Haydn, TerryBiblio.com
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0415614325.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
36835Carbon print photograph 134 x 84 mm printed on postcard stock; verso inscribed in ink 'Haydn J. Britton 6 years & 3 months'; no photographer's imprint; a superb print with beautiful soft tones; the verso has some staining. A magnificent study of a Melbourne jazz legend in early childhood. The following is Ralph Powell's tribute to Haydn Britton The Man with the Golden Sax published in VJAZZ Quarterly Magazine of The Australian Jazz Museum number 63 August 2014: 'HAYDN John Britton — Clarinet and sax player — was heavily involved in the nascent Melbourne jazz scene of the 1930s and 1940s playing with such jazz luminaries as Ade Monsbourgh The Bells Jack Varney and Cy Watts before apparently fading from the jazz world into which his peers grew. When the redoubtable Roger Beilby suggested discovering what happened to Haydn Britton I thought it would be a straightforward task little realising how far from the truth that would prove to be. To begin with the public record lists him as Haydn Hayden Hadyn or Haydon. Put these together with Britton and/or Britten and we had the recipe for a researcher’s nightmare! Quite a bit exists on his early years but there is then a complete dearth of information until he reappears in retirement on the Mornington Peninsula. Haydn John Britton was born on the 18th of December 1914 the only son of John and Beatrice and grew up in Port Melbourne. By the time he befriended Cy Watts in about 1931 he was playing a home-made ukulele and the kazoo. Together the two of them “used to study a lot of coloured musicâ€1 and spent Sunday afternoons listening to jazz on the amateur radio station 3CB owned by Bill Sievers. In 1934 Melbourne the centres of Sunday jazz were Fawkner Park Kiosk during the day and the Richmond Baths at night. It was at the latter that Haydn introduced Jack Varney to the sounds of pianist Barney Marsh and sax player Harry James. By 1938 Haydn had purchased an alto sax and together he and Cy teamed up with Johnny Parker and Tommy Crowe sending the “jazz along in first class style.â€2 Jack Varney describes Haydn as a childhood friend whose grandfather was West Indian. According to Varney Haydn was “an amazing character one of those people who didn’t know a note of music at first but who would sit at the piano — you could sing him any tune and it was impossible for him to play a wrong chord.â€3 Consequently they soon formed a trio with sax drums and piano doing their “best to play the sort of material that was coming in. Eddie Lang . Fats Waller and Louis Armstrong . Bix Beiderbeck Joe Venuti and Frank Trumbauer.â€4 Haydn and Jack Varney performed at ‘The 431’ from 8.30 pm Saturday nights finishing at 2.00 am the next morning. It was here they met Ade Monsbourgh and Bill ‘Spadge’ Davies. Graeme Bell describes how in the Christmas of 1939 he and Roger were on the PS Weroona for a picnic cruise down Port Phillip Bay to Sorrento. Together with Russ Murphy on drums Haydn Britton on clarinet and alto sax and Bill May on bass Graeme remembered “great excitement and hilarity throughout the day.â€5 On another occasion Haydn played baritone sax in Graeme Bell's Dixieland Band with a line-up which included Roger on trumpet; Pixie Roberts on tenor and clarinet; Graeme on piano; Stan Chisholm bass; Bud Baker guitar; Laurie Howells drums; and Benny Featherstone trombone. 6 Haydn and Jack also had a regular Saturday night gig at the Sandringham RSL hall with Jack Dockerty on trumpet. When the two Jacks entered the armed forces Graeme and Roger Bell continued playing with Haydn. In 1943 Ade Monsbourgh arranged for The Eastside Ramblers to record You Must Have been a Beautiful Baby. The line-up included George Fong George Tack Brooks Jackson débuting on drums together with “the grand alto of Haydn Britton.