Haydn joseph

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Haydn, Joseph; Clementi, MuzioBiblio.com

The Creation an Oratorio composed by Joseph Haydn Adapted for Voices and Piano Forte by Muzio Clementi

HAYDN, Joseph 1732-1809Biblio.com

Hob. XXI:3. Haydn's Jahreszeiten. Klavier-Auszug von Anton André. Deutscher Text. . Preis blank. Piano-vocal score

182040449Offenbach a/m: Johann André PN 1640 1820. Andre Johann Anton 1775-1842. Oblong folio. 19th century light purple cloth with titling gilt to upper within gilt-ruled borders with decorative cornerpieces gilt decorative blindstamping to lower. 1f. recto title incorporating a horticultural vignette; verso "Personen" 3-166 pp. Lithographed. Binding slightly worn rubbed and bumped; slightly shaken; upper hinge slightly split. Occasional browning. HWV II p. 59. One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. Johann André [PN 1640] unknown

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HAYDN, Joseph 1732-1809Biblio.com

Haydn's celebrated Symphonies composed for and performed at Mr. Salomon's and The Opera Concerts adapted for the Piano-forte with an Accompaniment for a Violin & Violoncello ad libitum No. I-XII. Hoboken I:96 arr. Keyboard part only

180441316London: Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street 1804. Folio. half dark red calf with marbled boards dark red decorative ownership label of the Countess of Gosfoed gilt to upper titling and rules gilt to spine. 1f. recto title verso blank i blank 2-18; 1f. recto title verso blank i blank 2-13; 1f. recto title verso blank 16; i title 2-18; 1f. recto title verso blank i blank 2-13; i title 2-15; 1f. recto title verso blank 21; i title 22-41; 1f. recto title verso blank 41-58; 1f. recto title verso blank 59-75; i 76-97; i 98-115 pp. Engraved. Binding worn rubbed bumped and scuffed. Minor to moderate foxing and browning. Ex-library with bookplate of the Morrill Memorial Library in Norwood Massachusetts to front pastedown with name of donor crossed out call number in white ink to spine and small embossed stamp to upper margin of title. Lacking ad libitum violin and violoncello parts. In very good condition overall. Provenance Possibly from the collection of Millicent Acheson the Countess of Gosford ca. 1750-1825 friend of Lady Byron. A later edition. RISM H4523 complete series of the 12 London symphonies with copies at the Naples Conservatory Italy and at the Library of Congress nos. 1-6 only. WorldCat copies of the complete series at Boston University and the University of Oxford and copies of nos. 1-6 at the Eastman School of Music and at Cornell University. See Hoboken Coll. Sy. 15b. for details regarding the first edition. The arrangement is by Johann Peter Salomon 1745-1815. Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street unknown

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HAYDN, Joseph 1732-1809Biblio.com

Hob. XXX:1a etc. A Select Collection of Original Scottish Airs for the Voice. With Introductory & Concluding Symphonies & Accompaniments for the Piano Forte Violin & Violoncello . With Select & Characteristic Verses both Scottish and English adapted to the Airs including upwards of One Hundred New Songs by Burns. Price of each Volume the Voice & Piano Forte One Guinea. The Violin & Violo. parts separate 6.sh

180540142London: Printed & Sold by T. Preston 97 Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh 1805. Large folio. Sewn. 1f. recto portrait of Burns verso blank i title with engraved vignette 98 pp. numbered 151-200 with each page number duplicated and music and poetry alternating on engraved and typeset pages respectively i blank. Oval stipple engraved portrait of Robert Burns by Paton Thomson after Nasmyth and engraved vignette to title by Thomson after Stothard depicting an urn with Burns's portrait in relief floral motifs and a kneeling maiden in Classical garb with verse "Now see where Caledonias Genius mourns / And plants the holly round the tomb of Burns." Manuscript inscription to upper margin of title "To Ms. Richardson from the Editor" and signature of the editor "G Thomson" to right of imprint. Some wear browning foxing and soiling; portrait of Burns detached soiled and torn at edges with paper loss; losses and tears to margins. Lacking 2-page index and 5-page glossary. First Edition. Hopkinson & Oldman p. 19. RISM H2737. Hoboken XXX1a: 226 4bis 227 228 8bis 61bis 229 122bis 230. 231 149bis 232 233 89bis 234 221bis 235 236 76bis 237 238 60bis 239 240 241 81bis 242 145bis 243 244 245 148bis 246 24bis 247 115bis 20bis 22bis 248 249 46bis 52bis 250 69bis 70bis 31bis 251 252 253A 253B 254. RISM 2737. Printed & Sold by T. Preston, 97, Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh unknown

