free front endpaper. Minor to moderate foxing; handstamps to lower margin of title; tear to outer margin of final leaf not affecting music with tear to lower corner with minor loss. First Edition.<br/><br/>Barbe-bleue to a libretto by Meilhac and Halévy was first performed in Paris at the Variétés on February 5 1866.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. E. Gérard & Cie. [PN C.M. 10459] unknown books
1877539518New York: G.W. Carleton & Co. Publishers 1877. Hardcover. Near Fine. First American edition. Octavo. 211 4 ads pp. Purple endpapers. Green cloth stamped in gilt and blind. A couple of tiny tears at the crown very near fine. A scarce title likely pirated. G.W. Carleton & Co. Publishers hardcover
1768281117Offenbach : Hirsch Spitz of Pressburg 1768. Full Leather. Fair. last few pages worm holing at bottom title page darkish discolortion bottom of page 1 lacking needs rebinding leather covers torn and worn reading copy in two parts first part 38 pages and second 82 pages ie double sided First published in Prague in 1592. Messianic speculation with histories year by year till 1592 went through many editions ". It is divided into two parts the first containing the annals of Jewish history the second those of general history. The author consulted for the second part of his work the writings of Spangenberg Laurentius Faustus Hubertus Holtzius Georg Cassino and Martin Borisk. Though Gans's annals are very dry and have no great intrinsic value they are memorable as the first work of this kind among the German Jews who at that time appreciated historical knowledge but slightly. Indeed in his preface to the second volume the author deemed it necessary to justify himself for having dealt with so profane a subject as the annals of general history and endeavored to demonstrate that it was permitted to read history on Saturdays."JEVol V pp. 565 Hirsch Spitz of Pressburg hardcover
1970143973London : OSA 1286 1970. LP Record. Very Good/Box : Fair. 0x0x0. Both the libretto and the inside of the box are signed by Joan Sutherland in large flamboyant hand--two collectible signatures; both discs in clean sleeves are without visible wear; includes catalog; box has breaks at corners London : OSA 1286 unknown
0271<br/><br/>Desjardins Pauline; de Korponay Gabriel; Stael J.; Offenbach Jacques 1819-1880. Drawing Room Polkas. Arranged for the Piano Forte. No. 1. Boston: Oliver Ditson n.d. Black and white lithographic cover with 3-5pp. music. Lithograph by Thayer & co. shows dancing couple on pointe. Dancers are Pauline Desjardins and Gabriel de Korponay. Light foxing. Reference: Levy has cover only; NYPL. GLIMG #202. unknown books
186725833Paris: B. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed.<br/><br/>Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. <br/><br/>Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790.<br/><br/>La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on April 12 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz."<br/><br/>Offenbach "was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. B. Brandus & S. Dufour [PN B. et D. 11211] unknown books
185829219Paris: G. Brandus et S. Dufour PN B. et D. 9956 1858. Large octavo. Full modern dark green cloth modern marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 124 pp. Engraved.<br/><br/>Named cast includes Léonce Désiré Mesmacre Duvernoy Guyot Jean Paul Chabert Tautin Baudoin Cico Kunzé and Byard.<br/><br/>Binding slightly bumped. Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; minor loss to lower inner margin of first leaf of music not affecting notation. First Edition first issue.<br/><br/>Mesdames de la Halle to a libretto by Lapointe was first performed at the Bouffes-Parisiens on March 3 1858.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN B. et D. 9956] unknown books