â€7 By 1949 Haydn had moved to Springvale and was running a general engineering business and sports goods retail store in Springvale Road Springvale in partnership with Robert Oliver Luxford. He undertook several recording sessions in the 1940s before seemingly disappearing from the jazz scene thereafter. East Side Ramblers 4th July 1943; Jack Varney's Varmints 5th November 1944; Jack Varney & His Varmints; Lazy Ade's Late Hour Boys 15th August 1944; Father Ade's Backroom Boys 3rd November 1944; Denis Farrington 12th August 1946; 19th January 1949. Shirley McConechy recalls that during most of the 50s Haydn played at the then popular New Alexandra reception and function Centre in East St Kilda run by Ray Bolwell Snr and later by Ray Jnr. Her father Bert Gardiner was on piano Tom Buckingham on drums Lin Challen or Fred Buckland on bass with vocalists including Joy Grandin Irene Hewitt and Diana Trask. He moved to Rye with his wife son and daughter where much later he used to provide entertainment in local retirement homes. He also played with the Tommy Carter Band and Mavis Campbell remembers him as a regular at the Jazz Parties that she and husband Don put on at their Blairgowrie property for up to 83 people at a time. In latter years he worked part-time for life-long friend Bill May of Maton guitars and he played sax at a gathering celebrating Bill and Vera’s 50th wedding anniversary. His collection of instruments including a clarinet tenor saxophone gold-plated French saxophone and bugle used until he stopped playing in 2006 were auctioned in November 2009. Haydn died on March 10th 2013 aged 99. Endnotes: 1. C. Ian Turner Collection – Handwritten Jazz Notes article by Cyril Watts 2. Ibid. 3. Frank Athena - The Melbourne Jazz Scene. 1978 4. Ibid. 5. Bell Graeme – Australian Jazzman: His Autobiography. p. 34. 1988 5. Birkenbell Antionette - From Bourbon Street to Bennett’s Lane p. 49. Unpublished. 2011 6. Bell Graeme – Op Cit. p.42 7. C. Ian Turner Collection.'  unknown
1990Q-0486264114Dover Publications 1990-08-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
0957365837.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SONG0415869811Routledge 2014-10-20. 4. paperback. Used: Good. 6.85x0.82x9.69. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
DADAX0486406970Dover Publications 0000-00-00. paperback. New. 8.25x0.75x11.00. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
181140148London: Clementi Banger Collard Davis & Collard 1811. Folio. Disbound. 1f. recto title verso blank 1 blank 2-16 pp.<br /> <br /> Occasional fingerings in pencil. <br /> <br /> Slightly browned; minor soiling to blank lower outer margins. This arrangement not in HWV. OCLC 960142000 1179430400 1314102877.<br /> <br /> Skeletal arrangements of larger-scale works built around the upper- and lowermost parts of a score were frequently created by instrumentalists in the two centuries preceding this publication. Examples include orchestration-flexible harpsichord suites of Dieupart and Le Roux the arrangements of solos and trios by Corelli et al. published by Etienne Roger for harpsichord plus ad libitum violin and cello and the numerous transcriptions of Lully orchestral dances. This flexibility of ad libitum arrangement continued to be practiced in the early 19th century and beyond. <br /> <br /> "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies. . In no. 94 the famous outburst in the Andante is actually the least remarkable 'surprise'; the opening Vivace reaches new heights of tonal wit and expansive brilliance and the concluding sonata-rondo masterfully combines large scale sonata-rondo form rhythmic vitality playful surprise and underlying cogency of argument." James Webster in Grove Music Online. Clementi, Banger, Collard, Davis & Collard unknown
184925485Leipzig: Breitkopf & Härtel PN 7682 1849. Folio. Original publisher's gray printed wrappers. 1 title 2-67 i blank pp. Engraved. Text incipits in German as captions; text underlay in the initial recitative. Small publisher's handstamp to foot of title. Publisher's catalogue to verso of lower wrapper: "Friedrich Kalkbrenner's Pianoforte-Werke" listing works up to op. 190 1849.<br /> <br /> With handstamps of "C. Breusing New York 701 Broadway" and "Horace Middleton South Millbrook N.Y." to upper wrapper and title. <br /> <br /> Wrappers slightly stained and partially detached; minor loss to head of spine. Title detached. A later arrangement. Not in HWV WorldCat or RISM. <br /> <br /> The company of Charles Breusing New York was active from 1854 to 1861.<br /> <br /> Horace Middleton 1879-1961 a British-born musician who served on the faculty of Bennett College from 1919 to the mid-1930s was best known for the music he composed for the Greek plays performed at the college. Obituary Millbrook Round Table 23 November 1961. Breitkopf & Härtel [PN 7682] unknown