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HAYDN, Joseph 1732-1809Biblio.com

Violino Accompaniment To the Select Collection of Original Scotish Airs for the Voice With Characteristic Verses both Scotish & English including upwards of One hundred new Songs by Burns in four Volumes. Vol. 2-4

180241312London: Printed & Sold by Preston No. 97 Strand. Sold also by the Proprietor G. Thomson York Place Edinburgh 1802. 3 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 2: 1f. recto title verso blank 17-32 pp. Watermark dated 1803 Vol. 3: 1f. recto title verso blank 33-48 pp. Watermark dated 1802 Vol. 4: 1f. recto title verso blank 49-64 pp. Watermark dated 1802 Price given as "3 Shs." With "Neele sculp. Strand" to foot of titles. Title to vol. 2 signed "Go. Thomson" vols. 3 and 4 signed with his initials. First Edition. Rare. Hopkinson and Oldman p. 23. Together with: Violoncello Accompaniment To the Selected Collection of Original Scotish Airs for the Voice . In three Volumes !4. London . Edinburgh: Preston . G. Thomson Vols. 3 and 4. 2 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 3: 1f. recto title verso blank 21-30 pp. Watermark dated 1802. Vol. 4: 1f. recto title verso blank 31-40 pp. Watermark dated 1802. Price given as "3 Shs." "Neele sc. Strand" to foot of titles. Titles to each volume initialed by Thomson. First Edition. Rare. Hopkinson and Oldman p. 23. Together with: Violin Accompaniment by Pleyel To the first Set of Scotish! Songs. Folio. Contemporary plain mid-purple wrappers. Sewn. 8 pp. No title page present possibly not issued with such. Hoboken XXXIa. RISM H2735-37 A fifth volume of songs in the series with music by Beethoven was issued in 1818. The accompanying instrumental parts to the Scottish Songs are very rare. "It is . impossible to speak with assurance in treating of these part books. They are exceedingly rare and we have not found any that can be associated with any volume or edition later than 1818." Hopkinson and Oldman; Thomson's Collections of National Song with special reference to the contributions of Haydn and Beethoven p. 11. Printed & Sold by Preston, No. 97 Strand. Sold also by the Proprietor G. Thomson, York Place, Edinburgh unknown

