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1896365311896.
1900018779, Ohne Erscheinungsjahr, ca. 1900. Pappe Sehr gut
185629200Paris: Léon Escudier PN L.E. 1566 1856. Octavo. Full modern dark green cloth modern marbled endpapers. 1f. recto title verso printer's note 1f. recto named cast list and contents verso blank. 95 i blank pp. Engraved.<br/><br/>Named cast includes Pradeau Berthelier Guyot and Dalmont.<br/><br/>Occasional light foxing; small publisher's facsimile signature handstamp to lower margin and former owner's name to title. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Léon Escudier [PN L.E. 1566] unknown books
186629199Paris: E. Gérard & Cie. PN C.M. 10459 1866. Large octavo. Half ivory cloth with decorative boards spine with dark red leather title label gilt. 1f. recto title verso blank 1f. recto notes on first perforamance named cast list and contents verso blank 291 i blank pp. Lithographed.<br/><br/>Named cast includes Dupuis Kopp Grenier Couder Hittemans Hamburger Horton Lèonie Beatrix Taillefer Jenny Schneider Aline Duval Vernet De Géraudon Amélie Gabrielle Legrand Martin and la Petite Mathilde.<br/><br/>Binding slightly worn; boards abriaded with some paper loss; ink markings to joints and title label; former owner's signature in pencil to free front endpaper. Minor to moderate foxing; handstamps to lower margin of title; tear to outer margin of final leaf not affecting music with tear to lower corner with minor loss. First Edition.<br/><br/>Barbe-bleue to a libretto by Meilhac and Halévy was first performed in Paris at the Variétés on February 5 1866.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. E. Gérard & Cie. [PN C.M. 10459] unknown books
1895RO50023010"Imprimerie des Annales. 8 décembre 1895. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches représentant Alexandre Dumas père avec fac-similé d'un autographe, ""Calinerie"" de Carrier-Belleuse, ""Moeurs parisienne"".. . . . Classification Dewey : 780.26-Partitions"
189028772Paris: Choudens Père & Fils PN A.C. 5024 1890. Large octavo. Full red cloth titling gilt to spine marbled endpapers. 1f. recto title within border by L. Denis verso notes 1f. recto notes on first performance named cast list and contents verso blank 3-254 pp.<br/><br/>Binding slightly worn. Some browning; former owner's signature to free front endpaper dated 1936; tape reinforcement to outer edge of verso of title. Printed from first edition plates.<br/><br/>Belle Lurette to a libretto by Blum Blau and Toché completed by Delibes was first performed in Paris at the Renaissance on October 30 1880.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 5024] unknown books
1895RO50022979"Imprimerie des Annales. 5 mai 1895. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches ayant pour thème ""Salon de 1895"".. . . . Classification Dewey : 780.26-Partitions"
1895RO50048089EMILE BENOIT. 1895. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Coiffe en pied abîmée, Déchirures. 1 page de partition + 3 pages avec illustrations en noir et blanc : Salon de 1895. Paroles de Ch. CLairville et J. Cordier. Quelques déchirures aux extrémités des pages, sans réelles conséquences sur la lecture. Rousseurs.. . . . Classification Dewey : 780.26-Partitions
188628480Paris: Choudens Fils PN A.C. 8431 1886. Large octavo. Original publisher's light pink illustrated wrappers. 1f. recto title verso blank 1 cast list and contents 2-75 i blank 14 publisher's catalogue pp. Unopened.<br/><br/>Wrappers slightly worn; minor damage to head of spine. Some signatures split and partially detached. Fleurette oder Näherin und Trompeter to a libretto by Hopp and Zell C. Walzel after Pittaud de Forges and Laurencin Chapelle was first performed in Vienna at the Carltheater on March 8 1872.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 8431] unknown books
190028764Berlin: Ed. Bote & G. Bock PN 5000 1900. Large octavo. Disbound. 1f. recto title verso cast list and contents 3-66 pp. Text in German and French.<br/><br/>Remnants of dark orange wrapper to spine. Small publisher's label to lower margin of title. La chanson de Fortunio to a libretto by Crémieux and Halévy was first performed in Paris at the Bouffes-Parisiens on January 5 1861.<br/><br/>Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 5000] unknown books
1879939Q23London: Letts Son & Co. 1879 . First edition. Brochure/Pamphlet. Very Good. 10" by 7.5". None. A very scarce programme for the Gaiety Theatre in the West End of London presenting a trio of shows taking place in 1879. A very scarce programme for a theatre performance in 1897. Presenting a series of three shows taking place at The Gaiety Theatre in London on Monday December 15th 1879. Located in the West End The Gaiety was known for its musical burlesque pantomime and operetta performances and is recognised as having an important influence on the progression of musical comedy. The first show on this programme commenced at 6.45pm the second following at 7.45 and the final concluding the night at 9.45. This series of shows are comprised of the following: 'Rose of Auvergne' one act of the operetta written by French composer Jacques Offenbach.'Uncle' a "New and Original Farcical Piece in Three Acts" by English dramatist Henry Jame Byron who had a number of plays performed at the Gaiety. 'Robbing Roy; Or Scotched and Kilt' a burlesque play written by English comic writer and prolific playwright F. C. Burnand. With a number of original advertisements on the inside and rear covers including for Schweppes Mineral Waters Swanbill Corsets Freeman's Chlorodyne and "Seal Paletots at Wholesale Prices" among others. In the publisher's original paper wraps. Externally very good with light creasing to the extremities and the odd mark. Small tears to the head and tail of the spine. Pages holding reasonably firm. Internally bright and clean. Very Good Letts, Son & Co. unknown