1970Q-0739008552Alfred Music 1970-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
0486287289.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985SONG0708308821University of Wales Press 1985-07-30. hardcover. Used: Good. 8.50x1.00x5.90. Buy with confidence. Excellent Customer Service & Return policy. University of Wales Press hardcover
1954652281London: Hamish Hamilton 1954. 1st UK Edition . Hardcover. Very Good/Good. Searle Ronald. 246 pages in very good condition. Pages are clean and unmarked with black and white illustrations throughout by Ronald Searle. Previous owner's inscription on the ffep. Bound in yellow hardcovers with black titles. Lightly darkened and stained on the edges. Yellow dustjacket in good condition with black titles. Darkened on the spine. Worn around the edges with chips and tears. Smudged and scuffed. 1ST UK EDITION. NPC. VG/G <br/> <br/> Hamish Hamilton hardcover
58928Leipzig Au bureau de Musique de C. F. Peters ca. 1820. 2° 13 u. 7 S. gestochene Noten. Privat-Umschlag d. Zeit Umschlag an Rücken durchgerieben Frontumschlag mit aufmontiertem Schildchen Titelbl. an oberem Rand hinterlegt erster Bund im Gelenk verstärkt etw. stockfleckig letzte Seite mit Eckabriss jedoch ohne Textverlust. Nur die Blätter für die I. Violine u. das Cello. Text frz. Umschlag mit handschriftlichem Titel; Titelbl. u. Umschlagsinnenseite mit handschriftlichem Vermerk «Nr. 135» u. «Nr. 1 D-moll Nr. 2 B-Dur Nr. 3 A-dur» Streichquartette op. 9 Nr. 4–6 Noten für Violon primo und Violoncello. 010 Leipzig, Au bureau de Musique de C. F. Peters, ca. 1820 unknown
1950016173New York NY U.S.A.: Edwin F. Kalmus 1950. RARE No. 110: Four symphonies: Numbers 96 97 98 and 99 : Fair condition Softcover 8vo circa 1950 70 pages. Exterior stained with edgewear light creasing and the original price sticker on the front. Interior musical score contains some pencil notations otherwise is solid and clean. NOT A REPRINT!. 1st Edition. Paperback. Fair. 8vo - 7" to 9" Tall. Book. Edwin F. Kalmus Paperback
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1138812692.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0265812062.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19311887151107042Schirmer New York 1931-01-01. Paperback. Very Good. Nice looking book has minor edge wear. Schirmer, New York paperback
ria9781138590601_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Environmental scientist and writer Haydn Washington argues that we will not solve the environmental crisis unless we change our worldview and ethics and to do so we must rejuvenate our sense of wonder at nature. This book focuses on hu paperback
ria9781138812697_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; What is sustainability Much has been said about the terms ‘sustainability’ and ‘sustainable development’ over the last few decades but they have become buried under academic jargon. This book is one of the first that aims to d paperback
ria9780415632584_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Humanity is dependent on Nature to survive yet our society largely acts as if this is not the case. The energy that powers our very cells the nutrients that make up our bodies the ecosystem services that clean our water and air; thes paperback
1932001767London: London Missionary Society 1932. 1st Edition . Soft cover. Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Good condition softcover in red/black/white pictorial cover; black/white frontis and illustrations; pp. 88. Minor shelf wear. First page bears completed contemporary presentation for raising 10 shillings during 1932. <br/> <br/> London Missionary Society paperback
1349046620.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1125206640.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0367553120.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