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HAYDN Joseph 1732 1809ABAA

H. I:85-86 88 94-96 99-104. Symphonien in Partitur Study scores

186625527Berlin u. Breslau: Ed. Bote & G. Bock PNs 181-192 1866. 12 volumes. Octavo. Uniformly bound in brown cloth-backed textured dark brown paper boards with initials "E.M." to lower right corner of upper gilt titling and ornaments to spines. Engraved. No. 1 H. I:104: 118 pp. - No. 2 H. I:102: 106 pp. - No. 3 H. I:94: 108 pp. - No. 4 H. I:103: 116 pp. - No. 5 H. I:100: 122 pp. - No. 6 H. I:101: 132 pp. - No. 7 H. I:88: 94 pp. - No. 8 H. I:95: 91 pp. - No. 9 H. I:99: 126 pp. - No. 10 H. I:96: 106 pp. - No. 11 H. I:85: 102 pp. - No. 12 H. I:86: 127 pp. Incipits of all 12 symphonies to title pages of vols. 2-3 5 and 8-12 with subscription prices in Reichsthaler. On title pages of vols. 1 4 6 and 7 incipit staves from no. 8 left blank; filled staves and prices next to them are the same as in vols. 2-3 5 and 8-12. Title pages are otherwise identical. Publisher's blindstamp to title of vols. 1 3 4 6-8 and 10. Caption title "Symphonie" without number through vol. 7; no. 8 with arabic numeral; nos. 9-12 with roman numerals. Caption credits to "J. Haydn" to nos. 8 and 10-12. Publisher's note "Ed. Bote & G. Bock Berlin" printed at lower right corner of first page of music from vol. 9 on. Notational correction in pencil to p. 108 of no. 6. Bindings slightly worn rubbed and bumped; spines of vols. 1 3 and 12 lacking; small stains to vol. 6. A complete set including first editions in full score of Hoboken I: 88 96 and 100 various issues. Hoboken Haydn catalogue III pp. 17-18 "Coll. Sy. 5" with title conforming to the latest of the three given by Hoboken; the imprint allows for dating between 1847 opening of the Breslau office and 1866 liquidation of Scharfenberg & Luis. Hoboken collection catalogue 6: 175 vol. 11 with mispagination dated "um 1853" 234 vol. 8 misdated "um 1839" 238 vol. 10 mislabeled "Erstdruck" and misdated "1839" 279 vol. 2 earlier issue with incipits for nos. 1-7 only misdated "1839" 294 vol. 1 later issue with incipits for all 12 numbers. The first issues were announced in 1839 and the plate numbers reserved at the same time. Publication however seems to have stretched over many years: the first six volumes are listed in Hofmeister 1852 vol. 7 in Hofmeister 1860 and the final five in Hofmeister 1868. The differences in printing quality suggests that vols. 7-12 are first or early issues and vols. 1-6 later issues; in vols. 2 3 and 5 the later issue is confirmed by the presence of all twelve incipits on the title page. The monogram "E.M." cannot be identified but it is possible that it stands for Eusebius Mandyczewski 1857-1929 the initiator of the first complete edition of Haydn's works. A well-preserved set. Together with: Hoboken I:97. Symphonien von Joseph Haydn. Partitur. No. 7 C dur. Pr. 1 Thlr. 10 Ngr. Full score. Leipzig: Breitkopf & HÃ¤rtel PN 9055 ca. 1855. Octavo. Black cloth-backed gray boards with blank label to spine and upper. 1f. title 59 i blank pp. Engraved. Handstamp of "Karl Schwager Musikalienhandlung u. Antiquariat Wien" to title. Binding quite worn rubbed and bumped with portions of cloth spine lacking; front endpaper detached. Somewhat browned; minor blue and graphite pencil markings to title; some pages guarded; pp. 5-16 lacking. First Edition most probably first issue. Hoboken Haydn catalogue I p. 196 and III p. 19 Coll.Sy.7b; there date is given as "1855/58". Hoboken collection catalogue 6 243. Not in Hirsch or RISM. The list of symphonies on the title page includes nine numbers. The first six scores Hoboken I: 93 94 99 101 203 104 were published in Haydn's lifetime and reissued in 1854. The present number was the first of another six symphonies Hoboken I: 86 95 98 100 and 102 completed by 1858. The fact that the list on the title ends with "no. 9" and not with "no. 12" allows the dating of the present copy to the short time before the new set was complete. Ed. Bote & G. Bock [PNs 181-192] unknown books

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HAYDN, Joseph 1732-1809Biblio.com

Hob. XXI:3. Die Jahreszeiten . Klavierauszug

180240453Leipzig: Breitkopf & Härtel 1802. Oblong quarto. Half green cloth with modern marbled boards decorative cut paper label with manuscript titling to upper. 174 pp. Typeset. Text in German and French. With first part of publisher's catalogue to foot of final page of music. With "Haydn's J.Z." printed to lower margin of some pages. Light uniform browning heavier to some leaves; some minor foxing and staining; very slightly trimmed at upper and lower margins not affecting text or notation but very occasionally just touching or cropping pagination. Somewhat tightly bound occasionally just slightly affecting ease of legibility at extreme inner margins. Lacking title leaf and one leaf containing continuation of publisher's catalogue at conclusion. HWV II p. 59. Hoboken Collection 9 1419. RISM H4691. One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. [Breitkopf & Härtel] unknown

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HAYDN, Joseph 1732-1809Biblio.com

Hob. XXI:3. Die Jahreszeiten nach Thomson . Partitur . Originalausgabe. Full score. Part I only

180240133Leipzig: Breitkopf & Haertel 1802. Folio. Contemporary full dark brown suede with tooling in black to outer edges of boards. 1f. recto title with elaborate vignette engraved by W. Böhm after G.V. Kiminger incorporating allegories of the seasons floating on a bed of clouds with lyre and six-pointed stars verso blank 1f. recto secondary title "Erste Abtheilung" verso "Personen" 251 i blank. Typeset throughout. With occasional indications of instrumentation in pencil. R. Cocks & Co. handstamp to foot of secondary title. Binding worn rubbed and bumped with minor loss to lower outer corner of upper board and spine; upper partially detached. Some wear soiling staining foxing and browning; occasional minor loss to blank lower margins; worming to blank inner margin of first five leaves. First Edition issue with parallel text in German and English. Hoboken Katalog Vol. 9 1411. Hirsch IV 796. RISM H2542. One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. Breitkopf & Haertel unknown