1868R150202270MICHEL LEVY FRERES. 1868. In-8. Broché. A restaurer, Livré sans Couverture, Dos abîmé, Intérieur frais. 104 pages- couverture d attente. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1869R150202266MICHEL LEVY FRERES. 1869. In-8. Broché. A restaurer, Livré sans Couverture, Dos abîmé, Intérieur frais. 87 pages- quelques annotations à l'encre et au crayon à papier sur la dernière page de garde- premières et dernières pages désolidarisées- dos manquant- couverture d'attente désolidarisée. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1875101071875 Paris Librairie illustrée;F .Polo 1875 Grand in-8, demi basane rouge, 228 pages chacun+ gravures hors texte.éditions illustrées de costumes coloriés dessinés par Draner et A.Grévin de vignettes de P.Hadol des portraits des auteurs de la musique et des pièces accompagnées de la musique gravée des principaux airs et de notices des pièces
187728481Paris: Choudens Père & Fils PN A.C. 3632 1877. Large octavo. Quarter black calf with pebbled black paper boards. 1f. recto title within decorative border by J. Bourgeois verso blank 1 notes on first performance named cast list and contents 2-193 i blank pp.<br/><br/>Named cast includes Vanghel J. Gérard Geoffroy Delorme Maugé Milher Simon-Max Luco Haymé and Vavasseur. Occasional performance markings in pencil including some added notation. <br/><br/>Binding slightly worn and rubbed; spine slightly chipped at head and tail. Light to moderate foxing; several small tears; one leaf creased; minor loss to a few leaves. First Edition. <br/><br/>La Foire Saint-Laurent to a libretto by Crémieux and Saint-Albin was first performed in Paris at the Folies-Dramatiques on February 10 1877. Choudens Père & Fils [PN A.C. 3632] unknown books
186725833Paris: G. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed.<br /> <br /> Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. <br /> <br /> Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790.<br /> <br /> La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on 12 April 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz."<br /> <br /> Offenbach was "with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11211] unknown
1862R320014753MICHEL LEVY FRERES. 1862. In-12. Broché. Etat passable, Plats abîmés, Dos abîmé, Mouillures. 139 pages - Ouvrage partiellement dessolidarisé - 1er plat déchiré sur le coin - Rousseurs a l'intérieur sans conséquence pour la lecture.. . . . Classification Dewey : 792-Théâtre
186725833Paris: B. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed.<br/><br/>Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. <br/><br/>Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790.<br/><br/>La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on April 12 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz."<br/><br/>Offenbach "was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. B. Brandus & S. Dufour [PN B. et D. 11211] unknown books
1898RO50023126"Imprimerie des Annales. 27 février 1898. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches ayant pour thèmes ""Le procès Zola"" et ""Avant le bal - Après le bal"" de Réal del Sarte illustrant un poème de Albert Mérat.. . . . Classification Dewey : 780.26-Partitions"
187028867Paris: G. Brandus et S. Dufour PN B. et D. 11601 1870. Large octavo. Quarter red calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by A. Jannin verso blank 1f. recto notes on first performance named cast list and contents 56 73-80 65-72 57-64 81-255 i blank pp.<br/><br/>Named cast includes Berthelier Désiré Bonnet Ed. Georges Fonti Van-Ghell Chaumont and Thierret.<br/><br/>Binding slightly worn rubbed and bumped. Minor chips to lower margin of first three leaves of music not affecting music. First Edition later issue with supplement.<br/><br/>La princesse de Trébizonde to a libretto by Nuitter and Tréfeu was first performed in Baden-Baden on July 31 1869 and in Paris at the Bouffes-Parisiens on December 17 1869.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN B. et D. 11601] unknown books
187556338Paris: Librairie Illustrée 1875. Octavo 27cm. Marbled paper over boards backed in green cloth titled in gilt on spine; iv viii 226 2pp; 6 full-page character illustrations colored in pochoir and numerous in-text wood engravings; with 7pp of printed music for songs by Offenbach. A straight sturdy copy externally rubbed corners exposed mildly foxed: just Very Good.<br /> <br /> La Vie Parisienne first produced in 1866 was one of Offenbach'st most popular operattas. This edition coincides with the 1875 revival production at the Théâtre de Variétés. Librairie Illustrée unknown
186625827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed.<br /> <br /> Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. <br /> <br /> Publisher's and musicseller's handstamps to lower portion of title.<br /> <br /> Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC 82470995.<br /> <br /> La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on 31 October 1866.<br /> <br /> "The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown
186625827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed.<br/><br/>Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. <br/><br/>Publisher's and music seller's handstamps to lower portion of title.<br/><br/>Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC no. 82470995.<br/><br/>La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on October 31 1866.<br/><br/>"The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown books
1867R150202273MICHEL LEVY FRERES. 1867. In-8. Broché. Etat passable, Couv. défraîchie, Dos satisfaisant, Mouillures. 125 pages- 1 signature en tête de la première page ainsi qu'en tête du 1er plat- 1 étiquette collée sur le 1er plat. . . . Classification Dewey : 792-Théâtre
1867R150202274CALMANN LEVY. 1867. In-8. Broché. A restaurer, Plats abîmés, Dos abîmé, Intérieur frais. 125 pages- plats désolidarisés- dos manquant- pages désolidarisées- 1 annotation et 1 tampon sur le 1er plat. . . . Classification Dewey : 782.1-Théâtre musical, opéra