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HAYDN, Joseph 1732-1809Biblio.com

Hob. I:91 69 83 41 85 53 71 75. A Compleat Collection of Haydn Mozart and Beethoven's Symphonies in Score Most Respectfully Dedicated by Permission to H.R.H. The Prince of Wales No. I II IV V VI XXI XXIII XXIV Price to Subscribers . 5s Non Subscribers . 8. Rymer & Son Sct. Full scores

180940096London: Cianchettini & Sperati 1809. 4 volumes. Large octavo. Disbound. Engraved throughout. Contains 8 works each with identical title excepting work number. 1 Symphony in E-flat major. 1f. recto title No. I verso blank 42 pp. Hob. I:91. Robbins Landon p. 744. 2 Symphony in C major "Laudon." 1f. recto title No. II." verso blank 39 i blank pp. Hob. I:69. Robbins Landon p. 717. 3 Symphony in G minor "La Poule." 1f. recto title No. IV verso blank 36 pp. Hob. I:83. Robbins Landon p. 734. 4 Symphony in C major No. 41. 1f. recto title No. V verso blank 23 i blank pp. Hob. I:41. Robbins Landon p. 678. 5 Symphony in B-flat major "La Reine. 1f. recto title No. VI verso blank 37 i blank pp. Hob. I:85. Robbins Landon p. 736. 6 Symphony in D major "L'Impériale." 1f. recto title No. XXI verso blank 40 pp. First Edition. Hob. I:53. Robbins Landon p. 696. 7 Symphony in B-flat major. 1f. recto title No. XXIII verso blank 33 i blank pp. Hob. I:71. Robbins Landon p. 719 8 Symphony in D major. 1f. recto title No. XXIV verso blank 27 i blank pp. First Edition. Hob. I:75. Robbins Landon p. 724 Foxing staining soiling and browning to numerous leaves; some small tears and losses to edges; several leaves detached including titles. "Although Haydn's sobriquet 'father of the symphony' is not literally true in a deeper sense it is apt: there is no other genre in Western music for which the output of a single composer is at once so vast in extent 107 works: hI:1-104 107-8 and one recently identified work K 18 not listed in Hoboken so historically important and of such high artistic quality." James Webster in Grove Music Online. Cianchettini & Sperati unknown

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[HAYDN, Joseph 1732-1809]. Carpani, GiuseppeBiblio.com

Le Haydine ovvero lettere su la vita e le opere del celebre maestro Giuseppe Haydn di Giuseppe Carpani dedicate al R. Conservatore di Musica di Milano

181239523Milano: Candido Buccinelli . contrada di s. Margherita num. 1118 1812. Octavo. Dark blue calf-backed marbled boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title verso publisher's note v-viii 298 i errata ii "Contorni delle Medaglie" i blank pp. First Edition of one of the first biographical accounts of Haydn preceded only by the far less important biographical pieces by Framery and Le Breton. Wolffheim II 523. The present work was translated into English in 1839 as The Life of Haydn in Letters. Carpani was an Italian librettist critic and poet. "Among various writings two books are particularly important: Le Haydine . and Le Rossininane ossia lettere musico-teatrali. . The former was plagiarized by Stendhal and this created a lively controversy. These books show that Carpani was very knowledgeable about all contemporary music and an astute judge of the renewal movement in the early 19th century. He was in touch with all the major composers of his period and accompanied Rossini on his celebrated visit to Beethoven in 1822." TNG Vol. 3 p. 818. Bound with: Majer Andrea 1765-1837. Discorse sulla Origine Progressi e Stato Attuale della Musica Italiana. Padova: Minerva 1821. 1f. recto title verso quotation from Quintil 3-173 i "Avvertimento" 1f. recto "Indice" verso colophon "Della Nuova Società Tipografica in Ditta N.Z. Bettoni e Compagni 1821". First Edition. OCLC copies in France and Italy only. With the fine engraved half-length frontispiece portrait of Haydn by J. Neidl after Zitterer often lacking. Binding slightly worn rubbed and bumped. Some minor wear and foxing but in very good condition overall. Candido Buccinelli ... contrada di s. Margherita num. 1118 unknown

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